Category Archives for POETRY

sky-green clouds, blue earth

celebratethesun1926
sky-green clouds, blue earth
by michael hessel-mial

Sun curving lightly,
twist
over the glittering
blisterdome, six
mile-high coffeeshops
direct lightning
to where it cannot be reached,
except through

handshakes. I long
for the days before
the menstrual taboo
replaced the world of smells,
somewhere between sulfur
and the aging limburger
our parents smelled for us.

Taking the same feeling,
and without turning it
upside down,
what once was brevity
is now gravity.

Industrial smoke is best
rendered
in pastel, or wavy lines
of ink that can morph
into hair,
cartoonishly crude,

pocket surrealism,
trombones from the smokestack.

Colliding peach fuselage,
clouds appearing overnight
framing a rainbow,
colored by gases found
deep in the earth,

unexpected openings
and penetrations.

Long before running
my hands through the dog’s
hair,
I know from scent
the oil that will remain
on my fingertips.

Mirrors, converted
from the windows
of retired skyscrapers,
cover thousands of acres
of the earth’s surface,

redirecting energy
made negative
through overuse
back into the atmosphere,

helping our trash bags
stay fresh,
even on sunny days

free of unexpected moisture.

THE RECESSION AND HOW TO LIVE THROUGH IT by Charles Potts

Reposted from January 2009—because it still applies… —Ed.

charlespotts_web

January 28, 2009

THE RECESSION AND HOW TO LIVE THROUGH IT
by Charles Potts

[Arthur editor] Jay Babcock has tempted me with the phrase, “It would be great if you wrote something on this subject,” referring to the subject line of his email, “The recession and how to live through it.”

I’ll take the bait. This is more than a recession. This is going to be a huge depression, with the “recovery” way off in the distance.

A recession, per Christopher Wood, desk chair person for The Economist in Tokyo circa 1995, is “a superabundance of inventory, and can be melted off the shelf; a depression is a superabundance of capacity” and takes much longer to get out of. Remember that it took the bean counters in Wash DC a full year to confirm the economy was in recession, and there’s a lot of over-the-counter chatter about how this recession is already longer than the one in, take your pick: 1976-1980-1991-etc. However, look around you and notice the superabundance of capacity. The industrial hind end of Europe, Japan, the US and China plus all else, can easily produce multiple times more automobiles, cell phones, TVs, computers, refrigerators, et al. than anybody with funds can buy.

This is the fourth major deflationary price collapse in the past 600 years. In the three previous price collapses, there was a long period afterward when prices did not recover their pre-fall levels for decades. Prices last collapsed hard in 1815 after Wellington’s victory over Napoleon at Waterloo; the period from 1815-1896 has been called by economists The Victorian Equilibrium. Many things contributed to this low-level stability, but it is sobering to realize there was scant inflation in the United States during the 19th century. (Inflation, by the by, is not necessarily a bad thing. Inflation simply moves assets around the game board from creditors to debtors; it doesn’t actually destroy anything except purchasing power if all you have is cash. In deflation, which we’re going through now, cash will buy a lot. During inflation it is better to have hard assets that increase in value at least at the same rate as cash.)

Will it take eight decades before the world economy is go-go again?

My reference to 1815 isn’t casual. I just re-read David Hackett Fischer’s The Great Wave: Price Revolutions and the Rhythm of History. His book is about the three previous big price collapses: in the early 14th century when the Black Death ended the so called “Middle” ages; then, circa 1492, when prices collapsed during the Renaissance, and we encircled ourselves globally; and the aforementioned 1815. What’s so crucial about 1815 is it is also the date and the event that Oswald Spengler (The Decline of the West) identifies as the moment Western culture went sideways and into “civilization,” cf. Napoleon at Waterloo. Fischer’s graphs of how the prices rose and fell, can be superimposed one over another. This collapse we’re in, the big one for the rest of our lives, started 20 years ago in Japan in 1989, has hit Argentina and most of Latin America, Russia twice now, and finally the big fish, the rest of Europe and the US. Even Doha is scaling back!

