YOUR GOVERNMENT IN ACTION:"THE REDUCING AMERICANS' VULNERABILITY TO ECSTASY ACT OF 2002"

18 JULY 2002: YOUR GOVERNMENT
IN ACTION:  “THE REDUCING AMERICANS’ VULNERABILITY TO ECSTASY ACT
OF 2002”


 

Ravers against the machine

Party-goers, ACLU take on
ŒEcstasy‚ legislation

By David Montgomery

THE
WASHINGTON POST

July 18 ˜ Two young women
on an urgent mission have been lugging boxes into the offices of U.S. senators
this week. The boxes contain petitions an inch thick, one for each senator.
Nearly 10,000 signatures were collected over the Internet in five days.


       
THE PETITIONS declare: „This bill is a serious threat to civil liberties,
freedom of speech and the right to dance.‰


      
Look out, Congress: The ravers are coming.


      
„We‚re offended by the fact they‚re blackballing an entire musical genre,‰
said Amanda Huie, checking senators‚ names off her list Tuesday afternoon.

      
The genre in question is electronic dance music, which fans enjoy at all-night
parties called raves. Legislation in Congress could hold promoters responsible
if people attending the events use illegal drugs such as Ecstasy, the party
drug frequently associated with raves.


      
The Reducing Americans‚ Vulnerability to Ecstasy Act of 2002 ˜ or the RAVE
Act ˜ has cleared the Senate Judiciary Committee and is on the consent
calendar, meaning it could receive final approval without a roll call vote
at any time. When he introduced the bill in June, Sen. Joe Biden (D-Del.)
said „most raves are havens for illicit drugs,‰ and congressional findings
submitted with the bill label as drug paraphernalia such rave mainstays
as bottled water, „chill rooms‰ and glow sticks.


      
The bill would expand the existing federal crack house law, which makes
it a felony to provide a space for the purpose of illegal drug use, to
cover promoters of raves and other events.


      
Another bill pending in the House ˜ the Clean, Learn, Educate, Abolish,
Neutralize and Undermine Production (CLEAN-UP) of Methamphetamines Act,
introduced by Rep. Doug Ose (R-Calif.) ˜ goes further. It would hold concert
promoters in violation if they „reasonably ought to know‰ that someone
will use an illegal drug during an event.


      
The House bill has 67 sponsors but has languished in committee since February,
while in one month the RAVE Act ˜ sponsored by Sens. Chuck Grassley (R-Iowa),
Orrin Hatch (R-Utah), Patrick Leahy (D-Vt.) and Richard Durbin (D-Ill.)
˜ has sailed smoothly to the brink of approval.

ŒAN INNOCUOUS BILL‚

      
Caught by surprise, some ravers briefly considered a more theatrical protest
on the Hill, perhaps showing off totems of their culture-rainbow hair,
baggy pants, extended trance jams and those controversial glow sticks.
But no. This is Washington, and ravers know the folkways. Huie, dressed
quietly in slacks and shirt, said people from 49 states signed the petition.
(Ravers must be scarce in North Dakota.)


         
„This is a petition about S. 2633,‰ Huie told receptionists in office after
office, referring to the bill number with insider aplomb. She is the marketing
director of Buzzlife Productions, a Washington promoter.


      
Biden‚s staff has been surprised, too ˜ by the sudden outcry. „We thought
this would be an innocuous bill that everybody would rally in support of,‰
said Alan Hoffman, Biden‚s chief of staff.


      
After all, the bill merely adjusts the wording of the so-called crack house
law. For example, crack houses are fixed indoor locations; the RAVE Act
would also cover temporary outdoor venues.


      
So what?


      
„It violates the First Amendment,‰ said Marv Johnson, an attorney for the
American Civil Liberties Union.

      
Johnson argues that while there is no constitutional right to smoke crack,
there is, in fact, a right to dance. Music and dance are protected forms
of free expression, he said. By extending the crack house law to dance
parties, the RAVE Act would discourage promoters from sponsoring this kind
of art, he said.


      
The ACLU was caught as flat-footed as the ravers, and is seeking a senator
to put a „hold‰ on the bill, to get it off the consent calendar and force
a voice vote.


      
Biden rejects the ACLU‚s characterization. The issue is the drugs, he said,
not the music. The bill was prompted by unsuccessful prosecutions of rave
promoters under the crack house law. Introducing the bill, Biden said Ecstasy
is responsible for thousands of overdoses and some deaths, and its abuse
by teenagers has jumped 71 percent since 1999. He said police investigations
in several cities demonstrate that raves are a favorite place to buy, sell
and take Ecstasy tablets.


