"THE ASTRONAUT OR THE GANGSTER": GRANT MORRISON ON SUPERMAN, THE ENLIGHTENMENT, HUMANISM AND THE MAGIC WORD

From a new interview with Arthur No. 12 cover star GRANT MORRISON, over at Newsarama:

Grant Morrison: … I see Superman in [his recently completed All-Star Superman comic book series, drawn by Frank Quitely] as an Enlightenment figure, a Renaissance idea of the ideal man, perfect in mind, body and intention.

A key text in all of this is Pico’s ‘Oration On The Dignity of Man’ (15c), generally regarded as the ‘manifesto’ of Renaissance thought, in which Giovanni Pico Della Mirandola laid out the fundamentals of what we tend to refer to as ’Humanist’ thinking.

(The ‘Oratorio’ also turns up in my British superhero series Zenith from 1987, which may indicate how long I’ve been working towards a Pico/Superman team-up!)

At its most basic, the ‘Oratorio’ is telling us that human beings have the unique ability, even the responsibility, to live up to their ‘ideals’. It would be unusual for a dog to aspire to be a horse, a bird to bark like a dog, or a horse to want to wear a diving suit and explore the Barrier Reef, but people have a particular gift for and inclination towards imitation, mimicry and self-transformation. We fly by watching birds and then making metal carriers that can outdo birds, we travel underwater by imitating fish, we constantly look to role models and behavioral templates for guidance, even when those role models are fictional TV or, comic, novel or movie heroes, just like the soft, quick, shapeshifty little things we are. We can alter the clothes we wear, the temperature around us, and change even our own bodies, in order to colonize or occupy previously hostile environments. We are, in short, a distinctively malleable and adaptable bunch.

So, Pico is saying, if we live by imitation, does it not make sense that we might choose to imitate the angels, the gods, the very highest form of being that we can imagine? Instead of indulging the most brutish, vicious, greedy and ignorant aspects of the human experience, we can, with a little applied effort, elevate the better part of our natures and work to express those elements through our behavior. To do so would probably make us all feel a whole lot better too. Doing good deeds and making other people happy makes you feel totally brilliant, let’s face it.

So we can choose to the astronaut or the gangster. The superhero or the super villain. The angel or the devil. It’s entirely up to us, particularly in the privileged West, how we choose to imagine ourselves and conduct our lives.

We live in the stories we tell ourselves. It’s really simple. We can continue to tell ourselves and our children that the species we belong to is a crawling, diseased, viral cancer smear, only fit for extinction, and let’s see where that leads us.

We can continue to project our self-loathing and narcissistic terror of personal mortality onto our culture, our civilization, our planet, until we wreck the promise of the world for future generations in a fit of sheer self-induced panic…

…or we can own up to the scientific fact that we are all physically connected as parts of a single giant organism, imagine better ways to live and grow…and then put them into practice. We can stop pissing about, start building starships, and get on with the business of being adults.

The ’Oratorio’ is nothing less than the Shazam!, the Kimota! for Western Culture and we would do well to remember it in our currently trying times.

The key theme of the ‘Dark Age’ of comics was loss and recovery of wonder – McGregor’s Killraven trawling through the apocalyptic wreckage of culture in his search for poetry, meaning and fellowship; Captain Mantra, amnesiac in Robert Mayer’s Superfolks; Alan Moore’s Mike Maxwell trudging through the black and white streets of Thatcher’s Britain, with the magic word of transformation burning on the tip of his tongue.

My own work has been an ongoing attempt to repeat the magic word over and over until we all become the kind of superheroes we’d all like to be. Ha hah ha.


TOUR OF THE YEAR: JULIAN COPE'S "JOE STRUMMER MEMORIAL BUSKING TOUR"


title1.png
JULIAN COPE / BLACK SHEEP
Joe Strummer Memorial Busking Tour
October 27th – 29th 2008 C.E.

