Bukowski's Hollywood

An excerpt from Barbet Shroeder’s Charles Bukowski Tapes (1985), in which the crusty and hilarious old alcoholic writer (and inspiration to countless terrible would-be alcoholic writers) rides around Los Angeles — specifically, the intersection of Hollywood and Western — in a convertible and shows us where all the crazy people sit, where you can purchase lethal powders for 15¢ and who the hookers and dope dealers are. It’s a telling sign of Los Angeles’ depressingly unchecked development that one of the only buildings that’s still recognizable in 2009 is the dilapidated Le Sex Shoppe just east of Western on Hollywood. (via LA TACO)

"Thank You Mask Man" — a Lenny Bruce-voiced cartoon

Courtesy Dorian Cope, who blogged this today:

3rd August 1966 – the Death of Lenny Bruce

“Take away the right to say ‘fuck’ and you take away the right to say ‘fuck the government.’” – Lenny Bruce

Genius comic and social critic/agitator Lenny Bruce died, ignominiously, forty-three years ago today on 3rd August 1966.

During our “wilderness years” cocooned in an all-black room in Tamworth, Julian and I watched Lenny’s “Thank You Mask Man” over and over and over and over again …

Today's book recommendation: "LSD—Doorway to the Numinous" by Stanislav Grof

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Joseph Campbell on Grof’s work: “I know of no work that so well incorporates the findings of Freud, Jung and Rank, adding fresh insights, which the methods of those psychotherapists could never have achieved. I do not doubt that many others working in this field would find Dr. Grof´s discoveries a basis for a whole new strategy of research.”

More: Stan Grof’s website

Todd Pendu Says Yes!: An interview with the man behind Pendu Org and NY Eye and Ear

Perhaps we needed a publication like Showpaper to gather all of the evidence on one page, but we can sense it just by keeping our ears peeled when wandering around the industrial waterfront of North Brooklyn at night: more and more young people in New York are taking the city’s musical culture into their own hands, booking the artists they want to see in buildings that condo developers never cared about anyway and eschewing the institutionalized age discrimination that keeps people who can’t drink away from live music. And the increased police crackdown on semi-legal concert venues (founded, apparently, on completely wrongheaded suspicions of weapon and drug possession, in addition to under-age drinking) doesn’t seem to be stopping anyone. New all-ages performances spaces still seem to be cropping up every month, sometimes attracting critical masses in the hundreds, and upstart show promoters looking to realize their unique artistic visions are practically ubiquitous. We might even call it a new chapter in the city’s cultural history if some of the people who built it with their own hands were willing and able to articulate it as such–and to explain how it might cohere as a generational worldview. With Brooklyn curator Todd Pendu, founder of the first large-scale festival devoted exclusively to grassroots cultural production in New York, we may very well have our man.

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Tonight at Cinefamily in L.A.: Midnight screening of Muppet History 101 & Muppet Music Moments

Due to the high demand for tickets for our sold-out Muppet History 101 + Muppet Music Moments double feature at 8pm tonight, we’ve added a second show — of Muppet History 101 only — tonight at midnight!

Tickets will be available at the box office from 7:30pm onwards, on our website starting now…

Tickets – $12

httpv://www.youtube.com/watch?v=fcqY66chhCA

Friday, July 31st at MIDNIGHT
The Cinefamily Silent Movie Theatre
611 N. Fairfax Avenue / Los Angeles, CA 90036

Buy tickets here.

Saturday, August 1st – ANIMATED ANIMA – Art show opening in Greenpoint, Brooklyn

an⋅i⋅ma /ˈænəmə/ –noun
1. soul; life.
2. (in the psychology of C. G. Jung)
a. the inner personality that is turned toward the unconscious of the individual (contrasted with persona).
b. the feminine principle, esp. as present in men (contrasted with animus).

