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BULL TONGUE Top Ten—Oct. 20, 2009

TONGUE TOP TEN — OCT. 20, 2009
by Byron Coley and Thurston Moore

Sorry about our recent absence, but travel and general shit have shoved their fingers deep into our collective schedules. Hopefully, we’ll manage to wiggle around in more timely fashions now that the nuts are off the trees.

1. Was really curious to hear some sides by The Pink Noise—Canadian noise rockers recently expanded to three pieces from two—after hearing them kill it one night at Union Pool. So, was hanging at Earwax on Bedford waiting for the line to shrink in front of the Endless Summer taco truck and eyeballed their Alpha LP (Almost Ready Records) and the “Gold Light/Prince Charlies Revenge” 7” on Sacred Bones Records. Grabbed ‘em both and was kinda stunned by how much weirder and seriously zonked they were in comparison to their live blast. Gotta see ‘em again now cuz these vinyls are really outasite no (whatever) wave primal beat drum/guitar from crazy place and the singing is odd guttural scrawl. You might wanna dig this. Or eat it. We did both and are ready for many more spoonfuls.

2. Incoherent Lullabies (Camera Obscura) is the second album by Denver-based space pop outfit, Fell. And it makes me (the older Tongue handler) recall the first time I ever heard of Pink Floyd. It was the spring of 1968. I was attending Montclair Academy. I was talking to someone about how much I liked the Doors and he said, “Oh, you should check out this new band from London, The Pink Floyd. They’re like the English Doors.” I did check them out, and didn’t really get the connection very clearly. Syd Barrett and Jim Morrison were so incredibly different it just didn’t make sonic sense. But now, hearing Fell, I am starting to appreciate some of the sonic similarities between Obscured By Clouds-era Floyd and L.A. Woman-era Doors. They really do share turf in terms of construction and looseness. Anyway, at several moments, Fell remind me of a cross between those two bands, although their vocals are more like generic post-Pepper Brit pop, verging on tongue-turf staked out by the pre-Threshold Moody Blues. Which is actually a fairly cool mix. Other parts sound real diff—with influences ranging from Suicide (copped from some Suicide-damaged band rather than the root source, I’d wager) to the Cure—but I keep thinking of 1968. Before Chicago. Before Nixon. It’s a pleasant memory.

3. Gotta say side two of the Diagram A LP, excellently titled Human Tissue Press : Vinyl Removal (Open Mouth), is one of the classiest cut-up, clipped and jagged one-man/one-mantra meditation sessions we’ve ever ommm’ed across. Really very sweet and ahead of the game. This Providence-expat dude has been on the sub-tributary scene of bizarro solo noise junk sculpture performance for like fucking ever and, along with Noise Nomads, is one of the Eastern Seaboard’s most magnificent purveyors of random brain rip.

4. Cruising the road and/or the dial and/or the web on Sunday mornings at 2:00 AM to 4:00 AM (CST), our ears are gently pressed to the dulcet warblings of Tulane Blacktop on WTUL-FM (91.5). The show, co-hosted by Lazy Dave and Mr. McSuds has proven to be a solid sniff of interesting night air. These 19 year-olds may not have brain roots as deep as redwoods, but we’ve heard more Dictators tracks played on this show than any other in recent memory, and one segue a couple of weeks ago—going from the Misfits into the Supremes—was the most bodacious transition we can recall since someone used Hendrix’s “Hey Baby” (from Rainbow Bridge) as an exit strategy out of “Anarchy in the UK” (single version) on a party mix back in ’77.

5. Ypsilanti, Michigan continues to throw up weirdo record labels without surcease, and one we’ve been sloshing through with boots of gunk lately is With Intent Records, which has been issuing some real nice graveyard drone dirt. A particularly deadening example of their aesthetic would have to be the new Exhumed Corpse LP titled Pray For Death. This minimal dark dirge morass spreads its inky stasis across both sides and when it’s over, well you won’t know it’s over, cuz you’ll be dead.