2980060968_fd4a181e7d.jpg

In keeping with the theme of Julian Cope’s new album BLACK SHEEP, which advocates direct action and civil protest, the Archdrude and several of his musicians will – on Monday 27th October – embark on a 3-day-long busking tour of UK cultural centres. Accompanied by singer/guitarists Acoustika and Michael O’Sullivan, Universal Panzies leader Christophe F., and Black Sheep strategist Big Nige, Cope will commence the tour at 10 am at the site of ancient law hill Swanborough Tump in the Vale of Pewsey, and conclude on Wednesday 29th in front of the famous Carl Jung Statue in Liverpool’s Mathew Street. The entire action is dedicated to Joe Strummer, whose 1986 Clash busking tour was the inspiration. The Future is Unwritten!

Monday 27th October
Swanborough Tump (Vale of Pewsey)
Although nowadays ploughed down to barely a cropmark, this once proud law hill formerly known as Swinbeorg was a Bronze Age ancestral barrow employed for hundreds of years by local people for sorting out disputes and enforcing new legislation. It was here in 871, just two months after becoming King of Wessex, that the future King Alfred the Great met his elder brother King Aethelred I on their way to fight the invading Danes. Each swore that if the other died in battle, the dead man’s children would inherit the lands of their father King Aethelwulf.

Eddie Cochran Memorial (A4, Chippenham)
On April 16th 1960, the Ford Consul private taxi carrying Eddie Cochran and Gene Vincent from South Wales to London’s Heathrow Airport crashed at the foot of Rowden Hill, on the outskirts of Chippenham in Wiltshire, badly injuring Vincent and killing 21-year-old Cochran. As the only first generation rock’n’roller to die on English soil, the site of Cochran’s death has long been a place of pilgrimage for freaks across the world. In 1994, Cope’s youngest daughter Avalon was born just 200 yards from the crash site, in a room in the westernmost wing of Chippenham’s Greenways Hospital.

Armenian Genocide Memorial (Temple of Peace, Cardiff)
Cope’s long love affair with Armenia began in the early ‘90s with his studies of George Gurdjieff, the Biblical legends of Noah’s Ark upon Mt Ararat and his fascination for the country that embraced Christianity two decades before Ancient Rome. In 2003, Cope visited Armenia’s Tsitsernagaberd Genocide Monument, in the country’s capital Yerevan; a site dedicated to the millions who were force marched then driven into caves and suffocated by Turkish soldiers in the early 20th century. Turkey’s stubborn refusal to acknowledge its misdeeds (and its subsequent annexation of the whole of W. Armenia) have left Armenia’s psychic wounds open for a century now, which is why Cope believed that this Cardiff monument – paid for and erected by Wales Armenia Solidarity – was such an essential and symbolic place of pilgrimage on the tour.

Tuesday 28th October
Thomas Carlyle Statue (Chelsea Embankment)
The feisty Scottish essayist, Thomas Carlyle, is celebrated on this Busking Tour because of his enduring classic works, Heroes and Hero Worship and Sartor Resartus, both of which have hugely informed Cope’s trip. The first mentioned contains an astonishingly erudite overview of the life and times of Oliver Cromwell and Odin, moreover Carlyle was the first white author to give a useful and open-minded account of the life and work of the prophet Mohammed.

Wat Tyler Memorial (Blackheath)
In 1381, Wat Tyler led the Peasants’ Revolt, still one of the most extreme civil insurrections in the history of these British Isles. The revolt originated in Kent, where Tyler’s troops took Canterbury then proceeded to London, via Blackheath, which has long been associated with the insurrection on account of the famous sermon made to the army by renegade Lollard priest John Ball.

Emily Pankhurst Statue (House of Lords, Victoria Tower Gardens)
In order to represent Cope’s relentless championing of Women and Women’s Rights, there could be no heftier symbol than the matriarch and leader of Women’s Suffrage, Emily Pankhurst. Lest we forget that it is only since 1918 that women in the UK have had the right to vote.

