Today's Autonomedia Jubilee Saint — ALLEN GINSBERG

ginsberg
June 3– ALLEN GINSBERG
Great Beat poet, pot liberator, counter-cultural icon.
httpv://www.youtube.com/watch?v=rlJWIKvapzA

JUNE 3, 2009 HOLIDAYS AND FESTIVALS
*Japan: Broken Dolls Memorial. Girls attend Buddhist funeral ceremonies, bury old dolls.
* Impersonate Authority Day.

ALSO ON JUNE 3 IN HISTORY…
1906 — Jazz dancer, actress, stripper Josephine Baker born, St. Louis, Missouri.
1924 — Dystopian allegorist Franz Kafka dies, Kierling, Austria.
1926 — American Beat poet, activist Allen Ginsberg born, Newark, New Jersey.
1968 — Andy Warhol “air conditioned” by Valerie Solanas, author of SCUM Manifesto, New York City.

Excerpted from The 2009 Autonomedia Calendar of Jubilee Saints: Radical Heroes for the New Millennium by James Koehnline and the Autonomedia Collective

Franklin Lopez is making a film based on Derrick Jensen's work…

More info on the in-progress “End:Civ” at submedia. The film is based on the work and thought of anti-civilization author/activist Derrick Jensen, who was interviewed at length by Jay Babcock in Arthur No. 23 (July 2006). That interview is available online, here. (We have very, very few copies of Arthur No. 23 in stock. They are available for $100 each at the Arthur store, here.)

Dance Floor Drones: Black Meteoric Star

Russom debuts Black Meteoric Star tracks with Assume Vivid Astro Focus at Paris’ Super Festival in April, 2008 (part 2 below)


Former Arthur cover co-star Gavin Russom has new music coming out next week on DFA. He’s recording as Black Meteoric Star, and while the tunes are still rife with droning synthesizers — a la his essential Days of Mars work with Delia Gonzalez — he’s going for more of a dance floor vibe this time. Specifically, BMS is his exploration into acid house. He expands on that a bit in this 2008 interview with the UK’s Fact magazine:

“Later I became very interested in the thematic elements of early Detroit and Chicago electronic music and the cultural environments that surrounded the Warehouse. Of particular interest was the way that a piece of music technology (specifically the Roland TB-303) generated an entire musical aesthetic because of its characteristics and its limitations. The post-apocalyptic vision of a new society, armed with electronic technology, emerging from the post industrial wasteland resonated with my own political ideals, my experiences growing up in Providence and my interest in the post-WWI European avant-garde who had similar ideas.

“Of course I always come back to the fact that it’s simply interesting and powerful psychedelic music.”

The self-titled album’s out on June 9, but you can get a preview via Tim Sweeney’s “Beats In Space” radio broadcast from back in April. Russom opens with 30 minutes of BMS material, before going into a lovely DJ set including plenty of drones plus crusty voodoo folk-rock from Exuma and Archie Shepp’s “Monkey Blues.” Download the whole 90 minute podcast over at Beats In Space.

• More info on DFA’s MySpace page: http://www.myspace.com/dfarecords

• Trinie Dalton interviewed Delia & Gavin for Arthur 21/March 2006, copies of which are still available in the Arthur Store. Click here to commence browsing.

• Assume Vivid Astro Focus made a sweet video for Delia & Gavin’s “Relevee”, which we posted back in April of 2008. Check it out by clicking here.

The economy's favorite children: Simon Johnson on Wall Street's "Quiet Coup" (The Atlantic, May 2009)

Following is a distilled version of “The Quiet Coup” from the May 2009 issue of The Atlantic. The complete text is available here.

The article’s author is Simon Johnson, “a professor at MIT’s Sloan School of Management, [who] was the chief economist at the International Monetary Fund during 2007 and 2008. He blogs about the financial crisis at baselinescenario.com, along with James Kwak, who also contributed to this essay.”


“[T]he U.S. is unique. And just as we have the world’s most advanced economy, military, and technology, we also have its most advanced oligarchy. …

“[T]he American financial industry gained political power by amassing a kind of cultural capital—a belief system. Once, perhaps, what was good for General Motors was good for the country. Over the past decade, the attitude took hold that what was good for Wall Street was good for the country. The banking-and-securities industry has become one of the top contributors to political campaigns, but at the peak of its influence, it did not have to buy favors the way, for example, the tobacco companies or military contractors might have to. Instead, it benefited from the fact that Washington insiders already believed that large financial institutions and free-flowing capital markets were crucial to America’s position in the world…

“One channel of influence was, of course, the flow of individuals between Wall Street and Washington. …

“These personal connections were multiplied many times over at the lower levels of the past three presidential administrations, strengthening the ties between Washington and Wall Street. ….

“A whole generation of policy makers has been mesmerized by Wall Street, always and utterly convinced that whatever the banks said was true. …

“Of course, this was mostly an illusion. Regulators, legislators, and academics almost all assumed that the managers of these banks knew what they were doing. In retrospect, they didn’t. …

“Wall Street’s seductive power extended even (or especially) to finance and economics professors, historically confined to the cramped offices of universities and the pursuit of Nobel Prizes. As mathematical finance became more and more essential to practical finance, professors increasingly took positions as consultants or partners at financial institutions. …

“As more and more of the rich made their money in finance, the cult of finance seeped into the culture at large. … In a society that celebrates the idea of making money, it was easy to infer that the interests of the financial sector were the same as the interests of the country—and that the winners in the financial sector knew better what was good for America than did the career civil servants in Washington. Faith in free financial markets grew into conventional wisdom—trumpeted on the editorial pages of The Wall Street Journal and on the floor of Congress.

