R.I.P. Bob Mitchell, longtime L.A. Silent Movie Theater/Cinefamily organist

Bob Mitchell, RIP
Bob Mitchell (1912-2009)


from Cinefamily:

I have sad news. Our organist, Bob Mitchell, has passed on at the age of 96. I did not know Mr. Mitchell well, but I did have the pleasure of seeing him play many times over the past year and a half. Mr. Mitchell, who started playing at the Pasadena Playhouse at the age of only 12 years old, had actually played for silent films in the ’20s. It was a pleasure and a privilege to witness someone who wasn’t just a master at his craft, but was a human portal to another time. There will be wonderful silent musicians continuing the tradition of live, improvised accompaniment, but there was a certain unforgeable authenticity that comes from not simply recreating another time, but being of it. Bob’s entire musical background and earliest memories lent a texture to his performance that was quite unique; his musical quotations, his sense of humour, his reference points were all of the era. He knew and remembered the songs and themes that were contemporaneous with the films he accompanied, and would weave them into the scores at natural points. If you were watching William Hart’s silent western Tumbleweeds — sure enough, he would play the hit song “Tumbleweeds” as the credits rolled.

It is short notice, but tomorrow, before our screening of Greta Garbo’s Love, we will have a short memorial for Bob.

Click here to buy tickets for Love, and for a complete schedule of Cinefamily’s Silent Wednesdays program.

April 19, Cinema 16 Night, with Noveller and Julianna Barwick

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Still from Sarah Lipstate’s “Memory Scars”, courtesy of the artist

On Sunday, April 19th, Cinema 16 returns to The Bell House in Brooklyn with another round of experimental shorts and live musical accompaniment. Brooklyn musician Julianna Barwick performs original scores to Kenneth Anger’s “Inauguration of the Pleasure Dome” (1954) and Joel Schelmowitz’ “1734” (1997), followed by a performance by Parts & Labor’s Sarah Lipstate (as Noveller), set to a selection of her own films.

Independent curator Molly Surno, who founded the series last year, offers an unusual explanation for bringing the silent film—and Cinema 16, a New York avant-garde film society founded by Amos Vogul in 1947—back to life: “In the era of silent film, live music enhanced the moving picture and brought communities together with a visceral, interactive audio-visual experience. Today, when the film experience has been reduced to the tiny screens of our laptops and ipods, oftentimes experienced alone, Cinema 16 offers a revival of community” (Bellhouse website).

Sunday, April 19th, 6pm doors, 7pm show
149 7th Street
$10, with complementary beverage
Brooklyn, NY 11215