Don Bolles update

April 10, 2007 press release from Dr. Bronner’s

“Germ” Wrongly Jailed Over Soap

Absurd GHB Drug Charges for Don Bolles, Drummer of the “The Germs”, Stem
From a Bottle of Dr. Bronner’s Peppermint Soap Found in Van During Police Stop

ESCONDIDO, CA – The Bronner family, makers of the popular organic Dr.
Bronner’s Magic Soaps are shocked and disturbed by musician Don Bolles’
April 4th arrest for felony drug possession after police alleged an 8oz
bottle of peppermint Dr. Bronner’s Magic Soap tested positive for the
illicit drug GHB (Gamma Hydroxy Butyrate). The notion that anyone would put GHB in a rinse-off liquid soap product is beyond belief, and the police field test used must have been flawed or tampered with. GHB, which produces euphoria and is an alleged aphrodisiac when ingested, of course has absolutely no effect in a soap product that is rinsed off the hands and body.

Mr. Bolles, drummer of the legendary punk band The Germs, was arrested following a police traffic stop and spent three and half days in various jails in Orange County before being released early Easter morning. During a consented search of Mr. Bolles vintage 1968 Dodge A-108 van, Newport Beach police found a bottle of peppermint Dr. Bronner’s soap which is made with organic coconut, olive, hemp, peppermint and jojoba oils. Felony drug possession could mean 20 years in prison if convicted. A pretrial hearing is scheduled for Friday, April 13, 2007 at the Harbor Justice Center, 4601 Jamboree Road Newport Beach , CA at 8:30am.

“I’ve used only Dr. Bronner’s soap for 35 years,” says Mr. Bolles. “I use it for everything – bathing, washing my hair, washing my clothes – it goes everywhere I go. I’m scheduled to go to Europe to tour with The Germs this summer, but these felony charges could keep me from traveling out of the country. This whole thing could be really devastating to a 50 year old guy just trying to make a living. I told the officer ‘its soap, it smells like peppermint soap,’ but he seemed intent on arresting me.”

“It is totally outrageous that the police could be this malicious and
idiotic,” says Michael Bronner, Vice-President of Dr. Bronner’s Magic Soaps. “This clearly is a case of profiling by the Newport Beach police of a person who doesn’t look like the people who live in that town. We are paying the cost of Mr. Bolle’s lawyer, and we demand the charges be dropped or proof from the police forensics lab of GHB contamination be immediately provided to us,” said Bronner. Adds brother David Bronner, President: “We cannot imagine anyone putting GHB, or any other drug for that matter, into a rinse-off soap product that is lathered and rinsed off the body immediately. The Newport Beach police should see how much of a buzz putting beer in their shampoo gives them, and get a grip and apologize on their hands and knees to Mr. Bolles.”

At the time of the arrest Mr. Bolles was driving his girlfriend, and fellow musician Cat Scandal to an Alcoholics Anonymous meeting in Newport Beach. “I had heard of GHB but the police had to tell me what it was,” said Bolles. “I’m going to fight these charges.”


Farmlab Public Salon Double Feature this Friday…

Urban Permaculture Design and Community: Cultivating Relational Intelligence and Practical Solutions for a Climate-Changing World
Farmlab Public Salon
Kat Steele
Friday, April 13 @ 5pm
Free-of-Charge

Hear from a leader in the next generation of bay area permaculture designers as she shares perspectives on the evolving holistic design system and process. What is this design system? Why is it unique? How can it work in our suburbs and cities? How can Permaculture help address the issues of sustainability and community food security in our urban ecologies? Kat offers living and working examples of how projects integrate permaculture principles with green building, affordable housing, new technologies, green businesses and education, and social and economic justice! Hear how Permaculture can be used to best prepare and respond to the climatic and social transitions that we are facing today. In addition to her own work she’ll screen a short film about the innovative City Repair project of Portland, Oregon and lead a discussion about this evolutionary place-making phenomena

About Kat Steele
Katherine “Kat” Steele is a permaculture activist, designer, educator and founder the Urban Permaculture Guild in Oakland, California. She facilitates workshops on natural building and permaculture as well as publicly speaks about eco-social design, city repair and the power of placemaking. Trained in Ecovillage Design with the Findhorn Foundation of Scotland, Natural Building with Kleiwerks International and Permaculture Design with the Occidental Arts and Ecology Center she also holds an MA in Creative Arts from San Francisco State University. She presently serves on the board of two Bay Area Non Profit Organizations devoted to Peace, Justice and Sustainablity, the NorCal Chapter of Architects, Designers, Planners for Social Responsibility (ADPSR) in Berkeley and Bay Localize in Oakland.

“How Mushrooms Can Help Save the World”
Farmlab Public Salon
Paul Stamets
Friday, April 13 @ 7:30pm
Free-of-Charge

As we are now well engaged in the 6th Major Extinction (“6 X”) on planet Earth, our biosphere is quickly changing, eroding the life support systems that have allowed humans to ascend. Unless we put into action policies and technologies that can cause a course correction in the very near future, species diversity will continue to plummet, with humans not only being the primarily cause, but one of the victims. What can we do? I think fungi, particularly mushrooms, offer some powerful, practical solutions, that can be put into practice now.