The powers that be with their printing presses will print money and throw it at the wall until enough of it sticks. Some activities will appear to return to normalcy. But you shouldn’t wait for the influx of money to turn deflation into inflation, just as you shouldn’t wait for the bailout to trickle down to you. Unemployment is going to increase and stay high for some time. Challenging moments are upon us.

My advice in hard times would be the same in good times: find something you love to do and master it, become as good as or better at it than anyone has any reason to be. Look up the people who do it really well right now. Study the masters. A musical instrument, a physical activity, painting, movies, art of all kinds, the writing of poetry or other books, whatever makes you feel better about yourself and contributes to our well being. Try enough things until you are satisfied that your fascination with the subject will lead to mastery. Six or eight hours of focused effort a day should suffice. I think this is reasonable advice, coming from an old man who has squandered most of his life by being interested in too many things to master any of them.

We don’t exist as individuals; we exist as the sum total of our relationships. You’ll need all the friends you can get, so be honest, fair and generous in your dealings with other people. Don’t be afraid to ask for help or take unseemly risks. The future does not belong to the risk aversive.

It will be difficult to get rich in the onrushing hard times, but it will be easy to get poor or poorer. Watch where your money goes. Make sure you get good value for it. Avoid buying things you don’t really need. Add value to your activities by putting forth effort. Expect others to do the same.

Spend time with children and if you have children of your own, take the time to understand the world from their point of view.

Assets are things that have to be used up creating additional assets. Almost without exception, your biggest asset is your time. I could have gotten rich teaching a seminar I created called “Seize the Day,” essentially a series of sensory exercises to stimulate your imagination to take over and live your own life. But I preferred life in a small town and didn’t want to see the inside of every airport and convention center in the country.

Maybe it’s time to skip the addictions, look up old friends, or visit long-lost relatives. Life is a gift of such presurpassing value that we sometimes hardly notice. Learn to appreciate simple things, the taste of water, the odor of flowers, the great way gravity contributes to your ability to walk and run.

Some of the things people love to do and do well don’t pay that much: poetry for example. Nobody really gives much of a fuck anymore if you can understand the world and set it to music. You have to feed yourself, and if a family, contribute to their well-being. You may find yourself bearing an overload of dissonance, earning your daily bread and wishing, as the Colorado poet and painter Joe Lothamer said, “I dream of being a janitor.”

Every changed circumstance contains opportunities, which accrue to the first people to recognize them. Since circumstances are in constant flux, there is a steady stream of opportunities. Learn to spot them and make them your own.

Keep the basics in mind. People will still be buying food even if the rest of the consumer economy blows completely up, as it so richly deserves to. Heal the sick, wake the dead, feed the hungry. Food shelter and clothing. Eat slowly and chew your cud well.

Biographical info on Charles Potts.

Previously in Arthur:

“The Dope From Muskogee” by Charles Potts

Muntader al-Zaidi named Arthur Magazine “Man of the Year” 2008; Charles Potts salutes al-Zaidi with new poem, “Balls Out.”

“A Case of Cheney Paranoia” by Charles Potts

Poem in Arthur No. 5

“Spasm Empire” by Charles Potts

CHARLES POTTS & SUNN 0))) AT ARTHURFEST 2005 – video footage

"Freedom?": Richard Brautigan's first wife, VIRGINIA ASTE, speaks in a new interview

Virginia Aste, Black Rock Cafe, Pahoa, Hawaii, Mother’s Day, 2008. Photo by Susan Kay Anderson

“Freedom?”: Richard Brautigan’s first wife, VIRGINIA ASTE, speaks in a new interview

Interview by Susan Kay Anderson

Edited with Introduction by Mike Daily, with biographical information contributed by John F. Barber, Richard Brautigan scholar

