Come to “Thursday before Black Light Folk Festival West”

Featuring performances and movement exercises
from the New Energy Encounter Group, Jackie-O Motherfucker, and Carla Bozulich who’s playing with a bunch of other folks.

NEEG 8pm
CB 9pm
JOMF 10pm
Thursday May 18
Breathing Space
1307 Union (at Pico)
Los Angeles

Army: HBO documentary could trigger stress disorder
By Barbara Starr
<a href="CNN Monday, May 15, 2006; Posted: 2:10 p.m. EDT (18:10 GMT)"

WASHINGTON (CNN) — The Army surgeon general is warning that the HBO documentary “Baghdad ER” is so graphic that military personnel watching it could experience symptoms of post-traumatic stress disorder.

In a memo dated May 9 and obtained by CNN, Lt. Gen. Kevin Kiley said the film “shows the ravages and anguish of war.”

“Those who view this documentary may experience many emotions,” he said in the memo. “If they have been stationed in Iraq, they may re-experience some symptoms of post-traumatic stress, such as flashbacks or nightmares.” (Watch what made a bloodied soldier in Baghdad plead for his life –3:33)

HBO is releasing the documentary on the operation of the 86th Combat Support Hospital in Ibn Sina, Iraq.

The film will premiere Monday at the Smithsonian Institution’s National Museum of American History in Washington as well as on 22 Army posts.

It airs Sunday on HBO — a division of Time Warner, the parent company of CNN — and will replay on Memorial Day.

Kiley, who has watched the film with senior Army officials, said it is “an extremely graphic and moving look at how we care for severely wounded service members.”

“This film will have a strong impact on viewers and may cause anxiety for some soldiers and family members.”

He noted that “some may have strong reactions to the medical procedures such as the amputation of a limb.”

Kiley said military medical treatment facilities should be ready to help troops and family members affected by the film. He suggested that mental health facilities should extend their treatment hours and reach out to the troops proactively.

Army officials said they fully support the film and note the Army gave the filmmakers access to the hospital. But privately they said it is so graphic that senior leaders do not want to turn Monday’s premiere in Washington into a social occasion so many will not be attending, preferring to let the limelight fall on the military personnel.

After screening the film, officials said they are aware that some may use it to make an anti-war message.

URL: http://www.msnbc.msn.com/id/12777489/

Report: Suicidal troops sent into combat
U.S. military violated own rules on mentally ill troops, newspaper finds

The Associated Press
Updated: 10:04 p.m. ET May 13, 2006

HARTFORD, Conn. – U.S. military troops with severe psychological problems have been sent to Iraq or kept in combat, even when superiors have been aware of signs of mental illness, a newspaper reported for Sunday editions.

The Hartford Courant, citing records obtained under the federal Freedom of Information Act and more than 100 interviews of families and military personnel, reported numerous cases in which the military failed to follow its own regulations in screening, treating and evacuating mentally unfit troops from Iraq.

In 1997, Congress ordered the military to assess the mental health of all deploying troops. The newspaper, citing Pentagon statistics, said fewer than 1 in 300 service members were referred to a mental health professional before shipping out for Iraq as of October 2005.

Twenty-two U.S. troops committed suicide in Iraq last year, accounting for nearly one in five of all non-combat deaths and was the highest suicide rate since the war started, the newspaper said.

Some service members who committed suicide in 2004 and 2005 were kept on duty despite clear signs of mental distress, sometimes after being prescribed antidepressants with little or no mental health counseling or monitoring. Those findings conflict with regulations adopted last year by the Army that caution against the use of antidepressants for ìextended deployments.î

ìI canít imagine something more irresponsible than putting a soldier suffering from stress on (antidepressants), when you know these drugs can cause people to become suicidal and homicidal,î said Vera Sharav, president of the Alliance for Human Research Protection. ìYouíre creating chemically activated time bombs.î

Although Defense Department standards for enlistment disqualify recruits who suffer ìpersistent post-traumatic symptoms,î the military also is redeploying service members to Iraq who fit that criteria, the newspaper said.

ìIím concerned that people who are symptomatic are being sent back. That has not happened before in our country,î said Dr. Arthur S. Blank, Jr., a Yale-trained psychiatrist who helped to get post-traumatic stress disorder recognized as a diagnosis after the Vietnam War.

The Armyís top mental health expert, Col. Elspeth Ritchie, acknowledged that some deployment practices, such as sending service members diagnosed with post-traumatic stress syndrome back into combat, have been driven in part by a troop shortage.

ìThe challenge for us … is that the Army has a mission to fight. And, as you know, recruiting has been a challenge,î she said. ìAnd so we have to weigh the needs of the Army, the needs of the mission, with the soldiersí personal needs.î

Ritchie insisted the military works hard to prevent suicides, but is a challenge because every soldier has access to a weapon.

