Americans just don't give a shit.

The ‘Good Germans’ Among Us

By FRANK RICH
Published: October 14, 2007 New York Times

“BUSH lies” doesn’t cut it anymore. It’s time to confront the darker reality that we are lying to ourselves.

Ten days ago The Times unearthed yet another round of secret Department of Justice memos countenancing torture. President Bush gave his standard response: “This government does not torture people.” Of course, it all depends on what the meaning of “torture” is. The whole point of these memos is to repeatedly recalibrate the definition so Mr. Bush can keep pleading innocent.

By any legal standards except those rubber-stamped by Alberto Gonzales, we are practicing torture, and we have known we are doing so ever since photographic proof emerged from Abu Ghraib more than three years ago. As Andrew Sullivan, once a Bush cheerleader, observed last weekend in The Sunday Times of London, America’s “enhanced interrogation” techniques have a grotesque provenance: “Verschärfte Vernehmung, enhanced or intensified interrogation, was the exact term innovated by the Gestapo to describe what became known as the ‘third degree.’ It left no marks. It included hypothermia, stress positions and long-time sleep deprivation.”

Still, the drill remains the same. The administration gives its alibi (Abu Ghraib was just a few bad apples). A few members of Congress squawk. The debate is labeled “politics.” We turn the page.

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Farewell Sri Chinmoy

Sri Chinmoy, Athletic Spiritual Leader, Dies at 76

By COREY KILGANNON
Published: October 13, 2007 New York Times

Sri Chinmoy, the genial Indian-born spiritual leader who used strenuous exercise and art to spread his message of world harmony and inner peace, died Thursday at his home in Jamaica, Queens, where he ran a meditation center. He was 76.

The cause was a heart attack, said representatives of his organization, the Sri Chinmoy Center.

Mr. Chinmoy spread his philosophy through his own way of life, exercising and creating art and music. He drew attention by power-lifting pickup trucks and public figures like Muhammad Ali and Sting. He said he had drawn 16 million “peace birds.”

He slept only 90 minutes a day, he said, and when he was not traveling to perform in concerts and spread his message, spent the rest of the time meditating, playing music, exercising and making art.

His followers said he had written 1,500 books, 115,000 poems and 20,000 songs, created 200,000 paintings and had given almost 800 peace concerts.

Drawing upon Hindu principles, Mr. Chinmoy advocated a spiritual path to God through prayer and meditation. He emphasized “love, devotion and surrender” and recommended that his disciples nurture their spirituality by taking on seemingly impossible physical challenges.

“His life was all about challenging yourself and being the best you can be,” said Carl Lewis, the Olympic sprinter, a friend of Mr. Chinmoy’s. “He told his disciples to go out and meet a challenge you don’t think you can do.”

“He’s the reason I plan on running the New York marathon when I’m 50,” Mr. Lewis said in a telephone interview yesterday.

In the 1970’s, Mr. Chinmoy was a guru to several prominent musicians, including the guitarist John McLaughlin, who for a time ran the Mahavishnu Orchestra, a name given it by Mr. Chinmoy, as well as the bandleader Carlos Santana, the singer Roberta Flack and the saxophonist Clarence Clemons.

Mr. Chinmoy gathered with his disciples at a private clay tennis court off 164th Street that doubled as a verdant meditation site known as Aspiration Ground. He built a worldwide network of meditation centers and had more than 7,000 disciples.

Yesterday at the compound, Mr. Chinmoy’s followers — dressed in their traditional white attire — lined up at an altar where he lay in an open coffin. Memorial services are planned throughout the weekend.

Sri Chinmoy Kumar Ghose was born a Hindu in 1931 in what is now Bangladesh. From the age of 12, he lived in an ashram. He said he idolized the track star Jesse Owens.

Mr. Chinmoy immigrated to New York in 1964 to work as a clerk at the Indian Consulate. He opened a meditation center in Queens with a philosophy of celibacy, vegetarianism and meditation and attracted hundreds of followers, many settling near his two-story home on 149th Street.

To achieve spiritual enlightenment, he advocated extreme physical activity, including weight lifting, distance running and swimming.

Disciples put his philosophy of self-transcendence into practice by undertaking challenges like swimming the English Channel or running ultra-marathons, including an annual 3,100-mile race run every year over a two-month period in Queens.

After a knee injury ended his own running, in his 60s, Mr. Chinmoy began lifting weights and within several years could shoulder-press more than 7,000 pounds on a special lifting apparatus. He publicly lifted heavy objects including airplanes, schoolhouses and pickup trucks, to help increase awareness of the need for humanitarian aid.