Less-than-revered by his Beat peers (Ginsberg gave him the ungainly nickname “Bunthorne,” Burroughs once observed him—drunk—crawling along the floor of a hotel after a reading event, Ferlinghetti said he “was all the novelist the hippies needed” because “[i]t was a nonliterate age”), Richard Brautigan became internationally famous in the late ’60s for writing simple-yet-surreal poems, short stories and novels that made readers marvel and burst out laughing. Brautigan’s personal life, however, was no laughing matter. Severe alcoholism—drinking a bottle of brandy and two fifths of whiskey a day during binges, according to friend Don Carpenter—and depression over declining book sales led to Brautigan’s suicide in September 1984. He was 49.

Brautigan began writing Trout Fishing in America in 1961 on a camping trip he took with his first wife, maiden name Virginia Alder, and their one-year-old daughter, Ianthe. Married in 1957 and separated in 1962, they officially divorced in 1970. Before the separation, Virginia Alder had become involved with one of Brautigan’s drinking buddies, Tony Aste, with whom she later had three children (the first in 1965, the second in 1968, the third in 1969). There is no known record that she and Tony Aste ever wed, though she took his last name. Virginia Aste eventually moved to Hawaii in 1975, without Tony, who remained, living in Bodega Bay, California, and then San Francisco, where he died in 1996.

Today, 75-year-old Virginia Aste is a political activist working as a substitute teacher in one of the most violent school districts in Hawaii. Susan Kay Anderson, a fellow educator at the school, recently met Virginia Aste and interviewed her about her early life and travels with Brautigan.

“Virginia Aste is not a ‘little old lady type,'” Anderson reports. “She is almost six feet tall and wears glasses, well-fitting outfits and interesting jewelry. Her gaze never wavers. She laughs easily and speaks in a measured, self-paced, quiet tone. She is quite funny and self-effacing, able to laugh at herself.”

“Much of Brautigan’s past has remained shrouded in mystery for so long as to become mythology,” says John F. Barber, curator of the comprehensive, multi-media online resource Brautigan Bibliography and Archive. “Virginia’s comments and insights [in this new interview] are important because they help us better understand the stories behind Brautigan, his life and his writings.”

Like a Waterfall

Arthur: What were the ’60s like?

Virginia Aste: The ’60s were a lot like the ’50s, a continuation of [the ’50s], except for ‘68 and ‘69. Then, everything changed. For example, I took Lamaze [childbirth classes] for Ianthe’s birth. They didn’t know what I was talking about in the hospital. They gave me some pillows and helped me lie on my side. That was that.

The change came with the music. There were concerts every day—really, really good concerts every two weeks or so. Groups from New York came. The concerts were in Golden Gate Park.

At that time there was the Cow Palace, a big stadium—George Wallace was to speak. All I remember was the atmosphere of hostility and women there. This [Cow Palace] was a place where women burned their bras; where riots happened. It was a feeling of a mob and impeding violence and we just had to leave. We had gotten Ianthe a new raincoat from her dad. Ianthe’s raincoat pocket caught on a car as we were leaving and she started to cry. It was no real riot that time, but it felt like it could’ve been. What we were witnessing was a lot of yelling and Wallace was yelling back. He was ranting. It was an awful ending to an awful day.

For a year, there were free concerts every other week. It was wild. Of course, there were precursors to this, pre-’60s. I purchased a Rudi Gernreich bra—it was see-through—and took off my shirt during a party. We saw how many people could crowd into a phone booth at a time.

In one house where we lived, there was something wrong with the plumbing so the water ran and ran. It was like a waterfall. We turned it stronger and then back again or we just got water.

We moved out of North Beach and out of Haight-Ashbury. There was a lot of alcohol and pot use. There was the Ice Cream Store where bikers and bus drivers took pills—early speed, the chicken egg-producing drug, methedrine, cheaper than heroin. It was the time of the Alphonse Mucha art style on concert posters: big bicycle wheels on bikes, elongated figures riding, and the skulls and roses of the Grateful Dead.

