Friday May 29, Santa Cruz: Arthur presents debut of SIR RICHARD BISHOP and His Freak of Araby Ensemble (all ages welcome)

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FolkYeah and Arthur Magazine proudly present the debut of Sir Richard Bishop’s new band…

SIR RICHARD BISHOP AND HIS FREAK OF ARABY ENSEMBLE

AT THE HISTORIC BROOKDALE LODGE

IN THE SANTA CRUZ MOUNTAINS

* ALL AGES * FULL BAR * HAUNTED VENUE *

ALSO PERFORMING: Oaxacan and Bachelorette

Tickets available at the door

Doors 8pm
Show 9pm

Advance tickets and more info at:
folkyeah.com

Erik Davis interviewed Sir Richard Bishop in Arthur No. 26 (Dec 2007), available for $6 from the Arthur store. You can read the article online here.

New Arthur CD "Transmissions From Sinai" now available

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“TRANSMISSIONS FROM SINAI”
(Arthur 0005)
curated by AL CISNEROS (Om, Sleep)
cover artwork by ARIK ROPER

Track listing:

1. Lichens – “Kopernik Trip Note” (previously unreleased)
2. Linval Thompson – “Wicked Babylon”
3. Grouper – “Everyone in Turn”
4. Current 93 – “Mockingbird”
5. Scott Kelly – “The Ladder In My Blood”
6. Quixotic – “The Breeze”
7. Hush Arbors – “The Valley”
8. Mia Doi Todd – “Night of a Thousand Kisses”
9. Six Organs of Admittance – “Bar-Nasha” (previously unreleased)
10. Holy Sons – “Drifter’s Sympathy”
11. Pantaleimon – “At Dawn”
12. Grails – “Acid Rain”
13. Sir Richard Bishop – “Almeria” (previously unreleased)
14. J. Mascis – “War” (previously unreleased)
15. Wino – “Silver Lining”
16. Alpha & Omega – “David and Goliath”

All proceeds go to supporting Arthur Magazine’s mission.

Edition of 1,000.

“Here are sixteen reports, differing approaches that, through their own individualized methods, access the one ground. It’s a privilege and blessing to have known many of the musicians on this disc, to have shared in song with some, and stages with others. In all cases I have been the healed recipient of their craft sitting alone with my headphones… Here is their auditory journal.” —Al Cisneros February 2009

CLICK HERE FOR MORE INFO…

New Arthur CD: "Transmissions From Sinai," curated by AL CISNEROS (Om, Sleep) with artwork by ARIK ROPER – NOW AVAILABLE

sinai

“TRANSMISSIONS FROM SINAI”
(Arthur 0005)
curated by AL CISNEROS (Om, Sleep)
cover artwork by ARIK ROPER

Track listing:

1. Lichens – “Kopernik Trip Note” (previously unreleased)
2. Linval Thompson – “Wicked Babylon”
3. Grouper – “Everyone in Turn”
4. Current 93 – “Mockingbird”
5. Quixotic – “The Breeze”
6. Scott Kelly – “The Ladder In My Blood”
7. Hush Arbors – “The Valley”
8. Mia Doi Todd – “Night of a Thousand Kisses”
9. Six Organs of Admittance – “Bar-Nasha” (previously unreleased)
10. Holy Sons – “Drifter’s Sympathy”
11. Pantaleimon – “At Dawn”
12. Grails – “Acid Rain”
13. Sir Richard Bishop – “Almeria” (previously unreleased)
14. J. Mascis – “War” (previously unreleased)
15. Wino – “Silver Lining”
16. Alpha & Omega – “David and Goliath”

All proceeds go to supporting Arthur Magazine’s mission. Edition of 1,000. Now available from the Arthur Store.

“Here are sixteen reports, differing approaches that, through their own individualized methods, access the one ground. It’s a privilege and blessing to have known many of the musicians on this disc, to have shared in song with some, and stages with others. In all cases I have been the healed recipient of their craft sitting alone with my headphones… Here is their auditory journal.” —Al Cisneros February 2009

ALBUM OVERVIEW
by Daniel Chamberlin, Arthur contributing editor

For a while there was a lot of talk around Arthur HQ about the idea of “life metal”–as opposed to death metal–and how that applied to a lot of the bands we were listening to. These were artists making introspective, expansive metal that stood out as flashes of color in the unified spectrum of blackness that dominates the genre. Think about the sunshine Sabbath jams of Wino’s various incarnations, the core-cleansing live rituals of Sunn O))) and most of all, the contemplative rhythms of Om.

