Double Dose of Drone: White Rainbow, Windy & Carl in Los Angeles this weekend


Windy & Carl’s “Undercurrent” from their 2001 album, Depths.


Los Angeles hosts some of the best bands in the country this weekend (if one were to judge such things based on the soundsystem at Arthur’s Atwater office and distribution center) creating a real stumper when it comes to Friday night. If you forgot to snatch tickets for the Animal Collective/Grouper show at the Wiltern and you’re sitting out on the Brightblack show in Eagle Rock for some reason, then might we suggest you consider Windy & Carl along with White Rainbow on Friday at Synchronicity Space? Local avant-dub banana-peelers Sun Araw are also on the bill, which is good news. Here’s the details:

Who: Windy & Carl, White Rainbow, Nudge, Fantastic Sleep, and Sun Araw
Where: Synchronicity Space
4306 Melrose Ave.
Los Angeles, CA 90029
When: Friday May 29, 8pm to 12am
How much: $5
More info: www.syncspacela.com


Adam “White Rainbow” Forkner explains his music to Pauly Shore.


And in case you’re going to be at either the AC or BBML happenings on Friday (or if you’re coming down from Dublab’s Tonalism up in Big Sur), you can still gorge yourself on gentle granola drones as Windy & Carl and White Rainbow will be playing on Saturday afternoon at Echo Curio.

Who: Windy & Carl, White Rainbow, Nudge
Where: Echo Curio
1519 Sunset Blvd.
Echo Park, CA 90026
When: Saturday May 30, 3pm to 6pm
How much: $5 donation
More info: www.echocurio.com

Tonight, Ventura CA: Free midweek "psychedelically-charged musical event" at Grady's Record Refuge…

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From Grady Runyon (Monoshock, Liquorball), who runs a great record shop up in Ventura…

WHAT: Cave and Jealousy and special guests
WHEN: Wednesday, May 27, 8-10pm
WHERE: Grady’s Record Refuge, 2546 E. Main St.., Ventura, 805-648-5565

The stalactites have been falling from club ceilings across the country in the wake of Chicago psych/rock instrumentalists CAVE’s summer tour. The band is supporting their new album Psychic Psummer (Important Records), other California stops have included The Hemlock Tavern and The Smell. Tour partner JEALOUSY creates a one-man Spaceman 3 vibe. And don’t miss a very special group of local like-minders who will be making their debut at 8pm sharp. Come refresh your midweek with this psychodelically-charged musical event!

CAVE: myspace.com/realreelpro
JEALOUSY: myspace.com/jealousychina
GRADY’S RECORD REFUGE: myspace.com/gradysrecordrefuge

Also, there is a new LIQUORBALL LP out—a live recording of the show in my store last year with Steve Mackay. Ordering info/audio excerpts on the Bad Trips myspace page:
myspace.com/theebadtrips

Today's Autonomedia Jubilee Saint — IBN KHALDUN

khaldun
May 27 — Ibn Khaldun
Great Arabic historian, chronicler.

MAY 27, 2009 HOLIDAYS AND FESTIVALS
*Feast of Zerowork

ALSO ON MAY 27 IN HISTORY…
1332 — Arab historian Ibn Khaldun born, Tunis, Tunisia.
1525 — Anabaptist communist Thomas Münzer executed.
1871 — Paris Commune crushed, with 25,000 massacred.
1878 — Modern dancer Isadora Duncan born, San Francisco, California.
1907 — Ecology pioneer Rachel Carson born, Springdale, Pennsylvania.
1949 — Robert Ripley dies, believe it or not.
1997 — Russian Pres Boris Yeltsin signs historic treaty with NATO.

Excerpted from The 2009 Autonomedia Calendar of Jubilee Saints: Radical Heroes for the New Millennium by James Koehnline and the Autonomedia Collective

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BULL TONGUE "TOP TEN #4" by Byron Coley & Thurston Moore

TONGUE TOP TEN #4 – May 26, 2009

Hey little buddies. Been sick as rat turds for a while now, but the covers are peeling back and we are breathing again. Nice.

