DON’T THINK ABOUT IT

The 7th annual Austin Psych Fest is coming up in May and the lineup for this three-day celebration is praiseworthy as always. A festival featuring BOMBINO, TEMPLES, GRAVEYARD, WHITE HILLS, WOODS, MOON DUO, PANDA BEAR, ACID MOTHERS TEMPLE, LIARS, DEAD MEADOW, GAP DREAM, STEVE GUNN, GREG ASHLEY, MARK MCGUIRE, THE ZOMBIES (!!!), EARTHLESS, BARDO POND, DESTRUCTION UNIT…? Get out! You and those dearest to you have no choice but to attend. Buy as many tickets as possible NOW NOW NOW via austinpsychfest.com

Here’s the latest poster with the full line-up…

APF2014-WEB

Reviews by C and D (Arthur No. 9/March 2004)

Originally published in Arthur No. 9 (March 2004)

REVIEWS BY C and D

Guitar Wolf
Red Idol DVD
(Narnack)
D: Hey, I can’t make this DVD work.

The Von Bondies
Pawn Shoppe Heart
(Sire)
D: This is the Detroit garage guy who had his face bashed up by Jack White.
C: Right. Jason Von Bondie is apparently the town asshole, or so I’ve been told. But, do you know that song, “Pablo Picasso”?
D: Of course! Jonathan Richman and the Modern Lovers! They were the best! [singing:] “He could walk down your street/And girls could not resist his stare/Pablo Picasso was never called an asshole.” But this doesn’t sound like Jonathan Richman…?
C: [sighs] Okay D, I’ll spell it out for you: Pablo Picasso was an asshole. But he also made some great paintings.

Franz Ferdinand
Franz Ferdinand
(Domino)
D: This is what the Strokes and the Rapture should have done on their last records. But they were incapable.
C: Every song is a sure-hit on the dancefloor. Plus the guy can sing. And check out what they do on this track (#3), 55 seconds in…
D: Whoa….
C: The tempo slows down… And listen to that guitar playing! Then here comes that descending disco bassline again.
D: This is ridiculous. Can I use your phone? I’ve got to call my financial advisor. I’ve got to buy stock in this band! They are the new kings!!!
C: I know, eh. It’s like all the those other bands, including those Interpol guys, were all just warm-ups for the Ferds. Amazing stuff. Album of the year so far, easy.

The Walkmen
Bows and Arrows
(Record Collection)
D: Ah, I see what you’re doing…
C: Yes, I am Clever Man.
D: These guys, they’re good, they’re kind of like the Ferdinand and the Strokes and…
C: Dude’s got a bit of the crooner in him. And he’s a more interesting lyricist than Julian Casablancas. Then again, just about everyone is.
D: Watch it.
C: Oh right, sorry, I forgot about your inner 14-year-old girl self.
D: …
C: Um… Okay, sorry, that was uncalled for.
D: You can be so ARROGANT sometimes… [listening] The sounds they get are so cool.
C: Organs, guitars, tacked pianos. But check out this next track, you’re gonna lose it.
D: [listening to “The Rat”] It’s the Strokes with their pants on fire! That guy’s mad!!!!
C: Madder than Jack White. He’s fucking going for it, damn, and you know, when a crooner spits blood, you better look out. Anger always means more when it’s coming from a guy who usually .
D: This shit is banging. “You’ve got a nerve to be asking a favor/You’ve got a nerve to be calling my number/I’m sure, we’ve been through this before/Can’t you hear me, I’m beating on the wall.”
C: I’d pay $15 for this song alone. And you know what? There’s ten more songs on the album!!!
D: And they’re good too. Shit. This is gonna be some year.

Oneida
Secret Wars
(Jagjaguwar)
C: You wouldn’t know this–
D: Again with the arrogance!
C: Well, you wouldn’t–
D: Wouldn’t what?
C: Wouldn’t know what the title is based on.
D: Well…
C: ‘80 Marvel Comics. Which I read. And I bet you didn’t.
D: …
C: So fuck off! [laughter] Big battles between superheroes and the main guy who summoned them to the “secret wars” : The Beyonder.
D: [wistful] Ah, the ‘80s…
C: Or it’s based on something else! Anyways. I dig this.
D: [Listening to “$50 Tea”] It’s frantic. Hypnotic. Like strobe lights for your ears.
C: But it stretches out too, and there’s melodies. It’s a lot like that last Primal Scream record, Evil Heat. Difference is that Oneida won’t let the machines do any work.
D: The Beyonders is the name of my new band.

