Military families live in dread, while the rest of America is busy shopping

With the army stretched by Iraq to the brink of restoring the draft, US politicians rely on the distraction of a tax cut

Gary Younge
Monday August 13, 2007
The Guardian

Mom, I had another friend die today from a massive ied [improvised explosive device] and many more wounded with shattered bones and scrapes. We used to be in the same platoon. 1st platoon and the same squad when I first arrived at fort hood for a good 7 months or so. He was 17 then and barely a day over 19 now that he has passed away.

It’s tearing me up so badly inside. I just can’t stand it. I can’t get rid of the feeling that I probably won’t make it home from this war. I have this horrible feeling that his fate will soon become my own. I don’t want to die here Mom. Don’t tell Erin bc I know it will devastate her. But if somehow I don’t make it, I want you Mom and Dad and all the family and especially Erin to know I love you all so so much and appreciate everything you all have done for me in the thick and thin.

The most important thing I want you all to do, is to use all of your connections to do everything in your will to use my death as a tool with the media to end this pointless war. Contact Michael Moore or whomever it may be to get the word out about how disgusted with our government I am about forcing us to come here to wait for death to claim us. I want it to end. How many more friends, sons, daughters, mothers, and dads must die here before they say it’s enough? And if you don’t die, the worst part you have to live with is the guilt of surviving. Surviving this war and not dying like your buddies to your left and to your right in combat.

I love you all so so much.

love,
Zach

Wednesday August 8 2007, Baghdad

‘Death,” said Donald Rumsfeld, the former United States defence secretary, “has a tendency to encourage a depressing view of war.”

Zach Flory, 23, didn’t start his military career depressed. He enlisted full of idealism about the potential of American power. Raised in Clinton, Iowa, on the banks of the Mississippi, he came home on September 11 and asked his parents for permission to join the military. They refused. They wanted him to finish high school first. “He was a young man with a conscience,” said his mother, Marcia, who has always been opposed to the war. “He wanted to make things right.” They hoped he would change his mind. He didn’t. In February 2004 he enlisted in the first cavalry infantry division and signed a three-year contract. He did his time, serving in South Korea and Texas, and should have been discharged in June. Instead, the army forced him to extend his service by a year in what is known as the stop-loss programme – a form of indentured servitude that can keep soldiers working beyond the expiration of their contract for several years – and sent him to Iraq. Shortly before he left he married Erin, whom he has known since childhood. “Zach’s greatest fear is to have to shoot innocent civilians,” said Marcia shortly after he left. “What is this war doing to our fine young men and women?”

Even as Iraq has dominated America’s political stage it has occupied a parallel universe in mainstream society. Military families may listen intently to every news report and live in constant fear of a visit from two uniformed officers in the wee hours. But the rest of the nation is shopping. This is the only war in modern American history that has coincided with a tax cut. “People seem to think war is OK as long as it is someone else’s kid doing the fighting,” says Zach’s dad, Don.

Serving in it falls on the shoulders of the poor and the dark, who are over-represented in the military. And the casualties fall disproportionately on white men from small towns – like Donald Young, Zach’s recently departed teenage friend. Iraq remains the number one issue of political concern, but it is rarely the central topic of conversation.

Needless to say, Iraqi deaths barely feature at all. The US military, which ostensibly came to liberate Iraqis, does not even count their corpses. So their death toll is approximate – rounded up or down by the thousand rather than counted individually. We’ll never know what tender words an insurgent might send to a family member following the death of a fellow combatant, let alone the final farewell of an unsuspecting civilian slain by American troops or a car bombing. Perhaps if we did, it would help those with a limited imagination and compassion humanise the horrors of this war more easily.

Fortunately, this is not a competition. Unfortunately, there is enough misery to go around.

This is an American story. A tale of imperial overreach, military fatigue and political hubris as it affects a midwestern boy in a far away land who wants to get home. “You can tell a true war story if it embarrasses you,” wrote Tim O’Brien in his Vietnam war novel, The Things They Carried. “If you don’t care for obscenity, you don’t care for the truth; if you don’t care for the truth, watch how you vote. Send guys to war, they come home talking dirty.”

