Lightning Bolt "Earthly Delights"

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Band sez:

October 13th 2009 sees the release of the new album “Earthly Delights”. gatefold packed 3 sided LP, CD(still around!) and whatever download where-ever.

destined to be leaked onto the internet by……hmmm. take a guess, maybe august 31? early september? you tell me. but i think the art of this one is good. get the LP!

songs.
1. Sound Guardians
2. Nation of Boar
3. Colossus
4. The Sublime Freak
5. Flooded Chamber
6. Funny Farm
7. Rain on Lake i’m Swimming in
8. S.O.S
9. Transmissionary

Older stuffs:

AN END TO MOVEMENTS by Douglas Rushkoff

An End to Movements
by Douglas Rushkoff

The national healthcare movement was doomed from the start. TV clips of shouting matches at town halls and fear-mongering by cynical politicians may be lamentable, but we are witnessing something more profound than the collapse of civic discourse. The failure of a movement that could rightly claim over 70 percent public acceptance just a month ago, exposes the inherent failure of movements of any kind to effectively address our society’s ills.

That’s right. Mass organization may just have been a twentieth century thing: collective actions of all sorts—good and bad—were responses to the corporatization of government and industy. As such, they took the form of the entities with whom they sought to do battle. But—like the top-heavy, highly abstracted creatures they were created to counter —they are proving utterly incapable of providing an alternative to what they would replace.

They did work for a time. When a corporation had the power to hire a police force to crush labor unrest, labor created its own collective, virtual structure to fight back: the union. When disenfranchised blacks faced Jim Crow laws, the Civil Rights movement gave them a tent under which to organize, a charismatic leadership to follow, and a clearly articulated cause to promote. It was branded. Marches could be scheduled, buttons could be worn. And it worked.

Between the 1960s and today, however, the mediaspace through which these causes disseminated ideas and gained momentum has changed. The best techniques for galvanizing a movement have long been co-opted and surpassed by public relations and advertising firms. Whether a movement is real or Astroturf has become almost impossible for even discerning viewers to figure out. The question often becomes the new content of the Sunday morning news panel, taking the place of whatever real issue might have been addressed.

But the problem is not simply that we’ve lost the ability to distinguish between real movements and cynically concocted fake ones. It’s that they are functionally indistinguishable. They may as well be the same thing.

In our current position, when disconnection from the real world is itself a cause for concern, movements only serve to disconnect us further from the actionable. They give us content for websites, language for our bumper stickers, and faces to put on our ideals. But they distract us from the matter at hand, and worse, turn our attention upward toward brand mythologies instead of immediately before us to the people and problems that need our time and energy. In the place of real connections to other people, we get the highly charged but ultimately fake connection to an image.

This is why progressives are so disillusioned by President Obama. He was never anything other than a centrist Democrat. But “brand Obama” gave his supporters—a movement in the fullest sense of the word—an abstracted ideal on which to focus. At least until his election. Meanwhile, the real requirements of progressive activists to contribute to their neighborhoods, promote local business and agriculture, invigorate failing public schools, were again left to someone else. This is not the failure of a president, but the flawed functionality of movements themselves.

For while civil rights, suffrage, and many other causes were largely won through traditionally organized, long-fought, top-down movements, the scale on which these great battles were waged is one no longer appropriate to the tasks at hand. In fact, it is the scale itself on which we have been attempting to orchestrate human affairs that is suspect.

Activists would do more to fight Big Agra simply by subscribing to their local Community Supported Agriculture groups. We’d more effectively pull the rug out from under a corrupt financial sector by simply investing in one another’s businesses—our own town restaurants and drug stores—instead of outsourcing our retirement savings to Wall Street. We could more easily re-invent public schools by volunteering our time to them directly, instead of sending our kids to private schools while we sign petitions for government to re-prioritize. And even in health care, we’d end up cutting everyone’s costs by commuting less, smoking less, landscaping less, and, yes, hating less. For each of these actions triggers different responses, undermines industries, requires new legal structures, and so on. It’s tiny, but it’s almost fractal in its impact.

For as the alternative is now teaching us, one size does not fit all. Americans, in particular, have been living under the premise that there’s something to buy, vote for, or believe in that will simply change everything. And it’s certainly still possible that government could develop the single payer system that pretty much everybody knows deep down would bring the best of industrial health care to the most people.

But just as we are learning that industrially produced food is not ultimately nutritious, a top-down, passionately executed, and highly branded movement is not ultimately effective.

In fact, by creating and branding a movement, even the most well-meaning activitsts are disconnecting from terra firma, and instead entering the world of marketing, public opinion, and language selection. Potential participants, meanwhile, are distracted from whatever on-the-ground, constructive and purposeful activity they might do. They get to join an abstracted movement, and participate by belonging instead of doing, or blogging instead of acting.

Douglas Rushkoff is the author, most recently, of Life Inc.: How the World Became a Corporation and How to Take It Back.

Today's Autonomedia Jubilee Saint – KARL KORSCH


AUGUST 15 — KARL KORSCH
Brilliant Marxist-anarchist philosopher, communist.

August 15, 2009 HOLIDAYS AND FESTIVALS
Loule, Portugal: ASSUMPTION DAY. The ascension of Virgin Mary bodily into Heaven. Votive lights, skyrockets, brass band plays while running uphill to the shrine. Hundreds of guitars, bagpipes, drums, and a definite “pagan” flavor.
Florida, New York: OUR LADY OF FLOWERS Festival, with Polish celebrants parading in floats, and picking of an Onion Queen. A blessing of herbs and spices.
CHAUVIN DAY, the patron saint of all Chauvinists.  
DORMITION OF THE OTOKOS.

