DON’T THINK, GO: Today and tomorrow in New York, BRUCE CONNER’S wildly wonderful short films at Anthology, presented in 2 daily evening programs

From Anthology Film Archives:

Bruce Conner (1933-2008) was an artist whose astounding body of trailblazing work across numerous mediums – film, drawing, sculpture, and photography to name just a few – has long been celebrated in cinemas, galleries, classrooms, and museums around the world. A puckish iconoclast who adopted numerous styles and identities over the decades, Conner never worried about audience expectations or settled into one groove. He never stopped being completely unpredictable. To celebrate Anthology’s recently completed restorations of five of Conner’s most seminal films, we present two programs that feature brand-new and pristine prints of key works alongside lesser-screened gems.

10 SECOND FILM, REPORT, COSMIC RAY, MEA CULPA, and AMERICA IS WAITING have been preserved by Anthology Film Archives through the National Film Preservation Foundation’s Avant-Garde Masters Grant program funded by The Film Foundation. CROSSROADS was restored by UCLA Film & Television Archive, and funded by the Conner Family Trust and Michael Kohn Gallery.

Special thanks to Michelle Silva and The Conner Family Trust.


10 SECOND FILM (1965, 10 sec, 16mm)

COSMIC RAY (1962, 5 min, 16mm)

THE WHITE ROSE (1967, 7 min, 16mm)

BREAKAWAY (1966, 5 min, 16mm)

PAS DE TROIS (1964/2006, 8.5 min, 16mm-to-video. Edited by Bruce Conner.)
A rarely seen document photographed by Dean Stockwell of Conner shooting BREAKAWAY with Toni Basil.

LOOKING FOR MUSHROOMS (1959-67, 3 min, 16mm)

EASTER MORNING RAGA (1966, 10 min, 8mm)
While Conner produced a digital version of this work in 2008, we will be screening an original 8mm film print.

TAKE THE 5:10 TO DREAMLAND (1978, 5 min, 16mm)

VALSE TRISTE (1978, 5 min, 16mm)

HIS EYE IS ON THE SPARROW (2006, 4.5 min, digital video)

Total running time: ca. 60 min.


10 SECOND FILM (1965, 10 sec, 16mm)

MEA CULPA (1981, 5 min, 16mm)

MONGOLOID (1978, 3.5 min, 16mm)

AMERICA IS WAITING (1981, 3.5 min, 16mm)

REPORT (1963-67, 13 min, 16mm)

CROSSROADS (1976, 36 min, 35mm)

Total running time: ca. 65 min.

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About Jay Babcock

I am an independent writer and editor based in Tucson, Arizona. In 2023: I publish an email newsletter called LANDLINE = Previously: I co-founded and edited Arthur Magazine (2002-2008, 2012-13) and curated the three Arthur music festival events (Arthurfest, ArthurBall, and Arthur Nights) (2005-6). Prior to that I was a district office staffer for Congressman Henry A. Waxman, a DJ at Silver Lake pirate radio station KBLT, a copy editor at Larry Flynt Publications, an editor at Mean magazine, and a freelance journalist contributing work to LAWeekly, Mojo, Los Angeles Times, Washington Post, Vibe, Rap Pages, Grand Royal and many other print and online outlets. An extended piece I wrote on Fela Kuti was selected for the Da Capo Best Music Writing 2000 anthology. In 2006, I was somehow listed in the Music section of Los Angeles Magazine's annual "Power" issue. In 2007-8, I produced a blog called "Nature Trumps," about the L.A. River. From 2010 to 2021, I lived in rural wilderness in Joshua Tree, Ca.

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