Richard admired the Diggers. Our whole thing was a proletarian idea that you take care of everybody. I remember baking bread in coffee cans. I did. We had everything available to us at the free store. We never had any money. I don’t remember paying for anything for a while. This was the last half of the ’60s.

Continue reading →

"one for jack" by byron coley

jackcohoonIMG_4483

“one for jack”

jack rose was one of those guys
with whom one feels an immediate bond
he wasn’t a physical giant or anything
but he had an immense presence
something, perhaps, more spectral than tangible
which filled a room easily
enveloping you in a kind of bear hug
that could seem either threatening or comforting
depending on the look in jack’s eyes
and on the level of self-assurance
in which you held the quality of yr record collection

jack was an excellent drinking partner
even if you weren’t imbibing yrself
he would see that yr portion was duly taken care of
without so much as a peep of complaint
and he had a set of ears and hands as big as his heart
which was huge as his thirst
once he’d left pelt and started his serious acoustic journey
we’d talk sometimes about guitarists and how they did certain things
i could almost never follow him after a while
but i figured his observations were right, because almost every time i saw jack
his technique would have moved to a whole new level
beyond his models, beyond his friends, almost beyond the bounds of the possible

occasionally we’d see each other for an intense string of days
then not again for a year or so…even more, i guess
but it was always great and easy to hang out with him
we’d make fun of each other’s cooking and record collections
maybe arm wrestle a bit, or at least talk about who was stronger
damn…
jack was just one of those people you knew you were gonna know for a long time
there was an agelessness about him that gave you the sense
he was built to last, like a bull
or a china shop
although what i guess he resembled most
was a bull becoming a china shop
his transformation from drone thug to master primitive
was amazing to behold
and we are so lucky – all of us
to have known him, or at least his music
because that music will always be available
as long as people can still perceive brilliance
and let’s hope that’s forever

so long, jack
tell fahey he’s goddman fatso
i’ll never forget you, man

–byron coley
deerfield ma 12/08/09

photo by dan cohoon

This Sunday, October 18: Woodstock Mountain Poetry Festival

Sunday Oct 18th at 7pm
Woodstock Mountain Poetry Festival
Colony Cafe Woodstock (22 Rock City Rd)

Shivastan Press presents the “Small Press Revolution!”
book release & readings for “wildflowers- a Woodstock mountain poetry anthology”
featuring Lee Ann Brown, Donald Lev, Janine Pommy Vega, Andy Clausen, MJ Lamontagne
(+ special guests! – hopefully Ed Sanders)
followed by a celebration of the new release of “Atlantis Manifesto”
featuring Robert Kelly & Peter Lamborn Wilson.
hosted by Publisher Shiv Mirabito, info 679 8777
admission only $5

"Chapter Time" by Klyd Watkins

Chapter Time
poem by Klyd Watkins

Because the living room did not lie down a super highway,
Spike had to put up signs to have the big trucks detour through.

Judy and Linda would giggle and squeal like at a horror movie
waiting for the ZZWOOOOOMMM and
waiting to stick their cheeks into the v of the wind wake.

Neofunk said, to no one in particular,
“Myth is the highest form of knowledge..
Berdyaev reminds us Plato recognized this.”

Phospher, to not interrupt this, wiggled his eyes for his wife to go
get him a coke
but she had been gargling neon and was busy speaking signs unto them.

Judy fixed up a puppet that Linda worked.
When a truck came,
ZZOOOOMMMM,
Linda dropped the puppet smack into its face.

Breathlessly they pulled the strings to see if it would rise again,
as the big truck disappeared down the road.

Phospher went after his own coke.
Neofunk continued, “Temporarily,
poetry is where myth
quickens from knowing into music.”

ZZZZWOOOOOMMMMM
said the red
sign Phospher’s wife
blew into
the air. It took off down the road after
the red truck.

