I’m pretty sure this was the first “major” feature on the band, for whatever that’s worth. Originally published in LAWeekly (June 10, 2004)…
Voodoo Boogie
Eagles of Death Metal: anointed by the spirits of rock & roll
by Jay Babcock
It’s never enough for some people.
I’ve explained to Jesse “the Devil” Hughes, singer of the Palm Desert/Los Angeles rock & roll band Eagles of Death Metal, that I’ve seen his group perform not once, not twice, but three times in just the last six months. This sort of attendance record might suggest a certain amount of enthusiasm for the band. But Jesse (calling him “Hughes” would be like calling Ozzy “Osbourne”) has got to know.
“Hey, why didn’t you go to the Henry Fonda show?” he asks. He looks at me with searching, sensitive eyes, like he’s been reluctant to ask but now, pride be damned, he’s decided that he really needs an answer. Like many great stage performers, Jesse is genuinely insecure. “I don’t get stage fright anymore,” he says, “but I get scared if people don’t love me.”
What’s not to love, one wonders. Witnessing the Eagles of Death Metal live is like encountering an embodiment of all that once made early rock & roll so wonderful: There’s a simple beat, you can sing along to it, and the singer is bizarrely charismatic. Jesse is a rock star as imagined by John Waters: greased-back hair, glasses, what he calls a “soft wonderful boomerang of love” mustache, gloves, tattoos, tight jeans, a Fender Telecaster and (sometimes) a rayon cape, delivering up the best Chuck Berry/Little Richard/Canned Heat–inspired rock & roll to leak out of America in some time.