Paul Stamets will discuss the evolution of mushrooms in ecosystems and how fungi can help heal environments. As environmental health and human health are inextricably interconnected, fungi offer unique opportunities that capitalize on mycelium’s diverse properties. Forest dwelling mushroom mycelium can achieve the greatest mass of any living organism – this characteristic is a testimonial to its inherent biological power.

Mushroom mycelium can replace chemical pesticides, break down toxic wastes, including petroleum-based products such as diesel, dioxins, and numerous other toxins into non-toxic forms. Understanding mycelium’s production of antibiotics is useful not only to compete with bacteria in nature but has also proven useful for treating animal diseases. Since bacterial can be vectors for viruses, interesting strategies emerge for supporting ecological health using mycelium as ecological medicine.

About a dozen species of medicinal mushrooms will be explored from a historical perspective leading to the clinical studies in which Paul is participating. Moreover, he will discuss his work with the U.S. Departments’ Bioshield BioDefense program, wherein his extracts were the first natural products from hundreds of thousands of samples tested found to be potent inhibitors of pox and other viruses. The field of mushroom-based medicines is rapidly expanding and this talk will show how mycomedicines can be incorporated in daily living to improve the quality of life while protecting the biosphere.

About Paul Stamets
Paul Stamets has written six mushroom-related books. Several are used as textbooks around the world by the gourmet and medicinal mushroom industries. He is the author of many scholarly papers in peer-reviewed journals (The International Journal of Medicinal Mushrooms; Evidence Based Complementary and Alternative Medicine (eCAM, Oxford University Press); Herbalgram, and others).

He has written more than twenty patents. He started a mushroom wholesale and retail sales business, Fungi Perfecti, LLC, in 1980. (See http://www.fungi.com.) The business has four laboratories, 10,000 sq. ft. of clean rooms, and is equipped with 20+ laminar flow benches for doing in vitro propagation work. Paul has received several environmental awards. He is an advisor to the Program of Integrative Medicine at the University of Arizona Medical School, Tucson; on the Editorial Board of The International Journal of Medicinal Mushrooms, and was appointed to the G.A.P./G.M.P. Board of the U.S. Pharmacopoeia. Dr. Andrew recommends his products. Stamets is the supplier and co-investigator of the first two NIH funded clinical studies using medicinal mushrooms in the United States. His strain collection is extensive and unique, with many of the strains coming from old growth forests. He is involved in several other research trials ongoing and pending. Married to Dusty Yao, whose shares a passion for fungi, and their love of the Old Growth forests.

Farmlab Location

Farmlab / Under Spring, 1745 N. Spring Street #4, LA, CA 90012
Across the street from the site of the Not A Cornfield project, in a warehouse colocated at Baker Street and N. Spring Street

Salons are always free-of-charge, all ages welcome.
Refreshments will be served.


This shit has to stop.

from http://balkin.blogspot.com/2007/04/another-enemy-of-people.html

Sunday, April 08, 2007
Another Enemy of the People?
Mark Graber

I am posting the below with the permission of Professor Walter F. Murphy,
emeritus of Princeton University. For those who do not know, Professor
Murphy is easily the most distinguished scholar of public law in political
science. His works on both constitutional theory and judicial behavior are
classics in the field. Bluntly, legal scholarship that does not engage
many themes in his book, briefly noted below, Constitutional Democracy,
may be legal, but cannot be said to be scholarship. As interesting, for
present purposes, readers of the book will discover that Murphy is hardly
a conventional political or legal liberal. While he holds some opinions,
most notably on welfare, similar to opinions held on the political left,
he is a sharp critic of ROE V. WADE, and supported the Alito nomination.
Apparently these credentials and others noted below are no longer
sufficient to prevent one from becoming an enemy of the people.

“On 1 March 07, I was scheduled to fly on American Airlines to Newark, NJ,
to attend an academic conference at Princeton University, designed to
focus on my latest scholarly book, Constitutional Democracy, published by
Johns Hopkins University Press this past Thanksgiving.

“When I tried to use the curb-side check in at the Sunport, I was denied a
boarding pass because I was on the Terrorist Watch list. I was instructed
to go inside and talk to a clerk. At this point, I should note that I am
not only the McCormick Professor of Jurisprudence (emeritus) but also a
retired Marine colonel. I fought in the Korean War as a young lieutenant,
was wounded, and decorated for heroism. I remained a professional soldier
for more than five years and then accepted a commission as a reserve
office, serving for an additional 19 years.

“I presented my credentials from the Marine Corps to a very polite clerk
for American Airlines. One of the two people to whom I talked asked a
question and offered a frightening comment: ‘Have you been in any peace
marches? We ban a lot of people from flying because of that.’ I explained
that I had not so marched but had, in September, 2006, given a lecture at
Princeton, televised and put on the Web, highly critical of George Bush
for his many violations of the Constitution. ‘That’ll do it,’ the man
said.

