Chambo’s Internet Activity Pages for August 28, 2009

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• ACCIDENTAL GUNFIRE AND UNEXPECTED NUDITY: Doug Fine is a journalist who lives on a remote solar-powered ranch somewhere outside of Silver City, New Mexico. The founding of said ranch is chronicled in his sometimes corny but ultimately pretty fascinating book, Farewell, My Subaru. In the years since, Fine has remained almost entirely off-the-grid, save for the digital connectivity by which he maintains his career as a writer, as well as his blog: Dispatches from The Funky Butte Ranch. This has led him to consider how well he would do in a real grid-crash and the ensuing collapse of mainstream civilization that might soon follow in an essay called “In The Year 2049: Would I Survive A Worst-Case Scenario?” How would he mine the perimeter of his compound? Who would make his shoes? It’s especially entertaining to compare the responses of his city-dwelling pals who are all like “you’re nuts everything’s gonna be fine” and his fellow ranchers who are like “that’s a good idea about the mines.” [Dispatches from the Funky Butte Ranch]

• DO YOU EVER PLAN ON EATING OUT IN LOS ANGELES? Pulitzer-Prize winning food critic Jonathan Gold’s “99 Essential LA Restaurants” is a delightful read even if you don’t plan on dining out in Southern California anytime soon: It’s a journey from the obscure meats of Vietnamese strip mall joints to the finest haute cuisine, and as such it’s one of the best impressionistic portraits of what makes Los Angeles such a strange, delicious town. He’s known to compare tacos and noodles to different varieties of cocaine, he follows Spanish-language media in order to keep up with Mexican-American chefs and says things like this about a Korean spot out in Torrance:

We are as jingoistic about fried chicken as the next guy, and we’ve been to dives in Louisiana where the chicken was so good it made a roomful of testosterone-crazed roustabouts weep like your mother’s bridge club that time Steel Magnolias came on TV. But Korean fried chicken really is an evolutionary leap forward — steeped in a cabinet full of spices, saturated with garlic, double-fried to a shattering, thin-skinned snap dramatic enough to wake a sleeping baby in an adjoining room.

The new edition is available this week — this is gonna be the first time we pick up a hard copy of the LA Weekly since, well, Gold’s list from last year — and you can also read it online. [LA Weekly]

• ON BECOMING ONE MORE HORSE’S ASS: After 12 weird years of living in Los Angeles, California, I’m moving to Marfa, Texas early next week. Fitting that the sky above my house in Atwater Village is dominated by a massive plume of smoke rising from a forest fire in the San Gabriel Mountains; it always feels good to commence an exodus under a rain of ash. Chambo’s Internet Activity Pages shall resume upon activation of Arthur’s Marfa Station. [Bobby Bare – “One More Horse’s Ass”]

• SPEAKING OF MARFA: Yacht recorded their most recent album, See Mystery Lights, down there in West Texas. They’re giving away copies of the instrumental version over at the Free Music Archive and I am going to be playing it all weekend — along with lots and lots of Doug Sahm — while I load the moving truck. [Free Music Archive]

CHRIS GOSS in the kitchen (Arthur No. 17/July 2005)

From the “Come On In My Kitchen” column originally published in Arthur No. 17 (July 02005):

First, singer-guitarist-songwriter-producer-artist-pottery collector-Southern California desert denizen Chris Goss a true three-stripes vet of rock and part-time Master of Reality and Queen of the Stone Age, takes a weirder than usual deep-career turn with his involvement in the pan-prog Soft Machine-Hawkwind-and-Yes-burn-one trio with Hella drummer Zach Hill and ex-M. Manson bassist Twiggy Ramirez called Goon Moon, whose inexplicably wonderful debut EP release, “I Got a Brand New Egg Layin’ Machine,” has recently been released through the Suicide Squeeze label. Now, for this month’s “Come On in My Kitchen” column, Goss gives us a recipe for an Italian-American pasta sauce that has no garlic. It figures. Watch out for this guy on the freeway, he’ll signal a change to a lane you didn’t know existed…

IMMIGRANT’S SAUCE
by Chris Goss

1988: Newly arrived in Los Angeles, it becomes obvious within a few months: I am not going to find the style of Italian-American cooking that is so easy to find in my former stomping grounds of Upstate New York, or for that matter, all of the Italian American communities that stretch from the Jersey Shore to Chicago. With further investigation, I find this had been a favorite L.A.-gripe topic among displanted New Yorkers since the Rat Pack days. Every so often, a new tip: “There’s a place in Brentwood.” “There’s a place in Silver Lake.” Mythical stories of truckloads of New Jersey water brought in for bread and pizza dough. Lots of added-up little reasons and harebrained schemes…this is our world. But today, it’s the pork sauce. And the theory: It’s the economy, ‘Stupidon’! And the weather. And the soil.

1920: Shiploads of poor Southern Italian immigrants like Mr. and Mrs. Anthony and Rose Modafferi hit Ellis Island and spin off to any Northeastern industrial city that may have a brother, a cousin, or best yet, a cherished factory job waiting for them. In most cases, the poorer they are, the less West, or South they travel. To this day I wonder, “Jesus, Tony! Why did you stop at Syracuse?” It turns out, food aesthetic-wise, I’m really glad he did.

