Alan Moore discusses breakthroughs

Personal apocalypse; acid, Canned Heat and Hyde Park, 1970; magic, transrationalism… and in the following parts, a bit about why the announced collaboration with Damon Albarn/Gorillaz for an opera about John Dee isn’t happening, after all… “It didn’t work out, shall we say.” But Moore’s libretto will be appearing in upcoming ish of the ever-intriguing Strange Attractor Journal

March 13: "Simultaneous Conjugation of Four Spirits in a Room"—Alan Moore & Stephen O'Malley at Laing Gallery in Newcastle upon Tyne

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Above: The Destruction of Sodom and Gomorrah, John Martin

From the Laing Gallery:

Alan Moore & Stephen O’Malley

Simultaneous Conjugation of Four Spirits in a Room: 2010

13 Mar 4 – 4.30pm

For the opening of ‘The Great British Art Debate: Turner Versus Martin,’ AV Festival 10 brings together two great forces in contemporary culture, the graphic novelist Alan Moore (V for Vendetta, Watchmen), and musician Stephen O’Malley (Sunn O))), KTL, Gravetemple). Alan Moore will write and perform a new text responding to the energy of the two paintings on show: John Martin’s The Destruction of Sodom and Gomorrah and Hannibal Crossing the Alps by JMW Turner. Stephen O’Malley will create a new ambient soundscape, sonically melting in the radiance of the paintings.

The soul of Rick Veitch

From the blog of genius Vermont cartoonist/dreamworker Rick Veitch

“Over the last couple weeks I’ve found myself in a number on conversations with different people about the nature of the soul. The soul is one of those subjects that everyone has an opinion of but nobody really knows what the darn thing is or even if it really exists. Interestingly, I had a dream the other night in which I saw my soul! It was basically a globe with lots of geometric shapes attached that was constantly changing at a rapid rate. I’ve made a quick little black and white animation that kind of gets it across. In the dream there was an ever-changing riot of pattern and color on each of the geometric shapes. Maybe at some point I’ll do a color version of this to make it complete….”

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More Veitch on Arthur:

A conversation with dreamworker/cartoonist RICK VEITCH, with an introduction by Alan Moore

Forthcoming from Starfire: two previously unpublished grimoires by Austin Osman Spare

Wikipedia: Austin Osman Spare

Just spotted this announcement in the “Forthcoming” section in the Autumn/Winter 2009 catalog from Starfire Publishing (available as a PDF from here):

Two Grimoires by Austin Osman Spare — set for publication in Spring/Summer 2010

The early years of the 20th Century were a time of great creative ferment for Spare, and amongst the items which survive from these early years are two intriguing and sumptuous grimoires, each of which is a notebook consisting of fine pen and ink and watercolour drawings. These notebooks were unfortunately not completed by
Spare. There are a number of full-page and half-page paintings and drawings; other pages have embellishments, with spaces for text which clearly was to have been inserted later. From the addition of his bookplate, it is clear that both notebooks were at one time the property of Spare’s patron Pickford Waller.

AmenAOS

The first of these grimoires, entitled The Focus of Life & The Papyrus of Amen-AOS, is dated 1905-6. Much of the lettering remains in pencil, some of it giving clues to the underlying meaning of the imagery. An important element of this grimoire is that it features an early form of the ‘exteriorisation of sensation’ which Spare subsequently developed into the Sacred Alphabet which is a feature of The Book of Pleasure.

AOSRampant

The second, slightly later notebook is The Arcana of AOS & the Consciousness of Kia-Ra, dated 1906. This is in some ways the more finished of the two notebooks, and picks up some of the imagery from the earlier notebook as well as integrating some new elements.

These two grimoires by Spare are at once enigmatic and full of haunting beauty. The paintings and drawings from each notebook are here reproduced in full colour. With analytical essays by Michael Staley, Stephen Pochin and William Wallace, and an introduction by Robert Ansell, this publication adds to our understanding of Spare’s early years as an artist, mystic and philosopher, and sheds light on the early development of his sigilisation techniques.

