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TARNAS INTERVIEWED BY CBC RADIO.
CBC Radio “Tapestry” program – March 19 – 54 minutes – RealPlayer
“Every now and then a book about astrology lands on Tapestry’s doorstep. As soon as one comes in, it goes out. Right into the give-away pile. Astrology might be good for a laugh but it’s not something you’re going to hear about on CBC Radio!
“So, here’s the problem. One day, a book lands on our doorstep. It’s about astrology, but it’s written by a highly respected scholar whose last book was praised by the likes of Joseph Campbell and Huston Smith. His name is Richard Tarnas and the book is called Cosmos and Psyche. There’s only one option– interview him….”
Link courtesy Molly F.
BALLARD ON MODERNISTS AND DEATH.
Monday March 20, 2006 -The Guardian
A handful of dust
The modernists wanted to strip the world of mystery and emotion. No wonder they excelled at the architecture of death, says JG Ballard
Few people today visit Utah beach. The sand seems colder and flatter than anywhere else along the Normandy coast where the Allies landed on D-day. The town of Arromanches – a few miles to the east and closer to Omaha, Gold and Sword beaches – is a crowded theme park of war museums, cemeteries and souvenir shops, bunkers and bunting. Guidebooks in hand, tourists edge gingerly around the German gun emplacements and try to imagine what it was like to stare down the gun sights at the vast armada approaching the shore.
But Utah beach, on the western edge of the landing grounds, is silent. A few waves swill over the sand as if too bored to think of anything else. The coastal land seems lower than the sea, and fails to echo the sounds of war inside one’s head.
Walking along the beach some years ago, I noticed a dark structure emerging from the mist ahead of me. Three storeys high, and larger than a parish church, it was one of the huge blockhouses that formed Hitler’s Atlantic wall, the chain of fortifications that ran from the French coast all the way to Denmark and Norway. This blockhouse, as indifferent to time as the pyramids, was a mass of black concrete once poured by the slave labourers of the Todt Organisation, pockmarked by the shellfire of the attacking allied warships.
A flight of steps at its rear led me into the dank interior with its gun platforms and sinister letter box view of the sea. Generations of tramps had dossed here, and in the stairwells were the remains of small fires, piles of ancient excrement and a vague stench of urine.
At first sight, the blockhouse reminded me of the German forts at Tsingtao, the beach resort in north China that my family visited in the 1930s. Tsingtao had been a German naval base during the first world war, and I was taken on a tourist trip to the forts, a vast complex of tunnels and gun emplacements built into the cliffs. The cathedral-like vaults with their hydraulic platforms resembled Piranesi’s prisons, endless concrete galleries leading to vertical shafts and even further galleries. The Chinese guides took special pleasure in pointing out the bloody handprints of the German gunners driven mad by the British naval bombardment.
Years later, in that Utah beach blockhouse, I was looking at similar stains on the concrete walls, but the scattered rubbish and tang of urine made me think of structures closer to home in England – run-down tower blocks and motorway exit ramps, pedestrian underpasses sprung from the drawing boards of enlightened planners who would never have to live in or near them, and who were careful never to stray too far from their Georgian squares in the heart of heritage London.
From the rooftop barbette I looked along Utah Beach towards an identical blockhouse 800 yards away, and beyond that to the faint silhouette of a third. The Atlantic wall was only part of a huge system of German fortifications that included the Siegfried line, submarine pens and huge flak towers that threatened the surrounding land like lines of Teutonic knights. Almost all had survived the war and seemed to be waiting for the next one, left behind by a race of warrior scientists obsessed with geometry and death.
Death was what the Atlantic wall and Siegfried line were all about. Whenever I came across these grim fortifications along France’s Channel coast and German border, I realised I was exploring a set of concrete tombs whose dark ghosts haunted the brutalist architecture so popular in Britain in the 1950s. Out of favour now, modernism survives in every high-rise sink estate of the time, in the Barbican development and the Hayward Gallery in London, in new towns such as Cumbernauld and the ziggurat residential blocks at the University of East Anglia.
But modernism of the heroic period, from 1920 to 1939, is dead, and it died first in the blockhouses of Utah beach and the Siegfried line. Yet in its heyday between the wars, modernism was a vast utopian project, and perhaps the last utopian project we will ever see, now that we are well aware that all utopias have their dark side.
Nazi Germany and Soviet Russia were two utopian projects that turned into the greatest dystopias the world has known. Modernism briefly survived them both, but lost its nerve in the 1960s when the municipal high-rise estates in St Louis, Missouri, were deemed social catastrophes and dynamited. However, I sometimes think that social catastrophe was what the dirt-poor residents secretly longed for.
Modernism’s attempt to build a better world with the aid of science and technology now seems almost heroic. Bertolt Brecht, no fan of modernism, remarked that the mud, blood and carnage of the first world war trenches left its survivors longing for a future that resembled a white-tiled bathroom. Architects were in the vanguard of the new movement, led by Le Corbusier and the Bauhaus design school. The old models were thrown out. Function defined form, expressed in a pure geometry that the eye could easily grasp in its entirety. Above all, there should be no ornamentation. “Less is more,” was the war cry, to which Robert Venturi, avatar of the tricksy postmodernism that gave us the Sainsbury wing of the National Gallery, retorted: “Less is a bore.”
But the modernists maintained that ornamentation concealed rather than embellished. Classical columns, pediments and pilasters defined a hierarchical order. Power and authority were separated from the common street by huge flights of steps that we were forced to climb on our way to law courts, parliaments and town halls. Gothic ornament, with all its spikes and barbs, expressed pain, Christ’s crown of thorns and agony on the cross. The Gothic expressed our guilt, pointing to a heaven we could never reach. The Baroque was a defensive fantasy, architecture as aristocratic playpen, a set of conjuring tricks to ward off the Age of Reason.
So modernism was a breath of fresh air and possibility. Housing schemes, factories and office blocks designed by modernist architects were clear-headed and geometric, suggesting clean and unembellished lives for the people inside them. Gone were suburban pretension, mock-Tudor beams and columned porticos disguising modest front doors.
Hitler and Stalin were intrigued by modernism, which seemed part of a new world of aviation, radio, public health and mass consciousness. But the dictators were nervous of clear-headed people who thought for themselves. The Nazis promptly closed the Bauhaus when they came to power and turned it into an SS training school.