Winston Churchill Statue (Parliament Square)
Cope felt it essential to visit Churchill’s statue, in Parliament Square, on account of his belief that it was only Churchill’s singular nature and half-American upbringing that allowed him to recognise the enormity of what would be lost in British democracy had he not continuously petitioned Parliament against the evils of Hitler’s Nazism, most especially at a time when such acts were considered only as war mongering.

Karl Marx’s Grave (Highgate Cemetery)
On this tour of centres that celebrates democracy and events ingrained in popular culture, Cope considers that it was only fitting that London’s stint should conclude at the grave of Karl Marx, the revolutionary German Jew whose philosophies and political theories lie at the very heart of modern democracy. As the words engraved upon Marx’s tomb remind us: “The philosophers have only interpreted the world in various ways – the point however is to change it.”

Wednesday 29th October
King’s Standing (nr. Birmingham)
Five days before the first pitched battle of the English Civil War, King Charles I addressed his army from atop a Bronze Age barrow that had long been used as a law hill, and was located at the foot of Birmingham’s Barr Beacon, that area of the Midlands’ primary law summit. The barrow thereafter became known as King’s Standing, and the village which grew up around it is known to this day by the same name: Kingstanding. As a long-time English Republican, Cope chose this site as the place that signified the very beginning of Charles I’s decline and, ultimately, his demise.

Site of the Peterloo Massacre (Manchester)
On August 16th, 1819, the huge crowd of 80,000 people, which had gathered in Manchester’s St. Peter’s Field to protest about the price of bread due to the unfairness of the new Corn Laws, were brutally attacked by cavalry fresh from the Battle of Waterloo who’d been sent to police the situation. With over 700 injured and 15 dead, the incident became known as the Peterloo Massacre and led to the forming of the Manchester Guardian.

CG Jung Statue (Liverpool)
Carl Jung’s statue in Liverpool has long been associated with Cope, due to his continued championing of Jung’s philosophies and the peculiar coincidence of the statue’s marble having been brought to Liverpool in the car of Donato Cinicolo, who photographed Cope for the cover of his 1984 LP FRIED. Jung famously called Liverpool ‘the Pool of Life’ just before his death in 1961.


NEW TRINIE DALTON BOOK DETAILS…

productimage.jpg


MYTHTYM
Compiled and edited by Trinie Dalton

Hardcover
5” x 8.5”
204 Pages
Full Color
$30.00

“Trinie Dalton has long made popular zines on variety of subjects. She brings together artists, musicians, critics, novelists and cartoonists in one gorgeous stew. MYTHTYM compiles the best work from her previous zines on Werewolves, mythical beings, and the natural world. But best of all, this volume includes an entirely new, 100-page body of work on the theme of mirrors. This new section will investigate the mirror as a symbolic object in horror stories. The metaphorical mirror within the scope of mental illnesses such as schizophrenia. The metaphysical implications of mirroring, especially in the ancient world of alchemy. Reflective surfaces. Disco. The mirror’s role in psychedelic, symmetrical art. The first mirrors to emerge in primitive cultures, and the roles they played in early mythologies. Mirrors as scrying tools. It can branch out from there, into light, rainbows, death, vampirism, magic. Not restricted legally to mirrors by any means. In fact if it were all about mirrors that would be too many mirrors.

“Contributors include: Aurel Schmidt Folkert De Jong Takeshi Murata Jim Drain Andrew Leland Aura Rosenberg Sue De Beer Leif Goldberg Matt Greene Francine Spiegel Derek McCormack Jesse Bransford Shamim Momin Amy Gerstler assume vivid astro focus David Altmejd Sammy Harkham Rachel Kushner Marnie Weber Bjorn Copeland Paper Rad

“About her zines, Trinie Dalton has said: ‘I don’t want my books to be cliquish, but at the same time I don’t see them as communal free-for-alls. Of course, many people I invite to participate are my friends, and are friends with each other, but I deliberately include not only established artists and writers but also young people who are relatively unknown in their field. The idea of introducing and contextualizing artists by hanging their art on the same wall is a fundamental one in the art world. To me, my zines are literary/art/music history anthologies, following the group-show or salon style. They’re like parties on paper, and I want to be an exquisite host.'”