1. We have made no secret of the boundless enthusiasm with which we embrace Vermont’s Mr. Dredd Foole and all his works, so it should be no surprise to hear that sparks fucking burst when these two new slabs arrived at headquarters. Songs to Despond Ya (Apostasy) is a brilliant solo live LP, with Dredd on acoustic guitar and howler, which demonstrates the warmth of smoke and the magic of his sound. It seems bogus to repeat the mantra for the nth time, but Dredd really takes the impulse of Starsailor/Lorca/Blue Afternoon-era Tim Buckley and throws it into the stratosphere. As casual as it is amazing. And it is icing to report that there is finally graspable evidence of the Dredd & Ed experience, after a couple decades (almost) of scattered live tapes and buzzing memory bulbs. That Lonesome Road Between Heart & Soul (Bo’ Weavil) is a CD by Dredd Foole and Ed Yazijian, who may be known to a few folks for his work with Kustomized or his Gladtree solo LP, Six Ways to Avoid the Evil Eye. Anyway, Ed is a string maestro inside this conceptual bonding, doing violin, lap steel and other guitar stuff, while Dredd uncorks spirals of upful phlegm. It’s glorious buzzing, droneful music, and a great companion piece for the LP. Of course, it should have been an LP itself, but what the hex?

2. Recent trip to that poetry fest in Cleveland went okay. Thanks for asking. Saw a bunch of good stuff. Drove many miles. Got an excellent book. Actually, got a few good books, but we have favorites on our minds right now, and that is a camp into which we will always place the great Valerie Webber and the equally smokin’ Elaine Kahn (late of 50 Foot Women). The pair has collaborated on a solid new volume called Convinced by the End of It (Big Baby Books), split in twain, shared half by each. And it is a motherfucker of a read—one of the best things we’ve read in a long time. Their voices have been very different in the past, these two, but there are similarities here never noted before—a slowly twisting surrealism, combined with casually strident orgone boil. This is powerful, funny, mean and possessed of a magical quality we associate with the incredible early work of Erica “Rikki” Ducornet. This is writing in its highest form.

3. For whatever reason, new jazz/improv disks have not been finding us as regularly as they once did. Maybe we complained about the format too much, and since no one apart from SIWA, QBICO, Eremite and a coupla other places even understand that jazz should be available on LP, it’s usually no big deal. But recent car travel has made CDs a somewhat more useful format (at least in the short term), and we got these three new things from the Porter Records label (previously noted for reissuing a few key Philadelphia pieces), and figured they’d ride as well as anything. And they did. Opus de Life by Profound Sound Trio which documents a show from June ’08. Saxophonist for the date is Englishman Paul Dunmall, who doubles on bagpipes, and really blows like a maniac. Long mired in my brain as a second tier freebopper, Dunmall presents a much weirder surface here than expected, creating raw melodicism with an almost primitive grace. The rhythm section is Andrew Cyrille and Henry Grimes (Cecil Taylor’s legendary Blue Note-era backline). Cyrille sounds as good as always—alternately multi-dimensional and hammy—and Grimes puts in a very solid arco-heavy performance on bass and violin. Had not paid much attention to the rediscovered Grimes, but his work here is fine. Julu Twine by Alan Sondheim and Myk Freedman finds Sondheim’s various strings (he’s been playing, writing and creating in various fields since the early ’60s) paired with Freedman’s lap steel to lovely weird effect. Tones get bent so far they curl back on themselves, and eternity’s whistle is always just a psychedelic heartbeat away. Sondheim’s reactivated musical career has been very interesting to track, and this album’s a good one. Not jazz, but good. Even less jazzic is Folkanization by Francesco Giannico. This young Italian electro-acoustic composer in whose work we can hear tendrils of everything from Luigi Nono to Toru Takemitsu. Filled with odd details, the music is fascinating. Good for the car, anyway.

louispothead

4. Much recent fume time has been spent amidst the pages of Steven Brower’s Satchmo (Harry N. Abrams), a book largely dedicated to the visual art of the last century’s premier pothead—Mr. Louis Armstrong. Brower was also responsible for that cool book of Woody Guthrie’s visuals a few years back, but this one is even bonnier on the peeps. Armstrong was an insanely gifted collage artist, who created hundreds of self-referential pieces to adorn reel-to-reel tape boxes, scrapbooks and even—until his wife pulled it down anyway—one of the walls of his house in Queens. The text Brower conjures is cool, but it’s really just a context generator for the wild wild art that crawls all over the pages of this book. Been showing this to everyone who falls by and they’re all blown away. You be, too.