1950: Plain and simple. The men’s asses having been worked off holding down two shifts at the iron foundry or whatever factory, for the first time in their lives they can afford to buy meat. From the beloved family butcher to the dinner table in their own two-story duplex in the Italian part of town with a new flock of grandchildren and expanded family living upstairs. Oh yeah, and just enough room for a backyard garden with the Eastern clay soil and sticky, humid summers that tomatoes seem to love. (You can smell a sweet Jersey/NY/PA tomato in August from 20 feet away. Serious.) So the nonas have a ball with their expanded food budgets, gardens and neighborhood import delis. Don’t get me wrong. Remember, they had just survived TWO world wars, a depression, and a disease-ridden trip across the ocean with a few dollars on hand. Death and starvation spawn amazing cooks. Holds true for ALL of the world’s cultures. My nona and her friends were foragers in the summertime. Wild dandelions, rhubarb, onions from the empty lots down the street wrapped in their aprons. Trading homegrown tomatoes for backyard pears or handmade pasta. Always making do for a large family with very little and wasting nothing. The thought of their strength and perseverance still gives me hope for this world. “Get together, one more time” – Jim Morrison

1965: Everyday at 5p.m. in my newly built Upstate suburban neighborhood, the air smells like sausage and peppers frying. Tomato and basil simmering. Eggplant and zucchini baking. Every family’s sauce is slightly different from the next. The Modafferi meat sauce didn’t have garlic in it, so the myriad of possible side courses—meatballs, braciolla (stuffed steak rolls usually included on Sunday) and sauteed greens that had lots of garlic included really stood out against the sweet sauce. Store-bought, canned tomatoes are allowed, sometimes even admired, for their sweetness and convenience when the home canned tomatoes ran out in springtime. Every nona (now in their 70s) thinks she is the best cook around. And actually they ALL are the best cooks around. Unbelievably good food. Pass it on.

2005: Here is a simplified, reasonable facsimile of Rose’s rich, meat and fat laden sauce. Give yourself a full day’s time to do this properly. It needs constant tending. Your kitchen will most likely end up being a greasy, tomato splattered mess. If you live in Southern California like me, keep in mind the brutally cold East Coast winters can almost stretch to six months long, and it’s hard to eat like this as often in the consistently warm climate of the Southwest. The same holds true for the Northern European cuisine that my German dad cooked so well. But HA, that’s another page, in another issue, of this wonderful rag: Arthur.

You’ll only need:

1.5 pound of whatever pork meat is on sale this week. (cheap chops, ribs, neckbones. Or no bone necessary. Some fat with meat attached.)
1.5 pound Italian pork sausage (most store brands are acceptable. Look for clues; if you can see fennel seeds and red pepper flakes, that’s good)
2 chopped med. onions
1/4 cup olive oil
2- 28 oz. cans tomato puree (save the empty cans, I’ll explain)
2- 6 oz. cans tomato paste
20 oz. of water (2/3 full of the empty can that you will later use for skimmed fat. The other for your spoon rest.)
1/2 cup (7-8 leafs) fresh, torn basil (or, if you have to use dried,1 tbsp)
1 tsp salt
1/2 tsp black pepper
1/2 tsp red pepper flakes
1 tbs sugar (none admit it, but most nonas use it)

In a heavy, large saucepan that you know won’t burn easily,(at least 10 qt. to give you lots of room for stirring and meat) thoroughly brown the pork meat and sausage on medium heat. Remove the cooked meat and sausage. Set aside. Leave the fat and browned renderings on the bottom of the pot.

Add chopped onions and olive oil. This process will deglaze the bottom of the pot and turn the onions brown quickly. Saute’ until onions soften and go transparent.

Add tomato paste and a few tablespoons of water. This mixture of paste, onions, fat and renderings needs to be constantly stirred. It will spit and glop like lava. It’s alive. Don’t let it stick. In about 10 minutes the paste will seem to change from its original dark red color to a lighter orange. Apparently, this is a sign from St. Anthony (patron saint of big eaters) that the sugar and acidity levels in the tomato paste have reached their perfect balance. When Mario Batali mentioned the color change a few years ago on Molto Mario, that’s the moment I knew he was for real. This is secret knowledge of the Southern Italian Ragu Illuminati. (Now formerly secret knowledge.) This is food alchemy.

Now add the two large cans of tomato puree and 2/3 can of water. Stir in thoroughly. Lower heat to a very low simmer. Cover. Take a breath. The grease and paste splattering battle of the last hour has calmed. Clean up the stove and kitchen a few minutes. Keep an eye on the sauce. “Feel” the bottom with your spoon to always make sure no sticking is happening.

Add pork meat and sausage back to sauce.

Add basil, salt, peppers, sugar.

Play your fave CDs, put Leave it to Beaver on TVLand in the background. Gently stir and feel every 10 minutes and cook covered at a very low simmer boil for about five hours. During all of this period lots of the water will start to evaporate. Fat will rise to the top. The sauce will thicken.

Start to skim. We wanted all of the fat to start with, but now we don’t want it too greasy. The once-empty can will now be about a third full of skimmed fat.

By now, the pork meat and sausage will be almost tenderly falling apart and infiltrated with the sweet tomato sauce. Boil your pasta water.

Lordy. Cook your favorite pasta shape.

This was served on Thursday and Sunday at nona’s house. The men usually liked the heavier Rigatoni, Rotelle (‘springs’) and homemade Gnocchi shapes. And always a platter of spaghetti too. Always topped with grated Locatelli romano. (Available at the Monte Carlo/Pinnochio Italian Deli in Burbank on Magnolia. Go there.)

Eat. Have a heart attack. Enjoy.

Note: I had promised Jay Babcock a meatball recipe and the world’s best pineapple upside-down cake recipe. But alas, I’m going back to sleep now. Hope I’m invited back. Bye.