Om rose from the ashes of long-form drone-metal icons Sleep, and has since produced three albums of thoughtful, minimalist metal composed entirely of bass, drums and vocals. Transmissions From Sinai, the compilation curated by Om’s bassist/vocalist Al Cisneros plays like a companion piece to those albums; the band’s influences and fellow wanderers united by a deep narrative thread of rhythm, resistance and meditation.

Transmissions opens with Lichens’ “Kopernik Trip Note,” eight minutes of vocal tones flowing like liquid mercury through a haze of keyboard drones. The focus on rhythm is clarified with Linval Thompson’s “Wicked Babylon,” a rocksteady classic from the guy that, in addition to producing endlessly satisfying reggae albums of his own, was also responsible with lacing dub legend Scientist with some of his best rhythms.

Grouper’s “Everyone In Turn” is a cascade of vocal melodies underscored by a fog-shrouded piano. The cryptical envelopment continues with Current 93, David Tibet’s long-running Gnostic-apocalypse folk project, and is reinforced by acoustic work from former Neurosis guitarist Scott Kelly, the brushed marching drums of Quix*o*tic’s “The Breeze” and Hush Arbor’s mournful guitar dirge, “The Valley.”

Om tour-mate Mia Doi Todd marks the midpoint of the journey with the romantic bongo jam “Night Of A Thousand Kisses,” followed closely by Six Organs of Admittance’s shimmering “Bar Nasha,” one of several previously unreleased songs in this collection. This flows into the narcotic beats of Om drummer Emil Amos in his Holy Sons guise. A counterpoint follows with Pantaleimon’s gentle folk, all crisp guitar melodies and cool, clear whispered vocals.

From there it’s a downhill run through the blissed-out sunshine psychedelia of Grails’ “Acid Rain,” the intricate contortions of Sir Richard Bishop’s finger-picked raga “Almeria,” and a twin blast from two legendary guitar lifers: J. Mascis, performing the previously unreleased “War” and Wino with a churning anthem of hope, “Silver Lining.” Transmissions concludes with “David and Goliath,” a melodica-and-keyboard-drenched fable of resistance and survival from contemporary British reggae outfit Alpha & Omega.

Transmissions is a countercultural signpost: a diverse collection of music–from searing life metal through gauzy ambient piano ballads to the heaviest of dub –that serves as a soothing balm for whatever may ail you in these troubled times.

Now available from the Arthur Store.

"IT'S COMING DOWN, BABY!": Sir Richard Bishop interviewed by Erik Davis (from Arthur No. 27/Dec 2007)

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It’s Coming Down, Baby!
Erik Davis catches up with SIR RICHARD BISHOP—gypsy picatrix, ex-Sun City Girl and guitarist extraordinaire
Illustration by John Coulthart

Originally published in Arthur No. 27 (Dec 2007)

Superlatives can be lame, but Richard Bishop is one of the few post-punk guitarists who came of age in the 1980s to have achieved the incendiary prowess of a true Guitar God. Though largely unknown outside the underground, Bishop plays and improvises with an uncommon and original power. He can tantalize in a myriad of styles, he has a global jukebox in his head, he can shatter the walls of sleep and chaos, and he can turn on a dime. He loves the guitar and mocks it: he plays like an absurdist and a romantic at once. He studies the occult and travels the Third World fringe and you can hear it. He plays guitar to save himself and fails in the endeavor and you can hear it. He can scare the shit out of you sometimes, and he can make you giggle and grin.

For decades Bishop played with his brother Alan and the Charlie Gocher in the Sun City Girls, where his ferocious and inventive exploration of psych-rock, punk spew, idiot jizz, Indo-Arabic fantasias, and jazzbo abstraction was often shadowed by the madcap antics, acerbic lyrics and general air of arcane weirdness that surrounded that impossible act. Gocher passed away in February this year at the age of 54, and the Girls are no more.

But over the last half decade, Bishop has also been playing and recording solo instrumental music as Sir Richard Bishop, and the effort is really starting to flower. This year SRB released two great albums. While My Guitar Gently Bleeds features three long pieces that triangulate his essential territory as an improviser: a North African arabesque, a noisy electronic nightscape, and a modal neo-raga on the tantric tip. Polytheistic Fragments is a more accessible and varied work, featuring a dozen tunes that also stretch into Americana, gypsy rag and Lennon-McCartney charm. As always, the recordings are packaged with strange and mystic images that speak to Bishop’s longtime study of esoterica.

Earlier this fall Bishop toured with labelmate Bill Callahan. I called him while he was taking a break in Seattle. Continue reading