The army is “about broken”, said retired general Colin Powell last year – before Bush announced an escalation in troop numbers. British military standards dictate that a soldier should have two years at home for every six months deployed and that anything less than this 4:1 ratio could “break the army”. American troops currently serve 15 months followed by less than a year’s rest – a ratio of 4:5.

US military leaders deny the army is strained. But in recent years they have lowered standards and changed entry requirements in order to bolster flagging recruitment, including a push to attract non-citizens and to lift the upper age limit for new recruits. Since 2001 it has raised by half the rate at which it grants “moral waivers” to potential recruits who have committed misdemeanours and lowered the educational level required. Steven Green, the former soldier who now faces the death penalty on charges of raping a 14-year-old Iraqi girl and murdering her family in Mahmoudiya, entered the military on one such waiver.

On Friday the president’s new war adviser, Lieutenant General Douglas Lute, said it was time to think about restoring the draft.

“I think it makes sense to certainly consider it,” he said, suggesting that some soldiers’ families could soon reach breaking point themselves. “And I can tell you, this has always been an option on the table.”

There is gruesome irony in the fact that such a possibility should come from an administration headed by a president who dodged the draft and a vice-president who “had other priorities” than serving in Vietnam. But American conservatives have a curious inability to put their children where their mouth is when it comes to the war. All of the main Republican contenders back it; none of their children are in it.

On the day that Zach sent his email home, Republican frontrunner Mitt Romney addressed a town hall meeting 50 miles from his home town. Romney was asked why none of his children are serving in the military. “One of the ways my sons are showing support for our nation is helping me get elected because they think I’d be a great president,” he said.

Video: Zach Flory’s parents tell Gary Younge their views on the American military

It's a commercial crusade

Lyric to the new single by ex-Stone Roses singer Ian Brown featuring fellow Rasta enthusiast Sinead O’ Connor…

“ILLEGAL ATTACKS”

So what the fuck is this UK
Gunnin’ with this US of A
In Iraq and Iran and in Afghanistan

Does not a day go by
Without the Israeli Air Force
Fail to drop its bombs from the sky?

How many mothers to cry?
How many sons have to die?
How many missions left to fly over Palestine?
‘Cause as a matter of facts
It’s a pact, it’s an act
These are illegal attacks
So bring the soldiers back
These are illegal attacks
It’s contracts for contacts
I’m singing concrete facts
So bring the soldiers back

What mean ya that you beat my people
What mean ya that you beat my people
And grind the faces of the poor

So tell me just how come were the Taliban
Sat burning incense in Texas
Roaming round in a Lexus
Sittin’ on six billion oil drums
Down with the Dow Jones, up on the Nasdaq
Pushed into the war zones

It’s a commercial crusade
‘Cause all the oil men get paid
And only so many soldiers come home
It’s a commando crusade
A military charade
And only so many soldiers come home

Soldiers, soldiers come home
Soldiers come home

Through all the blood and sweat
Nobody can forget
It ain’t the size of the dog in the fight
It’s the size of the fight in the dog on the day or the night
There’s no time to reflect
On the threat, the situation, the bark nor the bite
These are commercial crusades
‘Cos all the oil men get paid
These are commando crusades
Commando tactical rape
And from the streets of New York and Baghdad to Tehran and Tel Aviv
Bring forth the prophets of the Lord
From dirty bastards fillin’ pockets
With the profits of greed

These are commercial crusades
Commando tactical raids
Playin’ military charades to get paid

And who got the devils?
And who got the Lords?
Build yourself a mountain – Drink up in the fountain
Soldiers come home
Soldiers come home
Soldiers come home
Soldiers come home

What mean ya that you beat my people
What mean ya that you beat my people
And grind the faces of the poor

Manifestos

Fifty designers, architects and thinkers have their say in the 50th issue of Icon magazine.

MANIFESTO #01
PETER SAVILLE Designer
LONDON

Being a designer used to be like being on a crusade – we were fighters, evangelists. But in the last ten years, since the recession of the early Nineties, the situation has changed. Our establishment has suddenly “got it” and they want “creatives”. Creativity has become part of the business of social manipulation. The problem is that everybody got what they wanted.

Morals
The cultural adventure has been consumed by business. Making things better is a moral issue, but morality and business don’t go together – business is, if not immoral, then amoral. We know we should be keeping people out of stores but we all have to work with business. It can’t really be all about idealism and altruism.