“After carefully examining my credentials, the clerk asked if he could
take them to TSA officials. I agreed. He returned about ten minutes later
and said I could have a boarding pass, but added: ‘I must warn you,
they’re going to ransack your luggage.’ On my return flight, I had no
problem with obtaining a boarding pass, but my luggage was ‘lost.’

Airlines do lose a lot of luggage and this ‘loss’ could have been a mere
coincidence. In light of previous events, however, I’m a tad skeptical.

“I confess to having been furious that any American citizen would be
singled out for governmental harassment because he or she criticized any
elected official, Democrat or Republican. That harassment is, in and of
itself, a flagrant violation not only of the First Amendment but also of
our entire scheme of constitutional government. This effort to punish a
critic states my lecture’s argument far more eloquently and forcefully
than I ever could. Further, that an administration headed by two men who
had ‘had other priorities’ than to risk their own lives when their turn to
fight for their country came up, should brand as a threat to the United
States a person who did not run away but stood up and fought for his
country and was wounded in battle, goes beyond the outrageous.
Although
less lethal, it is of the same evil ilk as punishing Ambassador Joseph
Wilson for criticizing Bush’s false claims by ‘outing’ his wife, Valerie
Plaime, thereby putting at risk her life as well as the lives of many
people with whom she had had contact as an agent of the CIA. …

“I have a personal stake here, but so do all Americans who take their
political system seriously. Thus I hope you and your colleagues will take
some positive action to bring the Administration’s conduct to the
attention of a far larger, and more influential, audience than I could
hope to reach.”

ARTHUR EMAIL BULLETIN No. 0071

“COMMAND PERFORMANCE”

The Arthur Magazine Email Bulletin

No. 0071

April 7, 02007

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DON BOLLES BAILBOND AND LEGAL DEFENSE FUND

from Nora Keyes:

“This past Wednesday night [April 4] Don Bolles suffered a bizarre and unfortunate interception with the Newport Police Department. He was stopped for a broken tail light. We believe his unconventional looks and old army green van made him the victim of police profiling in this very affluent, quiet town. They searched his van. The only thing they found was a bottle of Dr Bronner’s soap. 

“If you are a good friend of Don’s, you know this is the only cleaning agent he uses for every thing from tooth paste to laundry detergent. The police ran a drug field test on the soap and it came up positive. Dr. Bronner’s is made with hemp seed oil. Maybe this is the reason behind the arresting officer’s error. I spoke with someone who is familiar with forensic drug tests. They said the field test is not absolutely accurate. There are two other drug tests that need to be conducted on the soap. Also, the drug they are ascertaining that Don is in possession of is unusable in a soap base. 

“He is being charged with a felony. His bail is $25,000. He could get up to 20 years in prison. This is very serious. Through a bail bonds company it is $2,500. Currently we have roughly $1,000. He is now being held at the Orange County jail. This is not a safe place for Don. 

“With all my heart I do believe Don is innocent. I talked to the Police yesterday at the holding facility. Their attitude was harsh. This is truly a horrible and sad incident. I spoke with Don a number of times. He is in utter disbelief that this is happening to him. We are asking friends if they could make a contribution of 10-20 dollars or more to help get him out of jail as soon as possible so he can seek legal assistance. 

“Please make contributions to the paypal account below. Also, if anyone knows of a lawyer that can donate their services, please contact me as soon as possible. I spoke with criminal lawyers yesterday and their fees are unbelievably high. Please repost this on your bulletin if your network of friends can help.

deernora@yahoo.com

Info on Don Bolles (legendary Germs drummer/trickster/connoisseur/L.A. scene fixture):

www.myspace.com/kittensparkles

"Bliss is our nature. We're like happy campers, flowing with ideas": David Lynch at the NFT.

David Lynch: The American auteur was on stage at the NFT to discuss his oeuvre, his debt to transcendental meditation, the genesis of his latest film, Inland Empire, and why he went on the road with a cow

Thursday February 8, 2007
Guardian Unlimited

Mark Kermode: Just to start things rolling, and this is not specifically connected to Inland Empire which we’ve just seen, but transcendental meditation is a really big thing in your life. The last time we talked, it was entirely about how TM had changed and affected your life. In as much as it is possible to explain this complex subject in a pitifully small amount of time, please explain to us what TM has done for your consciousness and what you believe it’s capable of doing for the greater good?

David Lynch: How many people have heard of TM? Quite a few. Good. TM is a mental technique. It’s an ancient form of meditation that allows any human being to dive within and transcend and experience the unbounded, infinite ocean of pure consciousness. Pure vibrant consciousness, bliss, intelligence, creativity, love, power, energy – all there within. At the base of mind, the base of matter, is this field. And it’s there. Modern science has just discovered the unified field by going deeper and deeper and deeper into matter. And there it was: a field of oneness, unity. They can’t go in there with their instruments and everything, but any human being can go dive within through subtle levels of mind and intellect, transcend and experience this field. When you experience this deepest field, it’s a beautiful experience, and experiencing it enlivens it and you grow in consciousness.