Modernism saw off the dictators, and among its last flings were Brasilia, the Festival of Britain and Corbusier’s state capital buildings at Chandigarh in India. But it was dying on its pilotis, those load-bearing pillars with which Corbusier lifted his buildings into the sky. Its slow death can be seen, not only in the Siegfried line and the Atlantic wall, but in the styling of Mercedes cars, at once paranoid and aggressive, like medieval German armour. We see its demise in 1960s kitchens and bathrooms, white-tiled laboratories that are above all clean and aseptic, as if human beings were some kind of disease. We see its death in motorways and autobahns, stone dreams that will never awake, and in the turbine hall at that middle-class disco, Tate Modern – a vast totalitarian space that Albert Speer would have admired, so authoritarian that it overwhelms any work of art inside it.
Modernism was never popular in Britain – a little too frank for its repressed natives, except at lidos and the seaside, where people take their clothes off. The few modernist houses and apartments look genuinely odd. Why?
I have always admired modernism and wish the whole of London could be rebuilt in the style of Michael Manser’s brilliant Heathrow Hilton. But I know that most people, myself included, find it difficult to be clear-eyed at all times and rise to the demands of a pure and unadorned geometry. Architecture supplies us with camouflage, and I regret that no one could fall in love inside the Heathrow Hilton. By contrast, people are forever falling in love inside the Louvre and the National Gallery.
All of us have our dreams to reassure us. Architecture is a stage set where we need to be at ease in order to perform. Fearing ourselves, we need our illusions to protect us, even if the protection takes the form of finials and cartouches, corinthian columns and acanthus leaves. Modernism lacked mystery and emotion, was a little too frank about the limits of human nature and never prepared us for our eventual end.
But all is not lost for admirers of modernism. They should visit the mortuary island of San Michele in the Venice lagoon, where many pioneers of modernism such as Igor Stravinsky, Serge Diaghilev and Ezra Pound are interred. After taking the ferry, you disembark at a gloomy landing stage worthy of BÔø?cklin’s Island of the Dead. This is a place beyond hope, of haunted gateways and melancholy statues.
But then, in the heart of the cemetery, there is a sudden lightening of tone, and you find you are strolling through what might be a Modern suburb of Tunis or Tel Aviv. The lines of family tombs resemble cheerful vacation bungalows, airy structures of white walls and glass that might have been designed by Le Corbusier or Richard Neutra. One could holiday for a long time in these pleasant villas, and a few of us probably will.
So, there is one place where modernism triumphs. As in the cases of the pyramids and the Taj Mahal, the Siegfried line and the Atlantic wall, death always calls on the very best architects.
LINK COURTESY GABIE STRONG!
AMERICAN FILMMAKERS.
JAILER PAINTBALL AT HOTEL CALIFORNIA: US MILITARY GONE WILD.

A placard from Camp Nama in Iraq, where some detainees were used as paintball targets.
In Secret Unit’s ‘Black Room,’ a Grim Portrait of U.S. Abuse – New York Times
March 19, 2006
Task Force 6-26
In Secret Unit’s ‘Black Room,’ a Grim Portrait of U.S. Abuse
By ERIC SCHMITT and CAROLYN MARSHALL
As the Iraqi insurgency intensified in early 2004, an elite Special Operations forces unit converted one of Saddam Hussein’s former military bases near Baghdad into a top-secret detention center. There, American soldiers made one of the former Iraqi government’s torture chambers into their own interrogation cell. They named it the Black Room.
In the windowless, jet-black garage-size room, some soldiers beat prisoners with rifle butts, yelled and spit in their faces and, in a nearby area, used detainees for target practice in a game of jailer paintball. Their intention was to extract information to help hunt down Iraq’s most-wanted terrorist, Abu Musab al-Zarqawi, according to Defense Department personnel who served with the unit or were briefed on its operations.
The Black Room was part of a temporary detention site at Camp Nama, the secret headquarters of a shadowy military unit known as Task Force 6-26. Located at Baghdad International Airport, the camp was the first stop for many insurgents on their way to the Abu Ghraib prison a few miles away.
Placards posted by soldiers at the detention area advised, “NO BLOOD, NO FOUL.” The slogan, as one Defense Department official explained, reflected an adage adopted by Task Force 6-26: “If you don’t make them bleed, they can’t prosecute for it.” According to Pentagon specialists who worked with the unit, prisoners at Camp Nama often disappeared into a detention black hole, barred from access to lawyers or relatives, and confined for weeks without charges. “The reality is, there were no rules there,” another Pentagon official said.
The story of detainee abuse in Iraq is a familiar one. But the following account of Task Force 6-26, based on documents and interviews with more than a dozen people, offers the first detailed description of how the military’s most highly trained counterterrorism unit committed serious abuses.
It adds to the picture of harsh interrogation practices at American military prisons in Afghanistan and GuantÔø?namo Bay, Cuba, as well as at secret Central Intelligence Agency detention centers around the world.
The new account reveals the extent to which the unit members mistreated prisoners months before and after the photographs of abuse from Abu Ghraib were made public in April 2004, and it helps belie the original Pentagon assertions that abuse was confined to a small number of rogue reservists at Abu Ghraib.
The abuses at Camp Nama continued despite warnings beginning in August 2003 from an Army investigator and American intelligence and law enforcement officials in Iraq. The C.I.A. was concerned enough to bar its personnel from Camp Nama that August.
It is difficult to compare the conditions at the camp with those at Abu Ghraib because so little is known about the secret compound, which was off limits even to the Red Cross. The abuses appeared to have been unsanctioned, but some of them seemed to have been well known throughout the camp.
For an elite unit with roughly 1,000 people at any given time, Task Force 6-26 seems to have had a large number of troops punished for detainee abuse. Since 2003, 34 task force members have been disciplined in some form for mistreating prisoners, and at least 11 members have been removed from the unit, according to new figures the Special Operations Command provided in response to questions from The New York Times. Five Army Rangers in the unit were convicted three months ago for kicking and punching three detainees in September 2005.
Some of the serious accusations against Task Force 6-26 have been reported over the past 16 months by news organizations including NBC, The Washington Post and The Times. Many details emerged in hundreds of pages of documents released under a Freedom of Information Act request by the American Civil Liberties Union. But taken together for the first time, the declassified documents and interviews with more than a dozen military and civilian Defense Department and other federal personnel provide the most detailed portrait yet of the secret camp and the inner workings of the clandestine unit.
