DARK YOGA



“Crucial re-press and re-design of the Dark Yoga CD that came out in very limited numbers a little while ago.

“Dark Yoga is an obscure Northwest American Psychedelic NOW VIBRATIONAL Music Commune founded in early 06 by Adam Forkner, Honey Owens, Brian Thackeray, Matt McDowell, Aria Benner and Dan Barone. Dark Yoga’s music is a heavy heavy weird brown fog of loose psychedelic improv in a fuzz-wah style with 70′s Miles vibes, distant flutes, bongos, etc etc etc.

“LIVE BROADCAST: HEAVY TRUTH is a Radio Transmission from the Spiritual Heart of this Commune at the Apex of their groove recorded in May of 2006. Its an hour-plus of continuous improvisation that wanders from heavy psyche fuzz funk to strange passages of pastoral hippy bongo and flute melt-downs, and everything in between…

“EDITION OF 100 in hand-screened covers”

New Ribot on Tzadik


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MARC RIBOT
“Asmodeus: Book of Angels Volume 7″

Tzadik
Cat. # 7362
Released Jun 2007
cd time – 38:30
US Price $16.00

1. Kalmiya
2. Yezriel
3. Kezef
4. Mufgar
5. Armaros
6. Cabriel
7. Zakun
8. Raziel
9. Dagiel
10. Sensenya

Personnel:
John Zorn: Composer, Conductor
Trevor Dunn: Bass
Marc Ribot: Guitar
G. Calvin Weston: Drums

“Three of the most intense musicians on the planet come together in one of the most explosive and rockin’ ensembles around. An original member of the Masada family since its inception, no one is more keenly equipped to handle a rock trio interpretation of the Book of Angels than Marc Ribot. Joined here by the versatile Trevor Dunn (Fantomas, Moonchild) on bass and the legendary G.Calvin Weston (Ornette Coleman, James Blood Ulmer) on drums, Marc plays like never before, referencing Hendrix, Sharrock, McLaughlin, Ulmer and more. Masada music takes on a whole new dimension. Passionate and powerful, this is one of the most compelling installments in the entire Masada series and contains some of Ribot’s wildest and best playing ever. This CD will blow your mind.”

The Drama Review (TDR) number 43: Spring 1969, The Living Theater Issue

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from the Stefan Brecht’s Article: Revolution at the Brooklyn Academy.

The Living Theater’s four splendid spectacles were a great event. Like an astonishing portion of the country’s popular music, they proved to be in content and form outside the social system, not structured by it nor, except as outlet, implementing it: liberated territory.

Below is a script for the anti-theater masterpiece(?) Paradise Now.
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“This chart is the map. The essentail trip is the voyage from the many to the one. The plot is revolution.”

In the film Paradise Now documenting a performance of the piece in Brussels and Berlin, the “actors” after haranguing the audience for hours, with naked calisthenics and existential questions like “why can’t I smoke marijuana”, yell something like, “leave the theater, the real theater is in the streets”. People tumble toward the door, presumably heading for some kind of barricade.

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