Weird War
If You Can’t Beat ‘Em, Bite ‘Em
(Drag City)
C: From Secret Wars to Weird War, get it?
D: You are so clever. Almost too clever to bear. I cower before your cleverness.
C: [laughs] As you ought. Now check this shit out…
D: [listening to “Grand Fraud”]: Is it supposed to sound like that? Listen to all that hiss.
C: Yes, it’s nice and raw and funky and kinda fucked up. They used some old mixing board that Sly Stone and later the P-Funk guys used. Um. I guess it’s possible…
D: [2:45 into “Grand Fraud”]:WHOA!!!!!
C: That’s the shit right there. That’s IT.
D: Who is the singer?
C: Ian Svenonius, Arthur astrologer, on vocals. He’s been around forever. Nation of Ulysses, Cupid Car Club, Make Up, Scene Creamers… The Make Up split up just when they were getting good! Now I think he’s got it going on again, especially with this new guitar player, that guy has some tasty chops, as they used to say back in the day. Do you remember, back in the ‘90s, when it was a point of pride to be less than competent?
D: Stupid indie rockers, I never liked that stuff. Weird War is a weird name.
C: You’re right. Like, what do you call the people in the band?… Weird War-ers?.
D: Weird Warriors! [Ears pop up as female voice rapping begins on title track breakdown] Is that Peaches????
C: It’s Jennifer from Royal Trux.
D: Whoa. I think she can quit her dayjob! And Peaches should call her lawyers.
C: Always with the lawyers, this guy.

TV On the Radio
Desperate Youth, Blood Thirsty Babes
(Touch and Go)
C: Another band with a difficult name.
D: “TV on the Radio”? What does that mean? What are they thinking? This is crazy talk.
C: Just listen to the music. You can’t judge a band by its name! The Beatles is the stupidest name ever, right?
D: Yes, okay. [listening] What do you call this kind of music?
C: I have no idea, but I like listening to it.
D: It’s dance music, but it’s got all this…
C: All these weird elements, used in weird ways. Horns. Backing vocals. Dance grooves.
D: He’s got a voice like Peter Gabriel. There’s something kind of scary about this stuff.
C: It seems like they’re holding it together in the face of something. [Quoting song lyrics:] “You were my favorite moment/of a dead century.”
D: This is really good. It’s genuinely new—I can’t say that I’ve heard something like this before. And I want to hear it again.

The Paper Chase
What Big Teeth You Have EP
(Southern)
C: Speaking of scary.
D: Super-tension crisis music!
C: Drills. Angst. Space. Rolling bass. Piano stabs. Guitars at angles.
D: It’s like a soundtrack to a murder.
C: Reminds me of Jesus Lizard. Drive Like Jehu… But there’s an almost… symphonic, I guess…component to it. They’re from Texas, they thing big.
D: Violins too. Genuine horror movie stuff! But not in a cheesy way. No organ grinder.
C: You should see the video that‘s on here: it’s like low-budge Lynch meets Cunningham. Okay, onto the next track, which is a Brel cover…
D: Of course. “My Death.” Scott Walker did this!
C: The drums are so big on this record. I think it’s a Texas thing. Those guys love the big Bonham drum thing down there. Lift to Experience, Secret Machines, these guys… Maybe it’s from all those years of Flaming Lips coming down to Austin from Oklahoma, that dude is an epic drummer. So is this guy.
D: The guitar is now being strangulated. It’s almost too much. Psychodramatic, just at the edge of being too much.
C: Yes. This last song is a Roger Waters cover from The Pros and Cons of Hitch Hiking. It’s massive.
D: Whoo-ee. We need to keep an ear on these guys!
C: Their next album is gonna be on Kill Rock Stars… A label with a violent name for a band with a violent streak as wide as a Texas mile.
D: They are the new Texas chainsaw murderers, only they use guitars. Murdered by music.

Casual Dots
Casual Dots
(Kill Rock Stars)
C: Speaking of Kill Rock Stars, here’s a record on the label by a new band.
D: More angularity.
C: Angularity is the new strumming.
D: A female voice, finally! Why do we always listen to men records?
C: That is a very good question to which I don’t have a very good answer. Anyway, in case you were wondering, this sounds to me like Stereolab meeting Deerhoof with, oh, Poison Ivy from the Cramps on guitar. It’s indie rock vets from bands like Autoclave and Bikini Kill, but they can play their instruments.
D: Progress has been made. Miracles, they never cease.
C: This song, “I’ll Dry My Tears” is a cover, right?
D: It must be. Very nice, so different from the rest. We can ask the Internet about it.
C: Poison Ivy is so underrated… This whole record sounds like a tribute to her guitar playing.
D: Cool stuff on record, now I wanna see ‘em live. Women rock!
C: …

Hella
The Devil Isn’t Red
(5 Rue Christine)
C: Instrumental mathcore by men.
D: Excuse me while I yawn.
C: I’m sure it’s all very difficult and very intense, but why should people listen to this when they could listen to, oh, King Crimson or Magma?
D: This is so difficult. Oh so very difficult. The nerds of rock, shredding away. Maybe it is fun for them.
C: The drumming on this bugs the shit out of me, it’s busy beyond belief. For what? I don’t get it.
D: Off it goes. Bye bye!