The documents and interviews also reflect a culture clash between the free-wheeling military commandos and the more cautious Pentagon civilians working with them that escalated to a tense confrontation. At one point, one of Defense Secretary Donald H. Rumsfeld’s top aides, Stephen A. Cambone, ordered a subordinate to “get to the bottom” of any misconduct.
Most of the people interviewed for this article were midlevel civilian and military Defense Department personnel who worked with Task Force 6-26 and said they witnessed abuses, or who were briefed on its operations over the past three years.
Many were initially reluctant to discuss Task Force 6-26 because its missions are classified. But when pressed repeatedly by reporters who contacted them, they agreed to speak about their experiences and observations out of what they said was anger and disgust over the unit’s treatment of detainees and the failure of task force commanders to punish misconduct more aggressively. The critics said the harsh interrogations yielded little information to help capture insurgents or save American lives.
Virtually all of those who agreed to speak are career government employees, many with previous military service, and they were granted anonymity to encourage them to speak candidly without fear of retribution from the Pentagon. Many of their complaints are supported by declassified military documents and e-mail messages from F.B.I. agents who worked regularly with the task force in Iraq.
A Demand for Intelligence
Military officials say there may have been extenuating circumstances for some of the harsh treatment at Camp Nama and its field stations in other parts of Iraq. By the spring of 2004, the demand on interrogators for intelligence was growing to help combat the increasingly numerous and deadly insurgent attacks.
Some detainees may have been injured resisting capture. A spokesman for the Special Operations Command, Kenneth S. McGraw, said there was sufficient evidence to prove misconduct in only 5 of 29 abuse allegations against task force members since 2003. As a result of those five incidents, 34 people were disciplined.
“We take all those allegations seriously,” Gen. Bryan D. Brown, the commander of the Special Operations Command, said in a brief hallway exchange on Capitol Hill on March 8. “Any kind of abuse is not consistent with the values of the Special Operations Command.”
The secrecy surrounding the highly classified unit has helped to shield its conduct from public scrutiny. The Pentagon will not disclose the unit’s precise size, the names of its commanders, its operating bases or specific missions. Even the task force’s name changes regularly to confuse adversaries, and the courts-martial and other disciplinary proceedings have not identified the soldiers in public announcements as task force members.
General Brown’s command declined requests for interviews with several former task force members and with Lt. Gen. Stanley McChrystal, who leads the Joint Special Operations Command, the headquarters at Fort Bragg, N.C., that supplies the unit’s most elite troops.
One Special Operations officer and a senior enlisted soldier identified by Defense Department personnel as former task force members at Camp Nama declined to comment when contacted by telephone. Attempts to contact three other Special Operations soldiers who were in the unit Ôø? by phone, through relatives and former neighbors Ôø? were also unsuccessful.
Cases of detainee abuse attributed to Task Force 6-26 demonstrate both confusion over and, in some cases, disregard for approved interrogation practices and standards for detainee treatment, according to Defense Department specialists who have worked with the unit.
In early 2004, an 18-year-old man suspected of selling cars to members of the Zarqawi terrorist network was seized with his entire family at their home in Baghdad. Task force soldiers beat him repeatedly with a rifle butt and punched him in the head and kidneys, said a Defense Department specialist briefed on the incident.
Some complaints were ignored or played down in a unit where a conspiracy of silence contributed to the overall secretiveness. “It’s under control,” one unit commander told a Defense Department official who complained about mistreatment at Camp Nama in the spring of 2004.
For hundreds of suspected insurgents, Camp Nama was a way station on a journey that started with their capture on the battlefield or in their homes, and ended often in a cell at Abu Ghraib. Hidden in plain sight just off a dusty road fronting Baghdad International Airport, Camp Nama was an unmarked, virtually unknown compound at the edge of the taxiways.
The heart of the camp was the Battlefield Interrogation Facility, alternately known as the Temporary Detention Facility and the Temporary Holding Facility. The interrogation and detention areas occupied a corner of the larger compound, separated by a fence topped with razor wire.
Unmarked helicopters flew detainees into the camp almost daily, former task force members said. Dressed in blue jumpsuits with taped goggles covering their eyes, the shackled prisoners were led into a screening room where they were registered and examined by medics.
Just beyond the screening rooms, where Saddam Hussein was given a medical exam after his capture, detainees were kept in as many as 85 cells spread over two buildings. Some detainees were kept in what was known as Motel 6, a group of crudely built plywood shacks that reeked of urine and excrement. The shacks were cramped, forcing many prisoners to squat or crouch. Other detainees were housed inside a separate building in 6-by-8-foot cubicles in a cellblock called Hotel California.
The interrogation rooms were stark. High-value detainees were questioned in the Black Room, nearly bare but for several 18-inch hooks that jutted from the ceiling, a grisly reminder of the terrors inflicted by Mr. Hussein’s inquisitors. Jailers often blared rap music or rock ‘n’ roll at deafening decibels over a loudspeaker to unnerve their subjects.
Another smaller room offered basic comforts like carpets and cushioned seating to put more cooperative prisoners at ease, said several Defense Department specialists who worked at Camp Nama. Detainees wore heavy, olive-drab hoods outside their cells. By June 2004, the revelations of abuse at Abu Ghraib galvanized the military to promise better treatment for prisoners. In one small concession at Camp Nama, soldiers exchanged the hoods for cloth blindfolds with drop veils that allowed detainees to breathe more freely but prevented them from peeking out.
Some former task force members said the Nama in the camp’s name stood for a coarse phrase that soldiers used to describe the compound. One Defense Department specialist recalled seeing pink blotches on detainees’ clothing as well as red welts on their bodies, marks he learned later were inflicted by soldiers who used detainees as targets and called themselves the High Five Paintball Club.
Mr. McGraw, the military spokesman, said he had not heard of the Black Room or the paintball club and had not seen any mention of them in the documents he had reviewed.
In a nearby operations center, task force analysts pored over intelligence collected from spies, detainees and remotely piloted Predator surveillance aircraft, to piece together clues to aid soldiers on their raids. Twice daily at noon and midnight military interrogators and their supervisors met with officials from the C.I.A., F.B.I. and allied military units to review operations and new intelligence.
