"Creative Man" (Dane Rudhyar, 1947)

“…Commercialism has completed the destruction of the spirit of devotion to Art, the spirit of real participation in the performance. The public comes to it in search of sensation rather than prepared to experience life as and through Art. The greatest need perhaps of the New Art is a new public; the greatest need of the Artists is a consciousness of their true relationship with their public. The Artist has ceased to consider himself a provider of Spiritual Food, an arouser of dynamic Power; he has ceased to consider his position an ‘office,’ himself as an officiant. He thinks but of expressing himself, but of releasing forces which he cannot handle within himself. Why such releasing? He does not care to consider. He does not face deliberately and willingly his spiritual duty to the Race. Thus he does not attempt to mould the Race, to gather around his work the proper public for this work. He sells his wares. He is no longer a Messenger of life, attracting by the very example of his own living, human beings to the Message of which he is the bearer.” (Dane Rudhyar, 1895-1985)

“So it is almost inevitable that over the next few years, as labor markets struggle, the humanities will continue their long slide. There already has been a nearly 50 percent drop in the portion of liberal arts majors over the past generation, and that trend is bound to accelerate. Once the stars of university life, humanities now play bit roles when prospective students take their college tours. The labs are more glamorous than the libraries.” (David Brooks, New York Times, June 7, 2010)