The Diggers Papers No. 33: "WHAT IS THE DIGGERS?"

DiggersPapers33

Click on image to enlarge.

About this document:
Pretty self-explanatory: “We come to Haight-Ashbury, where many of us gather together, to start a flow of love.”

Previously posted Diggers Papers:
http://www.arthurmag.com/contributors/diggers

About this series:
Arthur Magazine is proud to present scans of essential documents produced by and about the San Francisco Diggers, who were in many ways the epicentral actors in the Haight-Ashbury during the epic, wildly imaginative period from late ’66 through ’67. The Diggers’ ideas and activities are essential counter-cultural history, sure, but they are also especially relevant to the current era, for reasons that should be obvious to the gentle Arthur reader.

Most of the documents that we are presenting are broadsides originally published on a Gestetner machine owned and operated in the Haight by the novelist/poet Chester Anderson and his protege/sidekick Claude Hayward, who used the name “Communication Company,” or more commonly, “Com/Co.” According to Claude, these broadsides were then “handed out on the street, page by page, super hot media, because the reader trusted the source, which was another freaky looking hippie who had handed it to him/her.”

Donate
You can be a patron of this series by making a tax-deductible donation to Arthur Magazine via our fiscal sponsor, Fractured Atlas: info here

The Diggers Papers No. 29: "Haight-Ashbury Girl Digger Meeting"

DiggersPapers29

About this document:
Author unknown.

About this series:
Arthur Magazine is proud to present scans of essential documents produced by and about the San Francisco Diggers, who were in many ways the epicentral actors in the Haight-Ashbury during the epic, wildly imaginative period from late ’66 through ’67. The Diggers’ ideas and activities are essential counter-cultural history, sure, but they are also especially relevant to the current era, for reasons that should be obvious to the gentle Arthur reader.

Most of the documents that we are presenting are broadsides originally published on a Gestetner machine owned and operated in the Haight by the novelist/poet Chester Anderson and his protege/sidekick Claude Hayward, who used the name “Communication Company,” or more commonly, “Com/Co.” According to Claude, these broadsides were then “handed out on the street, page by page, super hot media, because the reader trusted the source, which was another freaky looking hippie who had handed it to him/her.”

Previously posted Diggers Papers:
http://www.arthurmag.com/contributors/diggers

Donate
You can be a patron of this series by making a tax-deductible donation to Arthur Magazine via our fiscal sponsor, Fractured Atlas: info here

The Diggers Papers No. 28: "Gentleness In the Pursuit of Extremity Is No Vice: A Play In Infinite Acts"

DiggersPapers28

About this document:
Idea-rich early announcement broadside (there will be more) for an event that happened on either April 2, 1967 or April 9, 1967. Author is anonymous, as most of the best Diggers documents are, but one would guess that Peter Berg, Lenore Kandel and (perhaps?) Peter Coyote and Emmett Grogan had something to do with the specific text laid down here. The concept of “life-acting” is made explicit; street theater is made literal; life becomes play.

About this series:
Arthur Magazine is proud to present scans of essential documents produced by and about the San Francisco Diggers, who were in many ways the epicentral actors in the Haight-Ashbury during the epic, wildly imaginative period from late ’66 through ’67. The Diggers’ ideas and activities are essential counter-cultural history, sure, but they are also especially relevant to the current era, for reasons that should be obvious to the gentle Arthur reader.

Most of the documents that we are presenting are broadsides originally published on a Gestetner machine owned and operated in the Haight by the novelist/poet Chester Anderson and his protege/sidekick Claude Hayward, who used the name “Communication Company,” or more commonly, “Com/Co.” According to Claude, these broadsides were then “handed out on the street, page by page, super hot media, because the reader trusted the source, which was another freaky looking hippie who had handed it to him/her.”

Previously posted Diggers Papers:
http://www.arthurmag.com/contributors/diggers

Donate
You can be a patron of this series by making a tax-deductible donation to Arthur Magazine via our fiscal sponsor, Fractured Atlas: info here

The Diggers Papers No. 27: "Beat the Heat"

DiggersPapers27

About this document:
Another wisdom broadside from an anonymous pen; best guess is it’s Chester Anderson.

About this series:
Arthur is proud to present scans of essential documents produced by and about the San Francisco Diggers, who were in many ways the epicentral actors in the Haight-Ashbury during the epic, wildly imaginative period from late ’66 through ’67. The Diggers’ ideas and activities are essential counter-cultural history, sure, but they are also especially relevant to the current era, for reasons that should be obvious to the gentle Arthur reader.

Most of the documents that we are presenting are broadsides originally published on a Gestetner machine owned and operated in the Haight by the novelist/poet Chester Anderson and his protege/sidekick Claude Hayward, who used the name “Communication Company,” or more commonly, “Com/Co.” According to Claude, these broadsides were then “handed out on the street, page by page, super hot media, because the reader trusted the source, which was another freaky looking hippie who had handed it to him/her.”

Previously posted Diggers Papers:
http://www.arthurmag.com/contributors/diggers

Donate
You can be a patron of this series by making a tax-deductible donation to Arthur Magazine via our fiscal sponsor, Fractured Atlas: info here