A Poem from Stephen Behrendt

For six nights now the cries have sounded in the pasture:
coyote voices fluting across the greening rise to the east
where the deer have almost ceased to pass
now that the developers have carved up yet another section,
filled another space with spars and studs, concrete, runoff.

Five years ago you saw two spotted fawns rise
for the first time from brome where brick mailboxes will stand;
only three years past came great horned owls
who raised two squeaking, downy owlets
that perished in the traffic, skimming too low across the road
behind some swift, more fortunate cottontail.

It was on an August afternoon that you drove in,
curling down our long gravel drive past pasture and creek,
that you saw, flickering at the edge of your sight,
three mounted Indians, motionless in the paused breeze,
who vanished when you turned your head.

We have felt the presence on this land of others,
of some who paused here, some who passed, who have left
in the thick clay shards and splinters of themselves that we dig up,
turn up with spade and tine when we garden or bury our animals;
their voices whisper on moonless nights in the back pasture hollow
where the horses snort and nicker, wary with alarm.

ADULT WITCHCRAFT: Applied Magic(k) column by Center for Tactical Magic (Arthur, 2006)

Ancient diplomacy: Moses’ brother performs magic(k) before the pharoah and his court of magicians in this depiction of Exodus 7:12. What was the pharoah doing with all of those magicians anyway?


Applied Magic(k): Adult Witchcraft
by The Center for Tactical Magic

Originally published in Arthur No. 21 (Feb 2006)

Like “art,” the word “magic” can be very confusing for people. It simultaneously conjures notions of trickery, witchcraft, illusion, mysticism, fantasy, and a vast array of products, services, and popular culture references. Many of these notions evoke a dismissive response from people when they encounter the term, partly because they tend to immediately latch onto a single notion of magic that they reproach—cheesy Las Vegas sideshow; dreadlocked Wiccan hippy; Dungeons & Dragons wannabe; Satanic drug fiend; pet psychic; reality escapist; and so forth. Of course, by conjuring such characters as Gandalf, Harry Potter, Sabrina and John Edwards, popular media does its best to fantasize, infantalize, and capitalize on our collective desires for more than another sequel to “Life as We’re Told It Is.” The Center for Tactical Magic does not exclusively align itself with any one interpretation of “magic,” in part, because the vastness of the interpretations of “magic” is what gives magic its power in the world of meaning. Therefore this column is likely to exploit many of your preconceptions of magic(k) in an effort to dislodge your comfortable sensibilities.

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Actron #242 by Stanley Lieber

Jason Leivian writes:

We’re pleased to present an issue length adventure by Stanley Lieber. Stanley Lieber is a comics factory, a house of ideas, a bullpen bullet, a Jim Starlin drawing, a Herzog documentary. He just finished a new novel, 1OCT1993. It’s a 6″x9″ paperback, 280 pages. (Preview at http://1oct1993.com.) It’s retailing for $14.99. Next he’s compiling a comics anthology called FAKE which will contain the secrets of the internet’s true birthday.

“ACTRON #242 serves as a prequel to the still unfinished graphic novel, MY STRUGGLE.

Begun in late 2006, this project commemorates the 20th anniversary of the creation of ACTRON when I was in the second grade. Issue #242 represents the accurate numbering if I had continued to be publish the comic monthly since its inception in 1986.

Well, accurate if ACTRON #242 had been published in 2006.

Colorist Pete Toms helped bring this issue across the finish line just prior to the four year mark.

It’s entirely possible that MY STRUGGLE will be completed in 2011.”

Keith Richards on the Living Theatre troupe

From Keith Richards’ Life, page 221:

“Anita [Pallenberg] and I went to Rome that spring and summer [1967], between the bust and the trials, where Anita played in Barbarella, with Jane Fonda, directed by Jane’s husband Roger Vadim. Anita’s Roman world centered around the Living Theatre, the famous anarchist-pacifist troupe run by Judith Malina and Julian Beck, which had been around for years but was coming into its own in this period of activism and street demos. The Living Theatre was particularly insane, hard-core, its players often getting arrested on indecency charges—they had a play [“Paradise Now”] in which they recited lists of social taboos at the audience, for which they usually got a night in the slammer. Their main actor, a handsome black man named Rufus Collins, was a friend of Robert Fraser, and they were a part of the Andy Warhol and Gerard Malanga connection. And so it all went round in a little avant-garde elite, as often as not drawn together by a taste for drugs, of which the LT was a center. And drugs were not copious in those days. The Living Theatre was intense, but it had glamour. There were all those beautiful people attached, like Donyale Luna, who was the first famous black model in America, and Nico and all those girls who were hovering around. Donyale Luna was with one of the guys from the theater. Talk about a tiger, a leopard, one of the most sinuous chicks I’ve ever seen. Not that I tried or anything. She obviously had her own agenda. And all backlit by the beauty of Rome, which gave it an added intensity…”

RON REGE, JR. ON HIS RECENT "NEW AGEY CONSCIOUSNESS MOVEMENT" WORK

“cartoonist ron rege, jr talks to gazeta comics about alchemy, catholicism, and his project ‘the cartoon utopia.’