He also lifted more than 8,000 people since 1988, including world peace figures like Nelson Mandela and Desmond Tutu. He hoisted the Rev. Jesse Jackson, Eddie Murphy, Susan Sarandon, Yoko Ono and Richard Gere. Mr. Chinmoy lifted 20 Nobel laureates and a team of sumo wrestlers. He lifted Sid Caesar and a (reformed) headhunter from Borneo, and picked up Representative Gary L. Ackerman, a Democrat, and Representative Benjamin Gilman, a Republican at the same time.

“I thought it was some magician’s trick, but it wasn’t,” Mr. Ackerman said yesterday. “He was running extreme marathons before people even knew what extreme sports were. When you were around him, you had the sudden realization you were in the presence of somebody very, very holy and very devout.”

Yesterday, hundreds of his disciples gathered at the tennis court. Many, like Mr. Lewis, had flown in from places around the world. There were condolence letters faxed from world figures, including former Vice President Al Gore and Mikhail Gorbachev, the last Soviet leader, who met and corresponded with Mr. Chinmoy frequently.

Mr. Gorbachev wrote that Mr. Chinmoy’s passing was “a loss for the whole world” and that “in our hearts, he will forever remain a man who dedicated his whole life to peace.”

Making a Home: Japanese Contemporary Artists in New York


ON megumi Akiyoshi’s FLOWER gallery (2007).
Photo: Richard P. Goodbody. Image courtesy of Japan Society.

Making a Home: Japanese Contemporary Artists in New York

To celebrate the strong and historic cultural links between Japan and New York, Japan Society presents this large-scale group exhibition featuring the work of 33 contemporary Japanese artists who call New York City home, including Yoko Ono, Ushio Shinohara, Kunie Sugiura, Yuken Teruya, and Aya Uekawa.

The show comprises a broad range of media—from painting and sculpture to video and photography—and covers diverse age groups, identities, experiences, and styles that will show the breadth and depth of contemporary Japanese art as developed, practiced, and presented in New York. Visitors will go on a conceptual journey through multifaceted “homes” installed throughout the Society, illuminating the ways in which Japanese artists have made their homes and careers here since the 1950s, often bringing with them and maintaining aesthetic vocabularies that reveal their Japanese roots. Making a Home is curated by Eric C. Shiner, an independent curator specializing in contemporary Japanese art.

Artists featured in Making a Home are: ON megumi Akiyoshi, Noriko Ambe, Ei Arakawa, Satoru Eguchi, Ayakoh Furukawa, Toru Hayashi, Noritoshi Hirakawa, Yoshiaki Kaihatsu, Takahiro Kaneyama, Emiko Kasahara, Misaki Kawai, Miwa Koizumi, Yumi Kori, Nobuho Nagasawa, Hiroyuki Nakamura, Yoko Ono, Hiroki Otsuka, Katsuhiro Saiki, Kyoko Sera, Noriko Shinohara, Ushio Shinohara, Go Sugimoto, Kunie Sugiura, Hiroshi Sunairi, Mayumi Terada, Yuken Teruya, Yasunao Tone, Momoyo Torimitsu, United Bamboo, Aya Uekawa, Junko Yoda, Toshihisa Yoda and Yoichiro Yoda.


On megumi Akiyoshi, On gallery-at the Statue of Liberty, 2002. Photo © Oliver Irwin. Courtesy of the artist.


Momoyo Torimitsu, Miyata Jiro Performance in NY, 1996. Polyester resin, motor, business suits, nurse costume; 2 x 5.6 x 2.3′ (60 x 170 x 70 cm). Dikeou Collection, Peter Norton Family Foundation. Photo © Michael Dames.

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"Greensulate"

Mushrooms Become Source for Eco-Building

By JESSICA M. PASKO Associated Press Writer

June 25,2007 | TROY, N.Y. — Eben Bayer grew up on a farm in Vermont learning the intricacies of mushroom harvesting with his father. Now the Rensselaer Polytechnic Institute graduate is using that experience to create an organic insulation made from mushrooms.

More at home on a pizza, mushrooms certainly aren’t a typical building material, but Bayer thought they just might work when given the assignment two years to create a sustainable insulation.

Combining his agricultural knowledge with colleague Gavin McIntyre’s interest in sustainable technology, the two created their patented “Greensulate” formula, an organic, fire-retardant board made of water, flour, oyster mushroom spores and perlite, a mineral blend found in potting soil. They’re hoping the invention will soon be part of the growing market for eco-friendly products.

Bringing the insulation to market is still at least a year away though, said McIntyre, and will require much more research and work, not to mention more sophisticated equipment and a better work space.

“We’ve been growing the material under our beds,” said McIntyre, adding that they’ve applied for a grant from the National Collegiate Inventors and Innovators Alliance.

