Arthur No. 35 … still available! $5 cheap! Safe for adults!

Cover by Kevin Hooyman

ARTHUR NO. 35 is still available for $5 from stores and direct from us. Or, read selected articles online, for free…

Contents:

ON THE TRAIL OF THE LONESOME SNOCK
Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!

CHEW THE LEAVES, GET IN THE TANK
Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.

BURIED ALIVE BY THE SUFIS
Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes

GASH, CRASH, ASH
Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.

THE BIOPHONIC MAN
Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.

GIANT STEPS FOR MANKIND
Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.

FLOWERS, LEAVES, ANARCHISM
Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds

Plus…

* Arthur’s new regular column “Come On In My Garden” debuts. This issue, Camilla Padgitt-Coles visits Enumclaw’s Norm Fetter at his family’s Pennsylvania mushroom farm. They’re medicinal!

* The Center for Tactical Magic on demons and drones

* New full-page full-color comics: “Forgiveness” by Julia Gfrörer and Part 2 of Will Sweeney’s “Inspector Homunculus” serial.

* And, of course, the “Bull Tongue” exhaustive survey of underground cultural output by your intrepid guides Byron Coley and Thurston Moore…

The last two issues of Arthur are sold out from us. Don’t blow it, bucko. Click here to order this issue now at the Arthur Store. $5 cheap!

ON DRONES by the Center for Tactical Magic (from Arthur 35)

Originally published in Arthur 35

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Column: Applied Magic(k)
Author: The Center for Tactical Magic
Title: “The Deception of Robot Demons”
Illustration: Aaron Gach

Seldom used in stage magic today, automata (self-operating mechanical figures) featured prominently among conjuror’s acts before the 1900’s. Skillful craftsmen offered public demonstrations of elaborate clockwork characters that could perform entertaining miracles. Perhaps the most famous automaton of all time was the chess-playing spectacle known as The Turk. From the late 1700’s through the mid-1800’s, the turban-topped, robe-wearing, moustachioed machine amazed audiences in Europe and the Americas as he defeated the majority of his opponents, including Ben Franklin and Napoleon Bonaparte.

Despite an intense amount of public speculation and scrutiny, the mystery of its inner workings remained a closely guarded secret for many years. Although some correctly suspected that The Turk was in fact a mechanical illusion that concealed a human chess master, these theories were particularly difficult to prove since The Turk was opened up at the beginning of performances to provide the audience with a view of its interior.

In crafting illusions, it is essential for magicians to deflect suspicion by guiding audience perception. This may occur through misdirection, camouflage, patter—or, in the case of The Turk—a combination of all three presented through a carefully orchestrated sequence of events that gives a false appearance of reality. The final effect in this case was an amusing battle of wits apparently between man and machine that was way ahead of its time. Resonating with some of the earliest fears and hopes of the posthuman condition, it predated Mary Shelley’s techno-angst classic, Frankenstein, by nearly 50 years, and IBM’s Deep Thought chess computer (which lost to chess champion Garry Kasparov in 1989) by more than 200 years.

Somewhere between the horror of Frankenstein and the hubris of Deep Thought a melange of other mechanistic mayhem has emerged with far less entertaining implications. Although Nikola Tesla first conjured the notion of a squadron of remotely piloted warplanes in 1915, it has only been in the past decade that drone warfare has moved from from the shadows into the spotlight. In this “theater of conflict,” we find ourselves once again presented with the illusion of intelligent machinations. As with The Turk, we are often presented with a well-choreographed display intended to subvert our logic through partial truths and deceptive patter.

Drone strikes (particularly when they run afoul) are frequently discussed by government spokespersons as if the machines were making their own decisions, with zero accountability for their human operators, strike teams, or the officers and officials who authorize and oversee these missions from an air farce base outside of Las Vegas. When US missiles kill people in countries that we’re not even at war with, should it even matter if the aircraft had a human being sitting in the cockpit? Continue reading

OUT, NOW, EVERYWHERE

a35cvrstore

ARTHUR NO. 35

Click here to order this issue now at the Arthur Store

Cover by Kevin Hooyman

Contents:

ON THE TRAIL OF THE LONESOME SNOCK
Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!

CHEW THE LEAVES, GET IN THE TANK
Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.