THE ART OF THE LONG INFUSION

“Nut in Pocket”
By Nance Klehm

originally published in Arthur No. 31 (Oct 2008)

SEED TIME
Out there, out of doors, it’s between leaf and root time. It’s seed time. In autumn, plants put their efforts into reproducing themselves via seeds, both bare and covered with delicious flesh. Right now it’s time to collect these offspring—juicy apples and pears for cider, seeds to grow next year’s harvest with, and nuts and berries to make healing infusions from.

Here are some seeds to collect before winter settles in:

amaranth seeds
burdock burs
hackberry berries
juniper berries
kentucky coffeetree seeds
lamb’s quarters seeds
rose hips
queen anne’s lace
yellow dock seeds
sumac berries
hawthorn haws
aronia berries
hazelnuts
walnuts
grapes
pawpaws
persimmons
elderberries
pears and apples (for cider…)

Each of these seeds has practical medicinal uses, which you can research on your own. But if you want the full-on benefit from the plants you decide to put in your body, you have to allow the plants to help you.

Long infusions, which are like concentrates, are an easy way to allow plants to do their work on you. You don’t need to use bagged herbal tea or other plant materials from a store to make an infusion. Nor do you have to buy it in bulk. Instead, you can forage, gathering plants that grow wild in our cities.

When you collect from a plant, do it on a dry day. Try to find more than a few and collect from them in a way that won’t damage them. Don’t rip or tear; instead, make clean pinches or cuts with a knife, your fingers or some pruning shears. Take only a few leaves/seeds/fruits—no more than 10% of any individual plant—as it is important that the plant you are collecting from is allowed to thrive and regenerate itself, even if it is considered a ‘weed.’ Plants are generous by nature with what they have to offer. When you are done, thank the plant. Maybe give it a drink from your water bottle. Because that plant is going to help set your liver or blood or mental attitude right. And that is pretty generous of it.

HOT & COLD
When you return home, dry the plant material in paper bags. Drying medicinal weeds is all about allowing air to circulate around the leaves and protecting them from light. Paper bags are perfect for this as they will not trap moisture. Don’t put too much material in any single bag—remember, the air has to be allowed to circulate. I like hanging them upside down in small bundles in my dark and dry pantry, but that’s just me.

When you’re ready to make an infusion, grab a healthy (no pun intended) handful of dried herb and put it in a quart glass jar. Glass is a must—it is stable and neutral. Now pour hot water over it all, until full, and screw on the lid. You use a lid so the volatile oils stay in the brew instead of being released into the air. Of course, that aroma can be enjoyable and part of healing, and will have your home or office smelling terrific.

Let it brew for at least 30 minutes to as long as several hours. You will need to do some research here. Some plant materials have chemical compounds and minerals that require a longer steeping time to get them to release into water. Roots and bark are two examples of this, but certain leaves fit this bill too.

Also, some plants require cold water instead of hot water. Seeds and fruits, for example, require cold water. I also usually steep these longer, often setting my jar up the night before, having a nice sleep while my infusion makes itself and then waking the next day to drink it at room temperature or warming it up with a low flame (stay away from that microwave, yuck!) or even drinking it iced.

Continue reading

THE FIRST FREE BIKES

“SIGNS OF CHANGE” DUTCH PROVO EVENT!
Friday, October 24, 2008, 6-8pm
Premiere screening of Dutch Provo Footage and book release of Richard Kempton’s PROVO: AMSTERDAM’S ANARCHIST REVOLT (Autonomedia, 2008)

This film will be shown in the larger context of Josh MacPhee and Dara Greenwald’s SIGNS OF CHANGE exhibit, a survey of ephemera from social movements ranging from the 1960s til now.