Klyd Watkins’ first chapbook of poetry, pete’s improvizations [sic], was published by Owl’s Breath Press in 1969. During the seventies he produced ten lps of Poetry Out Loud with his wife Linda and with Peter and Patricia Harleman. These records are still collected. He has alternated between writing poetry and creating poetry by direct audio recording of improvisation. Since the ’90s he has sometimes combined the two, using text as well as improvisation in his recordings and publishing written poetry. His CDs include Listen The Night, as part of the band What Are We? with Mike Panasuk, and “Harp All Made of Gold,” which presents chapter one of his long poem Jack spoken over world class rock and roll. Books include Ghost Trees from Sugar Mountain Press and 5 Speed from The Temple.
His own poetry and that of friends, both well know and never heard of, appears on his website: http://www.thetimegarden.com/
http://thundershack.net/ is devoted to his backyard recording studio.

"St. John’s Fire" by T.M. Göttl

poem by T.M. Göttl

St. John’s Fire

Next time you stand at the foot of a spiral stair,
look straight up,
into the dome, owned by
the gold and green brothers, Polaris and Sirius.
And there, you’ll see
the dove and the raven,
the flood birds, entwined,
in the pupil of a god’s eye, and the
god’s double tongues—one of leather, one of steel—
carving silver peacocks
into the backs of liars and other faithless.
They fill the streets
with their gunpowder cries, but
intrepid, you kick past their glittering,
bottled hollers, approaching
the mossy queen with
tiny lions climbing
from her open collar.
Your fresh supplications, awkward and
skinless, hover near the queen’s feet,
until the twin cubs devour them
and run. You must chase them,
without wheels or engines or bullets this time;
only your untried calves and thighs and lungs, only
your untested heart.
And you chase them, every midnight and midmorning,
past the tribes of the hopeful
tending St. John’s fires,
and camping at the ocean’s fingertips.

T.M. Göttl, a member of the Buffalo ZEF Creative Arts Community, has won a Wayne College Regional Writing Award and a Franklin-Christoph Poetry Prize. She won first place on the first time she ever competed in a poetry performance competition. She travels throughout the state of Ohio, writing and performing her poetry, and her work has appeared online and in print, in places such as Deep Cleveland, The Poet’s Haven, The Mill, The Hessler Street Fair Anthology, and a bilingual poetry collection to benefit victims of the Sichuan Earthquake in China in 2008. Her first collection, Stretching the Window, was published in February 2008.

"write with the tv on"

untitled poem by Angela Jaeger

write with the tv on
building the houses
finance the education
save the nation
fraud the credit
use my number
file a claim
get a new card
find a new password
keep it a secret
forget about it
fall in the house of still
the tall frame no blame
listening to a voice within
the secret number
the subway train
the snow is god
and the snow is falling

ritual for wild dogs

ritual for wild dogs

by Jeremy Gaulke

we found whiskey in bottles
without labels
in charred ruins and secret places
draped in rust and toadstools

filled hub caps and jagged cans
and left near the shit and uneaten cowls
of the dogs who ran the woods
at night

we left the whiskey
to madden the dogs
the way that men are mad
to make them brave enough
to return to us

to forget the bags and boxes
after their mothers
to forget the fall
the way they broke against
each other in the dark
to forget that they were so hungry
that they had funerals
thru their intestines
eating as much as they could from the
soft jowl and haunch and sides

to give them the strength to be ghosts
to be gods

we knew they were there but could never see them
but we prayed for them
and left the whiskey
in the ruins off the road
adorned in rust and natures squalor
to make them mad
to make them strong
to make new gods of slaughter

Jeremy Gaulke is the author of The Ghost of Harrison Sheets, access to a description and excerpts from which are available here, as well as a chance to buy it. “ritual for wild dogs” is from a forthcoming volume from The Temple Inc. entitled What the Master Does Not Speak Of.