Another End of the World is Possible

From John Jordan

“To celebrate the announcement of the location for this summer’s
CAMP FOR CLIMATE ACTION” – Heathrow Airport August 14-21, 2007

Eight days of low-impact living, debates, learning skills, and high-impact direct action tackling the root causes of climate change.

In 2006, over 600 people converged on a field in Yorkshire for 10 days, and held over 100 workshops, ranging from alternative technology to the Kyoto Protocol to non-violent direct action training. They made decisions collectively, without ‘leaders’, and produced their own energy using solar panels, biodiesel, and a wind turbine. Many of them used the camp as a base for non-violent direct action against industrial polluters such as Drax, the largest coal-fired power station in the UK.

The 2007 Camp for Climate Action will be even better! Everyone is welcome to get involved. If you have any questions, email info [at] climatecamp.org.uk

7 Video portraits of radical climate activists

Great Americans, back in action.

“With this update I’m pleased to announce the first new Ween release in a long while; “The Friends E.P.” will be released exclusively on Chocodog Records on June 19. You can now buy the record (and a cool t-shirt) via pre-order by clicking above. It features 5 brand new songs, none of which will appear on the new full length Ween album scheduled to be released this fall on a “real” record label, not Chocodog. We have recorded a lot of new material the past year and we wanted to give you an appetizer for the summer. It is the ultimate party record, filled with good beats and good times. Perfect for your barbecue or doing bong hits or whatever it is that you guys do. You really need to buy multiple copies through this website. If you download it or burn a copy from a friend your karma will be so fucked that you will be reincarnated as a tumor on a rat’s ass. We put a lot of time into this, like 4 years. What is that 9.5 months a song or something? You’re gonna buy it on I-tunes? No way. Seriously though, you’re gonna love it.”

The comedy of delight.

San Diego Union Tribune

Q&A: Lavender Diamond by Claire Madigan

Here’s something you don’t think about too often: blind optimism. Stop for a second and think about all those things that are encroaching on your life. Now bend your mouth into a smile. Whether you’re chuckling or rolling your eyes at this point, the sound of Becky Stark’s voice encapsulates the energy it takes to do that. And not by singing about puppy dogs and ice cream. We couldn’t resist lifting our jaded fingers and asking this glowing singer, who’s performing with her band Lavender Diamond on Friday, if peace on earth was really possible. She told us – via e-mail – about working at a Mafia front, being betrayed by the church and getting fired for wearing silver shoes.

What is Lavender Diamond and how did you come up with it?

Lavender Diamond is a description of a resonance, a pure crystal sound. It came to me in a dream!

I read you used to be a magician’s assistant. What was that like? Had any other weird jobs?

Being a magician’s assistant was a perfect job for me. I had been developing a comedy act where basically I would be very delighted and that was pretty much the entire idea of the act. So it wasn’t that great of a comedy act because I would just be outrageously delighted at pretty much anything … kind of like Goldie Hawn in “Laugh-In”! But then my friend Christopher Wonder asked if I would be his assistant, and as a magician’s assistant, it’s your job to be delighted at all the tricks. So I finally found a perfect place for the comedy of delight. Within a magic act!

I’ve had a lot of weird jobs. Some of the weirdest and most awesome ones included taking pictures of antique watches; being a play therapist for a newly adopted child who had been traumatized in a Chinese orphanage (my job was to sing and dance with her); collecting petition signatures on the street in San Francisco (corrupt!); preparing files for standardization by a massive insurance conglomerate (I got fired for wearing silver shoes); working as a waitress at a restaurant in Providence, R.I., that was a front for the mafia (There was no kitchen. We washed the utensils off in a bucket and grilled food from the freezer so it was both frozen and burned — disgusting!); working as a manicurist in a men’s hair salon (lasted only one day until I was solicited to be a prostitute for the mafia by a crazy thug); jazz singer (my favorite job!); teacher of comedy to second-grade class of boys (the craziest thing I ever did); fit model for clothing manufacturing company (I am just the right size that clothes are manufactured). Oh, the list goes on. I guess that every job is crazy!

