FRANK RICH , THE LAST SANE MAN IN AMERICA.

‘We Do Not Torture’ and Other Funny Stories

By Frank Rich
Sunday 13 November 2005
New York Times

If it weren’t tragic it would be a New Yorker cartoon. The president of the United States, in the final stop of his forlorn Latin America tour last week, told the world, “We do not torture.” Even as he spoke, the administration’s flagrant embrace of torture was as hard to escape as publicity for Anderson Cooper.

The vice president, not satisfied that the C.I.A. had already been implicated in four detainee deaths, was busy lobbying Congress to give the agency a green light to commit torture in the future. Dana Priest of The Washington Post, having first uncovered secret C.I.A. prisons two years ago, was uncovering new “black sites” in Eastern Europe, where ghost detainees are subjected to unknown interrogation methods redolent of the region’s Stalinist past. Before heading south, Mr. Bush had been doing his own bit for torture by threatening to cast the first veto of his presidency if Congress didn’t scrap a spending bill amendment, written by John McCain and passed 90 to 9 by the Senate, banning the “cruel, inhuman or degrading” treatment of prisoners.

So when you watch the president stand there with a straight face and say, “We do not torture” – a full year and a half after the first photos from Abu Ghraib – you have to wonder how we arrived at this ludicrous moment. The answer is not complicated. When people in power get away with telling bigger and bigger lies, they naturally think they can keep getting away with it. And for a long time, Mr. Bush and his cronies did. Not anymore.

The fallout from the Scooter Libby indictment reveals that the administration’s credibility, having passed the tipping point with Katrina, is flat-lining. For two weeks, the White House’s talking-point monkeys in the press and Congress had been dismissing Patrick Fitzgerald’s leak investigation as much ado about nothing except politics and as an exoneration of everyone except Mr. Libby. Now the American people have rendered their verdict: they’re not buying it. Last week two major polls came up with the identical finding, that roughly 8 in 10 Americans regard the leak case as a serious matter. One of the polls (The Wall Street Journal/NBC News) also found that 57 percent of Americans believe that Mr. Bush deliberately misled the country into war in Iraq and that only 33 percent now find him “honest and straightforward,” down from 50 percent in January.

The Bush loyalists’ push to discredit the Libby indictment failed because Americans don’t see it as a stand-alone scandal but as the petri dish for a wider culture of lying that becomes more visible every day. The last-ditch argument rolled out by Mr. Bush on Veterans Day in his latest stay-the-course speech – that Democrats, too, endorsed dead-wrong W.M.D. intelligence – is more of the same. Sure, many Democrats (and others) did believe that Saddam had an arsenal before the war, but only the White House hyped selective evidence for nuclear weapons, the most ominous of all of Iraq’s supposed W.M.D.’s, to whip up public fears of an imminent doomsday.

There was also an entire other set of lies in the administration’s prewar propaganda blitzkrieg that had nothing to do with W.M.D.’s, African uranium or the Wilsons. To get the country to redirect its finite resources to wage war against Saddam Hussein rather than keep its focus on the war against radical Islamic terrorists, the White House had to cook up not only the fiction that Iraq was about to attack us, but also the fiction that Iraq had already attacked us, on 9/11. Thanks to the Michigan Democrat Carl Levin, who last weekend released a previously classified intelligence document, we now have conclusive evidence that the administration’s disinformation campaign implying a link connecting Saddam to Al Qaeda and 9/11 was even more duplicitous and manipulative than its relentless flogging of nuclear Armageddon.

Senator Levin’s smoking gun is a widely circulated Defense Intelligence Agency document from February 2002 that was probably seen by the National Security Council. It warned that a captured Qaeda terrorist in American custody was in all likelihood “intentionally misleading” interrogators when he claimed that Iraq had trained Qaeda members to use illicit weapons. The report also made the point that an Iraq-Qaeda collaboration was absurd on its face: “Saddam’s regime is intensely secular and is wary of Islamic revolutionary movements.” But just like any other evidence that disputed the administration’s fictional story lines, this intelligence was promptly disregarded.