Task Force 6-26 was a creation of the Pentagon’s post-Sept. 11 campaign against terrorism, and it quickly became the model for how the military would gain intelligence and battle insurgents in the future. Originally known as Task Force 121, it was formed in the summer of 2003, when the military merged two existing Special Operations units, one hunting Osama bin Laden in and around Afghanistan, and the other tracking Mr. Hussein in Iraq. (Its current name is Task Force 145.)
The task force was a melting pot of military and civilian units. It drew on elite troops from the Joint Special Operations Command, whose elements include the Army unit Delta Force, Navy’s Seal Team 6 and the 75th Ranger Regiment. Military reservists and Defense Intelligence Agency personnel with special skills, like interrogators, were temporarily assigned to the unit. C.I.A. officers, F.B.I. agents and special operations forces from other countries also worked closely with the task force.
Many of the American Special Operations soldiers wore civilian clothes and were allowed to grow beards and long hair, setting them apart from their uniformed colleagues. Unlike conventional soldiers and marines whose Iraq tours lasted 7 to 12 months, unit members and their commanders typically rotated every 90 days.
Task Force 6-26 had a singular focus: capture or kill Mr. Zarqawi, the Jordanian militant operating in Iraq. “Anytime there was even the smell of Zarqawi nearby, they would go out and use any means possible to get information from a detainee,” one official said.
Defense Department personnel briefed on the unit’s operations said the harsh treatment extended beyond Camp Nama to small field outposts in Baghdad, Falluja, Balad, Ramadi and Kirkuk. These stations were often nestled within the alleys of a city in nondescript buildings with suburban-size yards where helicopters could land to drop off or pick up detainees.
At the outposts, some detainees were stripped naked and had cold water thrown on them to cause the sensation of drowning, said Defense Department personnel who served with the unit.
In January 2004, the task force captured the son of one of Mr. Hussein’s bodyguards in Tikrit. The man told Army investigators that he was forced to strip and that he was punched in the spine until he fainted, put in front of an air-conditioner while cold water was poured on him and kicked in the stomach until he vomited. Army investigators were forced to close their inquiry in June 2005 after they said task force members used battlefield pseudonyms that made it impossible to identify and locate the soldiers involved. The unit also asserted that 70 percent of its computer files had been lost.
Despite the task force’s access to a wide range of intelligence, its raids were often dry holes, yielding little if any intelligence and alienating ordinary Iraqis, Defense Department personnel said. Prisoners deemed no threat to American troops were often driven deep into the Iraqi desert at night and released, sometimes given $100 or more in American money for their trouble.
Back at Camp Nama, the task force leaders established a ritual for departing personnel who did a good job, Pentagon officials said. The commanders presented them with two unusual mementos: a detainee hood and a souvenir piece of tile from the medical screening room that once held Mr. Hussein.
Early Signs of Trouble
Accusations of abuse by Task Force 6-26 came as no surprise to many other officials in Iraq. By early 2004, both the C.I.A. and the F.B.I. had expressed alarm about the military’s harsh interrogation techniques.
The C.I.A.’s Baghdad station sent a cable to headquarters on Aug. 3, 2003, raising concern that Special Operations troops who served with agency officers had used techniques that had become too aggressive. Five days later, the C.I.A. issued a classified directive that prohibited its officers from participating in harsh interrogations. Separately, the C.I.A. barred its officers from working at Camp Nama but allowed them to keep providing target information and other intelligence to the task force.
The warnings still echoed nearly a year later. On June 25, 2004, nearly two months after the disclosure of the abuses at Abu Ghraib, an F.B.I. agent in Iraq sent an e-mail message to his superiors in Washington, warning that a detainee captured by Task Force 6-26 had suspicious burn marks on his body. The detainee said he had been tortured. A month earlier, another F.B.I. agent asked top bureau officials for guidance on how to deal with military interrogators across Iraq who used techniques like loud music and yelling that exceeded “the bounds of standard F.B.I. practice.”
American generals were also alerted to the problem. In December 2003, Col. Stuart A. Herrington, a retired Army intelligence officer, warned in a confidential memo that medical personnel reported that prisoners seized by the unit, then known as Task Force 121, had injuries consistent with beatings. “It seems clear that TF 121 needs to be reined in with respect to its treatment of detainees,” Colonel Herrington concluded.
By May 2004, just as the scandal at Abu Ghraib was breaking, tensions increased at Camp Nama between the Special Operations troops and civilian interrogators and case officers from the D.I.A.’s Defense Human Intelligence Service, who were there to support the unit in its fight against the Zarqawi network. The discord, according to documents, centered on the harsh treatment of detainees as well as restrictions the Special Operations troops placed on their civilian colleagues, like monitoring their e-mail messages and phone calls.
Maj. Gen. George E. Ennis, who until recently commanded the D.I.A.’s human intelligence division, declined to be interviewed for this article. But in written responses to questions, General Ennis said he never heard about the numerous complaints made by D.I.A. personnel until he and his boss, Vice Adm. Lowell E. Jacoby, then the agency’s director, were briefed on June 24, 2004.
The next day, Admiral Jacoby wrote a two-page memo to Mr. Cambone, under secretary of defense for intelligence. In it, he described a series of complaints, including a May 2004 incident in which a D.I.A. interrogator said he witnessed task force soldiers punch a detainee hard enough to require medical help. The D.I.A. officer took photos of the injuries, but a supervisor confiscated them, the memo said.
The tensions laid bare a clash of military cultures. Combat-hardened commandos seeking a steady flow of intelligence to pinpoint insurgents grew exasperated with civilian interrogators sent from Washington, many of whom were novices at interrogating hostile prisoners fresh off the battlefield.
“These guys wanted results, and our debriefers were used to a civil environment,” said one Defense Department official who was briefed on the task force operations.
Within days after Admiral Jacoby sent his memo, the D.I.A. took the extraordinary step of temporarily withdrawing its personnel from Camp Nama.
Admiral Jacoby’s memo also provoked an angry reaction from Mr. Cambone. “Get to the bottom of this immediately. This is not acceptable,” Mr. Cambone said in a handwritten note on June 26, 2004, to his top deputy, Lt. Gen. William G. Boykin. “In particular, I want to know if this is part of a pattern of behavior by TF 6-26.”
General Boykin said through a spokesman on March 17 that at the time he told Mr. Cambone he had found no pattern of misconduct with the task force.