The two young developers — Bayer is 21, McIntyre 22 — graduated in May from RPI with dual majors in mechanical engineering and product design and innovation.

“I think it has a lot of potential, and it could make a big difference in people’s lives,” said RPI Professor Burt Swersy, whose Inventor’s Studio course inspired the product’s creation. “It’s sustainable, and enviro-friendly, it’s not based on petrochemicals and doesn’t require much energy or cost to make it.”
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Love Workshop: Put On a Happy Face (courtesy WFMU)

WFMU’s Beware of the Blog: Love Workshop: Put On a Happy Face

Shooting out of Phoenix in 1976, The Love Workshop was a 15 minute radio comedy show on rock station KDKB. In it’s heyday, the station was a daring album-rock station that acquired a rabid fan base. Two station employees, Russ Shaw and Tod Carroll, created alter egos Vern and Craig, and then happily pushed the boundaries of good taste in the name of fun.

Derrick Bostrom’s Bostworld blog recently uncovered this lost radio gem, and he describes it thusly:

n one segment, they microwave then eat a small boy surrounded by an accompaniment of jawbreakers and new potatoes. In another, they seduce the recently widowed wife of a Vietnam vet with bourbon and Quaalude. In another, they punch out the subject of a public television “empowerment” program after calling her a stupid lesbian. In still another, they force a guest to try out an I.U.D made of pop tops and bottle caps attached to a dead scorpion.

The writing on the show was brilliant. Their sense of comic timing and attention to detail was impeccable. And in the climate of the mid-seventies, the scorched-earth nature of material didn’t raise as many eyebrows as it would now. But not everyone admired it, apparently. Just as the show was poised to expand into other markets, it was suddenly cancelled as part of a controversial housecleaning of KDKB management.

Russ, the voice talent, went on to real estate (and occasional voice over work, like the classic Discount Tire Company ad), while Vern, who produced and wrote the show, went on to National Lampoon and later wrote screenplays. Check out all the details at Bostworld’s intense Love Workshop page, including this interview with 1/2 of the Love Workship, Russ Shaw.

And thanks to Derrick also for allowing us to repost many of the Love Workshop shows. Unfortunately, there are no airdates available, so these aren’t in any real order. But still, here is a chance for you to check out their show for yourself:

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14% of American adults are now on antidepressants

From the Oct 8, 02007 L.A. Times:

At therapy’s end
As depression eases, patients often want to stop treatment. But are they better? Will they relapse?

By Josh Fischman, Special to The Times

PEOPLE come into Andrew Leuchter’s office, saying they’re better, saying they want to stop. “Oh, gosh, it happens all the time,” says Leuchter, a psychiatrist at UCLA’s Semel Institute for Neuroscience and Human Behavior. “They say they feel OK, that they don’t need drugs or any other help, and that they’ve recovered. On one hand that’s very encouraging, but on the other hand we have to be very careful, because the cost of being wrong — if they are not ready — can be very high.”

These are not drug addicts saying they want to go cold turkey. They are not alcoholics. These are people with depression who want to stop treatment.

Nearly 20 million Americans suffer from some form of depression, according to the National Institute of Mental Health. About 14% of adults now take antidepressants — triple the percentage during the late 1980s — and most stay on them for at least six months.

A study published in this month’s issue of the Archives of General Psychiatry estimated that mental disorders, largely depression, cost Americans 1.3 billion days of normal activity each year. Many people with such illnesses say they feel hopeless, helpless, unable to face life, unable to find solutions to their problems, and at times think of killing themselves. Some of them do.

Depression treatment, such as antidepressant drugs Prozac or some version of talk therapy, can help about two-thirds of sufferers. But as it does, patients start to ask: Am I better? Am I cured? Can I stop my therapy?

The answers are not simple. Measuring depression is hampered because there’s no physical marker that indicates whether a patient has it or does not. Information about that comes from behavior, thoughts and feelings, which can’t be assessed as easily as, say, blood pressure.

Rating scales can show how far symptoms, such as trouble sleeping, have receded, but psychiatrists say they put even more stock in a patient’s overall mood: whether he or she takes joy from life again and whether the person thinks he or she is back to a pre-depression emotional state. That too can be difficult to determine.

Now results from large, long-term studies are beginning to paint a clearer picture of the course of depression and are sharpening decisions about stopping treatment. If a person has had just one episode of depression, the chances of a long-lasting recovery are fairly good. But those chances go down with every subsequent episode.

Once people reach their third episode, Leuchter says, “then we need to discuss ongoing maintenance therapy, even if they are feeling better. I don’t like to use the phrase ‘lifetime treatment’ with patients. But, essentially, that’s what we’re talking about.”

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