People might not guess you were inspired by noise and punk bands like Lightning Bolt and Fugazi. How do you think that shows up in your music?

Well, I feel very free and passionate when I play music. I think that is the nature of musical expression. Passion and freedom. In my life I have been very inspired by the unlimited source that seems to power and connect with Lightning Bolt and Fugazi and Black Dice. The energy that flows in this music is stunning. We aim to be like this — to share energy! Only the music sounds different. It is soft and melodic but still for the purpose of sharing and changing energy.

When you sing, every note is savored. I find it very cathartic to listen to. What’s your favorite song to sing on this album and why?

Wow. Well, when I sing, I do savor each note. When I was younger and I would sing with my mother, she would tell me that each note is as important as the other — none are less important. So I think of this when I sing … that each and every note is meaningful. I love each note the same. And I love all the songs on the album! Although right now I really love singing “Bring Me a Song” because I love the way it feels to sing this song. Right now it feels like the most direct expression of love.

The words “joy” and “peace” are used a lot when people describe you and your music, but there are songs off “Imagine Our Love” about disappointment and disillusionment (I’m thinking about “I’ll Never Try Again” and “Side of the Lord”). Are those more based on personal experiences? How does it fit in with the larger vision of Lavender Diamond?

Well, sorrow cuts the cup that fills with joy. The deeper our sorrow, the deeper our joy. Which makes now a perfect time for peace. We already have enough sorrow, war, devastation — we’ve learned our lesson! I guess that those songs are based in personal experience but I feel like personal experience is political and metaphorical. Our experience of individuation is a learning experience that brings us back to an understanding of our wholeness and inseparability.

“Side of the Lord” is about my experience feeling angry and betrayed by patriarchal language in the church. My grandmother was a minister and so is my mother, and I remember the dawn of my outrage when I realized that we were praying — in my grandmother’s church! — to a god that was represented as a man! The Lord! An outrage! And yet I have always felt an abiding connection to the Lord or to God, to the divine which is in every person. But language is important! We musn’t characterize the divine as masculine. In the larger vision of Lavender Diamond, we dedicate ourselves to bringing healing energy through music, and so the places where we are wounded are the best places to learn and experience healing and wholeness.

Is peace on earth possible?

Absolutely! Peace is already here in the hearts of so many people. Peace is already real. We just have to make it grow. The only thing holding us back is the lie that our lives don’t matter and we don’t have any real power. This is a lie! Everyone has power, whether you like it or not. Everyone is waking up to this understanding, and as we wake up to the reality of our own power and responsibility, our lives and our world are transformed by new meaning. The more we celebrate peace, the more we magnify it and make it grow.

What’s next for Lavender Diamond?

Hmm … more touring! And we’re going to make a movie. And more videos. And another record.

Any other L.A. bands you think we should know about?

A million! Blackblack, Silver Daggers, Chapin Sisters, Winter Flowers, Soft Boiled Eggies, Bird and the Bee, Mika Miko, No Age, Gwendolyn, Entrance, Let’s Go Sailing, Elvis Perkins — so many! There is so much great music in L.A. right now! Everyone is very open-minded! I wonder if it’s the same in other cities.

Tell San Diego anything you want below.

I love you, San Diego! Your city is the most beautiful and gentle of all the cities. I love the soft warm breezes that blow here.

Don't believe the hype

The Progressive Majority: Why a Conservative America is a Myth

For anyone interested in where the American public really stands on the big issues that distinguish progressives from conservatives—including the issues at the forefront of today’s political debates—“The Progressive Majority: Why a Conservative America Is a Myth” offers hard facts and analysis based on decades of data from some of the nation’s most respected and nonpartisan public opinion researchers. This is the evidence that political leaders have a mandate to pursue bold, progressive policies.

This report by the Campaign for America’s Future and Media Matters for America shows that in study after study, solid majorities of Americans take progressive stands on a full spectrum of issues, from bread-and-butter economics to the so-called “values” issues where conservatives claim preeminence.

Read the Full Report (Adobe PDF).

