

Former Black Flag singer Ron Reyes talks about visiting Vancouver for the first time, and eventually deciding to stay for good: thepunkmovie.com (you gotta go there to view it)
Impossible to summarize or memorialize his achievements right now.

New York Times: obituary by Ben Sisario


Harvey Pekar (right) with longtime Arthur contributing artist Joseph Remnant. They had been collaborating on a new book at the time of Pekar’s passing.
Cleveland Plain Dealer: news report
New York Times: report/obituary
Tom Spurgeon at The Comics Reporter: long, smart essay on Pekar’s life, work and impact


From Watt’s current online Stooges tour diary:
“backstage w/us are the zz top guys – pretty happening for me cuz I saw them in the early-middle 70s and really dug their third and fourth albums big time, really fucking BIG time – I loved them and they were my kind of power trio in those days, my favorite. you know, when I do interviews about bass I’m thinking now I don’t give enough credit to dusty roads cuz I learned tons from him. I’m gonna make that right. I get to talk some w/frank beard, the drummerman – what a very nice guy. so is mr dusty, man, he is something. his fingers are kind of small, like thumbs but man, he can work a bass like no one’s business. he is very kind to me too. what nice cats….
“….I go watch most of their gig – their basshelperman, pulls up a case me to sit on and even gives me a dusty roads pick though I only see him use fingers the whole gig. he’s a great singer too though mr billy does must of it, they do a lot together also. mr billy’s an incredible guitarist and mr frank is really grooving – them all playing together is really something else. wow. I played a telecaster bass in the later minutemen days cuz I finally found one and I could play like mr dusty. now I got to see him work it up close – crimony! they get done and I tell him “much respect” even start foaming some but work hard to hold it back. he is very gracious. I talk to mr frank and he’s also very gracious – I saw him watch our whole gig – he says he dug the stooges show said “it was mach twenty the whole way!” mr billy goes talk to him and I thank him, also he’s big time gracious – they’re all so nice to me. I told mr frank about seeing them in my teen years – I tell him and mr billy I’m an old punk but they put HUGE influence in me and d. boon – why we wanted to be a powertrio, more than cream – be more like them w/their mic stands up there real close together.”
One from The Strange Boys…
From dezeen.com:

Japanese landscape design studio EARTHSCAPE have created a giant travelling human-shaped herb garden.

Called Medical Herbman Café Project (MHCP), the garden arrives in shipping containers which convert into a shop and cafe at each location. Herbs are planted according to the parts of the body they can benefit.

Here’s some text from Kobayashi:
“Herbman carries his trunk (the container) as he travels, bringing good health and giving dreams to children wherever he goes. This is the vision of our project. Herbman is a person-shaped herb garden. Various herbs are planted in this garden. Herbs are planted on Herbman’s body according to their effects: for example, herbs that aid digestion are planted in the stomach area, and herbs that work to relieve shoulder stiffness are planted in the shoulder area. In this way, Herbman acts as a kind of herb dictionary. Just by looking at Herbman, people can learn which herbs work for their trouble spots. We also plant herbs that grow naturally in the locale, so that our herbs are constantly changing, and a site-specific Herbman is born in each locale.”
More text and photos: dezeen.com
Hipped to this via Stephanie S.!
The immortal Faces, 1972…
Plus Keith Richard. 1974.
More: Southern Lord blog

Opening Reception:
Center for Book Arts
28 West 27th Street, Third Floor
New York, New York 1001
Wednesday, July 7th, 6-8pm, FREE
Poems and Pictures:
A Renaissance in the Art of the Book (1946-1981) Poems and Pictures
Organized by Kyle Schlesinger, Proprietor of Cuneiform Press.
Poems & Pictures examines relationships between visual and language art. The exhibit features over 60 books produced between 1946 and 1981, as well as paintings, collages, periodicals, and ephemera. Poets, artists and collaborators include Wallace Berman, Joe Brainard, Robert Creeley, Jim Dine, Johanna Drucker, Philip Guston, Joanne Kyger, Emily McVarish, Karen Randall, Larry Rivers, George Schneeman, and many more.
A comprehensive catalogue accompanies this exhibition.