FISCAL SPONSORSHIP: Or, How to get money to do the work you need to do

From Fractured Atlas, the fiscal sponsor of Arthur Magazine:

We all know the arts need funding to survive. Fortunately there are philanthropic individuals, charitable foundations, and government institutions who recognize this need and provide support.

The Need
Most independent artists, however, including countless small or new arts companies, lack the all important 501(c)(3) tax status that makes those donations legal and desirable. That’s where fiscal sponsorship comes in.

In a Nutshell
Fiscal Sponsorship is a financial and legal system by which a legally recognized 501(c)(3) public charity (such as Fractured Atlas) provides limited financial and legal oversight for a project initiated independently by an artist. That “project” might be a one-time project or an independent artist or even an arts organization that does not have its own 501(c)(3) status. Once sponsored in this way, the project is eligible to solicit and receive grants and tax-deductible contributions that are normally available only to 501(c)(3) organizations.

The Catch
Anytime you’re dealing with the IRS (which regulates these issues), you can bet there are going to be some complicated legal issues involved. Many well-intentioned, legitimate organizations across the country provide fiscal sponsorship programs for artists. Very few of them are doing it legally, though, and most don’t even realize the danger in which they’re putting themselves and their sponsored projects. If the IRS ever decides to crack down, they could lose their 501(c)(3) status, and their sponsored projects could be forced to return any money raised under the arrangement.

The Solution
Fortunately, Fractured Atlas is here to help. Our fiscal sponsorship program is legal, efficient, and affordable. Our program is open and accessible to artists and arts organizations nationwide and in every discipline. We won’t judge your work’s artistic quality or merit; that’s for others to decide. Our job is to give you the tools you need to raise the money to make it happen.

How We’re Different
Fractured Atlas’s fiscal sponsorship program offers many benefits that other fiscal sponsors simply don’t have the resources or infrastructure to provide. Here are just a few of the perks that we think make us special:

* Online donations by credit card (up to $5,000 per transaction) with no additional fee for credit card processing
* Donors can make automatic recurring monthly donations
* We can accept and process non-cash donations of equipment and materials
* Fund release checks are issued weekly at the sponsored artist’s request
* Complete set of online tools for managing your sponsored fund (check your fund balance, view donation and fund release history, look up donor contact information, process new donations, etc.)
* Online profile and website link featured on our website
* Program is structured to ensure that you should never owe any taxes on money we disburse
* Fractured Atlas staff is friendly, helpful, and knowledgeable – a great ally as you pursue your work!

More info: http://www.fracturedatlas.org/site/fiscal/

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About Jay Babcock

I am an independent writer and editor based in Tucson, Arizona. I publish LANDLINE at jaybabcock.substack.com Previously: I co-founded and edited Arthur Magazine (2002-2008, 2012-13) and curated the three Arthur music festival events (Arthurfest, ArthurBall, and Arthur Nights) (2005-6). Prior to that I was a district office staffer for Congressman Henry A. Waxman, a DJ at Silver Lake pirate radio station KBLT, a copy editor at Larry Flynt Publications, an editor at Mean magazine, and a freelance journalist contributing work to LAWeekly, Mojo, Los Angeles Times, Washington Post, Vibe, Rap Pages, Grand Royal and many other print and online outlets. An extended piece I wrote on Fela Kuti was selected for the Da Capo Best Music Writing 2000 anthology. In 2006, I was somehow listed in the Music section of Los Angeles Magazine's annual "Power" issue. In 2007-8, I produced a blog called "Nature Trumps," about the L.A. River. From 2010 to 2021, I lived in rural wilderness in Joshua Tree, Ca.

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