David’s one-panel comics were featured throughout the premiere issue of Arthur, published in September, 2002. He also illustrated “Uncle Skullfucker’s Band,” Daniel Chamberlin’s piece on being a secret Deadhead that ran in Arthur No. 11. Both issues are in stock at the Arthur Store.
Here’s a short list of recent gift-worthy work by folks who have either contributed to Arthur through the years, or been covered in the magazine. Promotional text for each item is in quotes, with order links at the end of each item’s entry, as close to the source as we could find. This list is not meant to be definitive—just some stuff that’s caught our attention recently that we thought Arthur folk might dig…
THE BEAUTIFUL & THE DAMNED: Punk Photographs by Ann Summa
Edited with an introduction by Kristine McKenna
Foreword by Exene Cervenka
Foggy Notion Books/Smart Art Press
Hbk, 9.25 x 12.25 in. / 112 pgs
“When photographer Ann Summa arrived in Los Angeles in 1978, the city’s punk scene was still fresh, diverse, smart, utterly original—and fertile territory for a young photographer. The Beautiful & the Damned is a collection of her portraits of the musicians, artists and fans who made Los Angeles such a crucial part of the history of punk. Taken between 1978 and 1984, the images mostly revolve around L.A.’s first punk generation, and include portraits of the Germs, the Screamers, X, the Cramps and the Gun Club, among many others. From there, the book expands its scope to accommodate the cross-pollination that took place between L.A.’s punk scene and the fine art community, (at the time, the audience for avant-garde artists such as the Kipper Kids, Johanna Went and Laurie Anderson was primarily drawn from the underground music scene), and the two other cities—London and New York—that played a central role in the birthing of punk. Photographed during their first U.S. tours are U.K. groups the Clash, Magazine, the Fall, the Slits, Bow Wow Wow and the Pretenders, among others. Visiting dignitaries from New York include Television, James Chance, Lydia Lunch and Talking Heads. Also included are portraits of artists who served as an inspiration to L.A. punks—Captain Beefheart, Iggy Pop and David Bowie, among others—plus candid shots of unidentified audience members. Includes 95 previously unpublished images.”
From the introduction…
“Everyone knows that punk rock is rude. What’s less known is that during its first incarnation in Los Angeles, during the late 70s, it was ecstatically beautiful. At that point mainstream culture hadn’t yet detected the scent of money on this newly-born music, and punk hadn’t yet been hijacked by adolescent boys bent on transforming themselves into human cannonballs. Punk was an intimate affair then. Nobody was watching or judging that original band of outsiders, because there was no money to be made, and nothing much to be won or lost at all. There was no reason for those people not to cast off the rules that had governed their world up until that point. And so they cast off the old rules, and made themselves a new world that was entirely their own. And, for a brief, glorious period they operated in a zone of complete freedom.
“The taste of freedom can be startling — you can see that in the faces of many of the people who appear in these pictures. They were surprised to find their tribe — surprised to discover they actually had a tribe. Surprised to learn they could be themselves and be embraced for it. Surprised to find they could create beauty, and live without the comforts of the middle-class homes they came from. What made all of this possible was the simple fact of community. Most L.A. punks of the late 70s were poor, many were high a lot of the time, and everyone was a little crazy. Nonetheless, they supported and shared with one another, and they saw the brilliance in each other.”
HOW TO WRECK A NICE BEACH: The Vocoder From World War II to Hip-Hop—The Machine Speaks
by Dave Tompkins
Stop Smiling Books
Color, 336 pages
“The history of the vocoder: how the Pentagon’s speech scrambling weapon transformed into the robot voice of pop music. How to Wreck a Nice Beach includes interviews with: Afrika Bambaataa, Ray Bradbury, Florian Schneider of Kraftwerk, Peter Frampton, Laurie Anderson, T-Pain, Teddy Riley, DJ Quik, ELO, Rammellzee, Arthur Baker, Michael Jonzun, Midnight Star, Lester Troutman of Zapp, Holger Czukay of Can, Donnie Wahlberg, Egyptian Lover, Fab Five Freddy, Forrest J. Ackerman, Man Parrish, Cybotron and Wendy Carlos, composer of A Clockwork Orange and The Shining. ”
$25.00 ($10 off the cover price)
SPELL TO DRAW YOUR TRUE LOVE
by Dame Darcy
“This multimedia pink 3 ½ in. doll cake is really a little round box containing pink powder puff and magnetism glitter body powder to puff over your skin after bathing. Rose love potion bubble bath, Mini-Chalice, instructions for moon water and a magic wand for stirring your bath. Draw your true love to you now and forever!”
