Milwaukee residents considering local currency

From the Dec 3, 2008 Milwaukee Journal Sentinel:

Neighborhood businesses might print their own money
By Sharif Durhams of the Journal Sentinel

Some residents of Milwaukee’s Riverwest and east side neighborhoods are considering giving up the greenback.

Participants would exchange U.S. dollars for a more local currency.

The move would encourage residents to support locally owned businesses, under the assumption national brands won’t take what to them would amount to Monopoly money.

“This promotes local economic strength and community self-reliance,” wrote one of the organizers, Sura Faraj, in a recent entry on her blog. “Other benefits include more community involvement and pride, patronage of local businesses (those that participate), and ultimately the reduction of traffic emissions.”

Organizers in the Milwaukee area met Wednesday at Martin Luther King Library, 310 W. Locust St., to discuss the currency.

Since they’re just taking first steps in trying to organize printing their own dollars, they didn’t want to talk about details to the news media. But if they pull it off, they would be following in the footsteps of other neighborhoods, including the Madison Hours Cooperative for neighborhoods in the state capital.


WHERE YOU CAN GET THE GOOD STUFF

the COMPOUND HOLIDAY BAZAAR
Sunday, December 14
11am till 7pm
112 Llewellyn St. (off Main St.)
LOS ANGELES CA 90012

*near CHINATOWN and close to the BREWERY with ample and easy street
parking and free admission for the public.

*presented by SIRENS & SAILORS, BALTAZAR and BANDIT BRAND

A holiday shopping event noted as a compound of independent and
local designers around the eastside of Los Angeles, all banded
together for a unique shopping experience.

The venue will take place in a 10,000 sq ft. warehouse with ample
parking and easy street parking. Designers and boutiques alongside
with artisans and vintage collectors will provide an individual &
unique holiday shopping environment filled with extraordinary
gifts, crafts, collections, forward lines and lovely things made by
Los Angeles craftspeople.

Vendors as of this date
JARED GOLD
GREY ANT
SHOW PONY & KIME BUZZELI
JENNIFER PHILLIPS of SIRENS & SAILORS
VICTOR WILDE of the BOHEMIAN SOCIETY
BALTAZAR
BANDIT BRAND
UNA MAE’s
MATRUSHKA CONSTRUCTION
MOHAWK GENERAL STORE
RIC RAC Clothing Co.
DUST
FAHMINA
INCOGNITO
KUCOON
LUCY FINCH
SMOKE and MIRRORS
THE CIRCLE
ANITA HOPKINS LA Millinery
JUNKYARD JEANS
ORIGINAL HIP HOP CHOCOLATES
COME TO MAMA/HUNG ON YOU
FLOCK SHOP
VALOU
HUTCH
VEGAN DIVAS catering
PORKCHOP LEATHER
XIMENA VALERO
KRANK PRESS
EVIL GENIUS
ZAHRA SAEED
REDEWIN
hummingbirdhummingbird.com
DARK YET SUNNY
ENID and EDGAR VINTAGE
LYM & D
FURLESQUE
ANGIE REX
LUCKY GIRL HANDBAGS
LINDA STEVENS
TARA SMITH
ELEVATE & COLLIDE
NANCY NEIL PHOTOBOOTH

deejays
dj1luv
djFAHq

artist
CARLOS VERA

performing bands
C-HORSE
MAHI GATO
MALIK(the FREQ)MOORE

sponsors
MONSTER ENERGY Drink
LULU MAE Ice Cream Truck
ARTHUR Magazine

trade inquiries
contact Paul at SIRENS & SAILORS
tel. 213.483.5423
or email-paul at sirensandsailors dot com


Richie Jackson, psychedelic skater from Australia…

From dosenation:

Some of you may be wondering what skating has to do with psychedelics, other than the fact that skaters are usually ADHD compulsive danger freaks who like drugs among their many other vices. However, there is one skater who has taken the psychedelic vibe to a whole new level, Richie Jackson from Australia. Here is a clip from a recent interview from Transworld Skateboarding:

“I believe in psychedelicism. Not just psychedelic music, but everything. A psychedelic experience is characterized as the unveiling of perceptions previously unknown — the brain unfettered from its usual constraints. To me, it’s all there is, and certainly all that’s worth doing. I find no worth in that which doesn’t surprise. Anomalies, irregularities, deviation from the common rule — that is all I will ever care for.”

