UP IN SMOKE: Weedeater column by Nance Klehm (Arthur, 2012)

Up in Smoke

by Nance Klehm

Illustration by Kira Mardikes

Originally published in Arthur No. 33 (January 2013), art direction by Yasmin Khan

Reginah Waterspirit, aka Brown Dove of Albuquerque, told me this story. 

Her husband Bearheart had been reading from his book at a major bookstore in town. Afterwards he was approached by a woman who he’d noticed had arrived at the reading late. She didn’t ask any questions, just looked into his eyes and gave him a paper, folded up. He put it into his pocket without looking. Later in the evening, Regina asked him what the woman had given him. He had forgotten about it entirely. He reached into his pocket and pulled out a wrinkled piece of paper holding a yet-to-be-used teabag. So they put the kettle on.

* * *

We are in an age of contraction that has the potential to unlock hidden economies. We all carry the scars and burdens and gifts of our ways of being. Tension exists between our desire to connect and our need to protect ourselves. There is a disconnect caused by doing this. As my friend Bill Wheelock told me: ‘I am a post-worker in a post-work economy.’ And he is right on. We’re dang uncomfortable about this structural unemployment. We have been made more vulnerable now with loads of sticky edges and on top of that we feel constricted by our own eggs.

Since so much of what we exchange, or have within us, is difficult to value in market terms, how do we even begin to form new economies?

In the economic monoculture of money, money is traded for money and devalues large classes of goods and services. Goods and services have concrete value. Money is only worth what it can buy; and indeed, money is an efficient shorthand for distributing goods and services. In the ecological, non-monied world, economic transactions happen across kingdoms—Bacterial with Animal (lacto-bacillus and animal gut) and Fungal with Plant (yeast and sugar) are recognizable economies.

If someone comes to your door, you help them out. If someone helps you out, you show your gratitude for what they have shared with you. This is part of the hobo ethical code. This is also an economy. And maybe, this give-and-take rocks back and forth, creating a rhythm of more mini-economic transactions and a relationship is nourished into being. And, maybe, in this flurry of synergistic exchange, the original impetus to engage is lost. It’s from here that our new economies emerge.

Most economies now relate to information. Getting it from somewhere quickly and at no cost so we can pack our heads with it. Hit the internet and books all you want, but when you ask someone to share something garnered from what they have lived, whether they have lived it easily or with difficulty, following a path chosen or given, and from whom you have no prior relationship, no prior economy, you should come without empty pockets.

Even better, before you ask them, slow down and ask yourself is your question really that important. The answer is frankly, most likely, NO.

But if the answer is YES, here is an urban-foraged weedy smoking mixture that you can easily find, gather, dry and mix yourself to later put in your pocket and pull out for payment or sharing when needed. 

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TONIGHT Thurs Jan 3, 6-10pm Portland, Ore.: ARTHUR RE-LAUNCH PARTY at Floating World Comics

arthurmini

Arthur No. 33: Buckminster approves.

ARTHUR RE-LAUNCH PARTY TONIGHT IN PORTLAND, OREGON

Come celebrate the release of Arthur’s first new issue in four years at a free party TONIGHT Thursday, January 3, 2013 at Floating World Comics, Arthur’s new co-publisher.

We’ll have original comic art on display from contributors Rick Veitch and Gabby Schulz. Floating World head honcho/Arthur co-publisher Jason Leivian will be there, and Arthur Art Director Yasmin Khan is rumored to be stopping by. Plus: Betel nuts, and other surprises.

WHO: Arthur No. 33
WHAT: Magazine release party and art exhibit
WHEN: Thursday, January 3, 6-10pm
WHERE: Floating World Comics, 400 NW Couch St., Portland, Ore. (503)241-0227

If you can’t make it, order a copy online—$5, pretty cheap. Info here.

What humans are saying about Arthur No. 33…

“The new oversized print-only issue of Arthur Magazine is even more gorgeous and satisfying than expected. Like a Sunday supplement for heads.” — Jesse Jarnow, author of Big Day Coming: Yo La Tengo and the Rise of Indie Rock

“Beautiful” — Chris Richards, The Washington Post

“The Haydukes of music/art/culture journalism return…welcome back!” — Team Love Records

“A coffee-table newspaper, printed on 16 immense pages of newsprint with minimal ads, and almost every inch covered with words or pictures… The cover, a gigantic piece by surreal comics artist Rick Veitch, is gorgeous, and the crispness and clarity of the print is perhaps the best I’ve seen in a newspaper. Everything in the new [issue] is worth absorbing… Opening the mammoth pages of the new Arthur feels much like unfolding a road map, one that points to strange, unfamiliar worlds.” — Ned Lannamann, The Portland Mercury

Photo of Buckminster via Brooke S!

NOVEMBER, 2002…

Ten years ago — 2002 — right about now: 70,000 free copies of the 56-page Arthur Magazine No. 1 somehow hit the streets across North America.

Thank you to everyone who helped get this train rolling.

Thank you, publisher Laris Kreslins and art director W.T. Nelson. Thank you, adfellow Jamie Fraser.

Thank you, senior advisors Mark Lewman, Paul Cullum and Shawn Mortensen (RIP).

Thank you, contributors Paul Moody, Byron Coley and Thurston Moore, Geoff Mcfetridge, Spike Jonze, Neil Hamburger, David Berman, Ian Svenonius, Dame Darcy, Eddie Dean, Joe Carducci, Camille Rose Garcia, Jason Amos, Joseph Durwin, Daniel Pinchbeck, Alan Moore, Pat Graham, Dave Brooks, Steve Giberson, Mike Castillo and John Henry Childs.

Thank you, all the agents in our improvised guerrilla distribution network across the continent.

Thank you, all the entities that spent money to advertise in our untested pages.

Thank you to everyone thanked on Page 3 of the mag: Brendan Newman, Kreslins Family, Oma, Kristaps, Gary Hustwit, Chris Ronis, Kate Sawai, Janis Sils, Bernadette Napoleon, Vineta Plume, Fred Cisterna, Richard Grijalva, Ned Milligan, Lizzy Klein, Robin Adams, Jack Mendelsohn, John Shimkonis, Prolific, Chris Young, Ed Halter, Mike Galinsky, Jim Higgins, Plexifilm Family, Alie Robotos, Domainistudios, Fistfulayen, Natalie and Zach, Janitor Sunny Side Up, Yasmin Khan, Rachel Stratton, Lady Montford, John Coulthart, Henry Childs and Joshua Sindell.

Thank you, Sue Carpenter.

Thank you, Darcey Leonard.

Thank you, John Payne and Andrew Male.

Thank you, Robin Turner.

Thank you to the bands that played Arthur’s launch party at Spaceland in Silver Lake (thank you, Jennifer Tefft): Fatso Jetson, Chuck Dukowski Sextet… I’m not sure who else.

Thank you, Matt Luem.

Thank you, Steve Appleford, for being a real journalist.

Thank you to everyone who played a role who I’ve forgotten or neglected to post here. (Please be in touch!)

And thank you to everyone who found the magazine, picked it and read it.

We’re coming back.