‘GWC’ Finale! (part 7) by Jesse Moynihan

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Enjoy the miraculous finale of GWC, our next installment of ARTHUR COMICS.

About Jesse Moynihan:
Jesse Moynihan self published 2 books in 2005, and ran a strip in the Philadelphia Weekly. He’s been featured in Meathaus and Canicola anthologies. This year, Bodega put out a larger volume of his work called Follow Me. He recently collaborated with Dash Shaw on a strip that will appear in an upcoming issue of Believer Magazine. Recently, Jesse has been plugging away every Thursday on his webcomic, Forming, which is a sprawling account of human origins, transgender aliens, and ripped gods.

About Arthur Comics
We are proud to bring you Arthur Comics curated by Floating World. Stop by our oasis, http://www.arthurmag.com/comics, for a leisurely bath in our new interactive format, an exclusive collaboration with GreenerMags / グリーナーマガジン.

"Honest Strings: A Tribute to the Life and Work of Jack Rose" now available

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From Thrill Jockey/FINA…

Jack Rose was a masterful musician and even greater friend and supporter of the underground music community. Honest Strings: A Tribute To The Life And Work Of Jack Rose is a massive and exceptional collection of heartfelt contributions from forty artists who were friends with Jack and/or inspired by his prodigious talents. Due to the running time in excess of six and a half hours, this collection is only available as a download. The downloaded file also features new original digital artwork from both Arik Roper and Alex Jako as well as a set of liner notes with thoughts about Jack Rose by many of the contributors including compilation curator Cory Rayborn (Three Lobed Recordings).

Here is the announcement from Three Lobed Recordings

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“HONEST STRINGS: A TRIBUTE TO THE LIFE AND WORK OF JACK ROSE”
DOWNLOAD COMPILATION AVAILABLE

It should come as no secret to anyone who reads these updates that we were pretty shocked about the December passing of our friend Jack Rose. While it has been tough around here and actions are no substitute for the man himself, we have been busy curating a download-only tribute “album” to Jack. This compilation is monstrous and insanely full of good material – it’s a very fitting tribute to the man.

“Honest Strings: A Tribute To The Life And Work Of Jack Rose,” is now up and available for sale exclusively from the download portion of the Thrill Jockey site, FINA. This compilation costs $15, an absolute bargain for what you are getting, with 100% of the purchase price going to Jack’s estate. The compilation itself is, get this, six and a half hours long. Yes, you read that right.

Follow this direct link (http://fina-music.com/catalog/index.html?id=104712) to go to the compilation’s location at the FINA store where it is available for sale/download.

The list of featured artists is absolutely bonkers, too. Here it is, in no particular order:

Bardo Pond
D. Charles Speer
MV & EE
Rick Tomlinson
Un
Heather Leigh
Stuart Leslie Braithwaite
Nathan Bowles
Joseph Mattson – reading from “Empty The Sun”
Sunburned Hand Of The Man
Scott Verrastro / Nathan Bowles
Pelt
No Neck Blues Band
Cian Nugent
James Toth, Kerry Kennedy and Jason Meagher
Cath & Phil Tyler
Black Twig Pickers
Spiral Joy Band
Byron Coley with Son of Earth
Alvarius B
Hans Chew
Six Organs Of Admittance
Pigeons
Kohoutek
Chris Forsyth
Hush Arbors
Zaika with Paul Flaherty
Spectre Folk
Zaika with Loren Connors
Steve Gunn
Bill Nace
Luther Dickinson
C. Joynes
Danny Paul Grody
Elisa Ambrogio
Jenks Miller
Coach Fingers
Charlie Parr & Mike Gangloff
Lloyd Thayer
Langtry

We are really proud of how this come came together and hope that you all enjoy it. We miss you, Jack.

A Freak-Out(ting): Julian Cope's CORNUCOPEA festival (Spring 2000)

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Souvenir CD Programme given away to Cornucopea Festival goers, still available for purchase from Head Heritage.


Cosmic Cuckoos: Julian Cope and pagans against the machine
By Jay Babcock

First published Thursday, May 18 2000 in the LAWeekly

Because we have our own aural tradition and need for congregation with like minds . . . because we can’t, not all of us, get our knickers in a twist about the muffler-rock of Testosterostock 2000 (Metallica, Korn and Kid Rock at the Coliseum, July 15, mark your calendars!) . . . because the airwaves are clean and there‘s nobody singing to me . . . Because of all that, I find myself here in London, jet-lagged and double-lagered, listening to Julian Cope.

Yes, that Julian Cope. Ex-leader of the Teardrop Explodes, the early-’80s Liverpudlian post-punk group with a sizable cult following. Solo artist with a minor pre-alternative hit (the anthemic “World Shut Your Mouth”). A petulant, paranoid near-rock star freakoid who in true “VH1 Behind the Music” fashion succeeded in alienating his band, his fans, his record label and, finally, himself before a series of revelations in 1989 shifted him in a newly “aware” direction.

Cope went hypernova and deep-historical—from town frier to town crier, from “Saint Julian” to “The Arch-Drood,” from Syd Barrett-esque acid-gobbler to full-throttle goddess-worshippin‘ Mystic Brother No. 1, becoming a self-conscious subscriber to Dadaist artist Hugo Ball’s dictum that “Artists are Gnostics, and practice what the priests think is long forgotten.” Now confident in his role as “Shamanic Rock & Rolling Inner-Space Cadet,” Cope released an extraordinary series of artistically ambitious albums on Island (and, later, American) that, in the music-industry scheme of things, were underperforming commercial failures, and he ended up without a major-label recording contract.