How does this come through in his skating? In a world of young turks hurling kickflips and 360 flips down stairs like robots, Richie Jackson comes up with some new and unique tricks. Varial kickflip hippie jump? Double foot-plant down a stair well? Kickflip foot-plant to finger-flip? For those of you who don’t know, that’s just insane.

hipped via P. Relic!


Properties will be leveraged, great values to advertisers will be offered and blahblahblah

From time to time, we receive press releases at Arthur HQ that just plain gross us out. Like this one, from Cornerstone, the marketing/promotion company that owns The Fader:

From: Jeff Anderson
Date: Wed, 3 Dec 2008 10:24:51 -0500
Subject: Pitchfork and FADER Announce Strategic Partnership

PITCHFORK AND FADER MEDIA ANNOUNCE STRATEGIC PARTNERSHIP
Leading Voices In Emerging Music And Culture Join Forces To Offer Enhanced Opportunities For Advertisers and Readers

New York, NY: The FADER and Pitchfork, the two leading voices in emerging music and culture, have announced a partnership designed to extend the reach and enhance both brands.

The deal will include integrated advertising and sponsorship opportunities across all properties and platforms, including print, online, festivals, events, and unique content exchanges.

“We are extremely excited to be working with Pitchfork,” said Andy Cohn, Group Publisher and Vice President of FADER Media. “We know that the ability to leverage both properties will offer great value to our readers and advertisers alike.”

“We love the FADER and are continually impressed with their ability to navigate the ever-changing media landscape in a way that always stays true to their unique vision,” said Pitchfork’s Publisher/COO Chris Kaskie. “We believe this partnership will compliment both brands and enhance what we can offer our advertising partners, and most importantly, our readers.”

About Pitchfork
Created in 1996 by Ryan Schreiber and based in Chicago, Pitchfork Media has become the most-trusted independent resource for music journalism and is widely acknowledged as a leading cultural tastemaker. With a focus on new and emerging music through the publication of daily reviews, news, features, audio/visual programming, and interviews, Pitchfork has developed one of the music world’s most devoted and loyal followings.

About The FADER
Founded by Rob Stone and Jon Cohen, The FADER is the definitive voice of emerging music and the lifestyle that surrounds it. Through in-depth reporting and a distinct street sensibility, The FADER aggressively covers the most dynamic breadth of music and style emanating from the fringes of the mainstream to the heart of the underground. The FADER was the first publication in history to be released on iTunes, in 2008 received a Folio award for the best full issue of a consumer entertainment magazine and in 2007 was named one of iTunes’ best classic audio podcasts of the year. The FADER is the authority on what’s next.

And here’s what ADVERTISING AGE had to say:

Indies Pitchfork and Fader Form Partnership
Music Site and Culture Mag to Share Content, Ads

By Andrew Hampp

Published: December 02, 2008
NEW YORK (AdAge.com) — Pitchfork Media, the hipper-than-thou music site, may still consider itself too cool to bother reviewing the occasional over-hyped indie rock album. But the Chicago-based indie empire has opted to let the folks at Fader Media into its exclusive club, via a new strategic content and ad sales partnership.

The emerging music and culture brands are joining forces for an extensive advertising and sponsorship relationship across print, online, festivals, events and unique content exchanges. Each company will keep its ad sales and editorial teams intact, so Fader and Pitchfork will be friends, maybe friends with benefits, but definitely not together.

Fader Media is an independent music and culture company that includes Fader magazine, Thefader.com, music networking site The TripWire and music downloading site Rcrd Lbl.

Together, Fader Media’s print and online properties reach an audience of 1.3 million, so the opportunity to join forces with Pitchfork’s 1.6 million unique users and 16 million monthly page views (not to mention Pitchfork’s annual Lollapalooza-esque summer music festival in Chicago) makes perfect sense when it comes to selling advertisers a combined audience.