So much so that eight months later – in October 2002, as the White House was officially rolling out its new war and Congress was on the eve of authorizing it – Mr. Bush gave a major address in Cincinnati intermingling the usual mushroom clouds with information from that discredited, “intentionally misleading” Qaeda informant. “We’ve learned that Iraq has trained Al Qaeda members in bomb-making and poisons and deadly gases,” he said. It was the most important, if hardly the only, example of repeated semantic sleights of hand that the administration used to conflate 9/11 with Iraq. Dick Cheney was fond of brandishing a nonexistent April 2001 “meeting” between Mohamed Atta and an Iraqi intelligence officer in Prague long after Czech and American intelligence analysts had dismissed it.

The power of these lies was considerable. In a CBS News/New York Times poll released on Sept. 25, 2001, 60 percent of Americans thought Osama bin Laden had been the culprit in the attacks of two weeks earlier, either alone or in league with unnamed “others” or with the Taliban; only 6 percent thought bin Laden had collaborated with Saddam; and only 2 percent thought Saddam had been the sole instigator. By the time we invaded Iraq in 2003, however, CBS News found that 53 percent believed Saddam had been “personally involved” in 9/11; other polls showed that a similar percentage of Americans had even convinced themselves that the hijackers were Iraqis.

There is still much more to learn about our government’s duplicity in the run-up to the war, just as there is much more to learn about what has gone on since, whether with torture or billions of Iraq reconstruction dollars. That is why the White House and its allies, having failed to discredit the Fitzgerald investigation, are now so desperate to slow or block every other inquiry. Exhibit A is the Senate Intelligence Committee, whose Republican chairman, Pat Roberts, is proving a major farceur with his efforts to sidestep any serious investigation of White House prewar subterfuge. Last Sunday, the same day that newspapers reported Carl Levin’s revelation about the “intentionally misleading” Qaeda informant, Senator Roberts could be found on “Face the Nation” saying he had found no evidence of “political manipulation or pressure” in the use of prewar intelligence.

His brazenness is not anomalous. After more than two years of looking into the forged documents used by the White House to help support its bogus claims of Saddam’s Niger uranium, the F.B.I. ended its investigation without resolving the identity of the forgers. Last week, Jane Mayer of The New Yorker reported that an investigation into the November 2003 death of an Abu Ghraib detainee, labeled a homicide by the U.S. government, has been, in the words of a lawyer familiar with the case, “lying kind of fallow.” The Wall Street Journal similarly reported that 17 months after Condoleezza Rice promised a full investigation into Ahmad Chalabi’s alleged leaking of American intelligence to Iran, F.B.I. investigators had yet to interview Mr. Chalabi – who was being welcomed in Washington last week as an honored guest by none other than Ms. Rice.

The Times, meanwhile, discovered that Mr. Libby had set up a legal defense fund to be underwritten by donors who don’t have to be publicly disclosed but who may well have a vested interest in the direction of his defense. It’s all too eerily reminiscent of the secret fund set up by Richard Nixon’s personal lawyer, Herbert Kalmbach, to pay the legal fees of Watergate defendants.

There’s so much to stonewall at the White House that last week Scott McClellan was reduced to beating up on the octogenarian Helen Thomas. “You don’t want the American people to hear what the facts are, Helen,” he said, “and I’m going to tell them the facts.” Coming from the press secretary who vowed that neither Mr. Libby nor Karl Rove had any involvement in the C.I.A. leak, this scene was almost as funny as his boss’s “We do not torture” charade.

Not that it matters now. The facts the American people are listening to at this point come not from an administration that they no longer find credible, but from the far more reality-based theater of war. The Qaeda suicide bombings of three hotels in Amman on 11/9, like the terrorist attacks in Madrid and London before them, speak louder than anything else of the price we are paying for the lies that diverted us from the war against the suicide bombers of 9/11 to the war in Iraq.

A HERO FOR OUR TIMES?

…Probably the most unexpected character, Grant Morrison‚Äôs Frankenstein is based loosely on DC Comics’ “Spawn of Frankenstein,” which appearaed as a backup in the ‚Äò70s Phantom Stranger series. Able to ‚Äúregenerate‚Äù himself by adding on pieces of dead men, Frankenstein has the right arm of a black slave, and the left arm of the angel, Michael.

“Frankenstein is my own version of the Mary Shelley monster with only a slight nod in the direction of DC’s 70s Spawn of Frankenstein character,” says Morrison. “My Frankenstein is a nightmare executioner of evil, caught up in freakish tales of Martian slavery and poisoned nature.

