[SUNDAY LECTURE NO. 8] “Forgetting and Remembering the Instructions of the Land” by Freeman House (1996)

Freeman House is a former commercial salmon fisher who has been involved with a community-based watershed restoration effort in northern California for more than 25 years. He is a co-founder of the Mattole Salmon Group and the Mattole Restoration Council. His book, Totem Salmon: Life Lessons from Another Species received the best nonfiction award from the San Francisco Bay Area Book Reviewers Association and the American Academy of Arts and Letters’ Harold D. Vursell Memorial Award for quality of prose. He lives with his family in northern California.”

That’s the biographical note for Freeman House on the Lannan Foundation website. We would add that earlier in his life, Freeman edited Innerspace, a mid-1960s independent press magazine for the nascent psychedelic community; presided over the marriage of Abbie and Anita Hoffman at Central Park on June 10, 1967; and was a member of both New York City’s Group Image and the San Francisco Diggers.

This is the eighth lecture in this series. This series ran previously on this site in 2010-11, and is being rerun now because it’s the right thing to do.

This piece was delivered as the Rufus Putnam Lecture at the Ohio University, April 24, 1996. Parts of this lecture have been published in Martha’s Journal and in Raise the Stakes.

Forgetting and Remembering the Instructions of the Land: The Survival of Places, Peoples, and the More-than-human

by Freeman House

I: Forgetting

Maps are magical icons. We think of them as pictures of reality, but they are actually talismans that twist our psyche in one direction or another. Maps create the situation they describe. We use them hoping for help in finding our way around unknown territory, hoping they will take us in the right direction. We are hardly aware that they are proscribing the way we think of ourselves, that they are defining large portions of our personal identities. With a world map in our hands, we become citizens of nations. We become Americans, Japanese, Sri Lankans. With a national map in front of us, we locate ourselves in our home state; we become Ohioans or Californians. Unfolding the road map on the car seat beside us, we become encapsulated dreamers hurtling across a blurred landscape toward the next center of human concentration. Even with a topographical map, the map closest to being a picture of the landscape, we are encouraged to describe our location by township, range, and section—more precise, more scientific, we are told, than describing where we are in terms of a river valley or mountain range.

When Rufus Putnam’s Ohio Company acquired its part of the Northwest Territories, the first thing General Putnam did, perhaps before he had even seen all of it, was to draw squares on a map—townships, quarter-sections, long sections. Putnam was, after all, a surveyor and a land developer. Those blue lines on maps that are now yellow with age set in motion a process of systematic forgetfulness which may just now be reaching its culmination. As precisely as if he were using a scalpel, the general was separating the new human inhabitants from the sensual experience of their habitat. The new lines brought with them a quality of perception, one that randomly separated waterways from their sources. They fragmented the great forests before a single tree was cut.

If the landscape was a radio, in 1787 the volume began to be turned down on the channel that had carried the messages of the other creatures and the plants and the winds and waters full blast for thousands of years of ’round-the-clock broadcasting. People had been living in southern Ohio for millennia before the good general arrived, and there is every indication they were able to hear what the landscape was telling them. They experienced themselves as a part of the landscape that lay between themselves and the horizon. The landscape and the other creatures in it had a voice within their hearts and minds. Their maps were in the form of stories that carried down through the generations information about where and when the food plants were at their best, information about the seasonal migration routes of other species — species that might be important for either food or communion. The stories told of seasonal cycles — planting times, flood years, birth control. But as far as we know, no maps. And most certainly no maps with straight lines on them.

President Jefferson would soon instruct his surveyors the length and breadth of the enormous Louisiana Purchase to do the same thing—and with the best of intentions. Map it; divide it up by township, range, and section. It was a management problem. Breaking up the nearly unimaginable breadth of the newly acquired lands into tidy grids would make possible their orderly occupation by the yeoman farmer democrats who resided at the heart of Jefferson’s vision for the new world. This was the first step into bringing order to a sprawling wilderness, spreading its use peacefully among a rapidly encroaching population in a society where the engine of order was commerce. Political thinking of the time (as it still is) was driven by John Locke’s idea that the primary function of government is the protection of property. If the government was to have something to govern, it needed to turn all that land into property.

The technique had its benefits. Smaller grids provided for the establishment of instant towns and villages, centers of commerce and transportation. The larger grids, for sale at a dollar an acre, provided space for pioneer trappers and farmers to provide the amenities necessary for the growth of a new society. American civilization established itself with startling efficiency and rapidity. The previous inhabitants were startled right out of a culture that had evolved for thousands of years in equilibrium with the life processes surrounding. Too often, they were startled right out of their skins.