by Steve Aylett
Scar Garden Press
“Collects 19 stories including ‘The Man Whose Head Expanded’, the prophetic ‘Download Syndrome’, ‘The Burnished Adventures of Injury Mouse’, the full text of ‘Voyage of the Iguana’, the last ever Beerlight story ‘Specter’s Way’, ‘Horoscope’, and the closest thing Aylett has ever written to a traditional SF story, ‘Bossanova’ (featuring a robot and two spaceships!) There are also animal-attack-while-writing reminiscences in ‘Evernemesi’ and top-of-the-line declarative bitterness in ‘On Reading New Books’. Snails, whales and cortical drills. Aylett’s last collection.”
by Trinie Dalton
“The story of Candy, a candy-addicted witch who resents her inherited lifestyle. After a fire burns down her gingerbread house, she leaves the forest and ventures out in search of the excitement of a more urban environment. Along the way she encounters a self-mutilating puppet, tastes meat for the first time, and falls in love with Death, a skeletal woman with a shoe fetish. Proceeds benefit the Theodore Payne Foundation.”
Trinie Dalton blog: http://sweet-tomb.blogspot.com/
BLOOD SPORT: THE LOUISIANA COCKFIGHTERS MANUAL
by Stacy Kranitz
Square 80 pgs Premium Paper, lustre finish
Cultural ethnography by photojournalist Stacy Kranitz.
Hardcover with dustjacket, $100
Stacy Kranitz: http://www.stacykranitz.com/
PURE COUNTRY: The Leon Kagarise Archives, 1961-1971
Text by Eddie Dean
9.5” x 9.5” • 204 pages • 140 Color images
“Throughout the ‘50s and ‘60s, many of country music’s biggest stars played their favorite shows on the small backwoods stages of rural America’s outdoor music parks. These intimate, $1-a-carload picnic concerts might have been forgotten if it hadn’t been for the documenting eye of music lover Leon Kagarise, whose candid photographs of the musicians and their fans provide the only surviving window into this long-vanished world. Kagarise captured dozens of classic country and bluegrass artists in their prime, including Johnny Cash and June Carter, George Jones, Dolly Parton, Bill Monroe, Hank Snow, The Stanley Brothers, and many other greats. Pure Country presents this collection of rare color images for the first time, revealing an archive considered by historian Charles Wolfe to be one of the richest discoveries in the history of American music. Foreword by Robert Gordon.”
DEFEND BROOKLYN by Dave Reeves
“We have all your favorite colors, as long as your favorite color is black.”
$24 tshirt, $40 hoodie
ENVISIONING SUSTAINABILITY by Peter Berg
“A collection of the important essays that helped define the bioregional movement and established Berg as an icon in the environmental community. Spans three decades of Berg’s life work, combines the candor, humor and vision that helped shape the sustainability revolution.” Don’t let the unfortunate cover throw you off. This has some classic San Francisco Diggers-era Berg pieces from now-unobtainable broadsides and posters in addition to the aforementioned pivotal bioregionalist texts.
Paperback $11.69, Kindle Edition $8.99
MAKE A TERRARIUM IN AN OLD LIGHTBULB
Informational video: Arthur blog
NOMAD CODES: Adventures in Modern Esoterica by Erik Davis
Yeti Verse Chorus Press
“In these wide-ranging essays, Erik Davis explores the codes—spiritual, cultural, and embodied—that people use to escape the limitation of their lives and to enrich their experience of the world. These include Asian religious traditions and West African trickster gods, Western occult and esoteric lore, postmodern theory and psychedelic science, as well as festival scenes such as Goa trance and Burning Man. Articles on media technology further explore themes Davis took up in his acclaimed book Techgnosis, while his profiles of West Coast poets, musicians, and mystics extend the California terrain he previously mapped in The Visionary State. Whether his subject is collage art or the ‘magickal realism’ of horror writer H.P. Lovecraft, transvestite Burmese spirit mediums or Ufology, tripster king Terence McKenna or dub maestro Lee Perry, Davis writes with keen yet skeptical sympathy, intellectual subtlety and wit, and unbridled curiosity, which is why Peter Lamborn Wilson calls him ‘the best of all guides to modern American spirituality.’ Cover artwork by Fred Tomaselli.”