ARTHUR BENEFIT PARTY – June 27 in Los Angeles

ARTHUR BENEFIT PARTY
June 27 8pm
Silent Movie Theater
611 N. Fairfax Avenue

featuring

Six Organs of Admittance
with special guest Joseph Mattson

Ruthann Friedman

Entrance

Elisa Ambrogio (Magik Markers)
reading

Lewis MacAdams (poet)
reading

Paloma Parfrey (ex-Sharp Ease)
reading with sounds by Tamala Poljak

MC: Oliver Hall (E.S.P.S.)

Plus: refreshments and silent auction.

Admission: $15

Advance tickets available via Ticketweb — click here to order


Zappa's LORD BUCKLEY comp, re-released!

“Lord Buckley was indeed a hip aristocrat, so hip that the aristocracy of rock music—[SLY STONE,] George Harrison, Pete Townshend, Bob Dylan and Jerry Garcia among many others—became besotted with his off-the-wall raps. Another fan was Frank Zappa, who edited this collection of 1956 performances for release on his own Straight Records label. But don’t take their word for it; pick up this ‘Collectors’ Choice Music’ exclusive and find out why “His Lordship” is nowadays considered the original rapper, and a huge influence on Lenny Bruce, Jonathan Winters and Robin Williams! Includes ‘The Bad Rapping of the Marquis De Sade/The King of the Bad Cats; Governor Slugwell; The Raven’ (even Edgar Allan Poe never could have imagined this version!); ‘The Train’, and ‘The Hip Einie’.”

Reissue liner notes by Richie Unterberger

New AYLETT…



THE PROMISSORY by Steve Aylett

“A nation of pigs seems happy under a dictator – even he is baffled at their complacency. Can a populace behave so meekly without having something up their sleeve? … Originally created for ARTHUR magazine’s Bastet line of retro-style pamphlets, THE PROMISSORY recalls the days of underground mimeo magazines and comics.”


Save your tabs!

The Holy Mountain
directed by Alejandro Jodorowsky (1973, Abkco, 114 min.)
Sunday June 17, 2007
Hollywood Forever Cemetery
6000 Santa Monica Blvd.
Gates at 7:30pm Movie at 9:00pm
$10 tickets available at gate

DJ Carlos Nino spins before and after the screening.

“championed by john lennon, and adored by the counter-culture, this sweeping psychedelic epic is jodorowsky’s masterwork. surreal, shocking and breathtakingly beautiful, holy mountain is the pinnacle of avant-garde filmmaking. the alchemist guides his disciples through a phantasmagoric landscape to the holy mountain so that they may confront the gods. for thirty years the film was not shown theatrically and is only now being rediscovered by new generations. don’t miss an opportunity to see this rare and beautiful gem under the stars and open sky. due to nudity and disturbing imagery, this film is not appropriate for children under 17.”


Without roofs, without lightbulbs…

from Nabob Shineywater of Brightblack Morning Light:

MARCH 12th 2007

“Well in Santa Cruz somehow BRIGHTBLACK MORNING LIGHT’s show aligned with an art opening for the artist who did Neil Young’s ZUMA cover, with our Warm Inventions friend, Colm O’Coesig churning treble for that live BRIGHTBLACK MORNING LIGHT, but before that in Davis we were allowed to do our own sound in a sweet, small rasta-ital cafe….called Delta of Venus.

We’re not living in a tent right now, but you should know our Matador Records long play debut was written/recorded entirely sleeping under the sky without walls or roofs. We were already living in tents so it wasn’t a deliberate act. How did we end up in a tent? Well, we didn’t have anywhere else to go, Alabama was far away & Northern California is pricey…. We had read that most folks live over half their lives underneath lightbulbs, so we wondered if that would be our legacy…. always underneath a lightbulb. We appreciate light and want to know more about it. How does artificial light shape your daily mood? How does natural light make you feel? Living in a tent by a stream, we listened to endangered coho salmon swimming upstream when dozing off. A reclamation of what you react to helps to shape your life. If you live in a city, you will react to the design of that city. If you live rurally you are still reacting to some human designs, but they are limited. If you roll a doobie, then you react to a doobie….”