A unique opportunity to fund legal and unregulated exploration of consciousness in an urban setting…

Info from Twig Harper & Co in Baltimore about the extremely worthy fundraiser they are conducting:

Our goal is to give people a safe space and the tools to discover, explore and develop a sense of the subtle inner worlds. In the hectic commodity-driven world we live in this is a rare and unique possibility. There are no other places like this in the area and we believe we can provide a valuable service to the many people.

We are in the process of purchasing a Samadhi flotation tank and now we need to build it a home. Our plan is to renovate the first floor, install the tank, move the cedar sauna downstairs, build a new meeting area and shelves for the Esoteric Library, and create a safe session room for continuing research with Salvia Divinorum. The entirety of this fundraiser will go toward purchasing building materials for this project.

When T-Hill started almost 12 years ago we mostly focused on building a community around music, art and performance and created a space which included a performance venue, music studio, artist residencies, and more. We have done all of this out of pocket from our own love and passion and operated without grants or loans. Learn more about the history of T Hill here: http://heresee.com/tarantulalink.htm

As the years have gone by our focus has changed as we have become more deeply interested in exploring consciousness and connecting with alternate realms… We rarely host performance events anymore and have decided to change the space to reflect our own interests as well as foster exploration in Baltimore and surrounding communities. A flotation tank offers the user a place free from all sensory input where the internal domain can be more fully explored. The Samadhi Flotation Tank is the first commercial company which began building tanks based on the research of John C. Lilly, and the tanks were named and co-designed by him. There are very few float centers in the area, with the nearest one over two hours away. To learn more about floating check out http://en.wikipedia.org/wiki/Isolation_tank or http://www.samadhitank.com/

Due to a lucky find of cedar wood at the Loading Dock we have had a sauna for many years (though it has been inoperable for the last two) and have had many community sweats. We plan on moving the sauna near the tank and making it smaller and heating it with an electric heater. This will make it easier and safer and open up the ability for more frequent use.

We have had the T. Hill Esoteric Library free and open to the public for over four years. Here you can browse and borrow a specialized collection of books focused on many subjects including entheogens, spirituality, ancient civilizations, herbs, occult studies and much more. During Hurricane Sandy our entire west wall was leaking water and we had to remove all of the books from the shelves to save them. In the new plan the books will be safe on the east wall and also in a much cozier space for perusing and reading. Visit the library website here: http://heresee.com/libraryindex.htm

The new plan also includes space for working with Salvia Divinorum. There is a space to grow plants as well as a room dedicated to administrating chewed salvia sessions. Most of the research on salvia has focused on the vaporization of one extracted compound ‘Salvinorin A’ which is intensly active for short amount of time making the experience difficult to navigate and integrate. Chewing salvia leaf leads to a much less intense experience spread out over a longer time. We initially will be focused on mapping out the effects of the chewed method with a small group of people. From there we will see what areas the experience can be applied to for transformation. The current research into entheogens has been mostly limited to government regulated studies, many of them taking place at nearby Johns Hopkins University. There is also a large community of underground self experimenters who mostly work with illegal compounds. At this time Salvia Divinorum is completely legal in Maryland and it offers a unique opportunity for legal and unregulated exploration with a plant teacher. With our new space we will be able to provide a safe context of experimental work that falls somewhere in between the established communities mentioned above. We hope to start a new relationship between these two communities while furthering the research of both.

More info: http://www.indiegogo.com/tarantulahill/x/2064889

WHAT THOSE CRITICS ARE SAYIN

“The new oversized print-only issue of Arthur Magazine is even more gorgeous and satisfying than expected. Like a Sunday supplement for heads.” — Jesse Jarnow, author of Big Day Coming: Yo La Tengo and the Rise of Indie Rock

“Beautiful” — Chris Richards, The Washington Post

“The Haydukes of music/art/culture journalism return…welcome back!” — Team Love Records

“A coffee-table newspaper, printed on 16 immense pages of newsprint with minimal ads, and almost every inch covered with words or pictures… The cover, a gigantic piece by surreal comics artist Rick Veitch, is gorgeous, and the crispness and clarity of the print is perhaps the best I’ve seen in a newspaper. Everything in the new [issue] is worth absorbing… Opening the mammoth pages of the new Arthur feels much like unfolding a road map, one that points to strange, unfamiliar worlds.”
Ned Lannamann, The Portland Mercury

Click here to order Arthur No. 33 — $5 pretty cheap, plus shipping and handling

TONIGHT Thurs Jan 3, 6-10pm Portland, Ore.: ARTHUR RE-LAUNCH PARTY at Floating World Comics

arthurmini

Arthur No. 33: Buckminster approves.