You grow in creativity and intelligence. And the side effect is that negativity starts to recede. Things like hate, anger and depression, sorrow, anxieties – these things start to recede and you live life in more freedom, more flow of ideas, more appreciation and understanding of everything.

It’s so beautiful for working on projects. It’s a field of knowingness – you enliven that and you get this kind of intuitive thing going. It’s so beautiful for the arts, for any walk of life. In Vedic science, this field is called Atma, the self and there’s a line, “Know thyself.” In the Bible they say, “First seek the kingdom of heaven which lies within and all else will be added unto you.” You dive within, you experience this, you unfold it and you’re unfolding totality. The human has this potential and they have names for this potential: enlightenment, liberation, salvation, fulfilment – huge potential for the human being. And we don’t need to suffer. You enliven this thing and you realise that bliss is our nature. We’re like happy campers, flowing with ideas. We’re like little dogs with tails wagging. It’s not a goofball thing, it’s a beautiful full thing, really, really great.

MK: I’m right in thinking that your relationship with that has mirrored your film-making career – you started TM around the same time that you were making Eraserhead, is that right?

DL: That’s correct.

MK: And it’s something that you’ve done throughout your career?

DL: Yes.

MK: So the question that’s always asked is, if TM creates positiveness and all the things you’ve talked about – and I can see that it genuinely does – some people might ask what about all the darkness that’s in your films?

DL: Exactly. We are all different at the surface and one at the core, unity. We are one world family. On the surface, different – I like this, you don’t like this. And we catch ideas. Sometimes, we catch an idea that we fall in love with. And if it’s a cinema idea, we see what cinema could do to that idea and we’re rolling. Stories hold conflict and contrast, highs and lows, life and death, and the human struggle and all kinds of things. But the artist doesn’t have to suffer to show suffering. You gotta understand it. You don’t have to die to do a death scene. You just have to understand it in your own way, but understanding is the thing, understand this suffering, this anger, this character. And you go like that.

I thought when I started meditation that I was going to get real calm and peaceful and it’s going to be over. It’s not that way, it’s so energetic. That’s where all the energy and creativity is. Everything that is a thing has emerged out of this field. So it’s tremendous creativity. And you don’t lose your edge, you get more, stronger feeling for something and it can be magnified. And you don’t get sleepy and laidback in this kind of flat-line peace. It’s a dynamic peace. It’s very powerful, it’s where all the power is. So the thing is you can make all these stories but you’re separate from it. And that’s the key.

Continue reading

“He was the soundtrack to my show”: SONNY HOPSON on James Brown, as told to Peter Relic (Arthur No. 27/Dec. 2007)

Originally published in Arthur No. 27 (Dec. 2007)

“He was the soundtrack to my show”
The Mighty Burner remembers the Godfather of Soul

by Peter Relic

Sonny Hopson debuted as a radio disc jockey with “The Might Burner Show” on Philadelphia’s WHAT in 1965, playing James Brown’s “Please Please Please.” You can hear Soul Sound Sonny announcing the news “Brown’s in town!” to all of Philly on Sonny’s storming “Original 1969 AM Radio Broadcast” CD (available from the Philly Archives label). Arthur spoke to Sonny by phone three weeks after James died. Here’s what he told us. —Peter Relic

James was one of my good friends. He got to know the number one disc jockey in Philly! James had no problem calling you up and thanking you for playing his record. James really took care of his disc jockeys. He’d call me up: “Meet me at the club down on Washington, Mr. Hopson, I need you to emcee the show.” He’d give me five, six hundred dollars. He knew disc jockey doesn’t get paid much, and he’d make sure you got paid. Always leave some money in the town he came to. James’ father used to call the station, he was in the Navy with [Philly radio deejay] Georgie Woods. Buddy Nolan worked for James as an advance man. Come to town three, four weeks ahead of time to find out everything, make sure they’re playing James’ record, make sure the show was a sellout. James’ show was two, three hours. He played every venue there was. I played every James Brown record that came out, and he put out a new record every month. James had the funkiest bottom you could put your hands on. He was the soundtrack to my show. “It’s A Man’s, Man’s World”!

One night I went up to Harlem to see James at the Apollo Theater. James was getting ready to go on and suddenly Jackie Wilson came in the house, sliding across stage, killing ’em! James said, “What are you doing letting Jackie Wilson go on before me! Shut it down, I ain’t going on for another hour.”

There was a club The Sex Machine on 52nd and Market, they named it after his record, he was so excited he came to the club. He was dancing, dropped down to the floor, popped back up! He also came down to the International Astro-Disc, that was my club. He called me Mr. Hopson, never called me Sonny, and I called him Mr. Brown. We were very respectful. When Otis Redding died I was there carrying the casket in Macon, Georgia. Arthur Conley, Johnny Taylor, Joe Simon, Joe Tex, James Brown were all there. There was a photo of it in Jet magazine. Otis didn’t work as hard as James Brown but he was right up there cooking. James Brown was the boss. Everybody copied his shit. He had the blueprint. I don’t know how you can outdo James Brown unless you take out a hammer and kill yourself right there on the stage.