“more about the cartoon utopia and foreign comics at gazetacomics.com

“music by ron rege’s discombobulated ventriloquist
images by ron rege (or from his blog)
edited by maria sputnik / gazeta comics”

http://ronrege.blogspot.com

PLASTIC CRIMEWAVE'S GALACTIC ZOO MIX TAPE CLUB 2011

Plastic Crimewave, creator of the Galactic Zoo Dossier magazine for Drag City, proprietor of the Galactic Zoo Disk reissue label, leader of spacepunkers Plastic Crimewave Sound, and general music historian/head has reached the end of the fifth consecutive year of his Galactic Zoo Mix Tape Club, and will be taking subscriptions again with another year of Mix Tape-age starting in December.

You get six 90 min. tapes (one every other month) with exclusive artwork and the sounds of rare and populist psychedelia, glam, acid folk, prog, boogie, power pop, soft rock, shoegaze, protopunk, hard rawk, experimental, bubblegum, etc. for a mere $30.

Paypal at plasticcw@hotmail.com, or send a check or cash to 1061 N. Western Ave, Chicago, IL 60622.

Ethan Miller (Howlin’ Rain, Comets on Fire) writes up a heavier-geared tape from the Galactic Zoo Mix Tape Club.

Also on the PCW tip, we’ve got about 50 copies left of Plastic Crimewave’s Two Million Tongues compilation CD from 2005 for $10 postpaid at The Arthur Store.

A Poem from Elizabeth Alexander

My mother loves butter more than I do,
more than anyone. She pulls chunks off
the stick and eats it plain, explaining
cream spun around into butter! Growing up
we ate turkey cutlets sauteed in lemon
and butter, butter and cheese on green noodles,
butter melting in small pools in the hearts
of Yorkshire puddings, butter better
than gravy staining white rice yellow,
butter glazing corn in slipping squares,
butter the lava in white volcanoes
of hominy grits, butter softening
in a white bowl to be creamed with white
sugar, butter disappearing into
whipped sweet potatoes, with pineapple,
butter melted and curdy to pour
over pancakes, butter licked off the plate
with warm Alaga syrup. When I picture
the good old days I am grinning greasy
with my brother, having watched the tiger
chase his tail and turn to butter. We are
Mumbo and Jumbo’s children despite
historical revision, despite
our parent’s efforts, glowing from the inside
out, one hundred megawatts of butter.

SAVAGE NOMADS, SAVAGE SKULLS

In the summer of 1979, Gary Weis and six film crew members drove from Manhattan to the South Bronx every day for two weeks, a journey that each day left Mr. Weis in awe and despair.

“It was almost like going to a foreign country,” said Mr. Weis, 63. Bombed-out buildings, heaps of rubble and stripped cars; he compared it to postwar Dresden.

Mr. Weis, then a director of short films for “Saturday Night Live,” spent those days on the Grand Concourse, between 167th and 170th Streets, making a documentary film about two of the most ruthless gangs in the Bronx: the Savage Skulls and Savage Nomads.

The result, a 60-minute documentary titled “80 Blocks From Tiffany’s,” was intended to fill one of “SNL’s” weekly time slots on NBC, open every third week that summer. But it was never broadcast. Executives found it too controversial, and after a screening at the Los Angeles Film Festival in 1980 and a limited VHS release in 1985, the film was shelved.

Read on: New York Times feature

Serpent Science

An unusual breed of Asian snakes can glide long distances in the air, and the Defense Department is funding research at Virginia Tech to find out why.

“Basically . . . they become one long wing,” said John Socha, the Virginia Tech researcher who has traveled extensively in Asia to study the snakes and to film them.

“The snake is very active in the air, and you can kind of envision it as having multiple segments that become multiple wings,” he said. “The leading edge becomes the trailer, and then the trailer become the leading edge.”

It gets stranger. During a technique not yet understood, some of the snakes can actually turn in air. What’s more, they all take a flying leap off their perch to get airborne, then drop for a while to pick up speed before starting the motion that keeps them aloft much longer than they would otherwise.

Socha’s initial research was sponsored by the National Geographic Society, but his most recent work and paper were funded by the Defense Advanced Research Projects Agency. The agency is involved in advanced military technologies of all kinds, and Socha said the physical dynamics of snake flight (and how other creatures stay in the air) is of great interest to the agency. (Washington Post)

Serpent Science: DARPA Wants to Know Flying Snakes’ Secret | Popular Science

Pentagon seeks flying snakes’ secret