"IT'S COMING DOWN, BABY!": Sir Richard Bishop interviewed by Erik Davis (from Arthur No. 27/Dec 2007)

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It’s Coming Down, Baby!
Erik Davis catches up with SIR RICHARD BISHOP—gypsy picatrix, ex-Sun City Girl and guitarist extraordinaire
Illustration by John Coulthart

Originally published in Arthur No. 27 (Dec 2007)

Superlatives can be lame, but Richard Bishop is one of the few post-punk guitarists who came of age in the 1980s to have achieved the incendiary prowess of a true Guitar God. Though largely unknown outside the underground, Bishop plays and improvises with an uncommon and original power. He can tantalize in a myriad of styles, he has a global jukebox in his head, he can shatter the walls of sleep and chaos, and he can turn on a dime. He loves the guitar and mocks it: he plays like an absurdist and a romantic at once. He studies the occult and travels the Third World fringe and you can hear it. He plays guitar to save himself and fails in the endeavor and you can hear it. He can scare the shit out of you sometimes, and he can make you giggle and grin.

For decades Bishop played with his brother Alan and the Charlie Gocher in the Sun City Girls, where his ferocious and inventive exploration of psych-rock, punk spew, idiot jizz, Indo-Arabic fantasias, and jazzbo abstraction was often shadowed by the madcap antics, acerbic lyrics and general air of arcane weirdness that surrounded that impossible act. Gocher passed away in February this year at the age of 54, and the Girls are no more.

But over the last half decade, Bishop has also been playing and recording solo instrumental music as Sir Richard Bishop, and the effort is really starting to flower. This year SRB released two great albums. While My Guitar Gently Bleeds features three long pieces that triangulate his essential territory as an improviser: a North African arabesque, a noisy electronic nightscape, and a modal neo-raga on the tantric tip. Polytheistic Fragments is a more accessible and varied work, featuring a dozen tunes that also stretch into Americana, gypsy rag and Lennon-McCartney charm. As always, the recordings are packaged with strange and mystic images that speak to Bishop’s longtime study of esoterica.

Earlier this fall Bishop toured with labelmate Bill Callahan. I called him while he was taking a break in Seattle. Continue reading