“Since Frankenstein was created by Mary Shelley in 1818, I decided to reflect the general period in the character’s dress and put him in a decayed and tattered version of a Hussar guardsman’s outfit. It gives him a recognisable ‘costume’ and also the retro modern feel I liked. Big fuck-off boots with spurs, lots of electrical contact bolts up his spine and neck and arms.”

Inuit Shaman's Demon Banishing Fetish

Description
Baby caribou skull weather sculpted into form believed to possess numinous powers. Received for services rendered to Inuit sorcerer near Pelly Bay, Northwest Territories, Canada, February 1976.

Starting bid: US $20,000.00
Time left: 2 days 21 hours
7-day listing, Ends Nov-13-05 18:18:23 PST
Start time: Nov-06-05 18:18:23 PST
History: 0 bids

LINK COURTESY DAVID H.!

Burning Spear blogs

November 7, 2005
My Duty

Greetings People,

Thank you for buying my new CD Our Music.

Burning Spear say sometimes as an artist it is good if you can share some things with the people especially the fans so they can get some understanding about the things you been through coming up in the business. I man been in this business since 1969 and I man did have to deal with various booking agent, record company and promoters and it was in the 90’s when I man start earn something from what I been doing since 1969. I man rise up with my self confidence and my capabilities and I man just keep on moving forward for I man is moving in the right direction and the people knows that.

Sometimes I ask His Majesty when am I going to be discharged from this duty? Maybe I was wrong to ask His Majesty such question. I see myself as Mr. Music, JAH Music, Our Music, World Music, the Peoples Music. What so ever JAH has given to I man, I man earn it the hardest way.

So Keep the Spear Burning
One Love
Peace
Burning Spear
posted by Burning Spear @ 2:42 PM 3 comments links to this post
October 26, 2005
Unity Is Strength

First I would like to say greeting to all the people of the world. Big Up to the fans of Connecticut they have make Our Music the best sound Scans for Burning Spear music. Plenty respect for all the radio DJ in that area, they and the fans have proven that Our Music can become Everyone Music.

Unity is strength.

I would like to say Our Music is not a song against record company. I man have nothing against any record company. This was just I way of speaking out against the things that happen in this business. You have pirate companies like Clocktower that put out this CD call Traveling. I man have never given them any rights. I don’t even know them. I man call them modern day Music Slave Traders. Also the name Harry you are not selling comes from this producer that would call I man Jackson. And now claim I sold rights to them for $40.00 Jamaican Dollars in 1975.

A lot of people say they made Burning Spear. I say to them Jah made Burning Spear, I am a messenger of Jah, so Jah send all these people to support my live concerts. So while they are sleeping I am working on Our Music. A lot of my peer in this music business would go on I man website and see all these tour dates. They would say “how spear have so much tour dates?, where the people them come from to support him? Burning spear don’t even have a hit record.” I am a messenger of His Majesty so I don’t need a hit record to spread his Majesty message.

Plenty respect to Bill Bass/Larry Gold and the House Of Blues crew for all the tour support. Respect to all Burning Spear disciples…

Our Music touch I man so much based on what was going on in my life at the time this record was being made I have to speak about it. I have never put so much of myself in a CD since the 1970’s. I don’t sing to gain riches and buy fancy cars. I was chosen by the creator for this job. I am O’ Rastaman. You see I man over the past years so don’t bother I man with your disturbances. Marcus Garvey/Elijah Mohammed/Martin Luther King and Mr. Malcolm X they leave the instructions for I to follow through. So don’t mess with the O’ Rastaman.

Mistake carry no face. I man can see my exit I am more stronger than before. I man His little Garvey, And so his every brother or sisteren that will fight for there rights. So hold Them Little Garvey show Them that we can get tough. Who are them? Them are your friends or neighbor or enemies. I thought you were my neighbor, or friend but not my enemy. How may time we all think this about our friend.

Yes fans a support for Our Music is a support for Burning Spear, O Rastaman. Let the lyric of Our Music chain I and I together. Marcus Garvey say – self reliance. So lets do the Burning Spear walk right to the record store for a Copy Of Our Music.

Peace,
Burning Spear

3 Guys and 35 Years of a 'Little Ol' Band From Texas' – New York Times

Nov 10, 2005 New York Times

By ALAN LIGHT
“It’s just the same three guys, playing the same three chords, and we’ve been doing this for 35 years.”

