Return of the Living Theatre to New York City

directed by Judith Malina

previews start April 18
Opens April 26

Wednesdays through Saturdays


(Previews: $15)

Wednesdays: Pay-What-You-Can (no reservations)
Thursdays: $20
Friday, Saturday and Sunday: $30

The Living Theatre has signed a 10-year lease on the 3500 sq. ft. basement of a new residential building under construction at 19-21 Clinton Street, between Houston and Stanton Streets on New York’s Lower East Side. The company should be able to move into the completed space in early 2007. Plans are to open the new Living Theatre with a new production of The Brig by Kenneth H. Brown, first presented at The Living Theatre at 14th St. and Sixth Avenue in 1963.

The Clinton Street theater will be the company’s first permanent home since the closing of The Living Theatre on Third Street at Avenue C in 1993. The decision to return to the Lower East Side reflects the company’s continuing faith in the neighborhood as a vibrant center where the needs of some of the city’s poorer people confront the ideas of the experimenters in art and politics who have settled in the area. The presence of newly arrived upscale shops and venues only underlines the political contradictions which bristle through the crowded, narrow streets

The Brig, written by a veteran who survived incarceration in a U.S. Marine Corps Brig during the 1950’s, is a chilling portrait of the brutality of military prisons. The original production was the winner of the OBIE Award for the Best Play of 1963 and Jonas Mekas’ extraordinary film of the production, The Brig, won the Leone D’Oro for Best Documentary at the Venice Film Festival the following year. The play had great impact in New York and then toured extensively in Europe until 1967.

The prominence of U.S. Military Prisons in various locations around the world at the beginning of the 21st century gives new relevance to this play. The perverse logic behind the treatment of prisoners within the martial system is made stunningly clear in Brown’s play, which was the first production staged by The Living Theatre after director Judith Malina read M.C. Richard’s as yet unpublished English translation of The Theater and its Double by Antonin Artaud, whose radical approach to articulating a theatrical relationship between cruelty and transcendence transformed The Brig into a physical experience of pain and release unlike any conventional drama. Plans are developing for a repertory program as well as musical, dance, poetry and political events. Watch for coming announcements of the projects due to flower at the our new home. We look forward to seeing you there.

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About Jay Babcock

I am an independent writer and editor based in Tucson, Arizona. In 2023: I publish an email newsletter called LANDLINE = Previously: I co-founded and edited Arthur Magazine (2002-2008, 2012-13) and curated the three Arthur music festival events (Arthurfest, ArthurBall, and Arthur Nights) (2005-6). Prior to that I was a district office staffer for Congressman Henry A. Waxman, a DJ at Silver Lake pirate radio station KBLT, a copy editor at Larry Flynt Publications, an editor at Mean magazine, and a freelance journalist contributing work to LAWeekly, Mojo, Los Angeles Times, Washington Post, Vibe, Rap Pages, Grand Royal and many other print and online outlets. An extended piece I wrote on Fela Kuti was selected for the Da Capo Best Music Writing 2000 anthology. In 2006, I was somehow listed in the Music section of Los Angeles Magazine's annual "Power" issue. In 2007-8, I produced a blog called "Nature Trumps," about the L.A. River. From 2010 to 2021, I lived in rural wilderness in Joshua Tree, Ca.

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