ALSO ON AUGUST 15 IN HISTORY…
1785 — Opium-eater, writer Thomas DeQuincey born.
1886 — Marxist-anarchist philosopher Karl Korsch born, Tostedt, Germany.
1888 — T. E. Lawrence “of Arabia” born, Tremadog, Caernarfonshire, Wales.
1917 — Salvadorean religious leader Oscar Romero born, Ciudad Barrios.
1918 — “The Sinking of the Lusitania,” first feature-length cartoon, released.
1935 — American humorist Will Rogers killed in plane crash, Alaska.
1967 — Surrealist painter René Magritte dies, Brussels, Belgium.
1969 — Temporary Autonomous Zone “Woodstock” Festival opens, upstate New York

Today's Autonomedia Jubilee Saint – RIRETTE MAITREJEAN


AUGUST 14 — RIRETTE MAITREJEAN
French individualist anarchist, Bonnot gang member.

August 14, 2009 HOLIDAYS AND FESTIVALS
Sardinia: FESTIVAL AT SASSARI, which originated following a 16th-century plague. A great procession of people carrying enormous lighted candles, each with many long ribbons attached and held by others, with ballet-like movements to flute and drums, and ending at the MADONNA OF THE MIDDLE OF AUGUST.
Chicago: BUD BILLIKEN DAY, a Black children’s holiday.
Massachusetts: LIBERTY TREE DAY.

ALSO ON AUGUST 14 IN HISTORY…
1765 — Stamp Act riots begin in Boston.
1842 — Seminoles forced on the Long March to Oklahoma.
1887 — French Direct Action anarchist Rirette Maitrejean (Anna Estorges) born.
1930 — Russian poet Vladimir Mayakovsky commits suicide.
1935 — U.S. Social Security Act signed.
1956 — German dramatist Bertolt Brecht dies, Berlin.
1963 — Broken by McCarthyism, lefty playwright Clifford Odets dies, Los Angeles.
2002 — Maverick painter Larry Rivers dies, Southhampton, Long Island, New York.
2003 — Largest power blackout in history hits huge swatch of U.S. Northeast.

What we've lost, concisely stated…

From “The spirit of Woodstock is dead” by Rebecca Armendariz in The Guardian:

Woodstock was all about the bands and the vibe. Today’s corporate festivals simply cannot foster the same camaraderie

….At festivals these days, everything’s about the lineup, the merchandise, the overpriced beer and complaining about having to suffer through many mediocre 40-minute sets to get to the good stuff. At Woodstock, it was all good stuff.

The wealth of music and its many specialised genres today make it harder to hold a festival everyone wants to check out. Then, who wasn’t going to want to see Jefferson Airplane as the sun rose? Nobody, man. Everyone could agree upon a shared love of Joan Baez and Crosby, Stills, Nash and Young.

Now, the internet has turned listening to music into a very solitary pastime. No one’s going to record stores anymore and getting face-time with other music fans. The thrill of the physical search for good music is gone, replaced by a glowing screen with a bed nearby. Kids scour blogs and music news sites to find hidden gems that will mould their personal taste into something worthy of bragging rights, creating something so individual and hand-picked it’s almost special (or, at least, people like to think so).

Americans today define themselves individually through their musical tastes instead of forming a collective identity with others. We’ve changed the way we consume music and have access to whatever we want immediately. Being first in line, knowing what’s cool before it’s cool, ups one’s status as a music-connoisseur.

But there was nothing singular about watching the Who play a 24-song set at 5am. Only solidarity.

The Diggers Papers No. 18: another BEDROCK ONE event flyer/poster

Arthur is proud to present scans of essential documents produced by and about the San Francisco Diggers, who were in many ways the epicentral actors in the Haight-Ashbury during the epic, wildly imaginative period from late ’66 through ’67. The Diggers’ ideas and activities are essential counter-cultural history, sure, but they are also especially relevant to the current era, for reasons that should be obvious to the gentle Arthur reader.

Most of the documents that we are presenting are broadsides originally published on a Gestetner machine owned and operated in the Haight by the novelist/poet Chester Anderson and his protege/sidekick Claude Hayward, who used the name “Communication Company,” or more commonly, “Com/Co.” According to Claude, these broadsides were then “handed out on the street, page by page, super hot media, because the reader trusted the source, which was another freaky looking hippie who had handed it to him/her.”

This particular Com/Co document is a flyer/poster/broadside by an unknown artist advertising BEDROCK ONE, a March 5, 1967 event organized by Anderson himself. (See Robert Crumb’s flyer for the same event here.)

Check out that lineup, a real who’s who of the contemporary Haight-Ashbury arts/life scene: the Steve Miller Band, the Orkustra (the band led by guitarist Bobby Beausoleil, who would later be associated with both Kenneth Anger and Charles Manson), poet Richard Brautigan, the infamous street agitators San Francisco Mime Troupe, the San Francisco League for Sexual Freedom, the Lysergic Power & Light Company, and more.

More on Bedrock One in coming days…

Click on the image to see at a larger size…

Diggers19

'44 PRESIDENTS' by MZA & Maria Sputnik

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Forty Four Presidents by MZA & Maria Sputnik. Pre-order now from Garrett County Press.

A brief illustrated history of the U.S. presidency told by the presidents themselves in the style favored by modern social networking web sites, Forty Four Presidents imagines 220 years of presidential succession pancaked into a single moment — documented simultaneously by each commander-in-chief in status updates designed for easy consumption by their Facebook friends. Each status update is accompanied by a jaunty, high-contrast profile picture intended to reflect something of the essential personality (and hotness) of the president.