A Shroud of Secrecy
Military and legal experts say the full breadth of abuses committed by Task Force 6-26 may never be known because of the secrecy surrounding the unit, and the likelihood that some allegations went unreported.
In the summer of 2004, Camp Nama closed and the unit moved to a new headquarters in Balad, 45 miles north of Baghdad. The unit’s operations are now shrouded in even tighter secrecy.
Soon after their rank-and-file clashed in 2004, D.I.A. officials in Washington and military commanders at Fort Bragg agreed to improve how the task force integrated specialists into its ranks. The D.I.A. is now sending small teams of interrogators, debriefers and case officers, called “deployable Humint teams,” to work with Special Operations forces in Iraq and Afghanistan.
Senior military commanders insist that the elite warriors, who will be relied on more than ever in the campaign against terrorism, are now treating detainees more humanely and can police themselves. The C.I.A. has resumed conducting debriefings with the task force, but does not permit harsh questioning, a C.I.A. official said.
General McChrystal, the leader of the Joint Special Operations Command, received his third star in a promotion ceremony at Fort Bragg on March 13.
On Dec. 8, 2004, the Pentagon’s spokesman, Lawrence Di Rita, said that four Special Operations soldiers from the task force were punished for “excessive use of force” and administering electric shocks to detainees with stun guns. Two of the soldiers were removed from the unit. To that point, Mr. Di Rita said, 10 task force members had been disciplined. Since then, according to the new figures provided to The Times, the number of those disciplined for detainee abuse has more than tripled. Nine of the 34 troops disciplined received written or oral counseling. Others were reprimanded for slapping detainees and other offenses.
The five Army Rangers who were court-martialed in December received punishments including jail time of 30 days to six months and reduction in rank. Two of them will receive bad-conduct discharges upon completion of their sentences.
Human rights advocates and leading members of Congress say the Pentagon must still do more to hold senior-level commanders and civilian officials accountable for the misconduct.
The Justice Department inspector general is investigating complaints of detainee abuse by Task Force 6-26, a senior law enforcement official said. The only wide-ranging military inquiry into prisoner abuse by Special Operations forces was completed nearly a year ago by Brig. Gen. Richard P. Formica, and was sent to Congress.
But the United States Central Command has refused repeated requests from The Times over the past several months to provide an unclassified copy of General Formica’s findings despite Mr. Rumsfeld’s instructions that such a version of all 12 major reports into detainee abuse be made public.
E-mail: sfburo@nytimes.com.
FORMER GENERAL: "Donald Rumsfeld he has shown himself incompetent strategically, operationally and tactically."
A Top-Down Review for the Pentagon
By PAUL D. EATON, Fox Island, Wash.
Paul D. Eaton, a retired Army major general, was in charge of training the Iraqi military from 2003 to 2004.
DURING World War II, American soldiers en route to Britain before D-Day were given a pamphlet on how to behave while awaiting the invasion. The most important quote in it was this: “It is impolite to criticize your host; it is militarily stupid to criticize your allies.”
By that rule, Defense Secretary Donald Rumsfeld is not competent to lead our armed forces. First, his failure to build coalitions with our allies from what he dismissively called “old Europe” has imposed far greater demands and risks on our soldiers in Iraq than necessary. Second, he alienated his allies in our own military, ignoring the advice of seasoned officers and denying subordinates any chance for input.
In sum, he has shown himself incompetent strategically, operationally and tactically, and is far more than anyone else responsible for what has happened to our important mission in Iraq. Mr. Rumsfeld must step down.
In the five years Mr. Rumsfeld has presided over the Pentagon, I have seen a climate of groupthink become dominant and a growing reluctance by experienced military men and civilians to challenge the notions of the senior leadership.
I thought we had a glimmer of hope last November when Gen. Peter Pace, the chairman of the Joint Chiefs of Staff, faced off with Mr. Rumsfeld on the question of how our soldiers should react if they witnessed illegal treatment of prisoners by Iraqi authorities. (General Pace’s view was that our soldiers should intervene, while Mr. Rumsfeld’s position was that they should simply report the incident to superiors.)
Unfortunately, the general subsequently backed down and supported the secretary’s call to have the rules clarified, giving the impression that our senior man in uniform is just as intimidated by Secretary Rumsfeld as was his predecessor, Gen. Richard Myers.
Mr. Rumsfeld has put the Pentagon at the mercy of his ego, his cold warrior’s view of the world and his unrealistic confidence in technology to replace manpower. As a result, the Army finds itself severely undermanned ó cut to 10 active divisions but asked by the administration to support a foreign policy that requires at least 12 or 14.
Only Gen. Eric Shinseki, the Army chief of staff when President Bush was elected, had the courage to challenge the downsizing plans. So Mr. Rumsfeld retaliated by naming General Shinseki’s successor more than a year before his scheduled retirement, effectively undercutting his authority. The rest of the senior brass got the message, and nobody has complained since.
Now the Pentagon’s new Quadrennial Defense Review shows that Mr. Rumsfeld also fails to understand the nature of protracted counterinsurgency warfare in Iraq and the demands it places on ground forces. The document, amazingly, does not call for enlarging the Army; rather, it increases only our Special Operations forces, by a token 15 percent, maybe 1,500 troops.
Mr. Rumsfeld has also failed in terms of operations in Iraq. He rejected the so-called Powell Doctrine of overwhelming force and sent just enough tech-enhanced troops to complete what we called Phase III of the war ó ground combat against the uniformed Iraqis. He ignored competent advisers like Gen. Anthony Zinni and others who predicted that the Iraqi Army and security forces might melt away after the state apparatus self-destructed, leading to chaos.
It is all too clear that General Shinseki was right: several hundred thousand men would have made a big difference then, as we began Phase IV, or country reconstruction. There was never a question that we would make quick work of the Iraqi Army.
The true professional always looks to the “What’s next?” phase. Unfortunately, the supreme commander, Gen. Tommy Franks, either didn’t heed that rule or succumbed to Secretary Rumsfeld’s bullying. We won’t know which until some bright historian writes the true story of Mr. Rumsfeld and the generals he took to war, an Iraq version of the Vietnam War classic “Dereliction of Duty” by H. R. McMaster.