He’s a heavyweight part of the Civil Rights legacy. He lost radio stations trying to be a civil rights leader. We were in Miami with the Fair Play Committee when he cut “Say It Loud I’m Black And I’m Proud.” I was the only one playing “Say It Loud I’m Black And I’m Proud” but only for a minute—that record could not be stopped! James called me on the phone: “Mr. Hopson, I heard you’re the only one playing my record in Philly!” Then they all jumped on it. Everybody was wearing their hair in a process, then black got beautiful.

MC Hammer is my cousin. When I told James that MC Hammer was my cousin he said, “Yeah but he ain’t as smart as you.”

Twenty years ago I went down to Constitution Hall to see James perform with Eddie Murphy. James had a limousine with a bathtub in the back. I met my son’s mother that night.

Women? He could get what he wanted. They couldn’t do what he did. If a man can get past the woman he can get somewhere. Lotta guys can’t get past the woman. Look at Michael Straythairn. He gotta give his woman fifteen million dollars, and now he don’t got her no more. Real pretty ones, they get what want and they’re gone. I don’t take nothing away from no woman, woman got talent. Angelina Jolie, she’ll make you leave your wife and your happy home. Alicia Keyes comes for the Mighty Burner, I got to go. She says “I’m waiting on you,” man I already left! I’ll fight Marc Anthony. It’s dangerous when them cold blooded killers come after you. You get weak in the knees. Ain’t that a bitch. Like James said: “I don’t want nobody to get me nothing, open the door, I’ll get it myself!”

I went up to the funeral in New York. They changed his clothes three times during the funeral. That was James: “I can’t go out in the same suit.” Outside people were ten abreast for three blocks down each way, from three in the morning til six at night, all ages, all colors. No fights, no fussing, no nothing. I’m going to miss him and I’m REALLY going to miss him. Part of me died when he died.

ARTHUR EMAIL BULLETIN No. 0070

“COMMAND PERFORMANCE”

The Arthur Magazine Email Bulletin

No. 0070

April 5, 02007

BLOG:

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Comments:

editor@arthurmag.com

So yeah,

1. ORPHANED ARTICLES FROM ARTHUR NOW BEING POSTED AT ARTHUR BLOG

Stay tuned for news about Arthur Vol. II, debuting as soon as we can get it happening. We’ve been through a (completely unnecessary) wringer over the last few months. In the meantime, articles intended for publication in the now-cancelled Arthur Vol 1 No 26 are being posted at Arthur’s “Magpie” blog at:

http://www.arthurmag.com/magpie/

2. NEW PRINTING OF ARTHUR’S CRITICALLY ACCLAIMED “THE INVASION OF THUNDERBOLT PAGODA” DVD COMING SOON.

We are psyched dude to announce the imminent second printing of Ira Cohen’s “The Invasion of Thunderbolt Pagoda” DVD, which received critical raves from The New York Times and The Wire upon its release late last summer and sold out in November, 2006. (Please don’t ask what took us so long, it’s a bummer.) Further news and pre-order info are available at

http://www.arthurmag.com/news/

3. FRIDAY THE 13TH FROCK N ROLL 

Frequent Arthur contributor Steve “Plastic Crimewave” Krakow writes:

“I will be exhibiting some “glam god” drawing/painting collaborations (of Roy Wood, Arthur Brown, Mick Ronson, and Jobriath)  with renaissance woman Amy Cargill (yes she painted, i drew) at:

Frock N Roll, at local project 2136 44th road, L.I.C., NY

April 13th thru Saturday April 28th 

Opening Reception: April 13th, 6pm -midnight

An Intersection of Art, Music and Fashion, curated by Wendy Gosselin and Veronica Ibarra

Frock N Roll –the creation of a theatrical environment; a happening that recognizes and embraces a diverse assemblage of artists with a passion for all that is Frock N Roll.a multi-media exhibition exploring the connection, evolution and impact that visual art, fashion and rock and roll evoke in our society. Frock N Roll developed from obsessions for vintage materials, music, the zeitgeist of decades

past and future, idols and heroes, and contemporary design. The artists in this exposition are aroused by classic, glitter, metal and all incarnations of rock that resonate in us to construct a new

aesthetic.

Uniting over 20 cutting-edge artists from the international arena of the most inspirational cities in the world, this unique event showcases provocative works in various mediums including photography, fashion design, sculpture, painting, illustration, performance, installation, graphic design, and music. Live performances will be featured to provide a complete three-dimensional “happening” environment.

