Tag Archives for POETRY

A poem from Eric Amling

Singed foliage from a time machine in the Ozarks.
The rain tarp over an experimental anniversary gift.
The ventriloquist’s hand, in the dressing room, after
An intense set.

A porcelain bowl of discarded hearing aids.
Haunted guano by an Irish bat on historic rubble.
An open cold-cream jar on the midday windowsill at the K-spa
Reminded me of ox red quartz in the showy plaza of a blood cell.

A Gene Clark cassette sandwiched in the Mazda seats.
The X-ray of a complicated handshake.
Wrestling trading cards drizzled with King Cobra.
A piñata of a corncob pipe filled with baby corncob pipes.

Much later, stink lines from a bog within meters of a crayon
Factory, its consistency like that of a child’s brain.

A poem from Kim Addonizio

The Sound
by kim addonizio

Marc says the suffering that we don’t see
still makes a sort of sound — a subtle, soft
noise, nothing like the cries or screams that we
might think of — more the slight scrape of a hat doffed
by a quiet man, ignored as he stands back
to let a lovely woman pass, her dress
just brushing his coat. Or else it’s like a crack
in an old foundation, slowly widening, the stress
and slippage going on unnoticed by
the family upstairs, the daughter leaving
for a date, her mother’s resigned sigh
when she sees her. It’s like the heaving
of a stone into a lake, before it drops.
It’s shy, it’s barely there. It never stops.

A Poem from Peter Meinke

Uncle Jim
by Peter Meinke

What the children remember about Uncle Jim
is that on the train to Reno to get divorced
so he could marry again
he met another woman and woke up in California.
It took him seven years to untangle that dream
but a man who could sing like Uncle Jim
was bound to get in scrapes now and then:
he expected it and we expected it.

Mother said, It’s because he was the middle child,
and Father said, Yeah, where there’s trouble
Jim’s in the middle.

When he lost his voice he lost all of it
to the surgeon’s knife and refused the voice box
they wanted to insert. In fact he refused
almost everything. Look, they said,
it’s up to you. How many years
do you want to live? and Uncle Jim
held up one finger.
The middle one.

Byron Coley and Thurston Moore’s “Bull Tongue” column from Arthur No. 29 (May 08)

BULL TONGUE by Byron Coley & Thurston Moore
from Arthur Magazine No. 29/May 2008

Great new LP by Portland’s Jackie O Motherfucker may be our fave of theirs since Flat Fixed. Spaced out jabber and float with casual/urgent female vocals that almost sounds like certain moments of Fuzzhead at their most blues-wailin’est, interspersed with Velvetsy volk moves, and overlaid with swabs of smoke & jibber. The slab is called Valley of Fire (Textile) and it’s a monster. Also out from Jackie O is a sprawling 2 LP set, America Mystica (Dirter Productions), which was recorded in various caverns by the touring version of the band between ’03 and ’05. Not quite as precise as Fire, but its muse is savagely crunchy in spots and never so formal as to appear in a bowtie. It’s an open-ended weasel-breeze you’ll happily sniff in the dark. Is that a hint of Genevieve’s crack?

This young noise dude from Minneapolis named Oskar Brummel who records and performs under the name COOKIE has released his first entry into the new new American underground noise forest and it is frothingly balls-deep: good n’ harsh. It’s a cassette titled Ambien Baby and it flows with both a FTW sexual undertow and a strange-feeling/shit-coming rejoice. There should also be rejoicing over the fact that Times New Viking seem to have made their transition to Matador with their instincts intact. Their new LP, Rip It Off, is as grumbly and fucked sounding as any blast of gas they emanated previously. Nice thick vinyl, too. I guess you need it heavy when the needle’s buried this far into the red. Smooth!

It has taken a little while to actually read the bastards, but now that it’s done, there can be little doubt that Process Books has blasted out three of the best music-related tomes to have been peeped by our tired eyes. First up is the new edition of John Sinclair’s Guitar Army. This is one of the great American underground revolutionary texts—ecstatic, naïve, visionary and powerful. It’s a little funny to glom a few of the embedded old (old) school opinions about what is happening, but it’s still a wonderful read, and a doorway into eternal truths, if you can stay open to its music. The new layout is pretty good. We miss a few visual aspects of the old one (like, where’s the Frantic John flyer?), but the new pics more than make up for it, and the bonus CD—music, interviews, rants, poetry—is fantastic. As is Paul Drummond’s Eye Mind: The Saga of Roky Erickson. We’ve read endlessly about Roky over the last 30 years, but this book is jammed (JAMMED) with new facts, reproductions of fliers, posters, photos and ephemera we never even imagined, and Drummond really covers the subject the way he deserves to be covered. It’s really an overwhelming effort. The same is true of Robert Scotto’s Moondog: The Viking of 6th Avenue. The writing can be a little sere, but the story is juicy enough to mitigate this dryness. We finally get to read the story of how the collaboration album with Julie Andrews came to be. There are meetings with Arturo Toscanini and Edgar Varese. It’s quite a tale, and Scotto has done his homework. The only frustrating note is that there really isn’t a comprehensive straight discography. If there’s a second edition, it would be a welcome addition. Also, while the CD tracks are bitchen—especially the early recordings by (one presumes) Steve Reich—some notation there would be cool, too. Other’n those quibbles, we couldn’t be more celebratory ‘bout popping our corks. Buh!