Last, you don’t expect a secretary of defense to be criticized for tactical ineptness. Normally, tactics are the domain of the soldier on the ground. But in this case we all felt what L. Paul Bremer, the former viceroy in Iraq, has called the “8,000-mile screwdriver” reaching from the Pentagon. Commanders in the field had their discretionary financing for things like rebuilding hospitals and providing police uniforms randomly cut; money to pay Iraqi construction firms to build barracks was withheld; contracts we made for purchasing military equipment for the new Iraqi Army were rewritten back in Washington.
Donald Rumsfeld demands more than loyalty. He wants fealty. And he has hired men who give it. Consider the new secretary of the Army, Francis Harvey, who when faced with the compelling need to increase the service’s size has refused to do so. He is instead relying on the shell game of hiring civilians to do jobs that had previously been done by soldiers, and thus keeping the force strength static on paper. This tactic may help for a bit, but it will likely fall apart in the next budget cycle, with those positions swiftly eliminated.
So, what to do?
First, President Bush should accept the offer to resign that Mr. Rumsfeld says he has tendered more than once, and hire a man who will listen to and support the magnificent soldiers on the ground. Perhaps a proven Democrat like Senator Joseph Lieberman could repair fissures that have arisen both between parties and between uniformed men and the Pentagon big shots.
More vital in the longer term, Congress must assert itself. Too much power has shifted to the executive branch, not just in terms of waging war but also in planning the military of the future. Congress should remember it still has the power of the purse; it should call our generals, colonels, captains and sergeants to testify frequently, so that their opinions and needs are known to the men they lead. Then when they are asked if they have enough troops ó and no soldier has ever had enough of anything, more is always better ó the reply is public.
Our most important, and sometimes most severe, judges are our subordinates. That is a fact I discovered early in my military career. It is, unfortunately, a lesson Donald Rumsfeld seems incapable of learning.
EDGAR BROUGHTON BAND, BEAT CLUB 1970.
COURTESY ARIK ROPER!
POPUL VUH ON BEAT CLUB, 1971.
COURTESY MARK PILKINGTON!
AMERICA POLICE STATE NEWS.
Police Memos Say Arrest Tactics Calmed Protest
March 17, 2006 New York Times
By JIM DWYER
In five internal reports made public yesterday as part of a lawsuit, New York City police commanders candidly discuss how they had successfully used “proactive arrests,” covert surveillance and psychological tactics at political demonstrations in 2002, and recommend that those approaches be employed at future gatherings.
Among the most effective strategies, one police captain wrote, was the seizure of demonstrators on Fifth Avenue who were described as “obviously potential rioters.”
The reports provide a rare glimpse of internal police evaluations and strategies on security and free speech issues that have provoked sharp debate between city officials and political demonstrators since the Sept. 11 attack.
The reports also made clear what the police have yet to discuss publicly: that the department uses undercover officers to infiltrate political gatherings and monitor behavior.
Indeed, one of the documents ó a draft report from the department’s Disorder Control Unit ó proposed in blunt terms the resumption of a covert tactic that had been disavowed by the city and the federal government 30 years earlier. Under the heading of recommendations, the draft suggested, “Utilize undercover officers to distribute misinformation within the crowds.”
Asked about the proposal, Paul J. Browne, the chief spokesman for the Police Department, said yesterday: “The N.Y.P.D. does not use police officers in any capacity to distribute misinformation.”
Mr. Browne also said that the “proactive” arrests referred to in the report ó numbering about 30 ó involved protesters with pipes and masks who he said presented an obvious threat.
In another report, a police inspector praised the “staging of massive amounts” of armored vehicles, prisoner wagons and jail buses in the view of the demonstrators, writing that the sight “would cause them to be alarmed.”
Besides the draft report, the documents released yesterday included four final reports written by commanders to assess police performance during the World Economic Forum, which met in New York from Jan. 31 to Feb. 4, 2002.
The economic forum, a private organization that normally meets in Davos, Switzerland, and draws a grab bag of leaders from government, business, and academia ó as well as protesters from a miscellany of causes and movements ó was moved to the city as a gesture of solidarity after the terror attack.
Security was extremely tight around Midtown Manhattan, where the delegates were meeting at the Waldorf-Astoria, and demonstrators were kept blocks from the hotel. Officials spoke of violence during antiglobalism protests at other high profile gatherings in Seattle and Genoa, Italy. In the end, though, as one of the police reports noted, “the amount of confrontation and number of arrests were lower than expected.”
Parts of that document and others were made public, over the objections of the city, by a federal magistrate, Gabriel W. Gorenstein, who said the excerpts went to the heart of a lawsuit brought by 16 people who were arrested at an animal rights demonstration during the economic forum. The police said they were blocking the sidewalk and had refused to obey an order to disperse; the demonstrators said no one told them to move.
Many of the issues in the animal rights case, which challenge broad police tactics and arrest strategies, resonate in well over a hundred other lawsuits brought against the city by demonstrators who were arrested at war protests, bicycle rallies and during the Republican National Convention.
Daniel M. Perez, the lawyer representing the people arrested at the animal rights demonstration, argued that the police tactics “punish, control and curtail the lawful exercise of First Amendment activities.” The Police Department and the city have said that preserving public order is essential to protecting the civil rights of demonstrators and bystanders.
Mr. Perez maintains that the police documents, taken together, show a policy of pre-emptive arrests. The draft report discussed how early arrests could shape future events. “The arrests made at West 59th Street and Fifth Avenue set a ‘tone’ with the demonstrators and their possible plans at other demonstrations,” the report stated.
The disorder control unit’s commander, Thomas Graham, is listed as the author of the report, but the document is not signed and the word “draft” is handwritten across the top.
The same tactic is cited in another report, dated Feb. 8, 2002, and signed by Capt. Robert L. Bonifaci, commander of the Queens North Task Force. Captain Bonifaci wrote, “It should be noted that a large part of the success in policing the major demonstration on Saturday, Feb. 2, 2002, was due in part to the proactive arrest policy that was instituted at the start of the march at 59th Street and Fifth Avenue, and directed toward demonstrators who were obviously potential rioters.”
Elaborating on the report, Mr. Browne, the police spokesman, said that plainclothes officers saw a group of demonstrators put on masks as they drew near the Plaza Hotel, then take out metal pipes and try to rush police lines.
“In addition to mainly peaceful protesters, the W.E.F. attracted hard-core, violent elements that were surveilled by the N.Y.P.D.,” Mr. Browne said, citing the incident at the Plaza. “Yes, we used surveillance techniques to track and hopefully disrupt violent elements. That’s proactive.”