There is a suggested donation of $5.

Check it out here:
http://www.exitart.org/site/pub/exhibition_programs/signs_of_change/index.html

Location:
Exit Art, 475 10th Ave, NYC

Speakers include:
Jordan Zinovich, Lindsay Caplan, and Janna Schoenberger

About the Book:
Provo staged political and cultural interventions into the symbolic and everyday spaces of Holland from 1962-1967. In this first book-length English-language study of their history, Richard Kempton narrates the rise and fall of Provo from early Dutch “happenings” staged in 1962 to the “Death of Provo” in 1967. This is the fourth book Autonomedia has done on
Dutch social movements.

About the Video:
This compilation of Provo footage, newly translated and subtitled by Janna Schoenberger and Dennis de Lange, includes scenes from the early happenings, Dutch political life, and interviews by key members of Provo–including an interview held with Robert Jasper Grootveld on his houseboat in Amsterdam.

About the Speakers:
Jordan Zinovich has been associated with Autonomedia since 1986, and is currently a senior editor. He has been working on Provo for years, and since 1997 has been going repeatedly to Amsterdam to meet with members of Provo. He will discuss the renaissance of Provo going on today.

Lindsay Caplan is a member of the Autonomedia editorial collective, and a doctoral student at the Graduate Center, CUNY. Her research focuses on the intersection between art, aesthetics, and social action–an arena in which Provo is an essential and exciting example.

Janna Schoenberger is a doctoral student at the Graduate Center, CUNY. She received her master’s degree in Art History from Utrecht University in the Netherlands where she lived for three years. She is currently working as a translator for the upcoming exhibition “In and Out of Amsterdam 1960-1975” at the Museum of Modern Art.


FREE BIKE MOVEMENT ON COLLEGE CAMPUSES GROWS…

20bikes-inline2-650.jpg

The University of New England bikes are personalized. Free or subsidized bike programs at colleges have had mixed success.

With Free Bikes, Challenging Car Culture on Campus
By KATIE ZEZIMA

The New York Times – October 20, 2008

BIDDEFORD, Me. — When Kylie Galliani started at the University of New England in August, she was given a key to her dorm, a class schedule and something more unusual: a $480 bicycle.

“I was like, ‘A free bike, no catch?’ ” Ms. Galliani, 17, a freshman from Fort Bragg, Calif., asked. “It’s really an ideal way to get around the campus.”

University administrators and students nationwide are increasingly feeling that way too.

The University of New England and Ripon College in Wisconsin are giving free bikes to freshmen who promise to leave their cars at home. Other colleges are setting up free bike sharing or rental programs, and some universities are partnering with bike shops to offer discounts on purchases.

The goal, college and university officials said, is to ease critical shortages of parking and to change the car culture that clogs campus roadways and erodes the community feel that comes with walking or biking around campus.

“We’re seeing an explosion in bike activity,” said Julian Dautremont-Smith, associate director of the Association for the Advancement of Sustainability in Higher Education, a nonprofit association of colleges and universities. “It seems like every week we hear about a new bike sharing or bike rental program.”

While many new bike programs are starting up, some are shutting down because of problems with theft and vandalism. The program at St. Mary’s College in Maryland was suspended because bikes were being vandalized.

“Ours was one that was totally based on voluntary taking care of the bike,” said Chip Jackson, a spokesman for St. Mary’s, “and I guess that was maybe a tad unwise. So the next generation of this idea will have a few more checks and balances.”

At Ripon, and the University of New England, officials say that giving students a bike of their own might encourage them to be more responsible. Ripon’s president, David C. Joyce, a competitive mountain biker, said the free bike idea came in a meeting about how to reduce cars on campus.