Meaningless design
Much of the work being done now lacks meaning and the designers know it. There’s a reasonable chair design once every five years and that’s usually the result of a new manufacturing or material innovation. We all see what’s happening at Milan – there are countless new chairs and they’re nearly all a waste of space.

Where are the NGOs?
Everyone does their best but you have to pay the rent. Even hospitals have to run to profit. You can’t avoid the issue merely by working for an NGO – even Amnesty and Greenpeace have to be “business facing”. The only bastion of free speech could be the art world, but even that is a preciously engineered marketplace with its own complexities.

Value finding
Creative people have to believe in the value of their work. If you don’t have any belief then you can’t give anything – designing is an act of giving, and a belief in the value of the work fuels the desire to express something. It’s important to know what your values are and to take care of them.

Post-war socio-cultural democratisation
It’s a long term, but broken down it’s simple. Over the last 50 years culture has been disseminated to the wider public rather than being the domain of the privileged. There is an inevitable loss of substance in the process of becoming a culture of entertainment. If it’s not popular, it’s not happening.

Design as drugs
Pop culture used to be like LSD – different, eye-opening and reasonably dangerous. It’s now like crack – isolating, wasteful and with no redeeming qualities whatsoever.

Dystopia
In the early 20th century designers envisaged utopia, they were optimistic and visionary people. We now acknowledge the dystopian reality.

The new cause
I was part of a system that wanted to change the look of the everyday world. That ideal, manifest through consumerism, doesn’t sit well with me now. I am not wealthy and completely understand how we all have to pay our way.

49 further Manifestos here.

Tonight in Highland Park

This weekend:
“Between People” – Opening this Saturday, Aug. 11th, 7-10pm
This Saturday, August 11th we’ll be hosting the opening of “Between People”, organized by Robby Herbst and featuring work from Marc Herbst (from individual conversations with Katie Bachler, David Burns and Evan Holloway), Robby Herbst (with the Agape Dance Choir), Adam Overton and Hana van der Kolk. An organizational note: “As go-betweens and conduits, the four artists of Between People investigate interpersonal dynamics and acts of relating. From post-modern dance to group-dynamic workshops, the drawings, scripts as well as public and private encounters of Marc Herbst, Robby Herbst, Adam Overton and Hana van der Kolk explore acting on the desire to reach out and touch some one.”

David Patton LA
5006 1/2 York Boulevard
Los Angeles, California
90042 USA

Telephone:(323) 478-1966
Fax:(323) 478-1166
info@davidpattonlosangeles.com
Thur— Sat, 12-6pm, and by appointment


More vintage issues of Krassner's THE REALIST posted online

Pleased to announce the second update to the
REALIST ARCHIVE PROJECT, an ongoing Internet archive
for Paul Krassner’s fantastic counterculture magazine
“The Realist” (1958-1974; 1985-2001). Four issues a
month until the archive is complete. Posted with
Permission. Our thanks and regards to Paul Krassner.

Main Archive URL: http://www.ep.tc/realist

For July / FOUR NEW ISSUES / Details:

1) REALIST Issue #26 – May 1961
http://www.ep.tc/realist/26

FEATURING: Television as a Cause of Disease, An
IMPOLITE INTERVIEW WITH HUGH HEFNER, For the
Separation of Church and Sex, and Rumor of the Month.

Rare early snapshot of Hefner at his cockiest;
predicts he will still be single and swinging into
elder age. Quote: “I hope to still be very much a
young man–psychologically, at least–when I’m sixty.
Maybe physically, too. Charlie Chaplin fathered a
child when he was 70. And I’ll have all those
‘Playmates of the Month’ around to keep my interest
up.”

Also includes a searing and very funny Adolf Eichmann
joke on page two. And note the article “Television as
a Cause of Disease”. A great early 1961 issue.

2) REALIST Issue #58 – April, 1965
http://www.ep.tc/realist/58

FEATURING: Dick Gregory in Mississippi, AN IMPOLITE
INTERVIEW WITH WOODY ALLEN, and Three Authors in
Search of Obscene Literature.

