"BULL TONGUE" by Byron Coley & Thurston Moore – June 2007

BULL TONGUE

Exploring the Voids of All Known Undergrounds Since 2002

by Byron Coley and Thurston Moore

Trans Industrial Toy Orchestra’s Alzheimer Underground LP (Ti Prod) [www.transindustriell.de] is a pip. They are a German troupe where the decidedly fluxus membership play and record by reading words without “e” with nuts cracked in a nut cracker and reading backwards while tearing a sheet. They also utilize record players in aurally illegitimate ways. Sounds dada, bizarre, unlistenable? Actually yes and no: it is indeed a fucked up thing but quite alluring in its tribute to brain blankness.

Very nice slab here from Liverpool’s Solar Fire Trio (Invada) [www.invada.co.uk]. Formed in ’05 by Spiritualized saxophonist, Ray Dickaty, alto player Dave Jackson and drummer, Steve Belger, their eponymous debut LP is classic squee-pileage in the post-ESP tradition. Unlike some Euro players, these three base their sound on loose sonic collisions and and interwoven blather in ripely extended fire-form, all revolving around theories of meat and its ability to burn. Solid, savage blurt.

Debut release by Weak Sisters is a cassette called Subterfuge (Basement Tapes) [myspace.com/boilerroomemissions]. Awesome cut up screams and dead-time pronouncements make this release unbearably savage. The fact that it’s not just wank but pretty taut and focused nihilist sense-slicing makes for killer listening. Weak Sisters is basically a solo spurt of Will van Goern of Other People’s Children and word on the streets of Fort Collins, Colorado is that this tape don’t come close to his live actions. Hopefully, we shall see.

The great Marcia Bassett is rightfully hailed around the globe for her work with Double Leopards, Hotogitsu, GHQ and plenty more. She’s been responsible for some beautiful visual projects as well, but we are here this time to praise her new solo LP, recorded under the monniker Zaimph. Mirage of the Other (Gipsy Sphinx) [myspace.com/gipsysphinx]. This album seems much more flowing and less harsh than the last Zaimph CD (not that flowing necessarily trumps harsh, it’s just different). The combination of voice and guitar here has lots of raspy edge, but there’s a deep gorgeousity to it making the record seem like it’s glowing when it spins. Long lunar notes have rarely sounded so fresh. Gipsy Sphinx also has a fine album by Bear Bones Lay Low [hets.tk] called Djid Hums. This is another solo album, cut by an 18-year-old Venezualan ex-pat living in Belgium. Guitar drones and tape loops pile up higher than kites and there are blasts of fuzz that will tweak every psychedelic bones in yr body. Beware!

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