The college committed $50,000 to the program and plans to continue it with next year’s freshmen. Some 200 Trek mountain bikes, helmets and locks were bought, and about 180 freshmen signed up for the program. “We did it as a means of reducing the need for parking,” Dr. Joyce said, “but as we looked at it from the standpoint of fitness, health and sustainability, we realized we have the opportunity to create a change.”

The University of New England here in Biddeford had a similar problem — too many cars, not enough space and a desire to make the campus greener. So it copied the Ripon program, handing out 105 bikes in the first week of school. Because of the program, only 25 percent of freshmen brought cars with them this year, officials said, compared with 75 percent last year.

“We felt the campus could devolve to asphalt parking lots, and a lot of people didn’t want that to happen,” said Michael Daley, head of the university’s environmental council and a professor of economics.

The bikes are marked with each student’s name.

“I don’t have to fill it with gas, and it doesn’t hurt the environment,” said Kaitlyn Birwell, 18. “With a car, you need a parking permit, gas, and it breaks down. I’m a college student and don’t have the money for that.”

Michelle Provencal, 18, said she hopes her bike will help her avoid a dreaded side effect of being a college freshman. “Maybe instead of gaining the freshman 15 I’ll lose it,” Ms. Provencal said.

When Mercer University in Macon, Ga., asked for donations of old bikes, it received 60, which are being fixed up and painted orange and black, the university colors. Forty are available for weeklong rentals, and Mercer has organized mass rides to downtown Macon, about three miles away, to promote the program.

“A lot of students haven’t ridden a bike since middle school or even younger, but when they get back on it their faces light up,” said Allan J. Rene de Cotret, director of the program. “So why not leave your car parked where you live or back home with your parents and ride your bike around campus?”

Emory University has partnered with Fuji Bikes and Bicycle South, a local bike shop, to provide 50 bikes that can be rented at no charge at six spots on campus. Students can also buy Fuji bikes at a discount and receive a free helmet, lock and lights from Emory.

Students, faculty and staff can go to a rental station, show their Emory ID and check out bikes. The program plans to add 70 more bikes and four checkout points in the next year. In addition, about 150 bikes have been sold through the partnership in the past year, said Jamie Smith, who runs the program, called Bike Emory.

“We like the idea of bolstering the cycling culture here,” Mr. Smith said, “and ultimately it supports alternative transportation.”

Bikes at some campuses were treated as toys rather than transportation. Others were difficult to maintain or were not used.

“The kids weren’t taking care of the bikes, leaving them wherever instead of parking them in the bike racks,” said John Wall, a spokesman for Juniata College in Huntingdon, Pa., which eliminated its two-year-old bike-sharing program this year. “The other problem was that the bikes weren’t the greatest to begin with. They were donated by Wal-Mart, and others were rehabbed. They had also been out in the weather. It just didn’t work out.”

The elements are a concern at other universities as well. More than 150 students at the University at Buffalo signed up for a city bike-sharing program that has drop-off points on campus, but it suspends service from November to April.

“It’s hard to maintain all the bikes during winter, and usage drops dramatically,” said Jim Simon, an associate environmental educator at Buffalo.

Here at the University of New England, officials wonder what will happen when snow starts falling, but they are looking toward bike-sharing programs in cities like Copenhagen and Montreal as proof that they can work in the cold.

St. Xavier University in Chicago this month is unveiling the first computer-driven bike sharing system on a college campus.

Students can wave their ID card over a docking port. The port is attached to a rubber tube, which can be used as a lock and opened by entering an access code. Students must enter the bike’s condition before it can be unlocked. The system is used in Europe, but with credit cards.

The first 15 minutes are free, and users pay 60 cents for each additional 15 minutes, or $2.40 per hour. All 925 resident students automatically become members through their ID cards. The system was intended to be environmentally friendly, with solar panels powering the ports.

A tracking system similar to G.P.S. will keep tabs on the bikes.

“You can’t throw it in Lake Michigan,” said Paul Matthews, the university’s vice president for facilities management, “because we’ll know if you throw it in Lake Michigan.”