      
Some promoters distribute fliers bearing pictures of pills or argot for
Ecstasy such as „E‰ or „X‰ or „Rollin‚ ‰ ˜ evidence that doing drugs is
part of the purpose of those raves, Biden said. Under his bill, only promoters
who stage events for that purpose would be prosecuted.


      
But that may not be much of a safeguard for legitimate promoters, according
to the ACLU and rave advocates. The congressional findings attached to
the bill bluntly state that „the trafficking and use of Œclub drugs‚ .
. . is deeply embedded in the rave culture.‰ The findings become part of
the legislative history of the bill and could support a prosecutor‚s claim
that any rave should be suspect, Johnson said. The RAVE Act provides for
civil penalties of $250,000 or twice the gross proceeds of the rave, requiring
a lower burden of proof than the crack house law‚s criminal penalties,
Johnson said.


      
„The way the system really works is, you arrest and accuse and then you
fight it out in court,‰ said Lonnie Fisher, president of Ultraworld Productions
in Baltimore. „They could break the back of a small promoter financially.‰

NO ROCK ACT

      
But Grassley, in a statement yesterday, said the RAVE Act is an appropriate
extension of the crack house law: „There are people who host raves so they
can sell Ecstasy, just as there are people who rent houses so they can
sell drugs. We‚ve seen raves advertised as safe, alcohol-free and drug-free
places for kids to socialize and dance. If this is what the promoter actually
intends, then they don‚t have anything to worry about.‰


      
Ravers seem most offended by what they say is another smear to the reputation
of their strobe-lit scene. They contend that police, politicians and media
have exaggerated the amount of criminal activity in rave culture since
it began more than a decade ago. There are plenty of drugs at rock shows,
too, ravers claim, yet no senator has proposed a ROCK Act.


      
„This bill seems to imply that people go to raves to do drugs, and the
music is there to accentuate the drug experience,‰ said Luciana Lopez of
Washington, who is protesting the legislation. A copy editor for a science
journal, she said she neither drinks nor uses drugs ˜ but does wear green
and blue wigs to raves.


      
„This culture is really important to me,‰ she said. She described the euphoria
of dancing for hours with people who may start as strangers but who by
early the next morning are exchanging hugs and phone numbers. „It makes
you feel part of a community,‰ she said.


      
The water and the „chill rooms‰ are for cooling off after dancing, she
said, not because so many ravers are overheated on Ecstasy. And the glow
sticks look cool.

      
Lopez and many Washington ravers are found Friday nights at Buzz, the weekly
rave party sponsored by Buzzlife at Nation, the club on Half Street SE.
The cover charge is $15 before 11 p.m., $20 after, and the dancing stops
at 6 a.m., according to Huie.


      
Three years ago, a local television station went undercover at Buzz and
broadcast alleged drug use. In the welter of bad publicity, Buzz temporarily
shut down. The ravers claimed the discovery of drugs was blown out of proportion.
Now ravers must empty their pockets at the door, according to Huie.


      
Congress has taken up the issue of rave culture at least once before. A
year ago, as part of a celebration of Detroit‚s tricentennial, the House
and Senate passed a resolution congratulating the city for, among other
things, helping to pioneer techno, the electronic dance music popular at
raves.

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About Jay Babcock

I am an independent writer and editor based in Tucson, Arizona. I publish LANDLINE at jaybabcock.substack.com Previously: I co-founded and edited Arthur Magazine (2002-2008, 2012-13) and curated the three Arthur music festival events (Arthurfest, ArthurBall, and Arthur Nights) (2005-6). Prior to that I was a district office staffer for Congressman Henry A. Waxman, a DJ at Silver Lake pirate radio station KBLT, a copy editor at Larry Flynt Publications, an editor at Mean magazine, and a freelance journalist contributing work to LAWeekly, Mojo, Los Angeles Times, Washington Post, Vibe, Rap Pages, Grand Royal and many other print and online outlets. An extended piece I wrote on Fela Kuti was selected for the Da Capo Best Music Writing 2000 anthology. In 2006, I was somehow listed in the Music section of Los Angeles Magazine's annual "Power" issue. In 2007-8, I produced a blog called "Nature Trumps," about the L.A. River. From 2010 to 2021, I lived in rural wilderness in Joshua Tree, Ca.