July 4, L.A.: Arthur presents "Willie Nelson's 4th of July Celebration" screening at the 3rd Annual Cinefamily 4th of July BBQ Blowout

3rd Annual Cinefamily 4th of July BBQ Blowout (feat. The Fantastic Sights And Sounds of Virtual Fireworks and Other Movie Mayhem!!!!)

Co-presented by Arthur Magazine

From Cinefamily:

We’d like to invite you all to the best 4th of July party since the Capitol Celebration of 1778, when George Washington gave the United States Army an artillery salute and a double ration of rum! Well, we’re gonna give you a quintuple ration of cinema with one of our signature Cinefamily “Mondo” nights. It’s all planned out: an open door to our sweet back patio, good music, friends, and that most American of traditions—a BBQ, so bring something to grill! And if it gets too hot, just step inside our nice air-conditioned theatre, and catch our marathon film festival. “Mondo” means a world of weirdness built around a theme, and tonight’s theme is America, so it’s a patriotic free-for-all of film formats, from DVDs to 16mm industrials, to 35mm features. We’ll be keeping the fest alive all night long, just like our grill! Check out the highlights:

5PM: We light the grill. We begin the festivities… [Arthur Magazine deejays will be on hand to spin proper barbecue music. Also, courtesy Rounder Records, we will be giving away copies of Willie’s sweet new album — see below—to winners of a contest whose nature is yet to be determined.]

6PM-ish: WILLIE NELSON’S 4TH OF JULY CELEBRATION! An incredibly rare boozy ‘n woozy full-length concert film, shot at the 1977 edition of Willie’s very informal annual 4th of July concert festival. Featuring Willie, Waylon, Leon Russell, Doug Kershaw and other great country stars singin’, sweatin’, partyin’—and most importantly of all, drinkin’. These folks were some of the ultimate party animals, with Leon Russell emerging as the King of Booze in some of the most gloriously inebriated footage ever shot! As Austin, TX’s Alamo Drafthouse says: “These good ol’ boys knew as much about partying as Marie Curie knew about radium. Be there!!!!”

8:08PM: VIRTUAL FIREWORKS SHOW! According to the Farmer’s Almanac, the July 4th sun will set at 8:08 PM. We wouldn’t want you to miss the fireworks, so we’ll be screening best-of videos from international fireworks competitions, experimental films and enough jingoistic eye candy to make you oooh and aaah!

8:30-ish: UNCLE SAM The climax of the night is this patriotic back-from-the-dead revenge slasher from the fevered minds of William Lustig (Maniac) and Larry Cohen (It’s Alive, God Told Me To), featuring a Gulf War solider killed by friendly fire who returns to extract bloody payback from any draft dodgers, flag burners and oily military men he can find. Perfect viewing for when you’re chomping down the last charred remains of any remaining hot dog from the grill. Abbondanza!

Tickets – $10/free for members — Buy here

The Cinefamily
611 N. Fairfax Ave.
Los Angeles, CA 90036
(323) 655-2510

Download: “Man With the Blues” — Wille Nelson (mp3)
Stream:[audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/04/ManwBlues.mp3%5D

“If you need a little shove in fouling up in love/come to me, I’m the man with the blues”

Sweet-to-these-ears new Wille-penned blues, from this great American outlaw’s new album, Country Music out now on Rounder Records, produced by T-Bone Burnett (!). More info at Amazon

Also of interest: Wille Nelson Peace Research Institute

And, very highly recommended: The Tao of Willie: A Guide to the Happiness in Your Heart by Willie Nelson with Turk Pipkin


Thanks Kevin Barker!

R.I.P. Rammellzee founder of Gothic Futurism

From Magical-Secrets.com, “Always ahead of his time, New York artist and performer Rammellzee (born in 1960 in Queens, New York) is credited with being one of the inventors of graffiti art as we know it. Through writing, drawing and painting on subway cars in spray paint and felt-tip pen in the late ‘70s, he became interested in the symbolic value of letters, seeing for example the letter “A” as a pyramid or taking “W” to mean “double-you.” He has continued to explore these ideas through a variety of media ever since, from the paintings that in 1988 Gerrit Henry described in Art In America as having “a Star-Wars-via-Jackson-Pollock look” to the legendary hip-hop single “Beat Bop” that was produced by the artist Jean-Michel Basquiat, and became not just one of the most collectible hip hop releases ever, but a model for generations of witty and experimental musicians after him.

In the mid-80’s, Rammellzee became associated with a group of artists who painted or tagged in a style known as East Village wild style. This was an illegible, dynamic style of writing letters derived originally from the Gothic script of Medieval manuscripts. In 1982, he appeared in the seminal hip hop documentary Wildstyle by Charlie Ahearn. Rammellzee named his style “Gothic Futurism,” describing the battle between letters and their symbolic warfare against any standardizations enforced by the rules of the alphabet. When his style of writing became more mainstream in the world of graffiti, Rammellzee built his letters into flying armored vehicles, bursting forth with a style and philosophy all his own that he termed “Ikonoclast Panzerism.” Jan van Adrichem and Marjin van Nieuwenhuyzen wrote in the catalog for his 1986 retrospective that, as in the biblical story of the city of Babel, in Rammellzee’s system “people do not use language, language uses people; it has become an autonomous force.”

Conversation with an Insect” originally published in ‘Soul Underground’ magazine 1988.

Read his Ionic Treatise of Gothic Futurism

THE BOYS AT THE DESERT IGLOO

Baltimore daretakers Lexie Mountain Boys inside “Igloo” at Noah Purifoy’s “Outdoor Desert Art Museum” in Joshua Tree, California, last Saturday.

More: Kristine McKenna on Noah Purifoy, from Arthur Magazine No. 11

Lexie Mountain Boys myspace

Noah Purifoy on NPR and Tavis Smiley Show

Noah Purifoy Foundation

Crazy Dreams Band (featuring Lexie)

UNBORING NEW WHITE RAINBOW

For the past year or so, i’ve been working on a lot of beat and synth driven ideas. One day i decided it had been too long since i gave much attention to the guitar or making slowly evolving improvised “sound-scape” music.
Boring Guitar Music was recorded with this in mind/ in one sitting/ in March of 2010. Electric guitar, Ableton Live and an APC40 controller.
DOWNLOAD THIS AWESOME ALBUM NOW! NAME YOUR PRICE OR FREEEEE!!!!

Go: whiterainbowpizza.bandcamp.com