If you enjoyed the filthy cartoon character sex from
the Disneyland Orgy then you’ll get a genuine
overloading kick out of the Tijuana Bible flavored
EXHIBIT A. The Woody Allen interview is everything you
want it to be – and then there’s the Dick Gregory
article, with cameos from Sammy Davis Jr, Muhammad
Ali, and Sonny Liston. Of particular note, this might
be one of the last articles to ever refer to Malcolm X
in the present tense; as he was assassinated as the
issue went to press, see Editor’s note on Page 24.

3) REALIST Issue #69 – September 1966
http://www.ep.tc/realist/69

FEATURING: The Whitey Survival Manual, The Day the
Supreme Court Banned Vaseline, AN IMPOLITE INTERVIEW
WITH TIMOTHY LEARY, The Fag Battalion, and A JUNKIE
HEX FOR CITY DWELLERS.

Issue 69, almost a pun in itself, is a delight of
offensive content. Featuring “Mind Over Martyr” and
“The Fag Battalion” – both of which prompted letters
from canceling subscribers in Issue 74’s letters page
(see http://www.ep.tc/realist/74/02.html) However, the
absolute treat here is “A Junkie Hex for City
Dwellers” – immediately my favorite piece of heroin
artwork from any comic or magazine of the 60s. Very
cool interview with Timothy Leary, too.

4) REALIST Issue #84 – November, 1968
http://www.ep.tc/realist/84

Issue Number 84 – FEATURING: The CASE OF THE COCK-SURE
GROUPIES (with Cynthia Plastercaster), The Trial of
Abbie Hoffman’s Shirt (with the US Government),
REPORTER AT SMALL, and Crime and the Bedside Manner.

I love this issue. Contains “The Case of the Cock-Sure
Groupies” – one of the earliest articles on Groupies,
which is referenced on the back cover of the widely
sampled and bootlegged 1969 “Groupies” Documentary LP.
Are you getting the key word here? The other notable
piece is “The Trial of Abbie Hoffman’s Shirt” – which
reads like satire but isn’t. Not only was Abbie
Hoffman charged with a crime for wearing a shirt that
resembled a US Flag, he was also given hepatitis from
a filthy needle while under govt custody. A document
of absurd government harassment from one of the most
tense times in US history. Proudly posted for July
4th.

Chicago Underground Film Festival lineup

“It’s August in Chicago. But, don’t let that stop you from coming out and feeling the heat affront the glow of the projector! This year’s Chicago Underground Film Festival–August 15-19, at the Chopin Theater (1543 W. Division) and Elegant Mr. Gallery (1355 N. Milwaukee Ave).–features films and videos from locals and beyond. The festival packs in as much fun as it can in five days. Check http://www.cuff.org for the entire schedule! Advance tickets are available at https://www.brownpapertickets.com/producer/5499

The festival kicks of on Wednesday August 15th with the World Premiere of “Orchard Vale”, the first feature from Chicago musician Tim Kinsella (Joan of Arc), winner of the “Made in Chicago Award” at last year’s CUFF. The film is an apocalyptic family drama that tells the story about five people in the near future living together in the ruins of the contemporary American suburban landscape. Cyan Walker stars as Sophie, a quiet 15 year-old girl, who provides material and emotional support to her family as they try to cope with the dangerous world around them. Says Kinsella of the film, “Orchard Vale raises more questions than it can possibly answer. Much of the story is told in between the moments other movies would have probably shown to tell the same story. This is done to invite the viewer to become an active participant, hopefully prompting the audience to expand upon the questions it raises. In a way, it might be like Planet of the Apes without the apes and in a different way like a zombie movie without the zombies.” This screening is already close to sold out so get your tickets now!

The festival concludes on Sunday August 19th with the Chicago Premiere of Jim Finn’s “La Trinchera Luminosa del Presidente Gonzalo” the follow up to “Interkosmos” his internationally acclaimed debut feature from last year. “La Trinchera Luminosa del Presidente Gonzalo” is a documentary styled political drama concerning women prisoners devoted to the Peruvian Maoist revolutionary-terrorist group the Shining Path and it’s charismatic leader Chairman Abimael Gonzalo. As with “Interkosmos”, the film features original music from Jim Becker (Califone) and Colleen Burke (We Ragazzi). This lo-fi feature reaffirms Chicago-native Finn as one of the most exciting talents in the current underground film scene. As The Rotterdam Film Festival wrote: “Jim Finn has made a name for himself…thanks to his feeling for irony and his capacity to shape something new from propaganda, news and other historic images. Not to forget his very dry sense of humor.”