Today, Cope spends his days out on Ur-Pagan Patrol near Silbury Hill, raising a family, self-releasing a number of limited-edition mail-order records, overseeing a fantastic Web site (headheritage.co.uk) and, in the last six years, laboring over a clutch of obsessive, entertaining books, including two hilarious autobiographies (Head-on in ‘94 and Repossessed in ’99, now out in one convenient $19.95 paperback volume), a crash course in Krautrock (‘95’s essential Krautrocksampler), and ‘98’s The Modern Antiquarian: A Pre-Millennial Odyssey Through Megalithic Britain, a scholarly study of Britain‘s pre-Christian megalithic sacred sites, now in its third printing.

Clad in leopard-skin tights and knee-high platform jackboots, Cope ventures into the city rarely and reluctantly to report, bardexplorerlike, his findings to The People. And so “Cornucopea”: two early-spring weekend nights at London’s South Bank Centre of Cope-curated space-rock ambient-glitter bubble-metal protest-blues, starring a host of artists and, of course, Mr. Cope himself. A sounding of the horn of plenty. A celebration of mystery, whimsy, eccentricity—of Supreme Oddness. A festival for the cuckoos. Continue reading

May 14-16, New Hampshire: THE THING IN THE SPRING

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The Thing in the Spring 2010
Downtown Peterborough NH
May 14, 15, 16

fri may 14 – Toadstool Bookshop
6pm – Ian Durling – Solo Sax from the Roof
6:30pm Show – $12 door – All Ages
Birdsongs of the Mesozoic
Corsano – Flaherty – Nace
Tongue Oven

sat may 15 – Toadstool Bookshop
5pm – Randy Patrick – Solo Electric Guitar from the Roof
5:30 Show – $12 door – All Ages
Happy Birthday
Meg Baird
Trials & Tribulations

sat may 15 – Harlow’s Pub (this show is 21+) –
10:30pm – $5
Graph
Bunny’s A Swine

sun may 16 – Toadstool Bookshop
4pm – Bjorn DelaCruz – Solo Violin from the Roof
4:30pm Show – $12 door – All Ages
Death Vessel
Micah Blue Smaldone
Wooden Dinosaur

Weekend pass available for $25 before May 1, $30 after. With that, you get 15% off coupons for Harlow’s pub, and 15% off at the Toadstool Bookshop.

Purchase tickets via PayPal to:
gagnemeister@gmail.com

Or via snailmail to:
toadstool bookshop
attn: eric
12 depot sq
peterborough, nh 03458

more info:
music@ptoad.com
or
theglassmuseumpress.blogspot.com

"Rather than waiting for pie in the future…" (EMMETT GROGAN)

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From a piece by San Francisco Digger Emmett Grogan, as printed in the August 1968 issue of The Realist:

[T]he amount of anxiety, fear, trembling, nervousness that I put out, I know determines people’s reactions to me, whether it’s trust, friendliness despite appearance.

So then, what if all the people who had that insight were able to begin combining forces, totally neutralizing all negative affect, totally letting it drop into the void, hence transforming all that energy into conversion of consciousness to friendly nature—you’d then have autonomous communities rising as they do in San Francisco which involve kids living together and inviting other people in to join them for an evening or longer—it means the amassing of people together as in giant human Be-ins: not so much to demonstrate their force to others but to demonstrate their tranquility and quietness and presence to others, and to themselves; to reinforce the awareness, to exchange Upaya, skillful means, trade secrets of communication-forming proposals—proposition not opposition—proposals for a new society based on new consciousness, and then putting them into operation on a small scale, mutually, into operation as an example, rather than waiting for pie in the sky, rather than waiting for pie in the future, rather than waiting for Utopia to come through revolution.

Practicing on the basis of what’s known already, so we have the development of free stores in San Francisco, free food in the parks, the Diggers’ extensions of energy, the anonymity of most of the Digger people, the Communication Companies or the Free City news services which mimeograph and print the daily news for the people so they get it fast, etc.

Where there’s going to be a rally, where there’s going to be music, where there’s going to be free food, where you can get sleep, where you can get jobs, where you can go out into the country free so you can straighten your head out or freak out among true friends—so you can decontrol yourself of the city conditioning, calm yourself for a while and return to tribal-mammal origins in the original ecology for which we are fit, which is not the noisy, metallic city, as Leary has pointed out very radically and wisely: “Put all the metal underground, back where it belongs.” If there’s going to be bridges and buildings and machinery, then don’t let that displace the living, organic material which is our natural friendly life form.

Obviously the surface of the planet has got to be replanted back to some sort of living delight, instead of dead vibrations. Get to work. You are the Free City planners.

So there is an autonomous idea of what Utopia is, ecologically, as something to work for, and concretely possible toward that sense. Goodman’s suggestion: applying immediate social welfare ideals and principles—pay people to live in the country—like people on New York welfare. Give them the same money, and say: “You don’t have to live in New York, you can live out of New York.” That’ll depopulate New York, remove the pressure on New York, straighten many heads out, calm everybody down to some extent. Have a healthier life—the “underprivileged,” they’ll get in the groove of being way out in the country and walking with clouds and stars, and talking with trees. And also save all the giant bureaucracy costs of the city.

But the only thing that will allow each of us to create his or her Utopia is praxis—and the pooling of our resources to free each of us to pursue our individual activities and strengthen the autonomous boundaries of our free cities of the now.