Commanders, not medical professionals, have final say over whether a troubled soldier is retained in the war zone. Ritchie and other military officials said they believe most commanders are alert to mental health problems and are open to referring troubled soldiers for treatment.

ìYour average commander doesnít want to deal with a whacked-out soldier. But on the other hand, he doesnít want to send a message to his troops that if you act up, heís willing to send you home,î said Maj. Andrew Efaw, a judge advocate general officer in the Army Reserves who handled trial defense for soldiers in northern Iraq last year.

(Above: Pearson in Dublin, last week…)

from Bella Union…

Over the last year or so we’ve been inundated with questions about Lift to Experience: have they definitely split up, will there be a second album, has Josh given up Texas and music altogether??? The questions go on and on. As much as we wanted to answer them the truth is that we were often pretty much as in the dark as you were…until very recently.

At the current time Lift to Experience are no longer and sadly there seems to be no possibility of them getting back together. Perhaps there is just too much water under the bridge.

However after a couple of years in the wilderness, finally Josh Pearson emerged from the ashes of Lift to Experience, left all that baggage behind him and started writing again after a conversation with label boss and former Cocteau Simon Raymonde. Josh was really struggling to write a second Lift album and was feeling the pressure to write something that rivalled their landmark debut Ôø?The Texas Jeruslam CrossroadsÔø?. Simon told him to empty his mind of the masterplan for a bit and to just write something quickly, as a challenge. Josh responded by taking it upon himself to write a song a day for a week; he ended up writing easily more than seven songs. Thirteen in fact.

He is now back in the UK playing a string of shows on his own and with label mates Bikini Atoll and The Archie Bronson Outfit.

When Josh came over to do these shows he was not sure he was doing the right thing and was anxious about how people would respond to his solo project.
He needn’t have worried, the shows have been a resounding success and Josh is once again back to doing what he does best.

The following is an excerpt from a recent article by Stevie Chick and we hope it fills in some of the blanks. Sorry to those who’ve waited so long for answers to their questions and thanks so much for all your support.

——————————————————————————

Josh T Pearson played guitar, sang, wrote music, because it was only then that he felt the fire of God within him once again, the presence that shadowed him throughout his childhood, until his 19th birthday. The sensation of absolute belief that cradled his father, a lay preacher, so tightly he’d have his family starve, if only to prove his solemn belief that his God would ultimately provide.

Josh pieced together his opus, The Texas Jerusalem Crossroads, in solitude, every word, note, wash of feedback carefully choreographed. He gathered two dear friends, passionately gifted musicians, and laid his sacred communication down on tape. They called themselves Lift To Experience, and took to the road, every night discovering new truths within their symphonic sprawl.

The feedback rose, fierce and tapering like a flame, Josh’s voice keening, close to holy, picking out an apocalyptic parable cross-pollinating Biblical and Old West mythologies. Gentle melodies shimmered in the air, the Leslie-speaker coating the guitar with a heat-haze, the cymbals struck so hard they sprayed the drummer’s own blood and sweat. The volume soaring, until it infested you, until it felt like you might suffocate without it, gospel ringing in every gap, a call for salvation, a call to arms. The Leslie spontaneously bursting aflame, as French boys crooned sweetly, we will be free, we will be free.

With personal tragedy in the band, bass player Josh “Bear” Browning’s wife dying on the morning they touched down in Ireland for a tour in 2003, drummer Andy Young being kicked out by Pearson shortly after, Josh soon retreated from the world, from his music, from his hometown of Denton, TX. Rumours began to circulate amongst Lift’s dedicated fandom, of his exile to a shack in the desert somewhere, of his mental state, of the music within him yet captured on tape. Of whether he’d ever break his silence out there, amidst the sands and the winds, and try to channel that spirit one last time.

All that answered them was more silence, their questions amplified in the absence of a reply. Silence, save the solemn, fervent hum of an idling amplifier, its dust-laden husk cooling. The ghost within its heart dormant, but not dead.

Under the ‘X’ in Texas is where you’ll find me, it’s where I’ll be / Singing out the songs warning the world of the perils to come

These forthcoming solo shows derived from a concept Simon Raymonde, former Cocteau Twin and nurturing owner of Bella Union, Lift’s record label, suggested to Josh as he was struggling with writing a second Lift album. Empty your mind of your masterplan for a bit, write something quickly, as a challenge. Josh responded by taking it upon himself to write a song a day for a week the project; he ended up writing easily more than seven songs. 13 in fact.

“Francis Ford Coppola never meant to make the Godfather, he actually didn’t want to,” Josh says. “He thought the source material beneath him, but his career was suffering. He took a trashy novel and made a masterpiece out of it, somehow, and it gave him the power to make the movies he wanted to. I’ve been thinking a lot about that compromise, recently. I’m still not sure that compromise is a good thing, no matter the result.”