Other feature films in this year’s festival:

EVERYBODY IS HURTING (World Premieres) – Award winning photographer and videomaker Richard Sandler’s first person look at New York City’s emotional state during the first week following 9/11.

LIKK YOUR IDOLS (U.S. Premiere) – Angelique Bosio’s documentary LLIK YOUR IDOLS documents the Cinema of Transgression and ’80s downtown NYC scene. Featuring Richard Kern, Lydia Lunch, Jarboe, Richard Hell, Joe Coleman, Nick Zedd, Thurston Moore, Jack Sargeant, and many others, plus clips of BANNED and OUTRAGEOUS underground movies

GO GO MOTEL (World Premiere) – Feeling like a mix of vintage Waters’ trash, Lynch surrealism and Selby sleaze; Baltimore filmmaker Dan Bell delves into the dark and foreboding world of strippers, hookers, bums, boozers and skid row criminals.

THAX (World Premiere)– Alex MacKenzie’s portrait of Thax Douglas, Chicago’s ‘poet laureate of indie-rock.’

THE DESCRIPTION OF BANKRUPTCY (U.S. Premiere) – Kang-hyun LEE directs this documentary on the all-consuming nature of credit card debt in South Korea, and the lengths to which people go trying to get rid of it.

Other features screening in competition include:

BACCHANALE – A ‘lost’ adult arthouse film from 1970, released towards the end of the grindhouse era and at the dawn of XXX. Enlightened pornography is overwhelmed by a script chock full of low-budget surrealistic pretensions. New audio curated by Sam Zimmerman, Nick Hallett and Montgomery Knott of Brooklyn’s Monkeytown

BEGGING NAKED – A documentary directed by Karen Gehres. In 1976 Elise Hill left home at the age of 15. In Union Square she met her first pimp. After leaving prostitution, Elise supported herself for 15 yrs creating art, but ,is slowly forced back into sex work and drugs to survive.

BLOOD CAR – In this horror-comedy directed by Alex Orr, gas prices are at an astronomical high. One man is determined to find an alternate fuel source. That alternate fuel source turns out to be blood…HUMAN BLOOD.

CELLULOID #1 – Steve Stasso’s confetti of references/passions to the genius of Warhol, Fassbinder and the era of ‘The Hustler’ as well as the glory of black and white. Celluloid #1 is ultimately about celluloid and how it captures us.

EAST 3 – British filmmaker Mr. Young explores the Arctic town of Inuvik. This disturbing and surreal film investigates life in the sub-zero temperatures of the Canadian wilderness focusing on the hunting/trapping lifestyle, the community greenhouse, dog cruelty, traditional games and music.

EACH TIME I KILL – The 29th and final film by the late queen of sexpoitation cinema Doris Wishman, completed just months before her death in 2002. “Each Time I Kill” is a horror film about an unpopular high school girl who finds a magic locket that will allow her to exchange one physical feature with anyone she kills.

THE GOOD TIMES SKID – The second feature from Azazel Jacobs (son of avant garde filmmaker Ken Jacobs) is the story of two men with the same name who cross paths one day and the girl between them who gets the chance to escape her daily routine. A story about stolen love and stolen identities, shot on stolen film.

HELL ON WHEELS – Bob Ray (Rock Opera) directs this from-the-trenches look at the dizzying clash of athleticism, exhibitionism, egos, politics and business that is modern-era roller derby.

HOOKS TO THE LEFT – Frequent CUFF Alum Todd Verow’s tale of a male hustler shot entirely on a cell phone camera.

MILK IN THE LAND- The second feature documentary resulting from collaboration between Ariana Gerstein and Monteith McCollum following their 2001 film “Hybrid.” Milk in The Land weaves together a quirky, alternative history of America’s most committed culinary choice.

OFF THE GRID: LIFE ON THE MESA – Jeremy and Randy Stulberg examine a loose-knit community of radicals who live in the desert, struggling to survive with little food, less water and no electricity, as they cling to their unique vision of the American dream.