But there’s potential for an even broader cross-pollination, in which the two brands share content while maintaining their own editorial voice. “The lifespans of Pitchfork and Fader have run sort of parallel lines, one path online the other with a print base,” said Chris Kaskie, Pitchfork’s publisher-chief operating officer. “The goal for us is to figure out the crossover where it makes perfect sense from a partnership standpoint, to see where all our extremely loyal readers can be coupled with Fader’s and what we can offer them in return.”

Andy Cohn, group publisher-VP of Fader Media, said the combination of the two indie brands makes particular sense in a publishing market that can no longer support fragmentation. “It’s a way for us to overcome the niche kind of moniker, even though obviously we both have decent readerships and viewerships,” he said. “Where a big brand might say, ‘You guys are too niche,’ or ‘You’re just a print magazine,’ now we’re able to walk into a Levi’s or a Nike and say, ‘Look at all we have on the table.'”

Pitchfork and Fader already share some ad clients such as Southern Comfort, which sponsors a co-branded web feature, “The 7″ Series,” on Thefader.com as well as a short-form docu-series, “SoCo Music Experience,” on Pitchfork.tv. Mr. Kaskie said the companies’ respective sales forces will remain separate, but will communicate with each other on a regular basis to identify shared opportunities.

“We want to drive revenue without losing the traditional ad banners and traditional ad pages, and still be able to do that without selling out the brands,” Mr. Cohn added. “Partnering with brands like Southern Comfort helps keep that content minimally branded.”

But even though Fader is now a preferred partner, Pitchfork will still keep its acid tongue planted firmly in cheek when it comes to its new business brethren. “We’ll still make fun of a Fader story from time to time, and we expect they’ll do the same with us,” Mr. Kaskie said.


Where the wild things are + an "unhappy face" in the sky

electric truths

Nabob Shineywater of Brightblack offers the above picture “taken in the truth of night, in our universe” as proof of where the wild things are.

And if you happen to live near to one of those giant splotches of light pollution, tonight is a rare chance for you to take in some planetary activity as Venus and Jupiter will be teaming up with Sister Moon to create what the poets at National Geographic are referring to as … um … a “a brief ‘unhappy face’ in the sky.”

If you live in one of the dark spots you’re probably way ahead of all of us on this and have already gathered plenty of wood for a giant bonfire feast or something. Regardless of where you are in North America, the trio should be easy to find just after sunset in the southwestern sky.

ARTHUR record playing night in Greenpoint, tonight

The Diamond
43 Franklin Street
Brooklyn 11222
thediamondbrooklyn.com
9pm – XXX
(directions follow)

Tonight tonight tonight…. the debut of Arthur Magazine’s MONTHLY FIRST MONDAY at Diamond, featuring two all-star music enthusiasts spinning choice records for your enjoyment.

PIOTR ORLOV, deejaying as Raspberry Jones, promises “Issa Bagayogo, Theo Parrish’s, re-editing Etta James, Italoboyz vs. John Coltrane, etc.” He profiled M.I.A. on the cover of Arthur No. 16.

DAVE TOMPKINS interviewed Godzilla in Arthur No. 10. He has written for The Believer, Village Voice and The Wire. He is currently working on a book about the Vocoder and “Indestructible Speech,” and he enjoys stories about teeth, so tell him one. Sir Tompkins says to expect a set of “Soul 45s, Emmet Robotters Jug Band, etc.”

FREE

Pleasure without measure!

The Diamond
43 Franklin Street
Brooklyn 11222

Subway
The closest subway stop is the G train at Greenpoint Avenue. However, this train does not run very often at night. Sometimes, the L train may be easier if you are up for the walk. Walking directions from both are listed below.

G train to Greenpoint Ave. (6 min walk)
Use the Greenpoint Ave. exit and you will come out at G’point Ave. and Manhattan Ave.Walk toward the East River on G’point Ave. (Malone’s car service will be immediately on your right)Make your first left onto Franklin St.Walk 4 blocks and we are on the right just past Calyer, #43.

L train to Bedford Ave.
(12 min walk)
Use the Bedford exit and you will come out at Bedford and N. 7th St.Walk up Bedford to N. 12th St. and make a leftMake your first right on to BerryGo about 3 blocks and make a left on Banker St.Walk about 5 minutes through industrial area until Banker terminates at Franklin and Calyer StreetsWe are visible to the left about a half block down Franklin, #43.