About 30 people were arrested there, and virtually all their cases are now sealed, indicating that the charges were either dismissed by prosecutors or dropped after six months without further incident.
The Police Department report from Michael E. Shortell, a deputy inspector who headed a narcotics command in northern Manhattan, included a list of “positive aspects” of the Police Department’s approach. Among them: “The staging of massive amounts of equipment in the key areas (e.g. armored vehicles, command posts, prisoner wagons, Department of Correction buses, city buses).”
Capt. Timothy Hardiman also took note of what he saw as the helpful presence of city corrections buses, which are used to transport prisoners and have reinforced windows, protected by metal grids.
“It was useful to have buses with corrections officers on hand,” Captain Hardiman wrote. “They also had a powerful psychological effect.”
Mr. Browne said the main reason buses were on hand was to quickly move prisoners from an arrest scene. “If a corrections bus had a deterrent effect on someone contemplating a violent act, then that’s value added,” he said.
However, the draft report stated that the emphasis on quickly moving prisoners had not been helpful. “This hastened the process adding to the confusion and increasing the potential for mistakes to be made,” the report stated.
Mr. Perez said the show of force sent a deliberate warning to people expressing their opinions. “The message is, if you turn out, be prepared to be arrested, be prepared to be sent away for a long time,” he said. “It sounds like something from a battle zone.”
Demonstrators arrested during the economic forum were held by the police for up to 40 hours without seeing a judge ó twice as long as people accused of murder, rape and robbery arrested on those same days, Mr. Perez said.
Mr. Browne of the Police Department said that the arrests were processed as quickly as possible, and that protesters were not singled out for longer detention.
The reports, which were heavily edited at the request of the city, also discuss the use of undercover officers at the protests. Captain Hardiman wrote that “the use of undercovers from narcotics provided useful information.” And on Inspector Shortell’s list of positive aspects of the strategy, he listed “the use of undercover personnel in the ranks of the protesters.”
The power of the police to secretly monitor political gatherings was tightly controlled by a federal court between 1985 and early 2003, the result of a lawsuit by political activists from the 1960’s who charged that police undercover officers had disrupted their ability to express their opinions. Many of the restrictions from that case, known as Handschu, were eased at the request of the city in 2003.
The proposal to use undercover officers to spread misinformation ó which the Police Department says was not adopted ó recalled the origins of the Handschu lawsuit, which was based in part on the actions of undercover agents and officers who instigated trouble and spread lies among a group of military veterans who opposed the Vietnam War.
ALAN MOORE ON COMICS, FILM, BIG BUDGETS, CGI, GEORGE ROMERO, COCTEAU, JOHN WATERS, GEORGE CLOONEY AND THE TIMID WACHOWSKI BROTHERS.
Alan Moore, the king of comics, is at his home in Northampton, England. He’s been working on a new story called “Lost Girls.” Actually he’s been working on it for the last 16 years, but now it’s done and due out this summer as a graphic novel, illustrated by his fiancee, the artist Melinda Gebbe. It’s a wild tale, even by the 52-year-old Moore’s standards: Three heroines of classic children’s literature — Alice from “Alice in Wonderland,” Dorothy from “The Wizard of Oz” and Wendy from “Peter Pan” — meet up in London in 1913 and realize that their respective stories are actually metaphors for sexual awakening. Very erotic. Or, as Moore prefers to think of it, very pornographic.
The sex-filled “Lost Girls” may be a little too scary for Hollywood, which has heretofore adored Moore’s work and turned three of his creations (the graphic novels “From Hell” and “The League of Extraordinary Gentlemen,” as well as the supernatural investigator John Constantine) into very bad movies. Moore’s densely complex 1987 graphic novel, “Watchmen” (illustrated by Dave Gibbons), has been banging around Hollywood for years (director Terry Gilliam was once attached to it), but has yet to be made. “V for Vendetta,” however, the ’80s series he did with artist David Lloyd, has — and Moore is not happy about it. He read the script and hated it and, as is now his customary practice, he’s had his name taken off the movie and directed that all profits he might be due from the film be given to Lloyd instead.
Alan Moore very rarely gives interviews, but MTV News’ Jennifer Vineyard spoke to him at length by phone recently about “V for Vendetta,” about his Hollywood problem, about the perils of working with Johnny Depp and Sean Connery, and about his latest project.
MTV: Could you see “Lost Girls” being made into a film?
Alan Moore: I don’t see how adapting it to another medium makes any sense at all. But that’s me. I am a little cranky sometimes. And it wouldn’t be fair of me to say no if Melinda [Gebbe] did want to see “Lost Girls” made into a film. My position is, I don’t want my name on it and I don’t want the money. But also, how would they get actors of any quality to appear in a hard-core sex film? We’d need Judi Dench for it, and I don’t think she’d do it. But I really doubt that any of my comics can be [successfully] made into films, because that’s not how I write them.
MTV: But you do have a very cinematic style.
Moore: In comics the reader is in complete control of the experience. They can read it at their own pace, and if there’s a piece of dialogue that seems to echo something a few pages back, they can flip back and check it out, whereas the audience for a film is being dragged through the experience at the speed of 24 frames per second. So even for a director like Terry Gilliam, who delights in cramming background details into his movies, there’s no way he’d be able to duplicate what Dave Gibbons was able to do in “Watchmen.” We could place almost subliminal details in every panel, and we knew that the reader could take the time to spot everything. There’s no way you could do that in a film.
I met Terry Gilliam, and he asked me, “How would you make a film of ‘Watchmen’?” And I said, “Don’t.” I think he eventually came to agree with me that it was a film better unmade. In Hollywood you’re going to have the producers and the backers putting in their … well, I don’t want to dignify them by calling them ideas, but … having their input, shall we say. You’re going to get actors who’ll say they don’t want to say this line or play this character like that. I mean the police inspector in “From Hell,” Fred Abberline, was based on real life: He was an unassuming man in middle age who was not a heavy drinker and who, as far as I know, remained faithful to his wife throughout his entire life. Johnny Depp saw fit to play this character as an absinthe-swilling, opium-den-frequenting dandy with a haircut that, in the Metropolitan Police force in 1888, would have gotten him beaten up by the other officers.