BURIED ALIVE BY THE SUFIS
Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes

GASH, CRASH, ASH
Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.

THE BIOPHONIC MAN
Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.

GIANT STEPS FOR MANKIND
Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.

FLOWERS, LEAVES, ANARCHISM
Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds

Plus…

* Arthur’s new regular column “Come On In My Garden” debuts. This issue, Camilla Padgitt-Coles visits Enumclaw’s Norm Fetter at his family’s Pennsylvania mushroom farm. They’re medicinal!

* The Center for Tactical Magic on demons and drones…

* New full-page full-color comics: “Forgiveness” by Julia Gfrörer and Part 2 of Will Sweeney’s “Inspector Homunculus” serial.

* And, of course, the “Bull Tongue” exhaustive survey of underground cultural output by your intrepid guides Byron Coley and Thurston Moore…

The last two issues of Arthur are sold out from us. Don’t blow it, bucko. Click here to order this issue now at the Arthur Store!

THIS ONE TOOK A WHILE TO BAKE

a35cvrstore

ARTHUR NO. 35 / AUGUST 2013

Click here to order this issue now at the Arthur Store

Streets: Aug. 19, 2013

Cover by Kevin Hooyman

Contents:

ON THE TRAIL OF THE LONESOME SNOCK
Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!

CHEW THE LEAVES, GET IN THE TANK
Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.

BURIED ALIVE BY THE SUFIS
Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes

GASH, CRASH, ASH
Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.

THE BIOPHONIC MAN
Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.

GIANT STEPS FOR MANKIND
Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.

FLOWERS, LEAVES, ANARCHISM
Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds

Plus…

* Arthur’s new regular column “Come On In My Garden” debuts. This issue, Camilla Padgitt-Coles visits Enumclaw’s Norm Fetter at his family’s Pennsylvania mushroom farm. They’re medicinal!

* The Center for Tactical Magic on demons and drones…

* New full-page full-color comics: “Forgiveness” by Julia Gfrörer and Part 2 of Will Sweeney’s “Inspector Homunculus” serial.

* And, of course, the “Bull Tongue” exhaustive survey of underground cultural output by your intrepid guides Byron Coley and Thurston Moore…

The last two issues of Arthur are sold out from us. Don’t blow it, bucko. Click here to order this issue now at the Arthur Store!

ON ANARCHO-OCCULTISM, THIS CAPITALIST PLANET AND COUNTERPOWER

Here is the entirety of the “Applied Magic(k)” column by The Center for Tactical Magic in Arthur No. 34/April 2013. The illustration below is by Aaron Gach. Please support this work by procuring a copy of Arthur from a kindly local retailer or directly from us. It costs $5 — not too bad!

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Anarcho-Occultism or, A Society Gets All the Magic(k) It Deserves

Like some digital cauldron, our email was all a-bubble this past month with some particularly savory notes. “Do you believe in occult conspiracies?” “How can I meet others who are interested in magic(k) and aren’t batshit crazy?” And, perhaps our favorite of the bunch: “What’s the relationship between magic(k) and anarchy (or anti-capitalism)?” Any one of these questions is worthy of inspiring a volume in its own right; however, we’re going to use a bit of invisible thread to tie them altogether at once.

First off, there’s not one, single relationship between magic(k) and anarchy, in part because there are many different aspects of anarchism and many, many magic(k)s. As a starting point, let’s use some of the principles of stage magic. Capitalism is an illusion. Or, more properly put, it is a system based on illusory means and ends. In the current economic paradigm, corporations increase their wealth through several illusions: by manufacturing and marketing phantom “needs” (i.e., the magician’s “force”), by the engineering wizardry of planned obsolescence (i.e., the use of gimmicked props), by conjuring commodities out of basic necessities (i.e., misdirection), and by manipulating public policy to ensure that would-be costs are mysteriously transferred to taxpayers via so-called “externalities”, often in the form of weakened labor laws, cut-rate resource extraction, government subsidies, and environmental loopholes, to name but a few (i.e., the use of “dupes”). These sleights are but parts of the capitalist repertoire performed in a much larger theater of conflict. The grand illusion is the one that aims to convince the audience that the status quo is the only show in town. Continue reading