Artists

Eva Aridjis, NYC ~Maureen Baine, NYC ~ Joanne Burke, UK ~Paul Collins, NYC ~ Tracy Conti, NYC ~

Plastic Crimewave/Amy Cargill, Chicago ~ Marietta Davis, NYC ~Lauren Divine, NYC ~ Wendy Gosselin, NYC ~Moni Haworth, UK ~ Joie Iacono, NYC ~Avelardo Ibarra, Los Angeles ~Veronica Ibarra, NYC

Cornelia Jensen, NYC ~ Tora Lopez, NYC ~Layla Lozano, NYC~ Sarah MacKinnon, NYC ~Emiliano Maggi, Rome ~ Alexandra Morrill, NYC ~Parasite Films, NYC ~ Pomade, NYC~ Arik Roper, NYC ~

April Rose, NYC ~ Lou Suarez, NYC ~Jaiko Suzuki, NYC Urban Inks, NYC ~Craig VanMackelberg, NYC ~ Angela Wieland, NYC ~Grant Worth, NYC

Opening night Visual Extravaganza includes:

Fashion Show designs by Wendelism, Chromium Dumb Belle by Joanne Burke, POMADE

Special performance by Anna Copa Cabanna and Breedlove.

Music by Lady Starlight, Kevin Wyzzard and Brother Louie.

4. THOSE THIRTY EXTRA MINUTES CAN MAKE ALL THE DIFFERENCE…

Arthur Magazine and LARecord present

The Echo Park Social(ist) & Pleasure Club

Thursday, April 5

and EVERY Thursday night

HOT DAMN, IT’S A NEW EARLIER STARTING TIME!  930pm sharp

at

LITTLE JOY

1477 Sunset Blvd in Echo Park

((( free )))

21 & up

Tonight’s deejays:

930pm-1100pm: DANIEL CHAMBERLIN (Arthur Magazine)

1100pm-1230am: BECKY STARK & RON REGE (Lavender Diamond)

1230am-lights out: JAY BABCOCK (Arthur Magazine) & friends

Last Thursday, deejay SUE SIADAT (LARecord) started off the evening with:

the 3rd bardo – 5 yrs ahead of my time

link wray – ace of spades

nels cline trio – coned off

christian death – romeo’s distress

bubonic plague – bad moods

patti smith – break it up

horses – father

frank zappa – st alfonzo’s pancake breakfast & (part of) father oblivion

bad dudes – animatronic tito puente

beat generation – vol. 1, track 3

groupies – primitive

buddy holly – ?

ariel pink – people i’m not

magik markers – infinite regress

sonic youth – destroyer

CAN – vitamin C

antony & the johnsons – fistful of love

bride of no no – gypsy’s song

jandek – ?

Then DR. KEITH MORRIS rocked the nation with

1.Buddy Miles-“Them Changes”

2.Lee Michaels-“Hello”

3.Spirit-“Fresh Garbage”

4.Bob Seger-“2+2=?”

5.Gil Scott-Heron-“The Revolution Will Not Be Televised”

6.Elton John-“Empty Sky”

7.Master’s Apprentices-“Easy To Lie”

8.Harry Nilsson-“Jump Into The Fire”

9.Quiksilver Messenger Service-“Pride Of Man”

10.Blue Oyster Cult-“She’s As Beautiful As A Foot”

11.Tucky Buzzard-“Time Will Be Your Doctor”

12.Steve Hillage-“It’s All To Much”

13.Elvis Costello_”Tear Off Your Own Head(It’s A Doll Revolution)”

14.Barclay James Harvest-“Taking Some Time On”

15.The Pretty Things-“Joey”

16.The Monkees-“Porpoise Song”

17.Max Frost & The Troopers-“Shape Of Things To Come”

18.Rhinoceros-“Apricot Brandy”

19.The Soundtrack Of Our Lives-“Sister Surround”

20.Alice Cooper-“Caught In A Dream”

21.Mudhoney-“Urban Guerilla”

and finally B+ AKA PADDY PERDIDO (Mochilla) did a set he called “Universe in Disenchantment…” in tribute to Tim Maia:

Tim Maia:  Rational Culture

Tim Maia: Nobody Lives Forever

Krishnanda: Agua Viva

Eduardo Aruajo: Sou Filho Deste Chao

Ze Ramalho: Admiravel Gado Novo

Amaro De Souza and Haeraldo Oliveira: A Corõa Do Rei

O Terco: Adormeceu

Giberto Gil: 2000

Arthur Verocai: Karina (Domingo no Grajau)

Jorge Ben: Camisa to da Gãvea

Trio Mocoto: Swinga Sambaby

Tim Maia com Wilson Das Neves: Os Caras Querem

Os Originais do Samba: Falador Passa Mal

Osmar Milito: Morre o Burro, Fica o Homem

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ARTHUR MAGAZINE

Atwater Village

"Net Loss" by Douglas Rushkoff

(intended for publication in the cancelled Arthur Vol. 1, No. 26 [March 2007])

NET LOSS
by Douglas Rushkoff

I’m a bit down on the Internet these days.