On the other hand when I have got an opium-addicted character, in Allan Quatermain [in “The League of Extraordinary Gentlemen”], this was true to the [original] character — he showed a fondness for drugs on several occasions. But Sean Connery didn’t want to play him as a drug-addled individual. So the main part of Quatermain’s character was thrown out the window on the whim of an actor. I don’t have these problems in comics.
MTV: So why sell the film rights in the first place?
Moore: My position used to be: If the film is a masterpiece, that has nothing to do with my book. If the film is a disaster, that has nothing to do with my book. They’re two separate entities, and people will understand that. This was very naive because most people are not bothered with whether it’s adapted from a book or not. And if they do know, they assume it was a faithful adaptation. There’s no need to read the book if you’ve seen the film, right? And how many of the audience who went to see “O Brother, Where Art Thou?” thought, “Hmmm, I’ve really got to go read ‘The Odyssey’ “?
When you’re talking about things like “V for Vendetta” or “Watchmen,” I don’t have a choice. Those were works which DC Comics kind of tricked me out of, so they own all that stuff and it’s up to them whether the film gets made or not. All I can do is say, “I want my name taken off of it and I don’t want any of the money.” I’d rather the money be distributed amongst the artists. But even though [the filmmakers] were aware that I’d asked that my name be taken off “V for Vendetta” and had already signed my money away to the artist, they issued a press release saying I was really excited about the film. Which was a lie. I asked for a retraction, but they weren’t prepared to do that. So I announced I wouldn’t be working with DC Comics anymore. I just couldn’t bear to have any contact with DC Comics, Warner Bros. or any of this shark pool ever again.
One of the things I don’t like about film is its incredible immersive quality. It’s kind of bullying — it’s very big, it’s very flashy, it’s got a lot of weight and it throws it around almost to the detriment of the rest of our culture.And I have gotten tired of lazy critics who, when they want to insult a film, they’ll say it has “comic book characters” or a “comic book plot” — using “comic book” as code for “illiterate.”
MTV: They’ve probably never read a comic book.
Moore: That’s it. I’m not going to claim all comic books are literate — there’s a lot of rubbish out there. But there have been some very literate comic books done over the last 20 years, some marvelous ones. And to actually read a comic, you do have to be able to read, which is not something you can say about watching a film. So as for which medium is literate, give me comics any day.
MTV: There is one possible solution, something that Neil Gaiman is now doing with his “Death: The High Cost of Living” and Frank Miller has done with “Sin City”: Why not direct the films yourself?
Moore: I don’t have any interest in directing films of my work. If something worked perfectly in one genre, why is there any reason to assume it’s going to work as well or better in another genre that it wasn’t designed for? I’ve not seen “Ghost World,” but I’ve been told it’s very good. I’ve not been told that it’s better than the comic.
MTV: What about something that is true to the spirit of the original work, like “The Lord of the Rings”?
Moore: CGI makes me spit vitriol and bile and venom. When it comes to films, give me someone like [surrealist filmmaker] Jean Cocteau. When he wants to have somebody reaching into a mirror, he spends all of about five dollars on the special effect: He gets a tray, fills it with mercury and then turns the camera on its side. That is poetry. That is magic.
I have a theory, which has not let me down so far, that there is an inverse relationship between imagination and money. Because the more money and technology that is available to [create] a work, the less imagination there will be in it. My favorite films are those that were made on a shoestring. And they weren’t adaptations of some other work, they were original pieces of cinema. All right, [Cocteau’s] “La Belle Et La BÔø?te” is an adaptation of “Beauty and the Beast” — but it was made into something very different. And I mean, John Waters, his early films, they’re terrific! Because he was making them with some friends of his from Baltimore, with whatever cheap film stock he could borrow or steal. George Romero, in “Dawn of the Dead,” “Day of the Dead,” all the rest of them, he ingeniously used the fact that he had almost no budget to his advantage — claustrophobic sets, everyone’s trapped in the cellar and the zombies are trying to dig their way in. Very inexpensive, incredibly powerful. That is where cinema really works for me.
If you give me a typewriter and I’m having a good day, I can write a scene that will astonish its readers. That will perhaps make them laugh, perhaps make them cry — that will have some emotional clout to it. It doesn’t cost much to do that. But if you said, “Astonish the audience,” and you gave me a quarter of a million — well, my auntie could astonish an audience if she got that much money! Real art and the things that actually change our culture tend to happen on the margins. They don’t happen in the middle of a big marquee.
MTV: But couldn’t there ever be an exception? And since you haven’t seen it, couldn’t “V for Vendetta” be that exception?
Moore: I’ve read the screenplay, so I know exactly what they’re doing with it, and I’m not going to be going to see it. When I wrote “V,” politics were taking a serious turn for the worse over here. We’d had [Conservative Party Prime Minister] Margaret Thatcher in for two or three years, we’d had anti-Thatcher riots, we’d got the National Front and the right wing making serious advances. “V for Vendetta” was specifically about things like fascism and anarchy.
Those words, “fascism” and “anarchy,” occur nowhere in the film. It’s been turned into a Bush-era parable by people too timid to set a political satire in their own country. In my original story there had been a limited nuclear war, which had isolated Britain, caused a lot of chaos and a collapse of government, and a fascist totalitarian dictatorship had sprung up. Now, in the film, you’ve got a sinister group of right-wing figures — not fascists, but you know that they’re bad guys — and what they have done is manufactured a bio-terror weapon in secret, so that they can fake a massive terrorist incident to get everybody on their side, so that they can pursue their right-wing agenda. It’s a thwarted and frustrated and perhaps largely impotent American liberal fantasy of someone with American liberal values [standing up] against a state run by neo-conservatives — which is not what “V for Vendetta” was about. It was about fascism, it was about anarchy, it was about [England]. The intent of the film is nothing like the intent of the book as I wrote it. And if the Wachowski brothers had felt moved to protest the way things were going in America, then wouldn’t it have been more direct to do what I’d done and set a risky political narrative sometime in the near future that was obviously talking about the things going on today?
George Clooney’s being attacked for making [“Good Night, and Good Luck”], but he still had the nerve to make it. Presumably it’s not illegal — not yet anyway — to express dissenting opinions in the land of free? So perhaps it would have been better for everybody if the Wachowski brothers had done something set in America, and instead of a hero who dresses up as Guy Fawkes, they could have had him dressed as Paul Revere. It could have worked.