6. A couple of summers ago we had the chance to watch a mind-blowing pre-punk document from suburban L.A.’s deep underground. The object in question was video documentation of a gig by the Imperial Dogs at Cal State Long Beach, the night before Halloween, 1974. The Imperial Dogs were one of those bands about whom rumors more than facts have long tended to cohere. Led by writer/maniac Don Waller, they were part of the same aesethetic gush as Back Door Man fanzine (with whom they were tightly associated) and various other loose threads that were blowing around in those rough days. The band only had one posthumous 45 released in the ‘70s, and it didn’t seem indicative of the madness of which they were supposedly capable. That legendary quality was finally made manifest in 1989, when the Australian Dog Meat label issued the amazing Unchained Maladies LP. And this newly released dvd—Live at Long Beach! (Imperial Dogs)—is icing on all known cakes. It is an exquisite, Stooges-damaged dive into the dumpster of style—as punk as a glitter jockstrap caked with blood. It ups the ante as far as extremo-pre-punk recklessness is concerned and is one of the swellest things to watch ever.

7. Fuckin fuck fuck fantastic duo LP by trumpet mangler maestro Greg Kelley and Scottish drum freak Alex Neilson called Passport To Satori (Golden Lab Records). Just kills. First side is straight up awesome lips on brass spoot ‘n spit tone with sweet tap tap. Side two is more manic, more off the fucking wall with Kelley sending air sound through sickened pedal puh while who one of these drunk fucks starts whooshing some kind of synth hell—really great improvisation and it takes you straight to that Satori joint (or whatever that place is) where blowjobs are as good as free jazz.

8. We have been off the Corwood Records promo list for a few years now, so it was lovely to see a package with The Representative’s distinctive lettering on it in the mailbox once again. The parcel in question contained a 2CD set called Portland Thursday and it is an absolute ratification of the enduring brilliance of this eminence grise. Like Charles “Chuck” Berry, Jandek usually plays with pick-up bands as he travels around, and this quartet (Sam Coomes, Emil Amos, Liz Harris, Jessica Dennison) is very damn fine—creating drift clouds of beauty and menace to encircle the free-form composite-obsessions of The Representative. We must do some catch-up work on the Corwood catalogue. This music is far too good to not-gobble.

9. Meditations had a couple of cassette releases on the excellent Anathema Sound label a while back which exhibited a mesmerizing take on sick forest desolation and the harsh chill of deviant synth blackness. Whoever they are they got as good a grip on new nothing black grimness as anyone out there and this new Digitalis cassette of theirs called Precipice, is full-on beautiful agony of dead vocal puke tone awash in earthworm feedback. Genius.

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10. Also embued with genius is Dark Horse Comics’ series of three volumes reissuing the collected adventured of Herbie–The Fat Fury. These books seem obvious as the root-source of some of the best characters invented by Dan Clowes and Chris Ware, but there’s a strangely inert quality to the drawing and writing that pushes this stuff into a real strange and unique place. Friends collected copies of these ‘60s books quite assiduously at various times, and they were never super-rare, but they were always super-weird. Great to have them in one handy place. If you got a taste of these in Dan Nadel’s great Art Out of Time: Unknown Comics Visionaries 1900-1969 (Abrams) you may now fully slake yr thirst.

Over & Out.

We remain interested in all spew—especially vinyl, print & visual. Two (2) copies are best. Send ‘em to:

Bull Tongue
PO Box 627
Northampton MA 01061
USA

October 30: The Third Floor Presents "Night of the Wicker Man" at the 92YTribeca (NYC)

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Still from The Wicker Man, directed by Robin Hardy, 1973.

Anyone who ever perused the mountainous video selection at the old Mondo Kim’s store in the East Village, when it still existed, can guess that most of the folks who worked there acquired about a PhD’s worth of knowledge in cult obscurities and arcane movie trivia. Who in the city could be qualified, in that case, to try their hand as curators and start an ongoing series of film screenings dedicated to sleeper hits from the ’70s and long-lost psychedelic gems? Named after the store’s rental department, where the collective’s founding members probably absorbed thousands of hours of warped cassette tapes, The Third Floor is a group of ex-Kim’s employees with the simply stated mission of “presenting to you, the general public, movies we like.”