We reported a while back how the horn has become a significant sound source in basement noise life with the weirdo bleat/junk processing of John Olson’s reed kill with Wolf Eyes, Dead Machines etc., and certainly Slithers, and to a mighty free jazz extent the always amazing Paul Flaherty. Furthering all this way hep ghost-trance-sense improv is Dan Dlugosielski’s new(ish) project Uneven Universe. Dan oversees the EXBX Tapes label and has recorded great gunks of noise-jam as Haunted Castle, plus he’s spooged out a few Uneven Universe documents. The one we keep going back to is The Rattling Caverns, on sweet Ohio label Catholic Tapes. It will make you wanna huff smoke-think and drink brews and maybe get some arm-around. If you’re lucky.

Continue reading →

A Poem From Casey Bush

I SMOKED A SPIDER
by Casey Bush

It was dark I was drunk
Probably already stoned
Didn’t need another hit
Like I said: Dark, Drunk, Stoned
Picked up what I thought was dried bud
But certainly it could well have been an insect
Felt the same packed into the pipe
A fly a wasp a moth a midge
In any event properly ignited
Set on fire and sucked up
Thought it was some dead leaves
A thorn a thistle an incandescent straw
Tasted like holy hemp
Could have been anything maybe even a spider
Accented by a gooey pipe residue
No use scraping the screen for a corpse
Medicinal moss fern fungus mold
Husk larvae seed pupae pulp algae
Bong fodder clogging up the old windpipe
Although upon reflection maybe it was a spider
Illuminated by flame as it danced within a blaze
Inter-digitating 8 legged arachnid-like
Bosa Nova Quick Step Samba Paso Doble
Slowly stimulated by heat
Quickly reduced to ash
Yes I may well have smoked a spider
Or some such sentient being
Animal vegetable mineral stone paper scissors
Following the long legged blond
Straight down the rabbit hole
Gobbled up by obligatory prescriptions
Unexpected tax refunds
Highways lined with salad bars
And the fumes of flesh
Casting clouds of doubt
Upon preconceived notions
About the allegedly vast differences
Between the plant and animal kingdoms
Ultimately satisfying and oh so smooth
Got high while an insect did its last heel and toe
Got me thinking maybe it’s the next big buzz
As yes I guess I actually smoked a spider.

A poem from Lowell Jaeger

Confessions
by Lowell Jaeger

I once shoplifted
a tin of Vienna sausages.
Crouched in the aisle
as if to study the syllables
of preservatives, tore off the lid,
pulled out a wiener and sucked it down.

I’ve cheated on exams.
Made love to foldouts.
Walked my paper route in a snowstorm after dark,
so I could steal down a particular alley
where through her gauze curtains, a lady
lounged with her nightgown undone.

I’ve thrown sticks at stray dogs.
Ignored the cat scratching to come inside.
Even in the rain.
Sat for idle hours in front of the TV, and not two feet away
the philodendrons for lack of a glass of water
gasped and expired.

So many excuses I’ve concocted to get by.
Called in sick when I was not. Grabbed credit
for happy accidents I had no hand in.
Pointed fingers
to pin the innocent with crimes
unmistakably mine.

I have failed
to learn from grievous error.
Repeated gossip.
Invented gossip. Held hands
in a circle of friends to rejoice
over the misfortune of strangers.
Pushed over tombstones.
Danced the devil’s jig.

Once, when I was barely old enough
to walk home on my own, I hid
behind an abandoned garage.
Counted sixteen windows.
Needed only four handfuls of stones
to break every one.

A Poem from Adrienne Rich

A man in terror of impotence
or infertility, not knowing the difference
a man trying to tell something
howling from the climacteric
music of the entirely
isolated soul
yelling at Joy from the tunnel of ego
music without the ghost
of another person in it, music
trying to tell something the man
does not want out, would keep if he could
gagged and bound and flogged with chords of Joy
where everything in silence and the
beating of a bloody fist upon
a splintered table.

A Poem from James Tate

Never Again The Same
by James Tate

Speaking of sunsets,
last night’s was shocking.
I mean, sunsets aren’t supposed to frighten you, are they?
Well, this one was terrifying.
People were screaming in the streets.
Sure, it was beautiful, but far too beautiful.
It wasn’t natural.
One climax followed another and then another
until your knees went weak
and you couldn’t breathe.
The colors were definitely not of this world,
peaches dripping opium,
pandemonium of tangerines,
inferno of irises,
Plutonian emeralds,
all swirling and churning, swabbing,
like it was playing with us,
like we were nothing,
as if our whole lives were a preparation for this,
this for which nothing could have prepared us
and for which we could not have been less prepared.
The mockery of it all stung us bitterly.
And when it was finally over
we whimpered and cried and howled.
And then the streetlights came on as always
and we looked into one another’s eyes?
ancient caves with still pools
and those little transparent fish
who have never seen even one ray of light.
And the calm that returned to us
was not even our own.