Fascinating cultural anthropology perspective on American pro and college sports’ eras from Bourgeois Surrender blog, excerpt below. If anyone has any good leads on particular NFL Films and other archival/ethnographic sports films, pass em on in the Comments section…

Pro Football’s aesthetic peak spanned roughly the era of the 14-game schedule, 1961-1977. I might even restrict it to the 60s, before the AFL-NFL merger, because I like smaller, exclusive leagues, and the 70s saw the debut of a lot of new and ugly stadiums, but there was also a lot of interesting stuff going on in the early-mid 70s–the George Allen Redskins, the colorful Raiders teams, the great Miami teams, the great early Steelers teams, the very good Minnesota teams back when that franchise played outdoors in what wouldn’t be an acceptable stadium for a Division II college team today. The outstanding work of the NFL Films company in this era, when the corporate arm of the league as well as the coaches and players took themselves considerably less seriously than they do today, reveals all kinds of fascinating nuggets of detail about both football and everyday life in the 1960s and 70s that are astounding to see, or in some cases be reminded of, now. Everything was comparatively so small-time, or perhaps I would better say, on a reasonably human scale. The stadiums, the media coverage, the money, the players’ bodies, the locker room amenities, are all phenomena well within the realm of ordinary experience. The crowd at a modern game is so individually insignificant and stifled, overwhelmed by the spectacles of technology, money and modern security, as to be little better than ants. In most of the stadiums (stadia?) of the 60s they tended to be closer to the field, in more intimate communion both with the players and other people around them, less distracted by other demands on their attention; the filmed crowd shots of the era reveal livelier and more engaged expressions (as well as better clothes) than fans have nowadays, who if they are acting in an energized manner are probably responding to television or some other media provocation than anything they can see with their eyes. MORE

This just in from Scott Verrastro…

CHROMATIC MYSTERIES
featuring Marshall Allen (Sun Ra Arkestra)

Tuesday, February 17
Johnny Brenda’s
1201 N. Frankford Ave., Philly

Home

215-739-9684
$10, doors at 8pm, 21+

Chromatic Mysteries is a new Philly-based ensemble — or perhaps a conduit for extraterrestrial audio manipulation — comprised of members from such sonic explorers as Sun Ra Arkestra, Bardo Pond, Kohoutek, and New Ghost. Horns collide with guitars that melt with percussion to create alien emissions that communicate with man’s primordial urges.
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From the Washington Post:

Obamas to Honor Wonder

President Obama and first lady Michelle Obama plan to host a concert Wednesday in the White House’s East Room in honor of Stevie Wonder, reports The Post’s DeNeen Brown. Wonder is to be awarded a Gershwin Prize for Lifetime Achievement from the Library of Congress.

Wonder’s songs “Higher Ground” and “Signed, Sealed, Delivered” were played often during Obama’s campaign. And it was the performance last month by Wonder, along with Usher and Shakira, that pulled the Obamas out of their chairs and set them to dancing during the inaugural concert at the Lincoln Memorial.

Wednesday’s concert is scheduled to be shown Thursday on PBS as part of the network’s “In Performance at the White House” series and to celebrate Black History Month, the White House announced yesterday.