rockymountainlow

5. If you held a gun to our heads and yelled, “Quick! Think of a great whiskey!” We’d have no problem rolling out a list that would make you weak in the knees. If, however, instead of whiskey, you asked for a list of great Colorado punk bands, the list would peter out in an embarrassingly short time, even if we stuttered a lot. Consequently, it’s no lie to say we were shocked (SHOCKED!) by the amazing contents of Rocky Mountain Low (Hyperpycnal)>. This 2 LP set is an insanely great insider’s view of the Colorado underground scene of the late ’70s. We’d never even heard rumors about half the bands here, but Joseph Pope (of Angst “fame”) was an active participant, and along with Dalton Rasmussen, he pulled together a great set of unreleased nuggets from demos, rehearsal tapes & whatnot. Like lotsa scenes in their early days, the sounds here are heterogenous—’60s style pop, hard garage, weird experimentalism and Brit-damaged lunge are all part of the mix, just as they were in the day. The book/zine included is a great blend of history, attitude, crappy-looking fliers and the best picture of Jello Biafra you will ever see in this lifetime (or any other) (although this one is good, too). Every town deserves this kind of deep investigation. Superb shit.

groovies

6. One of us (not telling who) recently made the trek down to New Orleans for the Ponderosa Stomp, which is an annual event tracking the trajectory of oddball roots dudes of all stripes. Two stages, ten hours a night at the House of Blues added up to 30-40 hours of solid listening insanity, but the absolute highpoint was the…well, not reunion of the Flamin’ Groovies (pic’d above), exactly, but it was the first time that founding members Cyril Jordan and Roy Loney had been together onstage since ’71, when Loney split in the wake of the Teenage Head LP. They were backed by the A-Bones, with Ira Kaplan on organ and former Groovies fanclub head Miriam Linna, banging the beat, and man, it was insane. Jordan and Loney both have a crazy sorta look going (check the youtube vids), but the sound was so right on you could just cry. They played almost all stuff from the first three LPs, but at show’s end they tackled “Shake Some Action” (from the long-post-Loney days), “Teenage Head” and “Slow Death” (which was recorded after Roy had left). It was unbelievably great. People were screaming like babies and Miriam was singing along with everything and just looking like the cat who ate the canary. There are going to be a couple of reprise shows coming up this summer, and you would be well advised to be there.

sperm-shh

7. Many peeps out there may know something or another about the legendary NWW list. This was a printed insert of recommended obscurities Steven Stapleton included in copies of the first couple of Nurse With Wound albums. The list has been a touchstone for a lot of people over the years, and various attempts to reissue bits and pieces from it have been made. Right now there are actually a goodly number of them available in one digital format or another, but shamefully few have been blessed by vinyl reissue, which remains the king of all known formats. Thankfully, De Stijl has taken the time to do a lovely, lovely LP reissue of the sole album by the Finnish experimental band, Sperm. Entitled Shh!, the album features one side of kosmiche-tinged free-rock with many electronic asides. The flip replaces the kraut proclivities with some free-jazz reed-gush, and it all sounds utterly jake. The original had a silk-screened sleeve, but this one looks dandy and sounds better than any original we’ve ever laid ears on. Gut stuf!

humbug-08

8. The story of Mad in its EC days is pretty well known. The early issues, edited by the insane Harvey Kurtzman have been reprinted in whole and also in various anthologies frequently during the past 50 years. Kurtzman’s next few projects have been less well documented. He left Mad to do a glossy humor mag called Trump for Hugh Hefner. Hefner killed the mag after two issues, but he allowed Kurtzman to use free office space. As a result, Kurtzman organized a bunch of other artists to pool their funds to create an autonomous humor monthly. It ran for 11 issues in 1957-58 and was called Humbug. We’ve seen occasional loose issues of the ‘zine, but Fantagraphics has compiled the full run in a new two-volume box set, and included lots of interviews, historical context, and info about Kurtzman’s next project, Help! (among many other things). The reproduction quality is great, and the contents—by Kurtzman, Will Elder, Arnold Roth, Al Jaffe and Jack Davis—are far more sophisto than Mad, and less pop-culture-oriented than Help! In a way, Humbug almost feels like a goof-humor version of The New Yorker or something. There’s a lot of fairly serious political/social commentary, cloaked in wry rainment. It’s a blend as interesting as any cocktail, and it’s goddamn great to have this stuff easily available. Hats away!