ARTHUR RE-LAUNCH PARTY TONIGHT IN PORTLAND, OREGON

Come celebrate the release of Arthur’s first new issue in four years at a free party TONIGHT Thursday, January 3, 2013 at Floating World Comics, Arthur’s new co-publisher.

We’ll have original comic art on display from contributors Rick Veitch and Gabby Schulz. Floating World head honcho/Arthur co-publisher Jason Leivian will be there, and Arthur Art Director Yasmin Khan is rumored to be stopping by. Plus: Betel nuts, and other surprises.

WHO: Arthur No. 33
WHAT: Magazine release party and art exhibit
WHEN: Thursday, January 3, 6-10pm
WHERE: Floating World Comics, 400 NW Couch St., Portland, Ore. (503)241-0227

If you can’t make it, order a copy online—$5, pretty cheap. Info here.

What humans are saying about Arthur No. 33…

“The new oversized print-only issue of Arthur Magazine is even more gorgeous and satisfying than expected. Like a Sunday supplement for heads.” — Jesse Jarnow, author of Big Day Coming: Yo La Tengo and the Rise of Indie Rock

“Beautiful” — Chris Richards, The Washington Post

“The Haydukes of music/art/culture journalism return…welcome back!” — Team Love Records

“A coffee-table newspaper, printed on 16 immense pages of newsprint with minimal ads, and almost every inch covered with words or pictures… The cover, a gigantic piece by surreal comics artist Rick Veitch, is gorgeous, and the crispness and clarity of the print is perhaps the best I’ve seen in a newspaper. Everything in the new [issue] is worth absorbing… Opening the mammoth pages of the new Arthur feels much like unfolding a road map, one that points to strange, unfamiliar worlds.” — Ned Lannamann, The Portland Mercury

Photo of Buckminster via Brooke S!

Washington Post on Arthur’s return to life

Arthur magazine, a counterculture favorite, returns to print

By Chris Richards

December 25, 2012

When the aughties weren’t horrifying, they were tough. Wars raged, SARS spiked, economies crumbled and America decided that its pop singers would be elected to fame via reality television, which, while pseudo-democratic, remains humiliating for all parties involved.

We needed a friend. Someone who could tell a weird joke, hip us to unheard music, teach us how to forage for food in the wild, or give us crash courses in magic. We needed Arthur.

A decade ago, free stacks of the counterculture magazine began materializing at coffee shops, bookstores, nightclubs and galleries across the country. These unsuspecting little newspapers were packed with fantastic reads — articles for, by and/or about rockers, radicals, astrologists, herbalists, poets, punks, believers, debunkers, cooks, comedians, cartoonists and Dolly Parton. But in 2008, as the great recession sent so many indie publications into death spasms, the magazine went kaput.

Four years later, Arthur has risen. “It’s good to be alive again, doing something that we love,” writes editor and co-publisher Jay Babcock in the magazine’s new issue, which features a definitive interview with late outsider guitarist Jack Rose and an almost hallucinogenic appreciation of Waylon Jennings’s finest album, “Dreaming My Dreams,” by Stewart Voegtlin.

And then there’s the biggest surprise: You can actually hold this thing — a beautiful, 16-page broadsheet — in your hands…

Continue reading: Washington Post

WHAT WE COULD HAVE AGAIN

othernyc

“In Thierry Cohen’s series, Darkened Cities, we think we see bright night skies over cities. Actually, what we’re seeing is the opposite. These are the skies that we don’t see. By traveling to places free from light pollution but situated on precisely the same latitude, [Cohen] obtains skies identical to the very ones visible above the [too-bright] cities a few hours earlier or later. He shows, in other words, not a fantasy sky as it might be dreamt, but a real one as it should be seen…”

http://thierrycohen.com/pages/texts/text.html

(Link via Ann Magnuson)

Arthur’s first issue in four years reviewed in Portland Mercury

A Coffee-Table Newspaper
Arthur Magazine: Back from the Dead

by Ned Lannamann (Portland Mercury)

IT’S BEEN four years since we last held a hard copy of Arthur magazine in our hands, but it’s made an unlikely—and very welcome—return to the printed medium with issue 33. Editor Jay Babcock has teamed up with Jason Leivian of Portland’s Floating World Comics, who’s now co-publisher, and while the new incarnation takes on a very different format from those last issues of Arthur, the ideas and attitude are happily the same. Arthur’s lens is on fringe music, art, and ideas—the “New Weird America” scene, as some have termed it—and perhaps due to Leivian’s involvement, there’s more of a visual emphasis on comics than before.

Issue 33 is something new: a coffee-table newspaper, printed on 16 immense pages of newsprint with minimal ads, and almost every inch covered with words or pictures. The cover, a gigantic piece by surreal comics artist Rick Veitch, is gorgeous, and the crispness and clarity of the print is perhaps the best I’ve seen in a newspaper…

continues: Portland Mercury