WEEN TOUR DIARY

From http://www.chocodog.com/chocodog/ween/ween_new/tour_fr.html:

4/19 -Thomas Wolfe Auditorium, Asheville, NC–Usually we try and start a tour in a smallish bar or something, but this was a big ass auditorium, something like 2,000 people came out. I have no idea how we went from playing the “Be Here Now” last year (which holds 350 people), to this place. One way or another it was a pretty great way to kick off this short tour. After the show we got drunk and shot pool
at our hotel bar, which had a cover band playing lots of Skynyrd. later on, some douchebag kid knocked on my hotel room door, and said “yo dean, what was it like playing with those Nashville guys?”, like he had waited his whole life to fuckin’ ask me that stupid shit and had to knock at 3am just to hear my answer.

4/20 – Guilford College, Greensboro NC–We got to the campus in the early afternoon, it looked like
there were maybe 150 people on the whole grounds of the place—I got the
impression that rather than stick around for their spring festival, the
students all went home instead. The show was completely sold out in advance
(1,200 tickets), but this place would’ve held twice as many. In my opinion
this show suffered from what would become a common thing on this tour—
when you play college campuses there is almost always no alcohol allowed,
and no smoking cigarettes or anything else—on 4/20 no less. This only
applies to the audience obviously, we’re up there chain-smoking and drinking
the entire time, inadvertently rubbing people’s faces in it. I thought
we played very well, but after 2 hours and 15 minutes I felt like we had
left the crowd behind or something. For this reason we decided not to play
any encore—and that was unfortunately all anyone seemed to focus on after
the show ended. live and learn i guess.

4/21 – The Plex, North Charleston, SC —-This was a new venue for us, we usually play the Music Farm when
we’re in Charleston. They hooked us up with a kick-ass meal before we played,
which is a rarity on tour and much appreciated. Probably one of the best
shows that we’ve played this year except for the Columbia show. Maybe it
was the food, or maybe it just took us a couple days to get the ball rolling,
but for whatever reason everything kinda fell into place musically for
us on this night. People started throwing 20 dollar bills onstage with
requests written on them, we played a whole mess of the requests and bought
ecstasy with the cash after the show. From there we went out and spent
the night getting lap danced on X in Charleston’s seedier clubs. Actually
I’m lying—we just got on the bus and drove to Kentucky overnight. All
‘n all a great night.

4/23 – Kentucky Theater, Lexington, KY—This was our first time in Lexington and I was impressed
by how clean the city was—also, there wasn’t a soul on the street after
dark. Mick Preston and I generally will walk or drive as far as we have
to go to find a Waffle House when we’re on tour, but we ended up settling
for a Huddle House instead, which to my surprise was every bit as delicious–even
though it’s an
obvious rip-off of the real
thing, right down to the pecan waffles and scattered and smothered hash
browns and shit. This was a really cool old theater, and directly adjacent
to the concert was the Miss Gay Kentucky drag queen paegant. I don’t remember
much about this show, except I thought we played pretty solid and we hit
some bar afterwards and then some house party, and then a second trip to
the Huddle House.

4/24 – Axis, Bloomington, IN–This was our first time ever playing in Indiana, and the crowd was
ready to tear the roof off the club by the time we hit the stage. I felt
like shit thru most of this show and almost puked all over my amp during
“Doctor Rock.” This was one of three nights on the tour where I got to
watch my team (the Flyers of course) get shutout about 15 minutes before
it was time to play, and it put me
in a really bitter, fucked
up mindframe all 3 times. I was kind of thankful when Ottawa finally laid
a mercy-killing on their sorry asses. Anyway, the gig was great, it was
a fuckin sweatbox in this joint, but we gave it up punk-rock style for
Indiana.

4/25 – Univ. of Iowa Main Lounge, Iowa City, IA—This room was a big square box with carpeting—-again,
no smoking and no drinking allowed, but over 2,000 people showed up and
we played our asses off. Me, Claude, and Mick had lunch at Hamburg Inn,
which is supposed to be famous for it’s burgers and shakes or something.
After we kicked Iowa City’s ass with our rock and roll, we went out to
a bar and Mick Preston and I held the pool table for the entire night—-I
bet we must’ve won 25 consecutive games. I’m sorry I don’t have any better
tour stories from this tour, but look at where the fuck we played—Greensboro,
Bloomington, Carbondale….I mean what the fuck are we gonna do, fuck sheep
and tip cows after the gigs?

4/26 – Missouri Theater, Columbia, MO–As I mentioned before, this was pretty much the most inspired
show we’ve played in a very long
time—I really have no idea what makes one night better than any other, because I felt like ass before this show and was pretty much exhausted. It had been about 7 or 8 years since we were last in Columbia—last time was the night that the 30 minute live version of “Poopship Destroyer” on PTTB was recorded and this gig was probably better than that one. One of the highlights for me was the 15 minute version of “Never Squeal on the Pusher” that we played to close the show— Glenn took a fucking wicked theremin solo that set this whole show over the top. Other than that, we pulled out some tunes we haven’t played in a while and had an awesome time in Columbia.

4/27 – Shryock Auditorium, Southern Illinois U, Carbondale, IL—-One more show with no alcohol or
smoking for the audience—this was a really cool auditorium, unlike any other that I can remember playing—-like a U shaped theater with a balcony that wrapped from the left side of the stage to the right. We had a really strong show and finished with the best version of “Buenas Tardes Amigo” we ever did—we all basically agree that we wouldn’t give a shit if we ever played that one or “The Blarney Stone” again in this lifetime—but maybe the time off from playing it helped us get back into the heart of it. After this show we were all feelin pretty good about the tour and decided to go out—well it looked like the world was about to come to an end, the nastiest storm I’ve ever seen was developing, like gravel was blowing

off the pavement into the air. We drove thru it on the way home—about 1,000 miles. Next day we
found out that it was the tornado that killed 11 people in the mid-west—-4 died 20 miles south of Carbondale. The wrath of the Boognish strikes down the haters and non-believers.

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About Jay Babcock

I am an independent writer and editor based in Tucson, Arizona. In 2023: I publish an email newsletter called LANDLINE = https://jaybabcock.substack.com Previously: I co-founded and edited Arthur Magazine (2002-2008, 2012-13) and curated the three Arthur music festival events (Arthurfest, ArthurBall, and Arthur Nights) (2005-6). Prior to that I was a district office staffer for Congressman Henry A. Waxman, a DJ at Silver Lake pirate radio station KBLT, a copy editor at Larry Flynt Publications, an editor at Mean magazine, and a freelance journalist contributing work to LAWeekly, Mojo, Los Angeles Times, Washington Post, Vibe, Rap Pages, Grand Royal and many other print and online outlets. An extended piece I wrote on Fela Kuti was selected for the Da Capo Best Music Writing 2000 anthology. In 2006, I was somehow listed in the Music section of Los Angeles Magazine's annual "Power" issue. In 2007-8, I produced a blog called "Nature Trumps," about the L.A. River. From 2010 to 2021, I lived in rural wilderness in Joshua Tree, Ca.