9. One of the less-known documentaries by D.A. Pennebaker is the hour-long Sweet Toronto, which was filmed at the Toronto Rock & Roll Revival festival in 1969. It has just been issued on DVD under the title John Lennon & the Plastic Ono Band Live in Toronto ’69 (Shout Factory) and is a rather good eye-felch. Pennebaker is a great framer of live concerts and this is no exception. It opens amidst a somewhat half-assed looking group of bikers who seem to be escorting the Plastic Ono Band to the outdoor concert, but soon settles down to matters at hand. There are segments with Bo Diddley, Jerry Lee Lewis and Little Richard to start things off (the full line-up was: Milkwood, Nucleus, Whiskey Howl, Cat Mother & the Allnight Newsboys, Chicago Transit Authority, Screaming Lord Sutch, Tony Joe White, Doug Kershaw, Alice Cooper, Junior Walker, Diddley, Gene Vincent, Lewis, Richard, Chuck Berry, Onos and the Doors. MC was Kim Fowley. Wonder where the other footage is?), the Plastic Ono Band hits stage with a boom. It’s crazy to see Yoko crawling around in a white bag while Lennon and Clapton howl through “Blue Suede Shoes”, and the vibe of the whole thing is gorgeously bizarre. By the end, when Yoko’s singing “John John,” Clapton has his guitar off and is kneeling, back to the audience, nudging feedback from his amp as though he was in the Skaters or something. Fuckin’ A!

manchild_coverwide

10. Just got a little package with three issues of Brian Walsby’s Manchild comics (Bifocal Media), the third and fourth issues of which come with CDs by the always exquisite Melvins. Walsby was extremely active in artifying the punk underground of the mid-‘80s onward, and his books are densely scripted and great reads. Some of the stories are about Brian’s early years, but most are detailed accounts of hardcore bands, what happened to them, interactions Brain had with them over the years, etc. Kinda inside baseball, but totally fantastic if yr into the noise at all. We don’t agree with all of Walsby’s assessments, but we defend to the death his right to say that the Descendents improved over time. Now that’s funny!

Alright, please be a good egg – if you want it licked, send two (2) (TWO) copies to:

BULL TONGUE
PO BOX 627
NORTHAMPTON MA 01061
USA

Fri, May 29 NYC: Gary Panter & Devin Flynn's CD release party, with Ross Goldstein plus Angela Jaeger and Byron Coley at Issue Project Room

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*Devin & Gary Go Outside*
(featuring Ross Goldstein)

with *Angela Jaeger and [Arthur columnist] Byron Coley*

The #1 Hit Record “Devin & Gary Go Outside”

will be for sale, along with special collage package,

housemade by Gary and Devin.

Silkscreened poster by Chris Capuozzo, above, will also be for sale.

Friday, May 29, 8PM

Back by Popular Demand

Issue Project Room
At the Old American Can Factory
232 3rd Street, 3rd Floor
Brooklyn, NY 11215

$10

issueprojectroom.org/

Friday, May 29, Eagle Rock: BRIGHTBLACK MORNING LIGHT (all ages welcome)

brightblackweb

Friday, May 29th
Brightblack Morning Light
Rio En Medio
William Fowler Collins
@ the Center for Arts, Eagle Rock
2225 Colorado Blvd
LA, CA 90041
$12 / 8:00pm / All Ages
Advance ticket link: http://bit.ly/HghCW

Brightblack Morning Light were interviewed by Trinie Dalton in Arthur No. 31 (Oct 2008), with photographs by Lisa Law. The magazine is available for $10 from the Arthur store. The article is available online here.

Brightblack were also interviewed by Daniel Chamberlin in Arthur No. 23 (July 2006), with photography by Eden Batki. Were almost out of copies of that issue, so it’s going for $100 from the Arthur store.

Today's Autonomedia Jubilee Saint — JACOB RIIS

riis
May 26 — JACOB RIIS
Compassionate photographer, champion of the poor.
childeren20sleeping
Riis’ Sleeping Children

MAY 26, 2009 HOLIDAYS AND FESTIVALS
*Feast of VooDoo Economics.

ALSO ON MAY 26 IN HISTORY…
1799 — Black Russian poet Alexander S. Pushkin born.
1895 — Socially-aware photographer Dorothea Lange born, Hoboken, New Jersey.
1914 — Social realist photographer Jacob Riis dies, Barre, Massachusetts.
1976 — Nazi sympathizer and philosopher Martin Heidegger dies.
1977 — George Willig climbs World Trade Center, New York City.

Excerpted from The 2009 Autonomedia Calendar of Jubilee Saints: Radical Heroes for the New Millennium by James Koehnline and the Autonomedia Collective