HOWLIN’ RAIN “The Good Life” EP
Ethan Miller from Comets On Fire’s other, earthier acid rock band. Features two originals sandwiching a daring cover of the Jimi Hendrix Experience’s “Burning of the Midnight Lamp.”
TED LUCAS “Ted Lucas”
Beautiful wise hippie folk music from 1974.
IASOS “Realms of Light” dvd
“Iasos has created heavenly visuals to accompany the celestial music on his Realms of Light album. There are visuals for all 8 pieces on the music cd. The visuals are synced with the music with delightful precision. Like the music, some of the visuals are stimulating, and some are relaxing. And all are heavenly, uplifting, beautiful, and celestial. It took Iasos 4 years to learn video special-effects, and then another 3.5 years to actually create the 65 minutes of visuals to go with this music. But finally, here it is! Underlying Purpose: Music is capable of inducing Divine Emotions. Visuals are capable of inducing Divine Thought-Forms. When these two work together synchronistically & synergistically,their combined influence can trigger or “ignite” expanded States of Being. THAT is the Intention behind this DVD.”
EARTH ”A Bureaucratic Desire for Extra Capsular Extraction”
“For the first time the debut recordings of Earth are available in one concise, beautifully documented capsule. All 7 tracks have been carefully remastered by Mell Dettmer to make a more burly, mammoth and crushing audio experience. Includes liner notes from Dylan Carlson with artwork by Simon Fowler and package design via Stephen O’Malley.”
CD $10, 2xLp $18
ROTARY SIGNAL EMITTER 12-inch picture disk LP by Sculpture
Not even sure if these are even still available—they only made 300 of them—but…gee whiz. Coolest low-cost audio/art object since the Buddha Machine? Yes.
Preview/info: Arthur blog
2011 calendar and poster by RON REGE, JR.
“Experience the mind-blowing combination of colors and drawings that make up this incredible 2011 fold-out calendar & poster by the talented Ron Regé, Jr. On the calendar side, the amazing devolving drawings form a comic-like linear backdrop to the twinkly bars of dimensional months. Turn it over to find a detailed panoramic scene of hot-air balloons and mountains and lands surrounding a giant inverted triangle of “abracadabra” magic. So at the end of the year, you can flip over the calendar and still have a great poster to hang on your wall, giving this calendar a second life.
Measures 8” wide x 9” tall folded and 24” wide by 18” tall when unfolded. Printed in Hayward, CA with vegetable-based inks on 100% post-consumer recycled 80# cover stock.”
flat poster (limited ed. of 50) for $16.00 USD
“THROUGH THE PSYCHEDELIC LOOKING GLASS” calendar by JOHN COULTHART
“A full colour calendar comprising all-new artwork in a psychedelic interpretation of Through the Looking-Glass and what Alice found there. The 1860s collide with the 1960s in lurid efflorescence!”
2011 AUTONOMEDIA JUBILEE SAINTS calendar
32 pages, 12 x 16 inches, saddle stitched
“Hundreds of radical cultural and political heroes are celebrated here, along with the animating ideas that continue to guide this project – a reprieve from the 500-year-long sentence to life-at-hard-labor that the European colonization of the “New World” and the ensuing devastations of the rest of the world has represented. The Planetary Work Machine will not rule forever! Celebrate with this calendar on which every day is a holiday!
$9.95 / Pay for two, and we will send a third calendar for free!”
PLASTIC CRIMEWAVE’S GALACTIC ZOO MIX TAPE CLUB 2011
“Plastic Crimewave, creator of the Galactic Zoo Dossier magazine for Drag City, proprietor of the Galactic Zoo Disk reissue label, leader of spacepunkers Plastic Crimewave Sound, and general music historian/head has reached the end of the fifth consecutive year of his Galactic Zoo Mix Tape Club, and will be taking subscriptions again with another year of Mix Tape-age starting in December. You get six 90 min. tapes (one every other month) with exclusive artwork and the sounds of rare and populist psychedelia, glam, acid folk, prog, boogie, power pop, soft rock, shoegaze, protopunk, hard rawk, experimental, bubblegum, etc. for a mere $30.”