RANDOM LUNACY: VIDEOS FROM THE ROAD LESS TRAVELLED – Victor Zimet’s documentary about the travels of a nomadic Dixie jazz-playing family. Led by the charismatic Poppa Neutrino, the family builds several rafts to sail the Mississippi, joins the circus, and plays in a band in Russia.

REVOLUTION SUMMER – Miles Montalbano’s debut feature tells the story of three young people adrift in the city, their search for meaning, and the paths they choose over the events of one summer.

THE SKY SONG – Chicago’s notorious avant-gardist James Fotopoulos says this long form video has “something to do with revenge (particularly in action films), American Indian tribes, goblin sharks and fragments of memories of the day the Chicago Cubs lost the playoffs in 1984.”

URBAN EXPLORERS: IINTO THE DARKNESS – Filmmaker Melody Gilbert (Whole, A Life Without Pain) plunges into the world of urban exploration, a growing international subculture of adventure-seekers who explore places where most people would never dream of going.

VIVA– Anna Biller’s ode to vintage sexploitation and swinging playboy-era sexuality. A suburban housewife in 1972 goes out to find herself in the middle of the sexual revolution.

In addition to these features CUFF will, as always, present a wide array of short films and videos from around the world including new work from Miranda July, Marie Losier and Guy Madden, Kent Lambert, Robert Todd, Deborah Stratman, Deco Dawson and many more.

Bamboo!

CALL FOR VOLUNTEERS: TERRABYTE 2.0 – ECOSCAB PAVILLION

“Have you ever built anything with fresh bamboo? Why not join this all volunteer effort to produce a 3600 sq. ft sculptural structure that celebrates the natural properties of bamboo and its remarkable ecological role.

“We are currently seeking volunteers to help in building the ECOSCAB PAVILLION on the weekend of August 11 & 12 and August 18 & 19 at The Los Angeles County Arboretum and Botanical Gardens. We are also looking for volunteers in all capacities to help out at the day of the event – August 26th. Whether you have a few hours or a few days to contribute, we’d love the help and promise a fabulous experience!

“Please contact: ecoscab@gmail.com or Aimee Lopez 323 899 0395 Dewey Ambrosino 323 839 4346

“TERRABYTE 2.0 is an event that celebrates our creative natures by bringing together sound, art, and emerging ecologies/technologies to produce one extraordinary evening under the sky at

The Los Angeles County Arboretum and Botanical Gardens
on August 26, 2007, 5pm – 10pm.
http://www.terrabyte.la

“About ECOSCAB: Research suggests that bamboo functions as an ecological healing scab for traumatized areas of the earth. Cleared teak forests in Thailand and defoliated bomb-sites in Vietnam, as well as, the sites of hurricanes and earthquakes have become quickly revitalized by the fast acting canopy of new ecology and regenerative life provided by bamboo. In addition, bamboo has mythic medicinal properties that make it a formidable healer in Chinese medicine. ECOSCAB aims to create balanced symbiotic design, and highlight the generative vitality of our living ecology with the amazing qualities of bamboo.

THE ECOSCAB PAVILLION is a 35’H x 64’W x 64’D, experimental construction made of on-site arboretum bamboo. It is a project that uses the metaphor of bamboo’s canopy, and the generative ecology that happens within, to realize a pavilion of creative cultural ecology for TERRABYTE 2.0.”


Tony Wilson, 1950–2007

tony_wilson.jpg

Tony Wilson; NME 31 May 1986 (photo: A.J. Barratt).

Tony Wilson, co-founder of Factory Records and the Haçienda nightclub, TV presenter (who gave the Sex Pistols their first television appearance) and Manchester hero, died on Friday after a long battle with cancer. RIP.

Paul Morley in The Guardian:

Tony Wilson was furious when I left his beautiful north back in the late 1970 for a new life down south.

He felt this was a terrible betrayal of my responsibility to Manchester, a city he had definite plans for. He wanted to connect where the city was going with where it had been, with its radical, pioneering industrial past.

He wanted to work out how the 19th century visit to the city by Friedrich Engels led to the 1976 visits of the Sex Pistols. And his absurd, splendid solution, Factory Records, including the Hacienda nightclub, became an emblem of the city’s belief in progress.