That’s the explanation Billy F. Gibbons, ZZ Top’s lead guitarist, offers onstage to explain his band’s success. When asked about this bare-bones description of the bewhiskered, blues-powered “Little Ol’ Band from Texas,” Mr. Gibbons chuckled. “As trite as that is, it’s the tried-and-true formula for us,” he said over the phone from Phoenix, before heading to a gig at the Arizona State Fair.

“I’ve seen our fair drummer, Mr. Beard – the man with no beard – madly tapping into his calculator, and each time he ends up with the same figures. We’ve been in this band longer than school, longer than marriage, longer than anything else we’ve ever done.”

With Mr. Gibbons’s searing fretwork, the lock-step rhythm section of the beardless Frank Beard and the bassist Dusty Hill, and the two guitarists’ cartoon-style, foot-long facial hair, ZZ Top built itself up into a stadium-filling powerhouse in the 1970’s. Its 1983 album “Eliminator” tightened up the songs, added electronic rhythms, and – with a series of silly, sexy videos – shot the band into MTV icon status.

Tonight and tomorrow night the band will wrap up its latest six-month jaunt at the Beacon Theater, its first appearance in New York City in a decade. “We’re seeing the end of a lengthy, successful tour,” Mr. Gibbons said, “and we decided we’d land it right smack dab at the center of the universe.”

But ZZ Top hasn’t released a new album since “Mescalero” in 2003. (It plans to return to the studio early next year.) The musicians’ sound has never varied much from their signature Southern boogie, described by the singer and songwriter Lucinda Williams, a longtime fan, as “hot, sweaty, grungy, sexy rock music that stays true to the blues.” So how are they able to keep things interesting onstage?

“The rigors of the road are grinding,” said the soft-spoken Mr. Gibbons, 56, “but the longstanding friendship between the three of us has brought us to just short of mind reading. It’s become a real expeditious endeavor on any given night, in terms of anticipating who might do what onstage, so we can turn the corner and avoid the train wreck.”

More specifically, Mr. Gibbons clarified, they keep themselves on their toes by leaving their set lists open each night. “There’s a couple slots in the middle of the show which are reserved for somebody’s spot call,” he said. “The other night, Dusty pulled one out of the ZZ Top bag that we haven’t played in two decades,” the Muddy Waters tune “Two Trains.” “I grinned and said ‘Man, you’re really testing us, aren’t you?’ ”

According to Mr. Gibbons, continually experimenting with equipment keeps the band’s juices flowing. “The novelty of new gear helps to lubricate those pitfalls,” he said. “Frequently, a new setting on an amplifier, a new guitar – that’s enough to keep things energetic. Just tonight, I got a call from Dusty, and he’s all excited, he’s got a new bass. I asked, ‘What have you got?’ and he said, ‘I don’t know, but it’s red!’ ”

For the first time, Mr. Gibbons has started turning up on albums outside the confines of ZZ Top, adding his inimitable touch to albums by such younger rockers as Kid Rock and Nickelback. He singled out the new-school metal band Queens of the Stone Age as his favorite collaboration. “It’s a pretty tight-knit group of pals,” he said. “They have a rather handsome amount of time behind them, and they’re really good players. And as a bonus, they’ve got some real exotic gear – like, they had Watkins Dominator amps. They haven’t made those since 1963, you can’t find them, and they had two of them!”

If Mr. Gibbons’s fascination with equipment sounds a little obsessive – well, it is. “In an attempt to find something else with the remarkable power of ‘Pearly Gates,’ that first Les Paul I acquired, I kept stacking up guitar after guitar,” he said. “It started morphing into these myriad other sounds, and one day I looked up and there was a warehouse full of instruments.”

In addition to the hundreds of guitars he has acquired, Mr. Gibbons has a celebrated stable of hot rods and custom cars, the most famous being the red 1933 Ford “Eliminator Coupe,” the true star of those unforgettable videos. Both collections are chronicled in the just-published “Rock & Roll Gearhead” (Motorbooks). It’s a combination memoir, band scrapbook and catalog of his favorite autos (including the “CadZZilla” and the “Slampala”) and six-strings (like the cowhide-covered Fender and the Gibson in the shape of Texas).