On Saturday, October 30, the organization will team with 92YTribeca to present “Night of the Wicker Man,” a celebration of Robin Hardy’s 1973 pagan horror classic set on the fictional Scottish island of Summerisle. Following a screening of the original cut, the British director will deliver a Q&A on the making of The Wicker Man and screen teaser footage from The Wicker Tree, a sequel starring Christopher Lee that he shot over the summer. As if this weren’t enough for even the biggest Wickermaniacs, bands Wooden Shjips, Effi Briest, and Silver Summit will be in attendance to perform interpretations of songs, poetry, and rituals from Paul Giovanni‘s original score. To cap off the evening, Spectators will take part in a costume party and a dance around a May Pole to the step of DJs spinning acid folk and psychedelic rock.

For those of you who need a refresher, here is the trailer for the original Wicker Man–not to be confused with the Hollywood remake starring Nicolas Cage:

Night of the Wicker Man
October 30, 2009 at 92YTribeca
200 Hudson Street, New York, NY 10013
All ages. Bring your favorite animal mask or a flower crown or two.
Click here for tickets to the 7pm screening and following music event.
Click here for the Midnight screening and preceding music event.

Nov. 4, London: Ginger Baker's 70th Birthday Jam at Jazz Cafe

Mighty Chris Goss will be joining Steve Winwood, Jonas Hellborg, Eric Clapton, Jon Lord, Charlie Watts, Courtney Pine, Kofi Baker, John McLaughlin and of course Ginger Baker at Ginger’s 70th Birthday Party Jam on November 4 at London’s famous Jazz Cafe.

Chris sez: “We’ll be covering 45 years of musical selections that span the career of one of the centuries most influential musical geniuses. It looks like we may be including a song or two from Masters of Reality’s ‘Sunrise on the Sufferbus’ as well.”

The night before the jam Ginger will be honored at a dinner hosted by Classic Rock Magazine.

Goss adds: “Since Ginger has been living in South Africa, this is a rare, mindblowing occasion to reunite with a dear friend and musical mentor that taught me so much.”

Today's Autonomedia Jubilee Saint — Henri de Saint-Simon

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OCTOBER 17 — HENRI DE SAINT-SIMON
French utopian theorist, ruined aristocrat, proto-socialist.
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Philippe Joseph Machereau, Saint-Simonian Temple and City, 1832. Architectural plan by the Saint-Simonian commune founded in the Parisian neighborhood of Ménilmontant, following the writer’s death. After the first few staircases were built, the project was brought to a halt by the French police, who arrested the movement’s leaders.

OCTOBER 17 HOLIDAYS AND FESTIVALS
SWEETEST DAY. Japan: KANNAME-SAI HARVEST FESTIVAL. BLACK POETRY DAY.
Isle of Ely, England: ST. AUDREY’S (origin of “Tawdry”) Fair.

ALSO ON OCTOBER 17 IN HISTORY…
1711 — America’s first published Black poet, Jupiter Hammon, born.
1760 — French utopian theorist Henri Saint-Simon born, Paris, France.
1889 — Russian radical critic Nikolay Chernyshevsky dies, Viluisk, Siberia.
1920 — John Reed dies in Moscow, Soviet Union and is buried in Kremlin Wall.
1931 — Gangster Al Capone sentenced to eleven years for tax evasion.

Excerpted from The 2009 Autonomedia Calendar of Jubilee Saints: Radical Heroes for the New Millennium by James Koehnline and the Autonomedia Collective

Today's Autonomedia Jubilee Saint — Oscar Wilde

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OCTOBER 16 — OSCAR WILDE
Irish wit, playwright, gay rights advocate and victim.
“It is only about things that do not interest one that one can give really unbiased opinions, which is no doubt the reason why an unbiased opinion is always valueless.”

OCTOBER 16 HOLIDAYS AND FESTIVALS
DICTIONARY DAY. WORLD FOOD DAY.

ALSO ON OCTOBER 16 IN HISTORY
1793 — French monarch Marie Antoinette loses her head.
1815 — Napoleon Bonaparte exiled to St. Helena for life.
1854 — Gay Irish wit, playwright, essayist Oscar Wilde born, Dublin, Ireland.
1854 — Major French anarchist theorist Jean Grave born, Auvergne, France.
1859 — Abolitionist John Brown attacks Harper’s Ferry ammunitions depot.
1888 — American playwright Eugene O’Neill born, New York City.
1916 — Margaret Sanger opens first birth control clinic, New York City.
1927 — German Nobelist writer Günter Grass born, Danzig, Poland.
1934 — Long March begins for Chinese Communists.