But the system had unanticipated side effects which we are only beginning to understand in the last 30 years, as we have discovered something called the environment. Continue reading

[SUNDAY LECTURE NO. 5] “Silent Future: Rachel Carson and the Creeping Apocalypse” by Freeman House

Freeman House is a former commercial salmon fisher who has been involved with a community-based watershed restoration effort in northern California for more than 25 years. He is a co-founder of the Mattole Salmon Group and the Mattole Restoration Council. His book, Totem Salmon: Life Lessons from Another Species received the best nonfiction award from the San Francisco Bay Area Book Reviewers Association and the American Academy of Arts and Letters’ Harold D. Vursell Memorial Award for quality of prose. He lives with his family in northern California.”

That’s the biographical note for Freeman House on the Lannan Foundation website. We would add that earlier in his life, Freeman edited Innerspace, a mid-1960s independent press magazine for the nascent psychedelic community; presided over the marriage of Abbie and Anita Hoffman at Central Park on June 10, 1967; and was a member of both New York City’s Group Image and the San Francisco Diggers.

This is the fifth lecture in this series. This series ran previously on this site in 2010-11, and is being rerun now because it’s the right thing to do.

This particular essay was prepared with the assistance of a literary fellowship from Lannan, and was first published in Courage for the Earth: Writers, Scientists, and Activists Celebrate the Life and Writing of Rachel Carson (edited by Peter Matthiessen) on the occasion of the 100th anniversary of Carson’s birth.


SILENT FUTURE

Rachel Carson and the Creeping Apocalypse

by Freeman House

1.
It must have been in 1970 when I was working with a collective fishing venture in Trinidad, California, that Rachel Carson enrolled me into the school of ecological activism. I was in a period of my life when the affairs of the world seemed so hopelessly screwed up that I had chosen to divorce myself from mainstream culture and work with others to build a world that fit my fallible sense of the proper way to live. We were in the habit of calling our position “building a new culture within the shell of the old.” A less friendly observer of our efforts might describe them as an attempt to escape the grim imperatives of history, and I would not argue.

I did pick up a copy of the San Francisco Chronicle once in a while and in one of them I read of a scientific report that predicted the imminent extinction of brown pelicans in California due to the thinning effect of the insecticide DDT on the eggs of the birds. The article referred to Silent Spring, and made me realize how much I loved brown pelicans.

The collective had acquired a double-ended Newfoundland dory, a pretty craft that bobbed in the water like an eggshell, narrow at the beam and twenty feet long. It had two sets of oarlocks and a place to step a mast near its center. It replaced our former noisy and greasy thirty-foot scow powered by an unreliable diesel engine. With the new boat we could row out in the dawn light to the rockfish holes seaward of the monoliths of stone that rose out of the water a half-mile or so offshore, to get some fishing done before the north winds roiled the water at midday. And then we could raise the sail as we headed for home, skimming into port and luxuriating like people on a pleasure cruise. The quiet on the water was wonderful. Where before we had been isolated from ocean life by a dense aural penumbra of engine-howl, now all the lives of the sea came round to investigate. Seals and sea lions followed us as if we were a carnival show; the gulls circled shrieking about our heads while common murres sped across our bow like very fast windup toys.

In the middle distance always the pelicans. They look like creatures from another age, their overlarge heads stretching forward, heads and beaks that from some angles appear to be larger than their aerodynamic bodies. There is rarely one alone; more often they fly in groups of six to 20. The flocks act as if they have a single mind, so precise and graceful are their formations. The pelicans fly most often in a line, one behind the other, the line rising up and plunging down thrillingly close to the water’s surface in rolling arcs that resemble drawings of a sine wave. But sometimes the birds fly in marvelously sinuous gathered formations, group mind and individual mind working in perfect harmony. The individuals within the group might glide past one another or fall back a bit, but the formation as a whole holds its shape as a mutable polygon, sometimes wheeling as a unit in a 90-degree turn, all white bellies exposed at once, to change direction. It is enough to make you forget the cuts on your hands and live for a moment in the perfect realm of the whole. It is tempting to think that the birds are tracing arabesques against the looming fog bank merely to pleasure our senses, but the pelicans are fishing, too. Perhaps the varieties of formations represent different strategies for different prey.

At the sight of a food fish, all semblance of group mind evaporates as one bird after another drops in twisting free fall, most of them entering the water head first with the perfect verticality of a practiced diver. But some birds belly flop with a huge commotion that can only be described as clumsy. It will take a few moments of shaking the water off their wings and reorienting themselves for the birds to recover their dignity. The sight can make me laugh out loud with empathy, having myself made moves equally indecorous.

Any bird that can move you to awe and, seconds later, make you laugh out loud has intrinsic value enough to burn. I was enraged that a bunch of mad utopians out to rid the world of insects that fit into no economic scheme was inflicting the collateral damage of depriving the world of pelicans. And that is how Rachel Carson, several steps removed, influenced a sense of myself as an ecological being, a reciprocal participant in the surrounding world. It was a sense that would inform the rest of my life.
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