“Rock ‘n’ roll and automobiles have always had this synergistic connection,” Mr. Gibbons said. (He will be signing copies of the book on Monday from 1 to 2:30 p.m. at the Barnes & Noble store at 555 Fifth Avenue, at 47th Street.) “You get a guitar, you learn how to play music, and then you’ve got to have a car to get to the show!” he said. “It all boils down to just that.”

Did US forces use chemical weapons during assault on Fallujah?

Independent Online Edition > The Indpendent
US forces ‘used chemical weapons’ during assault on city of Fallujah

By Peter Popham

Published:†08 November 2005

Powerful new evidence emerged yesterday that the United States dropped massive quantities of white phosphorus on the Iraqi city of Fallujah during the attack on the city in November 2004, killing insurgents and civilians with the appalling burns that are the signature of this weapon.

Ever since the assault, which went unreported by any Western journalists, rumours have swirled that the Americans used chemical weapons on the city.

On 10 November last year, the Islam Online website wrote: “US troops are reportedly using chemical weapons and poisonous gas in its large-scale offensive on the Iraqi resistance bastion of Fallujah, a grim reminder of Saddam Hussein’s alleged gassing of the Kurds in 1988.”

The website quoted insurgent sources as saying: “The US occupation troops are gassing resistance fighters and confronting them with internationally banned chemical weapons.”

In December the US government formally denied the reports, describing them as “widespread myths”. “Some news accounts have claimed that US forces have used ‘outlawed’ phosphorus shells in Fallujah,” the USinfo website said. “Phosphorus shells are not outlawed. US forces have used them very sparingly in Fallujah, for illumination purposes.

“They were fired into the air to illuminate enemy positions at night, not at enemy fighters.”

But now new information has surfaced, including hideous photographs and videos and interviews with American soldiers who took part in the Fallujah attack, which provides graphic proof that phosphorus shells were widely deployed in the city as a weapon.

In a documentary to be broadcast by RAI, the Italian state broadcaster, this morning, a former American soldier who fought at Fallujah says: “I heard the order to pay attention because they were going to use white phosphorus on Fallujah. In military jargon it’s known as Willy Pete.

“Phosphorus burns bodies, in fact it melts the flesh all the way down to the bone … I saw the burned bodies of women and children. Phosphorus explodes and forms a cloud. Anyone within a radius of 150 metres is done for.”

Photographs on the website of RaiTG24, the broadcaster’s 24-hours news channel, http://www.rainews24.it, show exactly what the former soldier means. Provided by the Studies Centre of Human Rights in Fallujah, dozens of high-quality, colour close-ups show bodies of Fallujah residents, some still in their beds, whose clothes remain largely intact but whose skin has been dissolved or caramelised or turned the consistency of leather by the shells.

A biologist in Fallujah, Mohamad Tareq, interviewed for the film, says: “A rain of fire fell on the city, the people struck by this multi-coloured substance started to burn, we found people dead with strange wounds, the bodies burned but the clothes intact.”

The documentary, entitled Fallujah: the Hidden Massacre, also provides what it claims is clinching evidence that incendiary bombs known as Mark 77, a new, improved form of napalm, was used in the attack on Fallujah, in breach of the UN Convention on Certain Conventional Weapons of 1980, which only allows its use against military targets.

Look closely at the sign.

About New Albion Records:

“As Sir Francis Drake, noted explorer and pirate, discovered California for the Elizabethan world, New Albion discovers new musical territories for the modern world. Then as now there are savages, pagans, exotic flora and fauna.

“New Albion resembles a small ship on the ocean, a small press or an art gallery; we employ the ancient art of blind navigation. With composers and performers we develop, record and release about a dozen titles a year, always looking for works that are jewel-like objects of curiosity, beauty and wonder.

“The kind of music we are seeking is central to our post-classical century: borders have widened; the electronic and digital revolutions have shrunk time and space so that streams of influence comingle the medieval with the modern, the primitive with the cosmopolitan, and the search through it all is for music that leads an aware listener into the living moment.

Our logo is the triangle and the spiral, a compound symbol of strength and motion, of pitch and time, of being here and going there…it has virtually no meaning. Once we decided to create an imaginary roadsign which we painted and drove to Rte. 50 in the middle of Nevada. There it became our postcard, our place in time, where our ship moors between passages.

Iraq battle stress worse than WWII

Sunday Times of London

November 06, 2005

Iraq battle stress worse than WWII
MICHAEL SMITH

SENIOR army doctors have warned that troops in Iraq are suffering levels of battle stress not experienced since the second world war because of fears that if they shoot an insurgent, they will end up in court.