Excerpted from The 2009 Autonomedia Calendar of Jubilee Saints: Radical Heroes for the New Millennium by James Koehnline and the Autonomedia Collective

Today's Autonomedia Jubilee Saint — Friedrich Nietzsche

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OCTOBER 15 — FRIEDRICH NIETZSCHE
German philosophical giant, poet, brilliant aphorist.
“Insanity in individuals is something rare – but in groups, parties, nations and epochs, it is the rule.”

OCTOBER 15, 2009 HOLIDAYS AND FESTIVALS
ISRA’ & ME‘RAJ.
Saragossa, Spain: PARADE OF THE GIANTS (20-30 feet high)
and Dwarves (man-sized, with enormous heads), with Moorish
dances and fireworks.
MERTZ OF ALL POSSIBLE MERTZES.

ALSO ON OCTOBER 15 IN HISTORY…
1844 — Philosopher Friedrich Nietzsche born, Röcken, Prussian Saxony.
1905 — First appearance of McCay’s ‘Little Nemo in Slumberland.”
1923 — Italian cyber-fabulist Italo Calvino born, Cuba.
1926 — French philosopher Michel Foucault born, Poitiers, Vienne.
1946 — German Nazi leader Hermann Goering commits suicide.

Excerpted from The 2009 Autonomedia Calendar of Jubilee Saints: Radical Heroes for the New Millennium by James Koehnline and the Autonomedia Collective

Friday, October 16th – Vashti Bunyan: Exclusive Live Performance & NYC Documentary Premiere

Cult 60’s singer-songwriter Vashti Bunyan takes a break from recording her new album with Andy Cabic from Vetiver to perform a one-off, exclusive acoustic set at the 92YTribeca venue in New York on Friday, October 16, in support of the screening of the critically acclaimed documentary Vashti Bunyan : From Here To Before.

“A gorgeously shot, achingly intimate portrait.” Time Out

For many cult artists, rediscovery comes too late, they never live to know their art has been reappraised, is being loved by generations not even born when they were at work. In the case of Vashti Bunyan, the “Godmother of Freak Folk” and muse to artists such as Devendra Banhart and the Animal Collective, 30 years of obscurity ended with the rediscovery in 2000 of her lost classic album “Just Another Diamond Day” and her subsequent reintroduction into a mainstream she was never part of in the first place. The fact that the record was inspired by a very British road trip – an end to end journey across the country by horse and carriage – has only helped mythologise Vashti’s life and career. Ben Ratliff of The New York Times describes it as “a 700-mile journey [that] took two summers. Her story — or what is known of it from her interviews and her songs — is a perfectly preserved hippie tale, full of ideals, heartbreak and sleeping outdoors, and not arriving on time.”

From Here To Before is a wonderfully evocative film that retraces Vashti’s extraordinary journey across the British Isles, setting it against the backdrop of Vashti preparing for her first ever high profile London concert. It also features rare interviews with music luminaries Andrew Loog Oldham, Joe Boyd and the recently deceased Robert Kirby who provide an honest and informative insight into the most creative period of recorded popular music and Vashti’s place within it.

Following the screening on Friday, October 16, Vashti Bunyan and director Kieran Evans will take questions from the audience and then later that evening, Vashti will grace the stage at 92YTribeca for a rare acoustic performance. It promises to be a very special night. Support on the night will come from folk experimentalist Matteah Baim.

Additionally, following the screening of From Here To Before on Saturday, October 17, Vashti Bunyan and director Kieran Evans will be in attendance to answer questions from the audience.

Film (two screenings): Friday, October 16th – 7:30PM & Saturday, October 17th – 7:30PM
Music: Friday, October 16th, Doors 9:30PM
92YTribeca
200 Hudson Street / New York, NY 10013
$12 for film screening, $15 for music, $22 for both.

Buy tickets here.