DAVID BERMAN ON ECSTASY

From http://www.weeblackskelf.co.uk/cordsuit/articles/w_drugs.htm

THE SUMMER BEFORE THE NIGHT ECSTASY BECAME ILLEGAL IN THE STATE OF TEXAS

by David Berman

MY FRIEND KYLE always had a lot of money and could get me into the expensive kind of trouble without
the trouble sticking. He didn’t mind paying for me if it meant raising hell with loyal company. We were seventeen. You only needed one reason to be friends at that age. I figured we had at least three. So we broke the law every day in every way and laughed our asses off at the fucking stupid world.


    In late April we began to hear rumors about a new drug in the Metroplex. It was in the gay bars. Kids at the Arts Magnet were getting it. Certain people at certain parties had it and it was magical.

    They called it X. It was supposed to make you unaccountably happy and tolerant of everyone from headbangers to rich fucks. Even “douchebags.”

    Psychiatrists had been using it in therapy for years, we were told. It was legal and local product (it was still special to Texas at that time). It would make you love and accept anyone. Even yourself.

    This was a complicated promise for the teenager roiling with hate and confusion. I hardly believed it. But one night Kyle pulled out some foil holding four tablets, we each swallowed two, and went to a party where a lot of people were going to be doing it.

    Coming around the corner of that house, I’ll never forget the scene. Every high-school rule was being broken before me. The lions were chatting up the lambs. I saw sworn enemies talking like longtime companions; a prickly society bitch on her knees sifting white garden pebbles through her hands with
happy eyes; a brutal wrestler from my school with his arms wrapped around the trunk of a pecan tree, saying his first words to me ever, “Hi David,” sweetly, as I walked by.


    I rolled my jeans up to my knees and sat at the edge of the pool. Maybe for the first time I felt like no one was going to try to push me in. The stereo was playing “Blues for Allah” instead of the customary “Eliminator.” Nearby, two linebackers were confessing how much they depended on each other “on
and off the field.” I felt myself giving in to all the kindness, not caring if it was a lie or not. By the time a hot Fort Worth Jewess sprang into in my lap and began running her fingers through my hair, I was sold.


    At sunrise, I came in through the sliding glass. I woke my father and his new bride, apologized for staying out all night, and pulled a chair up beside the bed. I continued to sit there and smile down on them. I said, “I just want you to know how much I love you, Dad.” Incredibly, he did not kick my ass.
That morning was never mentioned again.

AS I SAID BEFORE, ecstasy was still legal and as such carried virtually no stigma. Kyle’s uncle kept
a jar of tablets on his desk at his car dealership. Law-abiding adults were taking them at North Dallas cocktail parties. They were even sold behind the bars like cigarettes and openly hawked on street corners downtown.


    That summer, I crushed two sports cars with my homely Buick, received six speeding tickets (three in one day), two tickets for public urination, impregnated a Collin County judge’s daughter, and had a bottle of MD 20/20 broken over my head. Approximately none of it registered with me. A very real fault of the drug.

    I’m going to skip the scenes of me chasing daisies and singing to stray dogs from still bulldozer cabs. I was exercising horses that summer for cash, and X hangovers were A-OK for barreling over the dull scrubland.

    Sometime in August, the lawmakers in Austin finally got around to outlawing ecstasy. What a gift for the dealers! The price of ecstasy immediately quadrupled and the production costs plummeted as the manufacturers began cutting the pills with all manner of horrible stuff.

    The night the law went through, I went to a concert at the Bronco Bowl and snagged two of the newly illegal pills for a dear price. I had never seen them in capsules and had no idea it was a sign they were crushing the old “legal” pills and mixing them with laxative, mannitol, low-grade speed, whatever.

    Once inside, I spent a half hour wiggling my way to the front of the floor. Unfortunately, when I got there I had a big problem. Not only were the drugs not kicking in, they were causing me to have to shit real bad. Michael Stipe was singing “Moon River” (hey!) a cappella and I knew I was going to blow if I didn’t part this shoulder-to-shoulder crowd and make it to the restroom. The audience was frozen in place and dead silent as I plowed through, “Excuse me, excuse me, emergency here, please, please” ( I think
I even yelled “gangway,” such was my ambition to get through), completely stepping on the vocalist’s Ethel Merman star turn and nearly getting shhhhhed to death.


    I passed the rest of the concert in a nasty stall gritting my teeth, sweating and coming to terms with what was clearly the symbolic end of a spaced-out summer.

