Originally published in Arthur No. 33 (Jan 2013)…
by Byron Coley & Thurston Moore
- Exploring the voids of all known undergrounds since 2002 -
1 CLAUDE PELIEU It has been ten years since the French-born artist, writer, and translator Claude Pelieu died at his home in upstate New York. His memory has been well served this past year, by the publication of at least three books that should be of extreme interest to anyone with a true hankering for the avant garde. The first is Kali Yug Express (Bottle of Smoke Press, bospress.net), a fantastic cut-up novel originally published in France in 1974. Translated by Pelieu’s late widow and long-time partner-in-crime, Mary Beach, it’s great to finally have a chance to read this book in a language we completely understand. As with some of his other work, Pelieu’s cut-ups do not always flow with the same dream-logic that guides Burroughs’ hand when he’s navigating similar waters, but it reads quite well. And Bill Roberts’ production standards are as high as ever. Second up is Un Amour de Beatnik (Non Lieu, editionsnonlieu.fr), a collection of letters and poems sent to Pelieu’s first wife (Lula Nash) in 1963-64, along with examples of his visual work from the early ‘60s. Although it’s all in French, the book is written in a relatively straightforward way, so you can parse it out even if yr French is as rusty as ours. Fully annotated, with period photos, a good chronology and whatnot, it’s a very solid read (and Claude’s early Leger-influenced paintings are quite a revelation). Third is Pelieu Mix/Etat des Lieux (la Notonecte, 15 bis rue Noel du Fail, Rennes, 35000, France), assembled by Benoit Delaune. Pelieu Mix is mostly a facsimile edition of some of Pelieu’s notebooks from the late ‘90s, filled with various texts, collages. It’s a great, beautiful jumble of stuff, presented spiral-bound, and now that we’re examining it more closely we realize it may have come out a while ago. But we just got it, so fuck you. More info on Pelieu and his art (as well as Mary Beach’s) can be had at beachpelieuart.com. Worth whatever eye strain it takes.
2 SPECTRE FOLK Spectre Folk is Pete Nolan’s long-running non-Magik Markers combo. And their new album, The Ancient Storm (Vampire Blues, vampireblues.net), is a quartet scene, with Pete joined by Aaron Mullan, Steve Shelley and Peter Meehan. Dreamier, poppier and ghostlier than previous efforts, it is tempting to call this the best record with a world class foodie (Meehan) since Robert Sietsema’s last recording with Blinding Headache. The longer tracks have a splendid psych droopiness and the whole thing just flows like butter. Meanwhile, Nolan’s label, Arbitrary Signs (arbitrarysigns.blogspot.com, has continued to flower slowly. Most recent drop was Your First Ever River by United Waters. UW is the new solo (or solo-esque) project by Brian Sullivan from Mouthus. The guy’s a brutal arm-wrestler (take our word!), but he also shows an incredible deftness with deeply murky pop constructions on River. Even more than with Brian’s other project, Eskimo King, the sounds here are bizarre but assembled with a precision recalling some of the best efforts of the long-gone Bobby J label. It’s a record that rewards heavy, smoked listening. Don’t think we ever mentioned the last record on Arbitrary Signs either, which was Four Corners Bounce by Devin, Gary & Ross. The surnames invovled are Flynn, Panter & Goldstein, so you can be assured this project is also a riot of screwed-up ‘60s pop readymades, interspersed with doper madness and actual songs that will twist yr mind like taffy. Don’t not check it out.