The two senior Royal Army Medical Corps officers, one of whom is a psychologist, have recently returned from Basra, where they said they counselled young soldiers who feared a military police investigation as much as they did the insurgents.

The revelations follow the collapse last week of the court martial of seven paratroopers accused of murdering an Iraqi who died near al- Amarah just after the war and amid signs of a dramatic drop in morale among frontline infantry soldiers.

The doctorsí warnings came in post-operational reports submitted by senior officers to their formation commanders after serving in a battle zone. They are exceptional because of their content.

One source said: ìThere doesnít appear to be any overt consideration or understanding of the pressures that our soldiers are under.

ìThe unpopularity of the war at home and a belief that firing their rifles in virtually any circumstances is likely to see them end up in court are sapping morale.î

One corporal said that troops arriving in Basra were confronted by warnings from the Royal Military Police. ìThey make it clear that any and every incident will be investigated. It is also made clear that if you shoot someone, you will face an inquiry that could take up to a year.

ìThe faces of the young lads straight out of training drop as the fear of being investigated strikes home and many ask whose side the RMP are on.î

Although the levels of fighting in Iraq are nowhere near those of some of the bloodiest battles of the second world war, such as the battle of the bulge or Kohima, the much more complex situation that the British troops face is pushing up stress levels just as far.

The combination of knowing that death might come at any time from a roadside bomb and that shooting back at Iraqis who attack them might result in their being court-martialled is putting immense pressure on young soldiers.

The doctors described morale in some units as very low with soldiers cynically suggesting they needed a solicitor with them before they shot back at any Iraqi who attacked them.

Many frontline infantry soldiers were in survival mode and had the impression that the Ministry of Defence (MoD) is not supporting them and nobody in the UK cares about what is happening in Iraq, the officers said.

This weekend senior MoD officials sought to counter the damage done to morale after the collapse of the court martial by revealing that John Reid, the defence secretary, had ordered an urgent review of whether the MoD is fulfilling its duty of care to soldiers facing legal action.

There are signs that it is already too late, with more than 5,370 infantry soldiers buying themselves out of the army in the past three years rather than be posted back to Iraq or Afghanistan.

Divorce rates have soared. The wives of soldiers who return from Iraq complain that their husbands are suffering from exhaustion and stress but refuse to seek medical help for fear that it will blight their promotion prospects.

The wife of one officer based in Germany told friends he was ìan aggressive wreckî after returning from Iraq, shouting at the children and suffering from what she thought was a nervous disorder. He declined medical help and a month after returning from Basra was sent to Kabul.

Not least among the concerns within the army is the fact that cases are taking so long to come to court martial. Three members of the Irish Guards and a Coldstream Guard who stand accused of the manslaughter of an Iraqi who allegedly drowned in a canal in May 2003 will not stand trial until May next year.

Corporal Scott Evans, 32, the most senior of the paratroopers acquitted last week, said that they felt betrayed by the army: ìWeíve been badly hung out to dry.

ìThe army is your family, isnít it? You expect your
family to look after you through thick and thin, but they betrayed us. It seems that in the armyís eyes you are guilty until proven innocent.î

One army officer said Evans was ìjust summing up what everybody feels. No one seems to care. We feel like weíve lost public sympathy because of all these allegationsî

Is this supposed to be funny, Vincent?

http://www.vgmerchandise.com/misc.html

“…Mr. Gallo maintains the right to refuse sale of his sperm to those of extremely dark complexions. Though a fan of Franco Harris, Derek Jeter, Lenny Kravitz and Lena Horne, Mr. Gallo does not want to be part of that type of integration. In fact, for the next 30 days, he is offering a $50,000 discount to any potential female purchaser who can prove she has naturally blonde hair and blue eyes. Anyone who can prove a direct family link to any of the German soldiers of the mid-century will also receive this discount. Under the laws of the Jewish faith, a Jewish mother would qualify a baby to be deemed a member of the Jewish religion. This would be added incentive for Mr. Gallo to sell his sperm to a Jew mother, his reasoning being with the slim chance that his child moved into the profession of motion picture acting or became a musical performer, this connection to the Jewish faith would guarantee his offspring a better chance at good reviews and maybe even a prize at the Sundance Film Festival or an Oscar… “