Sure, a lot of it has to do with that obsequiously pandering Time magazine cover—the one with the little mirror on it telling us all that each of us is the “person of the year.” That is, each of us connected to the Internet and throwing our photos and personal consumer histories up on the web for everyone to see. We’re supposedly undergoing a revolution because now, instead of paying for movie tickets, we can pay for computers, hard drives and access time—often to the very same media conglomerate we think we’re ripping off.

And some of my misgivings have to do with a recent mistake I made myself, posting to my weblog the fact that I had gotten mugged, and how that had caused me to reflect on my own participation in the gentrification of my part of Brooklyn. Diehard Brooklynites (no doubt harboring mixed feelings about whoever they may have displaced in order to live here and make it “cool” instead) went on something of a rampage against me, posting all sorts of nonsense on bulletin boards about how Rushkoff was leaving Park Slope because he’d got mugged. A few real-world newspapers even quoted fake postings in the comments section of my blog, mistakenly attributing those posts to me.

Adding insult to injury, some Zionist extremists (or their paid online shills) who don’t like me took the opportunity to create a “sock mob” effect —a term I coined to describe how one or two people can post dozens or even hundreds of comments online under different pseudonyms to make it look like there’s a mob of people agreeing to hate a particular person or idea. (Think Swift Boat Veterans, on a much smaller scale.)

So the Internet—the place where I actually grew up as a thinker and writer—was no longer a safe place for me to engage with others about the ideas that are most personally important to me. Even the “discussion” in the unmoderated comments section of my blog could at a moment’s notice turn as mean, vitriolic and ultimately fake as any conversation taking place anywhere online. The Internet didn’t elevate our discourse—it left us in the same pit we were in to begin with. In fact, the ability to conceal one’s identity, combined with the ability to attack others without ever looking them in the eye, has made discourse on the Internet even more prone to cruelty than in real life.

Meanwhile, on a daily basis, my inbox fills with messages from people I know and people I don’t. Everyone expects an answer from me the same way they expect an answer from the customer service department of the Gap. At least from me they get one. But am I making the most considered response I can? Of course not— for the most part, I’m simply trying to get through the stack of email and respond as sufficiently as necessary. But that’s not the way I want to interact with anyone—even if they’re treating me like the complaints desk. And it undermines the quality of the remaining exchanges with people whose queries really do merit consideration and response.

And all this keyboard activity has become quite draining. Back in the ’90s, I would log off the Well or a Usenet board feeling exhilarated by what I had learned and who I had “met.” Today I can’t get off the Internet fast enough. It’s as if my very chi is being absorbed by this pulsing datastructure—an avatar of the combined will of both humanity and the marketplace on each one of us.

We can’t help but want to respond when people reach out to us by email or on a discussion board—after all, there’s a real person on the other end of each transmission. But for me, anyway, it feels as if the transmissions themselves have been stripped of all prana—of all the nutrients otherwise associated with organic exchange. Think of the difference between teaching a person in a real bar how to play pool, and describing to someone in an email “how to play pool.” Almost the same information can be exchanged, but without any contact. Now, it’s not the lechery of live pool instruction I miss. Not exactly. What I miss is what one gets back during an exchange in person. The joy, the contact, the full range of subtle communication, is gone.

I’d argue that the data we’re exchanging —from pool lessons to political theories—are themselves just media for our social interactions. Yes, it’s great to have a cause to rally around, but for the most part these causes are excuses to rally. In our highly rational, highly time-pressured schedules, we need excuses to be with each other, from the woman taking a French class in the hopes of finding a husband to the guy taking yoga to check out girls in tight sweats. Somehow, the Internet convinces us that the content we’re exchanging is the end in itself—when it’s actually just a means to an end. And that end will never be found online.

I’ve been saying since the late ’80s—before the Internet really existed—that our networks are not a thing in themselves. They are a trial run, a social experiment: a way of practicing collective social engagement so that we might see whether or not such a thing is possible in real life. The Internet of the early to mid-’90s really was such a collaborative space, and a few of the projects that remain from those days, from Wikipedia to Craig’s List, still bear some resemblance to that earliest ethos of provisional collectivism.

But Wikipedia has now fallen victim, to some extent, to politicians and others with agendas, who change entries about their opposition to make them look bad. And Craig’s List has become increasingly difficult to patrol for scams and ruthless profiteers. Each organization has to spend more time and resources preventing abuse than it does doing the thing it originally set out to do. And that’s pretty much the definition of the “point of diminishing returns.”

I’m not signing off the Internet just yet. I need it for all the same reasons all of us do. But I no longer assume as much about the experiences I’m going to have online as I used to. I don’t take for granted the existence of a community on the other side the screen. I don’t read my email before my morning coffee—I wait until I’ve got my best psychological defense mechanisms in place. I don’t socialize online; I make appointments to socialize (as time allows these days) offline in some real place. Or even on the phone, which feels intimate compared to the asynchronous communication via computer screen.