ANIMATED ANIMA is an exhibition of artwork by Cadence Pearson and Lucinda Trask, two artists who explore the undefined area between your physical body and the anima. The opening reception will feature a performance installation by Genevieve Belleveau of the Queen Frostine Ice Cream Girls and live music by the soulful experimental folk duo Bow Ribbons.

Opening August 1st, 8PM – Music at 10PM
PERFECT WAVE GALLERY
184 West St. #2 / Brooklyn, NY 11222
Free admission

On view through August 7th, 4-9PM and by appointment.

July 31st – JUPITER AND BEYOND THE INFINITE – Opening at Synchronicity Space in L.A.

Deep-space excursions that reveal the dark matter of pop culture, absurdist mythologies that transcend into tear jerking dramas…all can be found in Jupiter And Beyond The Infinite.

This forthcoming show at Synchronicity Space opens on July 31st with a video screening including 19 unique artists. 2-D and 3-D artifacts from the videos will accompany the screening and be on display throughout August. Those looking to travel through a black hole and keep your boots on: look no further. Curated by Ben Bigelow

httpv://www.youtube.com/watch?v=9yrQf5X3uvI

Opening Friday, July 31st at 7PM, with video screenings from 9-10PM
Synchronicity Space
4306 Melrose / Los Angeles 90029
Free

Headneck Bonanza: Doug Sahm live in 1972 with Leon Russell and the Dead


Sir Doug and Jerry Garcia, onstage in Austin. Photo: Steve Hopson


Our celebration of recently departed hippie-country music pioneer John “Marmaduke” Dawson of the New Riders of the Purple Sage’s legacy started a conversation about the history of “headneck” music: tunes beloved in equal measure to cowboys, hippies, bikers and all varieties of stoner hicks, country heads and longhaired rednecks.

Beyond the New Riders and the Dead, the consensus seems to be that Commander Cody, Asleep at the Wheel and Doug Sahm (in his many incarnations, from dusty Texas boogie, accordion-flecked Tex-Mex and sun-dappled Mill Valley country) represent some of the pinnacles of this rowdy sound. After a bit of digging around in the Google crates, we found one of the holy grails of headneck history over at The Adios Lounge: a bootleg recording of an impromptu 1972 Doug Sahm, Leon Russell, Jerry Garcia and Friends show at the Armadillo World Headquarters in Austin, Texas.

On Thanksgiving weekend in 1972 the Dead were in Austin, on tour of course, and they joined Sir Doug and country-time piano genius Leon Russell — you know his rollicking keys from session work with The Byrds, The Rolling Stones and Bob Dylan, his oft-covered song “Superstar”; and you really should seek out the riches of his 1971 solo album, Leon Russell and the Shelter People, as the psych-out cover art is just the beginning — on stage for a couple hours of once-in-a-lifetime country grooves.


Genuine Texas groover Sahm with spliff and brew


At our request, Lance — the gracious proprietor of The Adios Lounge — has re-upped the whole two-and-a-half hour jam session full of songs from Merle Haggard, Kris Kristofferson, Robert Johnson, Bob Dylan and Hank Williams, among many others. It’s a soundboard recording (A-/A for the tapers out there) full of Garcia’s lush pedal steel, Phil Lesh’s noodly bass, and fiddle duties handled by Marty Mary Egan and Thirteenth Floor Elevator (!?) Benny Thurman. Vocals are traded between Sahm, Garcia, Russell and what sounds like a room full of rowdy Texan headnecks having the time of their lives. “Holy shit” is right.

This is music for hot afternoons, sitting shirtless in the sun, chasing shots of green dragon with econo-brews and popping off at the empties with your “blaster of choice.” Many thanks to Lance for the re-post. Click here to go download yourself a copy.

Now who’s got the hook up on some vintage Commander Cody bootlegs? And “muchas Garcias” once again to longtime Arthur compadre Michael Simmons for initiating my search for this music.

Also: BONUS HEADNECK JAM after the jump …

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