Factory became the great Manchester label; it had Joy Division and Happy Mondays – but mostly it celebrated provocative northern imagination.

He was convinced I was the writer to chronicle the changes he knew would happen; he wanted me where he could see me. I left; it took years for him to forgive me. Eventually I accepted that his surreal mission to remake Manchester was not madness, and I have taken on the role he saw for me. I think he always knew I would.

We used to make fun of Wilson and the mantle of grandeur he often assumed, but we knew that in his idiosyncratic and subversive way he was a great and important figure. Good things happened because he was around. This flamboyant, infuriating, pushy hybrid of light entertainer and anarchic Situationist was so in love with life, with music, with ideas, that he infected you with his passion.

No matter how far from Manchester, you couldn’t escape his plans for a better, brighter and definitely stranger north.

DRAFT TALK FROM THE WHITE HOUSE.

Bush War Adviser Says Draft Worth a Look
Aug 10 06:25 PM US/Eastern
By RICHARD LARDNER

WASHINGTON (AP) – Frequent tours for U.S. forces in Iraq and Afghanistan have stressed the all-volunteer force and made it worth considering a return to a military draft, President Bush’s new war adviser said Friday.

“I think it makes sense to certainly consider it,” Army Lt. Gen. Douglas Lute said in an interview with National Public Radio’s “All Things Considered.”

“And I can tell you, this has always been an option on the table. But ultimately, this is a policy matter between meeting the demands for the nation’s security by one means or another,” Lute added in his first interview since he was confirmed by the Senate in June.

President Nixon abolished the draft in 1973. Restoring it, Lute said, would be a “major policy shift” and Bush has made it clear that he doesn’t think it’s necessary.

The repeated deployments affect not only the troops but their families, who can influence whether a service member decides to stay in the military, Lute said.

“There’s both a personal dimension of this, where this kind of stress plays out across dinner tables and in living room conversations within these families,” he said. “And ultimately, the health of the all-volunteer force is going to rest on those sorts of personal family decisions.”

The military conducted a draft during the Civil War and both world wars and between 1948 and 1973. The Selective Service System, re- established in 1980, maintains a registry of 18-year-old men.

Rep. Charles Rangel, D-N.Y., has called for reinstating the draft as a way to end the Iraq war.

Bush picked Lute in mid-May as a deputy national security adviser with responsibility for ensuring efforts in Iraq and Afghanistan are coordinated with policymakers in Washington. Lute, an active-duty general, was chosen after several retired generals turned down the job.


"Assholes of the Week" by Paul Krassner

*Barry Bonds, not for breaking Hank Aaron’s homerun record, but for using Viagra that same night as a performance enhancer.

*U.S. policy makers, for requiring organizations to take a pledge that explicitly condemns prostitution in order to receive funding for HIV prevention projects. Researchers at Johns Hopkins University’s Bloomberg School of Public Health have determined that such condemnation isn’t effective in helping to control the global epidemic. They reviewed scientific evidence on strategies that effectively reduce rates of HIV among sex workers, and found substantial evidence suggesting that their empowerment, organization and unionizaton can be an effective HIV prevention. Rappers will be invited to submit pro-ho songs to promote such efforts.

*Jack McClellan, a self-styled pedophile, for exposing his persona rather than keeping a low profile, and posting on the Internet for his colleagues the locations where children congregate. His motivation: to advance his musical career, beginning with a three-minute video on YouTube featuring his rendition of “Thank Heaven for Little Girls.”

*Iran’s Press Review Board, for temporarily banning the country’s leading reformist newspaper, Shargh, which published an interview with an exiled poet, Saghi Ghahraman, famous for her explicit exploration of female sexuality. A Ministry of Culture official characterized her as “a counterrevolutionary figure known for promoting immoral issues.” In one of her poems, a girl makes love to her invalid grandmother. More than 100 Iranian newspapers have been shut down over the last several years, and journalists have been sentenced to prison for offenses including “propaganda against the regime” and insulting Iran’s supreme religious leader. Meanwhile, Ms. Ghahraman says she will appear on “The Daily Show” only if Jon Stewart promises not to interrupt her.