Info: Arthur blog
Paypal at firstname.lastname@example.org, or send a check or cash to 1061 N. Western Ave, Chicago, IL 60622.
BLACKOUT Arthur mixtape
49-minute compilation curated and sequenced by Arthur editor Jay Babcock to stimulate or simulate a sweet blackout, featuring music by Moon Duo, White Hills, White Noise Sound, Lords of Falconry, Endless Boogie , Masters of Reality, Messages and Enumclaw. Mixed by Bobby Tamkin (Xu Xu Fang), with cover artwork by Arik Moonhawk Roper. All proceeds go to Arthur Magazine. Pay-what-thou-wilt digital download starting at $4.20…
THE GIFT THAT KEEPS ON ARTHURING
A tax-deductible donation of any amount may be made to Arthur by going here: http://www.arthurmag.com/donate/
The Arthur Goofs
Austin * Marfa * Joshua Tree * Portland, Oregon * Greenpoint * wherever you are
Join me, Arthur Vaultkeeper Daniel “Chambo” Chamberlin, this Sunday 5 December 2010 on KRTS Marfa, 93.5 FM for a fresh edition of “Inter-Dimensional Music.”
Listen for cosmic vibes from Dylan Ettinger, Atlas Sound, Michael Hoenig and Dolphins Into The Future, as well as other radiant jams perhaps best exemplified visually by the above image from the Bottomless Lakes outside of Roswell, New Mexico, a recent stop on my Thanksgiving tour of the riparian canyonlands, high altitude meadows and desert cenotes of the American Southwest.
“Inter-Dimensional Music” floats through the Far West Texas air at 93.5 FM from 9-11pm (CST), and is often available streaming live online at www.marfapublicradio.org.
Moonlight on Ranch Road 2810, aka Pinto Canyon Road (more at Into the Green)
Join me, Arthur Vaultkeeper Daniel “Chambo” Chamberlin, and deeply embedded Marfa boho David Hollander as we return this Sunday night with a fresh two hour broadcast of New Age, ritualistic drone and long-goner psychedelic vibrations. We’ll be transmitting from 9-11pm (CST) on KRTS Marfa, 93.5 FM if you happen to dwell on or around the Marfa Plateau of Far West Texas. Otherwise intercept the smoke signals from our wi-fires at marfapublicradio.org.
Scope the playlist from last week’s show after the jump.
Join Arthur vaultkeeper Daniel “Chambo” Chamberlin and longtime Arthur amigo David Hollander tonight and every Sunday night for a two-hour dose of classic New Age, modern psychedelic drone and outer-limits cosmic ambience, specially formulated for navigating through the clean air and dark skies of Far West Texas.
Whether you’re riding on the 10 between Fort Stockton and Sierra Blanca, or waiting for your man down by the Rio Grande, you’ll want to point the dial in your pickup truck or on the pocket transistor radio you’ve got duct-taped to your bicycle to KRTS Marfa, 93.5 FM from 9-11pm CST. For those of you not fortunate enough to claim residency out here in the high desert grasslands, direct the internet-connected audio device of your choosing to http://www.marfapublicradio.org.
Here’s the long-form jams we were zoning out to last week:
“Wednesday” by Malachi from Holy Music
“Mad Music, Inc.” by Mad Music, Inc. from Mad Music, Inc.
“Epsilon in Malaysian Pale” by Edgar Froese from Epsilon in Malaysian Pale
“Memory Vague” by Oneohtrix Point Never from Caboladies/OPN split cassette
“Memory Theater” by James Ferraro from Marble Surf
“The Voice of Incorporeality” by Dolphins Into The Future from The Music of Belief
Join Daniel Chamberlin and David Hollander for another installment of Inter-Dimensional Music tonight—and every Sunday night—from 9-11pm (CST) on KRTS Marfa, 93.5 FM. Streaming live on your local internet-relay at http://marfapublicradio.org/