Deerhoof
Milkman
(Kill Rock Stars)
C: Speaking of Deerhoof, here’s their new one on…Kill Rock Stars.
D: Which rock stars do they want to kill exactly, that’s what I always wondered.
C: Of all the people to advocate killing, why rock stars? Why not…um…first-world capitalist greedheads? If you’re going to go down that route, I mean… Not that I’m advocating anything.
D: We are peace people.
C: But rock stars? John Lennon was killed. Are these John Hinkley sympathizers, then? That’s pretty fucking stupid.
D: Disgusting!
C: Hey anyway, guess what? This sounds like the other Deerhoof records! Cute dreamy vocals in the same key by Japan-born singer Satomi Matsuzaki, I don’t know what she’s saying but it good, and lotsa riffs glued on, stomping and stopping and starting.
D: They’re supposed to be amazing live.
C: Yeah, I can see that. But they still don’t quite do it for me on record.
D: Well, that’s your problem. I am digging it. Next!

OOIOO
Kila Kila Kila
(Thrill Jockey)
C: Continuing on from our “kill” theme, and also on the Japanese theme, here’s the new record by the band that Yoshimi from the Boredoms leads…
D: This is boring twiddling thumbs music. Where are the drums? I need some drums.
C: You may get your drums. Just sit still and listen for a second, will ya? Patience is a virtue.
D: Hey what about that Guitar Wolf DVD? He’s Japanese.
C: Oh yeah. Lemme see if I can make it work. [tries to make it work] Nope.
D: This is getting better, but it’s taking too long. I am a busy man.
C: Okay, okay. I just want the Arthur readers to know that this is an interesting, minimalist art-trance-experimental record that rewards multiple listens by the genuinely curious. I mean, shit D, this song is 10 minutes and 40 seconds, you gotta let it develop. It’s like the opposite of Deerhoof. Deerhoof is for people who need it NOW and OOIOO is for people who can wait.
D: I am definitely a cannot-waiter. I apologize to Yoshimi, but that is how I am!

Ghost
Hypnotic Underworld
(Drag City)
C: I have prepared a statement regarding this album, that I wrote while in what we shall call ‘alternative consciousness,’ which I will now read. [clears throat] “Pure, total towering all-encompassing humble acoustic-electric-Mellotronic psychedelic-pastoral-rock-art-prog-outre accomplishment, the summation of a career, a flowing highlight reel that takes every angle that Batoh’s Ghost band (who come from Japan) have ever explored during the last decade and a half and multiplied the richest parts by a factor of 48. (It’s like The Love Below, in a way, right?) The band is sympathetic, tremendous, stunning: the electric guitarist Michio Kurihara deserves particular recognition for his restraint, his launches, his trails. Lower the lights, turn on the fog machine, put a candle in the wine bottle, turn the stereo up loud and gaze lovingly at the gatefold. I want to tell you something: my friends, whoever you are and whatever language you speak, This album is why Music exists.”
D: Yeah, it’s pretty good.
Continue reading

TODAY— Sat, Oct. 10, 2pm-2am: FRISCO FREAKOUT! – ALL AGES, ALL MINDS, ALL DAY

… A HEAVY LODE ELECTRONIC TRANSMISSION …
… FOR IMMEDIATE RELEASE … OCTOBER 5, 2009 …

P7651AF5D

Remember … The Second Annual Frisco Freakout Psychedelic Dance Party is THIS SATURDAY, OCTOBER 10, 2009, 2 to 2 at Thee Parkside in San Francisco

THEE SCHEDULE:

DOORS OPEN AT 1:30PM!

12:30AM LIQUORBALL
11:15PM MAGIC LANTERN
10PM ASSEMBLE HEAD IN SUNBURST SOUND
9PM CITAY
8PM BARN OWL
7PM SUN ARAW
6PM WOODEN SHJIPS
5PM LUMERIANS
4PM 3 LEAFS
3PM POWELL ST. JOHN & THE ALIENS
2:00PM HEAVY HILLS

Thee Parkside: 1600 17th St San Francisco, CA 94107
Tickets are only $15 and available now from thee venue
Proceeds go to Creativity Explored! http://www.creativityexplored.org

MORE INFLOW:
http://www.friscofreakout.com
http://www.myspace.com/friscofreakout
http://www.secretserpents.com

The official poster for this year’s Frisco Freakout is entirely hand drawn and inked by the legendary Alan Forbes.

Forbes and Secret Serpents are working with Monolith Press to hand-silkscreen a limited run of this mindwarping poster in a large format, hand-numbered and signed by the artist, which we will have available at the festival.

HEAVY LODE is also proud to present “FRISCO FREAKOUT 10-11-08” – a LIVE compilation of the best of the First Annual Frisco Freakout Psychedelic Dance Party – featuring all your favorites from those golden days of your misspent youth: Earthless, Wooden Shjips, Assemble Head in Sunburst Sound, Crystal Antlers, Greg Ashley, The Bad Trips, Art Lessing & The Flower Vato, Sequin Trails, and Ascended Master – 60 minutes of the First Annual Frisco Freakout LIVE on limited edition bootleg cassette. Also available at this year’s festival.

The Frisco Freakout is brought to you by the letter F … and by the good people at the following fine establishments:

KUSF-FM http://www.kusf.org
ARTHUR MAGAZINE http://www.arthurmag.com
AQUARIUS RECORDS http://www.aquariusrecords.org

in conjunction with
HEAVY LODE