OG Kush: No Kidding

Photomicrographs of ancient cannabis.

From The Globe and Mail, reporting on a story in the Journal of Experimental Botany.

Researchers find oldest-ever stash of marijuana
DEAN BEEBY
The Canadian Press
November 27, 2008 at 2:37 PM EST

Ottawa — Researchers say they have located the world’s oldest stash of marijuana, in a tomb in a remote part of China.

The cache of cannabis is about 2,700 years old and was clearly “cultivated for psychoactive purposes,” rather than as fibre for clothing or as food, says a research paper in the Journal of Experimental Botany.

The 789 grams of dried cannabis was buried alongside a light-haired, blue-eyed Caucasian man, likely a shaman of the Gushi culture, near Turpan in northwestern China.

The extremely dry conditions and alkaline soil acted as preservatives, allowing a team of scientists to carefully analyze the stash, which still looked green though it had lost its distinctive odour.

“To our knowledge, these investigations provide the oldest documentation of cannabis as a pharmacologically active agent,” says the newly published paper, whose lead author was American neurologist Dr. Ethan B. Russo.

Remnants of cannabis have been found in ancient Egypt and other sites, and the substance has been referred to by authors such as the Greek historian Herodotus. But the tomb stash is the oldest so far that could be thoroughly tested for its properties.

The 18 researchers, most of them based in China, subjected the cannabis to a battery of tests, including carbon dating and genetic analysis. Scientists also tried to germinate 100 of the seeds found in the cache, without success.

The marijuana was found to have a relatively high content of THC, the main active ingredient in cannabis, but the sample was too old to determine a precise percentage.

Researchers also could not determine whether the cannabis was smoked or ingested, as there were no pipes or other clues in the tomb of the shaman, who was about 45 years old.

The large cache was contained in a leather basket and in a wooden bowl, and was likely meant to be used by the shaman in the afterlife.

“This materially is unequivocally cannabis, and no material has previously had this degree of analysis possible,” Dr. Russo said in an interview from Missoula, Mont.

“It was common practice in burials to provide materials needed for the afterlife. No hemp or seeds were provided for fabric or food. Rather, cannabis as medicine or for visionary purposes was supplied.”

The tomb also contained bridles, archery equipment and a harp, confirming the man’s high social standing.

Russo is a full-time consultant with GW Pharmaceuticals, which makes Sativex, a cannabis-based medicine approved in Canada for pain linked to multiple sclerosis and cancer.

The company operates a cannabis-testing laboratory at a secret location in southern England to monitor crop quality for producing Sativex, and allowed Dr. Russo use of the facility for tests on 11 grams of the tomb cannabis.

Researchers needed about 10 months to cut red tape barring the transfer of the cannabis to England from China, Russo said.

The inter-disciplinary study was published this week by the British-based botany journal, which uses independent reviewers to ensure the accuracy and objectivity of all submitted papers.

The substance has been found in two of the 500 Gushi tombs excavated so far in northwestern China, indicating that cannabis was either restricted for use by a few individuals or was administered as a medicine to others through shamans, Russo said.

“It certainly does indicate that cannabis has been used by man for a variety of purposes for thousands of years.”

Dr. Russo, who had a neurology practice for 20 years, has previously published studies examining the history of cannabis.

“I hope we can avoid some of the political liabilities of the issue,” he said, referring to his latest paper.

The region of China where the tomb is located, Xinjiang, is considered an original source of many cannabis strains worldwide.

The Mellotron M400

“Internal parts manufactured by Streetly Electronics in 1972, the clear Perspex case was manufactured by Mellotronics in London that same year for the ’72 London Music Expo. When Mellotronics was sold to Dallas Music in ’78, this Mellotron and the Rosewood finished one went with the 1″ tape master to Mellotron U.S.A. This clear machine was stolen from Mellotron Digital in 1986 while on display in New York, it then surfaced in 1990 in Dallas Texas in a studio called ‘Dr. Funkensteins Music Lab.’ A Fort Worth radio D.J. named Brian Wilson (no, not that Brian Wilson) found it and called me in May, 1991 offering to sell it. It did not take much of a sales job.”