I still refuse to believe the experiment in developing a virtual culture has failed. Even if the Internet doesn’t foster the gentle, compassionate, and open-minded society we might like to see in the real world, its descent into heated polarities, exhibitionism and profiteering should serve as an example of how even our best intentions can be undone. It makes us aware of how easily manipulated we are, how prone we are to excitation of the basest kind and how desperately we want attention from others. That is, each of the things we may dislike about the Internet—from its extreme forms of marketing to the cruelty and humiliation that pass as entertainment—are merely exaggerations of our tendencies in real life. But the Internet allows those tendencies to be rebroadcast and absorbed by us as if they were real—and they go on to influence the actions of individuals, organizations, corporations and governments in the real world.

People see an erroneous, venomous post somewhere, and can’t help but take in some part of that sentiment as justified or factual. Hell, I’m still getting emails from friends asking why I’m moving to Long Island, or why I denied the Holocaust—both completely fictitious constructions of anonymous Internet users that nevertheless trickle back out from the virtual world into the real one. A music reviewer I know became the recipient of death threats by phone and email after a band whose album she panned invited its fans—via their website—to go on the rampage. And we writers are a hell of a lot less victimized by these sorts of fabrications than the artists, scholars and activists who really stick their necks out, from Paul Krugman and Noam Chomsky to Tony Kushner and Al Gore.

The more monstrous thought-forms constructed online needn’t be allowed to feed back into the real world any more than the monsters of our nightmares need to invade our waking lives. They only lead to equally artificial extremes of thought and behavior — dangerously divorced from local, organic and social moderation. They grow into false polarities like the red-state/blue-state divide; they foment antagonism over religion and race; and they give license to the most ruthless marketers and profiteers.

Rather, we must remember that the expressions thriving in the online universe have been divorced of their connection to the flesh, the heart, and the neo-cortex.

Consumed in their raw form, many of them are toxic.


BULL TONGUE 26 by Byron Coley and Thurston Moore

(intended for publication in the cancelled Arthur Vol. 1, No. 26 [March 2007])

Bull Tongue 26
The Top 80 of 2006

1. GOTHENBURG BLOOD CULT – New tape label out of Sweden bartering in ultra hell noise. Check out the compilation Fuck Money, Fuck Life w/ grinding hardcore spew from Maniac Cop , Ochu , and Treriksroset . Sweden’s such a beatific place, it’s hard to figure the gore mania the noise scene there is so preoccupied with.

2. SAME BAND – Boxed Set 10 CD box (Disques Dual) Amazing documentation of a Portland, ME combo who existed in an oddball universe akin to some of the best just-pre-punk weirdos. They came along later than bands like MX-80 Sound, but manifest a similar vibe, which makes sense because their roots are in combos first formed in 1968 or. Part free form, part Zappa, part punk, this is rural-experimental fuckeroo of the highest order. Includes some DVD video footage, interviews, a great booklet of fliers and pics, and is contained inside a most lovely wooden box. During their lifetime they cut only one LP and one 45, but this set (recorded between ’77 & ’80) captures a brilliant, beautiful strangeness.

3. SIC ALPS – Pleasures and Treasures LP (Animal Disguise) It’s time for Sic Alps to fully bust out. An incredible raw psychedelia is being played here and after a couple of down low tapes on Folding and Animal Disguise we’re steamy mouthed listening to their first LP (which is basically an early version of the band w/ the awesome Bianca Sparta of Erase Errata .)

4. DESPERATE MAN BLUES DVD – director: Edward Gillan (Dust to Digital) Nice to have a DVD of this great documentary on Joe Bussard , plus another featurette, King of the Record Collectors , and other bonus stuff. Bussard is a stone gas, grooving around his basement amidst one of the finest collections of pre-war 78s ever assembled. A few nice archival shots of Fahey , too. And the stories are hilarious.

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Erik Davis, Walter Murch, more at BLDG BLOG San Francisco

From Erik Davis (author of the Joanna Newsom profile in Arthur V1 N25):

“This Saturday in SF I will be participating in an eclectic symposium brought to you by Chronicle Books and Geoff Manaugh’s supernifty BLDGBLOG:

when: Sat 4.7 (2:30-5pm)
where: California College of the Arts (1111 8th St, 415.551.9210)
price: FREE
details: http://bldgblog.blogspot.com/2007/03/bldgblog-chronicle-books-present.html

BLDGBLOG’s founding editor Geoff Manaugh has pulled together a group of speakers as comprehensive and engaging as his design blog. This interdisciplinary conversation on architecture and landscape unites people from various, sometimes surprising, backgrounds. Walter Murch, film editor and sound mixer for pictures like Apocalypse Now (1979) and the Godfather trilogy, presents original research on how Rome’s Pantheon influenced Copernicus, while author Erik Davis explores mysticism and spirituality in California’s architectural landscapes. Architect Lisa Iwomoto’s show-and-tell displays her firm’s newest technologies along with digital models for housing projects, and Rebar Group founders John Bela and Matthew Passmore discuss collaborative and public design such as their COMMONspace project. “