    Fifteen years on, I can honestly say I’m glad it was outlawed. After three months of its use I had lost all discretion and was prepared to trust just about anyone. Worse yet, it was turning me into a joiner. That’s not who I am. Anyway, ecstasy was not to find its true customer base until years later, when the strangely passive kids who grew up in the child protectorate of the U.S. eighties and nineties came of age, craving depersonalization. Apparently it helps them dance. They’re a very attractive lot. Have you seen them dance?

David Berman lives in Nashville. His first book, Actual Air, came out last year via Open City Press.

ROY WOOD BRINGS HIS BAGPIPE TO NEW YORK CITY

from the NYTimes–

March 28, 2002

ROCK REVIEW | ROY WOOD

Returning After 28 Years, Leading an Army of Brass

By JON PARELES

Bigger means better to Roy Wood, the English rocker whose four shows at the Village Underground were his first New York City performances since 1974. His music has always equated blare with rock ‘n’ roll bliss.

Electric guitars rang out when he led the Move in the late 1960’s; cellos took over when he founded the Electric Light Orchestra with Jeff Lynne in 1971; and saxophones and voices buttressed Wizzard, his next band. Roy Wood’s Army, the band he brought to the Village Underground, backed him with 12 musicians,
including an eight-member horn section. Most of the band members were women. Mr. Wood looked much as he did in the 1970’s, bearded with brightly dyed long hair.

Sunday’s set was a brass-pumped retrospective of Mr. Wood’s catalog from the Move to the present. Sung in his high, nervous tenor while female backup singers gestured in sync, the songs were the work of a songwriter proclaiming his love for an imagined 1950’s paradise, full of pretty girls jiving to jukebox rock, or a man in thrall to the fearful power of women’s charms. The Move’s “Fire Brigade” calls for firemen to cool him down; a newer song, “Kiss Me Goodnight, Boadicea,” begs the ancient warrior queen to “take a break from your pillage and destruction.”

The songs often harked back to grand Phil Spector marches or a swinging rockabilly two-beat, but they weren’t pure revivals; they threw in odd key changes or skipped beats, while Mr. Wood took guitar solos that swiveled their way toward brash dissonances.

Other songs took Beatles-style pop and added extra crimps. The Army also played the Move’s psychedelic artifacts “I Can Hear the Grass Grow” and “Flowers in the Rain,” which showed Mr. Wood’s ear for plant life.

With the horns hooting away, the Army came across like a mixture of a soul revue and a Las Vegas show band, conveying a skewed nostalgia. For “Are You Ready to Rock?” Mr. Wood piled on one more element: he marched onstage playing bagpipes.

Proud of his eccentricities old and new, he had clearly decided that nothing succeeds like excess.

NIGHTMARES OF AN ETHER-DRINKER BACK IN PRINT

“The next title to be published by the Tartarus Press will be Nightmares of an Ether-Drinker by Jean Lorrain, translated by Brian Stableford. Lorrain was an archetypal doomed decadent of the 1890s whose chosen drug, ether, killed him horribly, though not before it had inspired him to write a series of morbid
tales which are translated and collected by Brian Stableford for the first time. It will be published in the slightly different format which we have just used for John Gale’s collection of prose poems, A Damask of the Dead. It will also have 1890’s style boards printed in two colours, and a dustjacket.”

THE LARGEST OCTOPUS EVER SEEN?

This giant squid (measuring 8 meters or about 26 feet) was hauled up from the same area in 1996.

Giant octopus caught off New Zealand

March 28, 2002 Posted: 11:07 AM EST (1607 GMT)

WELLINGTON, New Zealand (Reuters) — Scientists have identified what they believe is the largest octopus ever seen, a four-meter (13-foot) long giant hauled from the depths near New Zealand’s remote Chatham Islands.

The dead specimen, caught in a trawler’s net, was badly damaged but it was clearly a massive animal, said National Institute of Water and Atmospheric Research (NIWA) marine biologist Steve O’Shea.

“It would easily have been four-plus meters (about 13 feet) in total length and a weight of 70-75 kilograms
(154-165 pounds), if not more — it’s a very big
octopus, the size of a fully mature male giant squid.”

O’Shea had provisionally identified the specimen, caught at a depth of more than 3,000 feet (900 meters), as Haliphron Atlanticus, a bright red, jelly-like species of octopus not previously found in the South Pacific.

Juveniles of the species had been found in shallow northern waters, with adults believed to live at a depth of around 250 meters so the discovery was unusual, he said.

“It’s extremely deep, it’s extremely large, it’s the first recorded in the South Pacific, it may not even be the species we’ve attributed to it at this point in time — I’ve got a lot more work to do on it.”

People had been amazed when he relayed the details of the creature, O’Shea said.