Dodgem Logic: a new underground magazine edited by Alan Moore

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Er…gawsh…

Forty years after the uproarious heyday of the alternative press, writer Alan Moore is launching the 21st century’s first underground magazine from his hometown of Northampton, a community that is right at the geographical, political and economic heart of the country; one which has half its high street boarded up and is at present dying on its arse, just like everywhere else.

Drawing upon an overlooked and energetic pool of local talent as well as numerous friends and co-conspirators from comic books, the arts or entertainment, Dodgem Logic sets out to provide a splash of subterranean exotica in a bleached-out cultural and social landscape. Published every other month by counter-culture veterans KNOCKABOUT, Dodgem Logic is a forty page full-colour spectacle that, in addition, has an eight-page local section in each issue, thus inviting other areas to publish regional editions by providing their own inserts.

As cheap and beautiful as a heartbreaking teenage prostitute, Dodgem Logic has a cover price of £2.50, with its content similarly tailored to the fiscal toilet-bowl that we are currently engaged in sliding down. Regular columnists provide delicious, inexpensive recipes, wide-ranging medical advice, simple instructions for creating stylish clothing and accessories from next to nothing, guides to growing your own dinner by becoming a guerrilla gardener, and, in the first of Dave (The Self-Sufficient-ish Bible) Hamilton’s environmental columns, a bold experiment in living with no money. The same approach to helping readers deal with socio-economic meltdown and a blitz of repossessions is there in upcoming features on the present-day resurgence of the squatters’ movement, or in our communiqués from the Steampunk/ Post-Civilisation gang on how to start rebuilding culture and society before those things have broken down completely and our children are reduced to battering each other to a bloody pulp with their now-useless X-Boxes in a dispute over the last tub of pot noodles.

Not only seeking to give practical advice on getting through a rough stretch, Dodgem Logic is also committed to alleviating the attendant sense of anguish and despair by brightening the world with the astonishing cartoon-work of League of Extraordinary Gentlemen’s sublime Kevin O’Neill or that of underground legend Savage Pencil; the musings of Father Ted, The IT Crowd and Black Book’s own Graham Linehan or of the nation’s sweetheart, the implacably positive Josie Long; even a delirious commemoration of the lunar landing’s anniversary by the masterful Steve Aylett. In addition to a variously-hosted women’s column launched by Lost Girls co-creator and erstwhile underground cartoon artist Melinda Gebbie, Mr. Moore will himself be contributing a lead feature on the history of underground subversive publishing from its origins in the thirteenth century, along with various illustrations and words of advice. All these and many other sterling features, including a free CD of magnificent home-grown Northampton music over fifty years, will be contained in the historic premiere issue, sporting an hallucinatory  front cover by digital artist Tamara Rogers and debuting this November. Wake up and smell the fairground ozone! No ramming!

Via Moore & Reppion.

PDF: Arthur No. 5 (June 2003)

ARTHUR NO. 5 (with David Cross on the cover as crazed jingoist god-blessed S.U.V.-driving soccer mom) IS SOLD OUT.

This was the issue we published back in June 2003 when 90% of the USA was in favor of invading Iraq.

Well Arthur No. 5 is now gone forever, peacenik fanboy.

BUT! you can download the entire issue in PDF (11mb) here:

FILE GONE MISSING

Contents:

Photographer Lauren Klain captures DAVID CROSS on his way to a Clear Channel war rally…

KRISTINE MCKENNA on the Tower of Protest, a Vietnam-era action on Sunset Blvd by celebrated artists. With photos by CHARLES BRITTIN…

Jonathan Shainin speaks with CHRIS HEDGES about the truths not being told about war…

ALAN MOORE comments on what the US and UK governments have been up to lately….

DAVID BYRNE writes about his life during wartime.