HeÔø?d been thinking a lot about film, about scoring soundtracks. Ôø?But only if the music has as much importance as the pictures,Ôø? he averred. He noted the emotional impact of music and movies, when theyÔø?re perfectly melded; when, after seeing the movie, you canÔø?t exactly describe the sounds or the images themselves, but that the movieÔø?s emotional impact is powerful. Ôø?Like when you meet someone,Ôø? he continued, Ôø?You canÔø?t explain, in words, why they mean so much to you, but their resonance, their impact upon you, is vivid.Ôø?

Demons take flight in the dark of the Texan night

He said that the closest heÔø?d got to making music lately was attending informal guitar circles in the small town where he was staying, where locals toting battered acoustics and washboard basses would sit and play Hank Williams tunes. He hadnÔø?t played at these circles yet; he preferred to sit in and simply reel at the emotional impact held by the words to Ôø?Your CheatinÔø? HeartÔø?.

However, that is all about to change. He is currently recording TWO albums, one of covers on a theme of Loneliness and secondly the solo album of his own songs.

We sing these songs because we have to, not because we want to.

The story of his life, of his music, is compelling, and near-fantastical. His myth has all of the ingredients, the portent, and the poetry of any of rockÔø?nÔø?rollÔø?s legends, the mysterious singer-songwriter with the fiery preacher father, his complex relationship with God, the seething epic visions, so finely realised. But the way in which Josh is conscious of his own mythology, his persona Ôø? he couldnÔø?t not be, given some of his pronouncements Ôø?and his enduring blindness to what Lift To Experience have wrought, is a perplexing and perhaps insoluble riddle. Just as his alter-ego in The Texas-Jerusalem Crossroads couldnÔø?t seem to decide whether he were Jesus or John Wayne.

He has returned to his unfinished symphonies, and will paint his legend in sound, not pregnant silence. For his demons to take flight, in this darkest of Texan nights.

Adapted from an article by Stevie Chick.

From War On Want:

“Coca-Cola: The Alternative Report” is the first full expose of the company’s activities worldwide, and forms part of War on Want’s ongoing campaign for directors to be made liable for corporate wrongdoing. The report brings together new research and testimony to show how Coca-Cola has:

– exhausted community water reserves in India by drilling deep into underground reservoirs, drying up local wells and leaving farmers unable to irrigate their crops.

– contaminated local ecosystems in El Salvador and India through waste effluents discharged from its plants. (In India, thousands of people are left without water. They walk up to seven kilometres to get drinking water, and their crops have no irrigation and fail utterly.)

– been implicated in human rights abuses in Colombia, including the death and disappearances of trade union activists at Coca-Cola bottling plants. (One of the Colombian trade unionists, Isidro Seguno Gil, was killed inside the Coca-Cola plant. The paramilitaries got into the plant, found the person they were after, killed him there on the job, left the plant, and got away scot-free. His wife campaigned for justice. She was murdered. As well as murdering trade unionists, hundreds of other Colombian Coke workers have been tortured, kidnapped and/or illegally detained by paramilitaries working closely with Coke’s plant managements.)

– adopted union-busting tactics in a wide range of other countries such as Pakistan, Turkey, Russia, Peru, Chile, Guatemala and Nicaragua.

Louise Richards, Chief Executive of War on Want, said: “Coca-Cola promotes a sporty image of itself through sponsorship of events such as the World Cup, but the company is not playing fair with its workers and with local communities around the world. Coca-Cola’s exploitation of community water resources and its abuse of workers’ rights have marked it out as an irresponsible corporation. It’s time the directors of such companies were held to account for their actions.”

Click here to download Coca-Cola: The Alternative Report in PDF

from Howie Klein’s DownWithTyranny! blogsite…

“I am a former Marine and the mother of 2 children in the military. My oldest son is currently in Iraq. I tried very hard to disuade him from joining. This is not the time to join the military with a war going on, besides that we have a president to has abused the military for his own agenda. Have always been opposed to the war. My son knew that I went to D.C. last September for the protests. He thinks Bush is a dick but wanted to get out of Cleveland and do something with his life. His father and I were both in the Marines so it is something he has always wanted to do. Having served myself under Carter/Reagan (I’m dating myself) I served honorably and would not trade the time I had in the Marines for anything. But when you have a Commander in Chief that has no regard for the men and women who wear the uniform, and uses and abuses the military, I would be loath to encourage any young person to join the military. I would encourage them to challenge any recruiter that came to their school and to let them know emphatically that they are not interested. I have always been a fan of Godsmack, until now. I will never buy any music from them again and would even consider tossing the cd’s that I currently own. I can’t imagine why they would want to market their music to the military hoping to recruit young people and possibly send them to their death. I guess that just proves the old moniker, “money talks, bullshit walks” is true. What a shame that is one way they have chosen to make money. Maybe Sully should join the military. Perhaps he would have a differing opinion when he realized that his president doesn’t give a rats ass about him. Who needs Godsmack anymore. Neil Young is a real rock hero.”