“But down here in New Zealand, this is an area which is so poorly explored that its not surprising that we’re getting all these weird and wonderful animals.

“The frightening thing is that we are getting an animal like this newly reported in New Zealand waters today … so new and large, you’ve got to sit down and ask yourself ‘What is it we know about the deep sea environment?’,” O’Shea said.

Octopuses are one of the most diverse creatures on earth, with several hundred species worldwide and more than 40 species found in New Zealand waters alone.

The Chathams are a windswept group of islands around 530 miles (850 kilometers) east of Christchurch, home to around 800 people engaged in sheep farming and fishing.

SHE’S TAKING THE CHESS WORLD BY STORM

FROM ALEXANDRA KOSTENIUK’S WEBSITE:

“I am Alexandra Kosteniuk,
a International Woman Grandmaster (WGM) (1998) and an International Master among men (IM)(2000) and a Women’s Vice World Champion (2001). I was born in the Russian city of Perm on April 23, 1984. I have been living in Moscow since 1985. Currently I study at the Russian State Academy of Physical Education. When I graduate from the Academy I will become a certified professional chess trainer. I really enjoy teaching chess, perhaps it was inherited from my dad. My dad – Konstantin Vladimirovich – was my original trainer, it was he who taught me to play chess and worked with me for several hours a day. I am very grateful to him for everything I have achieved in chess is his merit. My dad sacrificed much for me. He abandoned a very promising and brilliant career of an army officer in order to help me and to accompany me to tournaments. Strange it may seem but he doesn’t have any international degrees, but he plays chess very good. And I think he is the best trainer I’ve ever known. That’s why, if you can’t play chess or if you want to improve your skills in chess, I recommend you to apply just to my father, by the way, he gives online lessons. I also gave online lessons on ICC, but now unfortunately I don’t have time for it, because of the preparation for the regular World Chess Championship, which will take place in London(December 2003).


I improved in chess rapidly. My first great achievements came in Junior tournaments. In 1994 I became a European Champion among girls under the age of 10, and a month later shared first and second places at the World Championship under the age of 10. Later, I had the same major achievements in other age categories. There were many of such victories and I’ll show them in a table there.

In 1997, I became a Woman International Master (WIM) at the age of 13, they say that I reached this mark slightly quicker than Maya Chiburdanidze, but I don’t give much significance to that. I scored all necessary WGM norms in February of 1998 that is at the age of 13 years and 10 months but the title was officially given to me in November 1998 at the 33rd World Olympiad in Kalmykiya. There is a table of my other major achievements at International tournaments. My current ELO rating as of January 1, 2002 is 2469.

I also have many other interests but chess, I write poems (some of them are published in my book), and I like sport in all its forms. When I graduate from the Physical Education Academy, I will be only 20, that is why I hope to enter one of the best universities of the world (of course if I earn enough money for such education). I adore studying.

    On the 26th of December (in Russian) and on the 15th of January (in English) my first book How I became Grandmaster at age 14 will come out. My dad and I have been working on it for almost two years, and I feel that its genre is very original. It is a manual in which I teach to play chess and at the same time I tell how I learnt to play chess starting from the age of 5. The book contains many annotated games and pictures, including colored ones. I hope that it won’t disappoint you. I think that many parents will purchase it as a present for their children. Perhaps not everyone who reads it will become a Grandmaster at the age of 14, but many readers will learn to play this most intelligent and most beautiful game in the world. Good luck!

    I am eager to hear your feedback and suggestions concerning my site, which will surely be answered by me or by my assistants who administrate the site. At my site you can put questions online to an administrator on duty or discuss news at the forum of the site. You are also welcome to my fan club!

Yours truly,

Alexandra

“Want to know in details what other people think about the book by Alexandra Kosteniuk?

Attention, you chess fans! Alexandra Kosteniuk‚s new book „How I became grandmaster at the age 14‰ is out! On the 26th of December Alexandra’s book was published in Russian, and on the 15th of January the book was published in English. Spanish version will be published very soon.

The book features:

* How I became a Grandmaster at the age of 14

* Secrets of the Russian chess school

* My best games

* Instructive positions”

DAME DARCY — THAT VOODOO SHE DO

FROM DAME DARCY:

“I’ve embraced technology and it morphed like a demented changeling to inform you that my biggest solo
art exhibit since the history of time will be
happening Saturday March — April 27th, 2002 at the Richard Heller Gallery in Bergamot Station, 2525 Michigan Ave, B-5a Santa Monica, CA 94040
from 5:00 ˆ 7:00 pm.