*Democratic presidential candidate Bill Richardson for saying, “It’s a choice,” when asked whether he believes people are born gay or if it’s a choice, and later weaseling out of his answer, but also the questioner, for perpetuating the notion that it should make any difference in sexual preference. What about bisexuals? Half-born and half-choice? Or transsexuals? Born as one gender physiologically but not psychologically, then choosing surgery to alter it? When it comes to abortion rights, nobody has to defend that position by saying that they were born with pro-choice tendencies.

*Republican candidate Mitt Romney, for defending his five sons’ decision not to enlist in the military by explaining that they’re showing their support for America by “helping me get elected.” His sons were all busy watching “Big Love” and had no comment; fortunately there was no draft in their living rooms.

*Loretta Sanchez, Orange County’s only Democratic member of Congress–although she voted against the war in 2002 and recently voted to begin pulling troops out within 90 days–for not supporting protesters, mostly members of Mililtary Families Speak Out, who want her to promise not to approve more funding for the war in Iraq. She said that the $145 billion was in the same bill that would provide money to build the C-17 aircraft, so “I’m not going to vote against $2.1 billion for C-17 production, which is in California. That is just not going to happen.” She was wearing a T-shirt proclaiming, “Constituents Uber Alles.”

*The government agencies that have allowed, by neglect, greed and corruption, this country’s infrastructure to crumble–exemplified by steam pipes in New York, a bridge in Minneapolis, the water system in New Orleans, a coal mine in Utah–while using American taxpayer money to deliberately destroy the infrastructure in Iraq, then using American taxpayer money to rebuild it. Welcome to the Age of Utter Insanity.

*Exxon Mobil, the world’s largest publicly traded oil corporations, for, among others, funding research aimed at disputing the scientific consensus on global warming as part of a campaign to mislead the public. “There has been an organized campaign, financed to the tune of $10 million a year from some of the largest carbon polluters,” says Al Gore, “to create the impression that there is disagreement in the scientific community. In actuality, there is very little disagreement.” The energy producers responded with Photoshop images of cavemen taking their pet dinosaurs for a walk.

*The U.S. Court of Appeals for the District of Columbia, for an 8-2 decision denying those who are dying the right to obtain unapproved drugs that are potentally life-saving, even if their doctors say the treatment offers their best hope for survival. There was one exception, for a mentally ill man who is thoroughly convinced that he’s a fetus.

*Health insurance companies, for not coverering newly recommended vaccines for children, reportedly putting more than a million kids at risk. Since free shots are available to children who are uninsured or qualify for public insurance, concerned parents are now wondering whether it would be a proactive step to cancel their policies.

*The two-party system, for carrying out partisanship to this extent: The renewal of the State Children’s Health Insurance Program, which expires on September 30, is viewed as the most important health coverage decision in Washington this year, but the California delegation split along party lines, with all Democrats in favor and all Republicans opposed. Domestic terrorism in action.

*William Steiger–who has long ties to Bush and Cheney, and who, since 2001, has run the Office of Global Health Affairs, without any background or expertise in medicine or public health–for blocking a 2006 report describing the link between poverty and poor health, urging the U.S. government to help combat widespread diseases as a key aim of its foreign polilcy, and calling on corporations to help improve health condition in the countries where they operate. Why? Because the report didn’t promote the administration’s policy accomplishments. When asked if he has seen “Sicko,” Steiger assumed it was a documentary about the missing Marx brother, Sicko Marx.

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ANTI-ASSHOLES OF THE WEEK

*California Secretary of State Debra Bowen, for decertifying the use of electronic voting machines in the presidential primaries to prevent hackers.

*U.S. District Judge Florence-Marie Cooper, for banning the Navy from using high-powered sonar in training exercises because it could “cause irreparable harm to the environment.” She rejected the Navy’s request to dismiss a lawsuit by the Natural Resources Defense Council arguing for broader safeguards to protect marine mammals from powerful blasts of mid-frequency active sonar that have been linked to panicked behavior and mass die-offs of whales.

*Sean Penn, for replying, when asked if he wants the United States to win the war in Iraq, “I think we’re past that point in human evolution where there’s such a thing as winning wars.”

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Paul Krassner is the author of “One Hand Jerking: Reports From an Investigative Satirist,” and publisher of the Disneyland Memorial Orgy poster, both available at paulkrassner.com.