DAILY MAGPIE – January 17th – February 28th – PRINTED MATTER


Printed Matter is curating a show of books, posters, pamphlets and other printed media made over the past 20 years by Critical Art Ensemble, “a collective of five artists of various specializations dedicated to exploring the intersections between art, technology, radical politics and critical theory.” On your way out, spend some time with Printed Matter’s vast array of D.I.Y. and special edition artists’ books, comics, zines and other goodies on display in the store.

Date & Time: Opening reception January 17th 5-7PM, on view until February 28th (Tues-Weds 11-6PM, Thurs-Sat 11-7PM, Closed Sunday & Monday)
Venue: PRINTED MATTER (N.Y.)
Location: 195 Tenth Avenue between W. 21st and 22nd / NY, NY 10011
Price: Free

DAILY MAGPIE – Jan 16-18 – Sonnambula – Michael Bodel

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The HERE organization’s 2009 Culturemart Festival serves up a multidisciplinary art stew with its unusual and innovative productions.  Sonnambula mixes puppetry, voice, choreography, and construction on a willy-nilly journey of supposed binaries– human v. object, life v. lifeless and the like.

HERE Arts Studio, $15, or $35 pass for the whole, month long, festival shebang.

DAILY MAGPIE – January 8 – February 21 – Kent Gallery

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Paul Laffoley: The Sixties

Kent Gallery showcases 10 constructs, diagramatic footprints left during the earliest leg of Laffoley’s spiritual and intellectual journey in the hollowed-out halls of thee Boston Visionary Cell…think of the pieces as intricate, cosmic post-it-notes to himself…maybe.

Date and Time: January 8th – February 21st, Tue-Sat 10am-6pm
Venue:
Kent Gallery
Address:
541 West 25th Street, Second Floor, New York NY 10001
Price:
Free for all the ages

DAILY MAGPIE – January 16th – PARIS LONDON WEST NILE

SOURCE OF YELLOW

GHOST MOTH

NOVELLER

LOCALSTWANG

If you haven’t checked out the musical underworld that is Paris London West Nile (otherwise known as West Nile), a donation-based experimental venue just on the other side of Glasslands, you should. It’s unlike anything else going on around town, and it’s free (free!), though it’s best to throw a couple bucks in the hat when it’s passed around if you can afford it.

Date & Time: January 16th, 2009 – 9:30PM

Venue: PLWN / West Nile (Brooklyn)

Location: 285 Kent Avenue between S. 1st and S. 2nd / Brooklyn, NY 11211

Price: By donation

Go to http://www.shinkoyo.com/parislondon for more info

"Scientists have begun to examine how the city affects the brain, and the results are chastening. Just being in an urban environment, they have found, impairs our basic mental processes."

The Boston Globe (Jan 2, 2009):

How the city hurts your brain
…And what you can do about it

By Jonah Lehrer

THE CITY HAS always been an engine of intellectual life, from the 18th-century coffeehouses of London, where citizens gathered to discuss chemistry and radical politics, to the Left Bank bars of modern Paris, where Pablo Picasso held forth on modern art. Without the metropolis, we might not have had the great art of Shakespeare or James Joyce; even Einstein was inspired by commuter trains.

And yet, city life isn’t easy. The same London cafes that stimulated Ben Franklin also helped spread cholera; Picasso eventually bought an estate in quiet Provence. While the modern city might be a haven for playwrights, poets, and physicists, it’s also a deeply unnatural and overwhelming place.

Now scientists have begun to examine how the city affects the brain, and the results are chastening. Just being in an urban environment, they have found, impairs our basic mental processes. After spending a few minutes on a crowded city street, the brain is less able to hold things in memory, and suffers from reduced self-control. While it’s long been recognized that city life is exhausting — that’s why Picasso left Paris — this new research suggests that cities actually dull our thinking, sometimes dramatically so. Continue reading

"Ira Cohen: From the Mylar Chamber" by Waldemar Januszczak

Maya wakes in a ghostly light….
Maya wakes in a ghostly light…                                  Photo by Ira Cohen & Bill Devore

From The Sunday Times of London (November 25, 2007):

Ira Cohen: From the Mylar Chamber

‘It blew my mind, man’ – our correspondent sees a forgotten 1960s genius swirl back into focus

Waldemar Januszczak

A couple of years ago, I couldn’t sleep, so I got up and turned on the telly, on which Channel 4 was showing something weird and wobbly that caught my eye. Had it been any other hour, I would surely have zapped ahead to a more legible offering, but you know how it is with late-night television. It takes you somewhere else. So, I found myself staying till the end with something called The Invasion of Thunderbolt Pagoda, directed by someone called Ira Cohen.

It is difficult to describe what happens in Thunderbolt Pagoda – not because I have forgotten, but because the action is pretty much indescribable. Against a background of throbbing Moroccan trance music, punctuated by the occasional screech of what seems to be a Formula One car going too fast around a bend, strange people dressed in strange robes loom in and out of focus in a strange and bendy way as the camera moves strangely among them and into them. The director appeared to be on acid, the actors on angel dust, the make-up artists on opium, the costumiers on methedrine and the set designers on speed. Ninety-nine times out of 100, I would have hated it. But The Invasion of Thunderbolt Pagoda, in the preferred parlance of its time, blew my mind, man.
Continue reading