“From this confluence of campaign finance, personal connections, and ideology there flowed, in just the past decade, a river of deregulatory policies that is, in hindsight, astonishing. ….

“The mood that accompanied these measures in Washington seemed to swing between nonchalance and outright celebration: finance unleashed, it was thought, would continue to propel the economy to greater heights. …

“[M]ajor commercial and investment banks—and the hedge funds that ran alongside them—were the big beneficiaries of the twin housing and equity-market bubbles of this decade, their profits fed by an ever-increasing volume of transactions founded on a relatively small base of actual physical assets. Each time a loan was sold, packaged, securitized, and resold, banks took their transaction fees, and the hedge funds buying those securities reaped ever-larger fees as their holdings grew. ….

“By now, the princes of the financial world have of course been stripped naked as leaders and strategists—at least in the eyes of most Americans. But as the months have rolled by, financial elites have continued to assume that their position as the economy’s favored children is safe, despite the wreckage they have caused. …

Continue reading

Tuesday New Age Jams: A different sort of "mothership connection"

Swing down sweet chariot ...

To those not yet in the know, all the true heads check in at the Crystal Vibrations audioblog for the cream of the crop in Nuevo Age jammage. CV is Greg Davis‘ thing mostly, if we’re going on number of posts, and his thoroughness with regard to the history and cultural relevance of New Age music suggests that the man has curated a staggering collection of some of the most mundane sounds ever conceived. (Davis, if you don’t know, has been creating very pleasant albums of sorta tribal ambient electronic stuff since the early ’00s.)

Keeping that in mind, the truly hype shit when it comes to New Age tunes is outta this world, and stands out as even more of a treasure given the genre’s overarching treacly nature. A reclamation and a reappropriation of the blissfully soporific is in effect here, engineered by the aforementioned Davis, along with likeminded pals such as White Rainbow‘s Adam Forkner.

So yeah: We’re STOKED that he’s back with his first post since early April. Namely, to quote Davis, “a real soother” in the form of David Parsons’ 1980 album, Sounds of the Mothership. The awesome picture up top sums it up: The best possible version of “bidi-puffing white dude hanging out by a waterfall, getting mellow on the sitar” you can imagine. Plus the requisite Tangerine Dream-style warbling synth drones and occasional cricket chirp and birdsong. So chill.

Click here to go get mellow with David Parsons at Crystal Vibrations.

Through August 4: Propose Your Own Event at the University of Trash (SculptureCenter, Long Island City, New York)

university-ro-01
There isn’t all that much to see at The University of Trash at SculptureCenter if you go there when “classes” aren’t in session. Asides from a few skeletal wooden structures– half jungle-gym, half campus center–and a slightly smaller than life replica of the old Tompkins Square Park bandshell, this summer-long “makeshift university”/Adventure Playground”(see Arthur contributor Andy Folk’s earlier post on the installation) is exactly what we–the greater New York City community–choose to make of it. Which means that in addition to signing up for some of the Free Skool’s delightfully unorthodox course offerings (radio transmitter building workshops, “Silkscreening Skills Shares,” “Composting in the City” classes, and Karl Marx reading groups, along with the more predictable situationist/spatio-political academic lecture fare–you can actually book the space for your own artistic, political, or pedagogical happenings. That is, as long as you can find a free time-slot on the University Calendar.

A university-wide “Call to Action” (as opposed to “Call for Entries”):
university-call1

The Free Skool, at The University of Trash
Sculpture Center
44-19 Purves Street
Long Island City, NY 11101
Thursday-Monday, 11am-6pm
$5 requested donation

Today's Autonomedia Jubilee Saint — IDA METT

mett
June 2 — IDA METT
Anarchist chronicler of the Kronstadt Rebellion.
Read The Kronstadt Commune

June 2, 2009 HOLIDAYS AND FESTIVALS
*Mons, Belgium: Festival of the Golden Chariot.
*Festival of Utter Confusion.

ALSO ON JUNE 2 IN HISTORY…
1740 — Writer, sex deviate Marquis de Sade born, Paris, France.
1899 — Butch Cassidy’s gang robs Union Pacific train in Wyoming.
1924 — Natives in heartland of North America are granted “citizenship”
by the state that largely exterminated them.
1987 — Celebrated Spanish guitarist Andrés Segovia dies.

Excerpted from The 2009 Autonomedia Calendar of Jubilee Saints: Radical Heroes for the New Millennium by James Koehnline and the Autonomedia Collective

FWAF 2009 – 'CHILDREN OF THE CLONE' by Superbrothers

The 3rd annual Floating World Animation Fest features senses shattering video art and psychedelic animation from the secret world of motionography. 3+ hours of mind melting, soul loving psychedelicanimation… this summer’s ultimate videocation!
httpv://www.youtube.com/watch?v=etEvL0EsxOY
Rustic 21st century minimalism by Superbrothers.

Floating World Animation Fest 2009 – Holocene, 1001 SE Morrison, Portland OR – June 25th