Righteous poetry by MICHAEL BROWNSTEIN, CHARLES POTTS and AMY TRUSSELL…

Art and comics by Steve Andersen, Tauno Blisted & Mac McGill, Robbie Conal, John Coulthart, Godspeed You! Black Emperor, Bill Griffith, Megan Kelso with Ron Rege, Peter Kuper, David Lasky, Sharon Rudahl, Patti Smith & Jem Cohen, art spiegelman and Carol Swain.

MICHAEL MOORCOCK on the fate of empires

DANIEL PINCHBECK on why he’s glad George Bush is president

Arthur film columnist PAUL CULLUM asks “Is George Bush addicted to cocaine?” as he examines “Horns and Halos,” “Journeys with George,” “Uncle Saddam,” “What I’ve Learned About U.S. Foreign Policy: The War Against the Third World” and “Unprecedented: The 2000 Presidential Election.”

And — the fabulous GLAMericans are spotlit by Steffie Nelson…

ARTHUR BEST OF 2007 LISTS No. 5: John Coulthart

JOHN COULTHART’S BEST OF 2007

1) 2007 was The Year of Cormac McCarthy. The Road won a Pulitzer, the Coens made a film of No Country for Old Men and the man himself talked to Oprah in his first, and possibly last, TV appearance.

2) Gigs: Machinefabriek in Manchester and Boredoms in Manchester. Two events that were polar opposites but equally electrifying.

3) Book of the year: The Black Dossier by Alan Moore & Kevin O’Neill. A wonderful smorgasbord of pastiche combining comics, prose, a Shakespearean play, a free pair of 3D glasses and more obscure British cultural reference than you can shake a loaded blunderbuss at.

Honourable mention to The BUTT Book, the first 16 issues of BUTT magazine in one fat volume.

4) Album of the year: Ekvílibríum by Valgeir Sigurðsson. A tremendous debut by the Icelandic producer with guest appearances by Bonnie ‘Prince’ Billy, Dawn McCarthy and others.

Honourable mention to Raising Sand by Robert Plant & Alison Krauss.

5) CD reissues: An Electric Storm by White Noise and The Complete On The Corner Sessions by Miles Davis.

6) DVD releases: A great year for cinematic work which had been difficult or impossible to see suddenly becoming available for all. Among the highlights: Jordan Belson, Jodorowsky’s major works, Kenneth Anger’s Magick Lantern Cycle, Tim Buckley’s TV appearances, Jan Svankmajer shorts, Lindsay Anderson’s If…, Cammell & Roeg’s Performance and three films by Derek Jarman.

7) Work: The Mindscape of Alan Moore. DeZ Vylenz’s documentary finally made it onto DVD, packaged and designed by yours truly.

8. Films: Hollywood’s products continued to be barely worth following but I did enjoy Perfume (a successful adaptation of Patrick Süskind’s novel), Zodiac (David Fincher getting serious at last) and it was good to see new work from David Lynch. Film of the year for me (although it’s actually from late-2006) was John Cameron Mitchell’s Shortbus, a funny and joyful drama which managed to show real people–gay, straight or otherwise–having real sex and enjoying it for once. Mitchell said he wanted his film to serve as “a small act of resistance against Bush and the America we live in”; it’s that and a whole lot more.

9) In 2007 I finally managed to see some cinematic obscurities I’d waited decades to watch again. The peerless Ubuweb turned up a copy of Impressions de la Haute Mongolie, a bizarre quasi-documentary collaboration between José Montes-Baquer and Salvador Dalí from 1975 concerning a quest for giant hallucinogenic mushrooms in Upper Mongolia. Then there was Images, Robert Altman’s 1972 psychodrama (made between McCabe and Mrs Miller and The Long Goodbye) which had been out of circulation for years, and David Rudkin’s TV adaptation of The Ash Tree by MR James, also from 1975, and still as creepy as I remembered it.

10) The Arthur resurrection. Because you can’t keep a good magazine down.

John Coulthart is a Manchester-based artist, designer, archivist, historian, writer and blogger. His work has appeared in Arthur countless times.