JOHN FAHEY paintings, sound collage, comedy, more on now at AVA

From audiovisualarts.org:

Sketch by John Fahey circa 1998 for potential homepage for johnfahey.com

The paintings of John Fahey
July 10 – September 12, 2010

Presented by John Andrew and AVA

Legendary guitarist and iconoclast John Fahey is best known for his adventurous catalog of music. From 1959 until the time of his death in 2001 Fahey released upwards of 40 albums exploring the territory of blues, classical, hillbilly, spirituals, folk, musique concrete, rock, and noise. He was a figure like none other, a true visionary. In 1959, long before the term “independent label” hit the mainstream, he self-released his first album by pressing up 100 copies and selling them at the local gas station where he worked (shortly thereafter forming his own independent label Takoma Records). Lesser known is the fact that he was a fantastic writer in addition to being a hyper productive and explosive painter toward the latter portion of his life. This summer, AVA and John Andrew are extremely pleased to present the furiously beautiful paintings of John Fahey.

Pulling inspiration from the ‘French Primitive’, untutored painters, Fahey often referred to his music as ‘American Primitive’. The same alluring, raw, roots, mysterious, power, grit, obscure, industrial, ambient, epic, and tranquilizing aesthetics that one finds in Fahey’s music and his writings are equally present in his paintings. The 90’s proved to be a decade of regeneration for Fahey. Though he struggled with certain health problems, he was brimming with experimentation. Collaborating with noise artists and improvisational performers of the alternative movement, Fahey began to channel a new outlet for experimentation which included his return to painting; a bent he abandoned when he took up the guitar.

Fahey’s works are evocative of action painters and abstract expressionists. He painted on found poster board and discarded spiral notebook paper. His painting studio floated from motel bed to motel bed and eventually ended up on the bed of his rental home in Salem, OR; occasionaly painting with anti-freeze in the garage. He worked with tempera, acrylic, spray paint, and magic marker.

A selection of larger works (22” x 28”) will be on display in the Front Room of AVA in addition to a few select smaller works of varying dimensions. AVA and John Andrew would like to thank Melissa Stephenson for opening up her collection to this show and enabling the works to be available for purchase.

A series of sound collage works, spoken word, explorative / home recordings, and comedy all performed by John Fahey will be transmitted on the outside of AVA (as part of the Exterior Sounds series) during the course of the exhibition.

John Andrew is a New York based artist who has presented two shows at AVA. This show is a fulfillment of a Portland, OR art show he was originally organizing with Fahey in 1998.

Summer hours:
Thursday – Saturday, 12pm – 6pm
and by appointment

AVA
34 East 1st Street
New York, NY 10003

Subway: F,V train to 2nd Ave / 6 train to Bleecker

thanks: BKD

The bantamweight boxing champion managed by Jean Cocteau

Panama Al Brown

“When the eminent French poet Jean Cocteau died last October at the age of 74, his obituaries noted that he had followed an astounding number of part-time careers as well—novelist, playwright, choreographer, film director, critic and artist. But Cocteau’s journalistic biographers overlooked the most bizarre of his avocations: he was once the successful manager of a world champion prizefighter.

“The fighter was Alphonse Theo Brown, better known as Panama Al Brown, born in Panama in 1902, a lean, spindly-legged, thin-waisted boxer who won the bantamweight title when he was 26 years old. With a scrupulous exactitude that was rare for him—he was one of the most tireless name-droppers in the history of literature—Cocteau insisted that he was not Brown’s manager in a professional sense, that there was no contract or financial arrangement between them. But, in fact, Cocteau got to know Brown when he was down on his luck, persuaded him to train, selected opponents for him, directed a masterly publicity campaign on Brown’s behalf and guided and goaded Brown back to the championship. Nor is the sporting significance of this feat to be underrated. Unlike America, where the heavyweight class has long dominated public interest-even as it does this very week—Europe has always revered the smaller fighters, from the middleweights down. A flashy Al Brown could be, and was, the talk of Paris.

“No professional manager could have done a better job than Cocteau did with Brown, and probably no one in boxing history ever had less preparation for it…”

—from Robert Cantwell’s introduction to a long excerpt drawn from Monstres Sacres du Ring by Georges Peeters, published in the March 2, 1964 issue of Sports Illustrated. Here are links to both:

The Poet And The Boxer by Robert Cantwell

How Cocteau Managed A Champion by Georges Peeters

QOTSA/EODM benefit to pay for Brian "Big Hands" O'Connor's cancer treatment

Eagles of Death Metal bassist Brian O’Connor has been diagnosed with cancer, and is undergoing treatment in Los Angeles. More info on how you can help: brianeodm.org

Queens of the Stone Age & Eagles of Death Metal

A Benefit for Brian O’Connor

Thursday, August 12th

Club Nokia

Los Angeles, CA

PRE-SALE begins Thursday, July 15th 10 am PST

http://www.ticketmaster.com/event/090044E7E1D46680?brand=clubnokia

password: bighands

tickets on sale to the public Friday, July 16th @ 10:00 am