Plus don‚t miss the wacky antics live from Gem In Eye, the new musical spectacle starring Dame Darcy and Witch Dr. TNT Victor Cretella. It’s dolls to the wall! Speaking of dolls, you’ll get to see all the latest in
paintings, dolls and Meat Cake originals from #1-#11. For those wonderful bats not in the LA area, you will soon be able to see and purchase items from the online gallery, guaranteed to increase in value, especially after I’m dead! Better act quick, I’m not getting any younger!

Love Always
Dame Darcy”

DAME DARCY – VOODOO

Exhibition Dates: March 30 – April 27, 2002

OPENING RECEPTION:
Saturday, March 30, 5:00 – 7:00pm

BERGAMOT STATION

2525 Michigan Avenue B-5a

Santa Monica, CA 90404

310-453-9191

REGULAR HOURS:

Tuesday – Saturday 11:00 – 5:00pm

ZIGGURAT THEATRE

24 MAR 02: ZIGGURAT THEATRE

FROM THE

ZIGGURAT WEBSITE:



(The ziggurat is the Babylonian
step pyramid which connects the earth with heaven.)

“Ziggurat Theatre creates
performances inspired by world myths. We celebrate our collective past
through a distinctive kind of theater that explores world culture and ritual
as a dramatic form.  It is a central mission of the theatre to offer
an experience that can unite the diverse cultures of our community. We
do so by sharing and illuminating themes from classical and world mythology,
which transcend cultural boundaries and speak to our common human experience
instinctively, deeply and powerfully.”

Aquitania:
Gascon Center Theater – May & June, 2001

“Aquitania is based on characters
from the Legends of Charlemagne, a canon of stories about the French king
and his knights, narratively and thematically similar to the Arthurian
legends. For Aquitania we took from the stories four of the principle characters
ˆ the virtuous Charlemagne, Roland and Fleurdelis, and the evil Gano; and
one legend – that of an enchanted ring, and devised a story for them all.
However, we created a story, which explores the idea of time.  In
Aquitania a 10-year-old girl plays a board game whose pieces are the characters
of the mythical Charlemagne legends.  At the same time (or perhaps
not at the same time), Marguerite, a librarian has been summoned to a mythical
kingdom in 1930s Europe to solve a military crisis. The characters she
meets are the same characters from the board game, even though it is the
1930s. That is, they have the same names and embody the same ideals as
their Carolingian counterparts. We come to discover that Marguerite is
enacting with her new friends, the same plot that the little girl is working
out on her board game. We also ultimately learn that the little girl is
Marguerite as a child. Whether the little girl is imagining herself in
an adult conflict as she plays the game, or whether the entire affair is
a dream of the adult Marguerite, is not entirely clear. But the audience
sets off on a strange and wonderful journey much like Alice in Wonderland
or Dorothy in Oz, where the protagonist must embrace a new kind of logic.
And oh yes, I forgot to mention: It‚s a comedy. – Stephen Legawiec”

DEMOS AND COSMOPOLIS

23 MAR 02: DEMOS AND
COSMOPOLIS


From New
Left Review 13
, January-February 2002:

“As representative democracy
spreads it is steadily thinning: the nation-states that have been its traditional
framework are losing much of their power. Popular sovereignty can only
be recovered, Daniele Archibugi argues, in a cosmopolitan order antithetical
to its simulacrum in the Œinternational community‚ of today.” More.

I HATE THESE PEOPLE.

from http://members.aol.com/olandem4/reflections.html

Sterling Morrison, 1980:

“Maybe I’m trapped by certain beliefs, but in the early ’60s, on college campuses, you went one of two ways. Either you were a very sensitive young person, who cared about air pollution and civil rights and anti-Vietnam or you were a very unsensitive young person, who didn’t care about civil rights because all the blacks he knew were playing in his band or in his audience. I was a very unsensitive young person and played very unsensitive, uncaring music. Which is Wham, Bam, Pow! Let’s Rock Out! What I expected my audience to do was tear the house down, beat me up, whatever. Lou and I came from the identical environment of Long Island rock ‘n’ roll bars, where you can drink anything at 18, everybody had phony proof at 16; I was a night crawler in high school and played some of the sleaziest bars. You can’t quite imagine them in Texas – people didn’t carry guns, that’s the only difference. In the ’60s I had King Hatreds. I was a biker type and hung around with nasty black people and nasty white people and black rock ‘n’ roll music. On the other hand, you had very sensitive and responsible young people suddenly attuned to certain cosmic questions that beckon us all, and expressing these concerns through acoustic guitars and lilting harmonies and pale melodies. I hate these people.”

CLUED IN BY M. WATT!