"We're all going one way, but we may as well get down to it while we're here"*

(*John Martyn talking about the themes of mortality on 1970’s Road To Ruin)

stormbringer

John Martyn’s two 1970 albums with his wife Beverley — Stormbringer! and Road to Ruin — are near perfect examples of lush, freewheeling ’70s folk music. There’s the intricate guitar picking that characterized his earlier work on albums like The Tumbler, and there are a few of the jazz affectations that defined his later, more experimental efforts like Bless The Weather and Solid Air. But mostly this is the sound of two people in love, holed up with pals like Levon Helm in the idyllic countryside of Woodstock NY — e.g. just look at the two Martyns huddled together on Stormbringer!‘s awesome cover (later appropriated by Wooden Wand & The Sky High Band for their 2006 album, Second Attention). On his website, John offers these memories of the sessions:

“It was the year of the festival. We just lived there and worked with Paul Harris very quickly and very briefly and we just went into the studio and did it very one-off, very swift. Levon Helm and Harvey Brooks we met in Woodstock and used them, just because they were friends. It seemed obvious that they should be on it. Dylan lived up the road, and Hendrix lived virtually next door. He used to arrive every Thursday in a purple helicopter, stay the weekend, and leave on the Monday. He was amazing…a good lad.”

Here’s my favorite song from the album, the absolutely magnificent “John The Baptist.”

Download “John The Baptist”

On his 2006 tour Will Oldham was playing a hybridized cover version of Martyn’s “John The Baptist” and another song on the same subject by Virginia country gospel players E.C. and Ornal Ball. Here’s an acoustic version of Oldham’s medley, from his August 2006 run at Joe’s Pub in NYC. (Thanks to Aquarium Drunkard for posting the complete Joe’s Pub sets back in December).

Download Will Oldham’s “John The Baptist”

Road to Ruin–also recorded in 1970–has more of the same but with lots more jazz playing. It includes the melancholy vacation anthem “Give Us A Ring,” in which the couple ask their friend Nick Drake to bring them something cool back from his time abroad.

Download “Give Us A Ring”

Martyn went on to make weird, wonderful records that spanned folk, improv, ambient and reggae, but those two albums with his wife — they divorced in the late ’70s — will always be my favorites.

John Martyn died today of pneumonia. He was 60. Various obituaries and remembrances after the jump.

Continue reading

Assteroidz: Diamond Dave Edition

Q: Do you have Asteroids? A: No, but my dad does.”

OMFG! We thought the mere IDEA for this thing was funny enough, but then Van Hagar’s ugly mug comes floating through the space debris. GENIUS. Forget the latest Tom Clancy nuclear holocaust first person shooter war porn: Diamond Dave’s Assteroidz is the video game of the year.

Find more wonderful Van Halen oddities over at WFMU’s Beware of the Blog.

"My relationship with the ninja was interesting on a couple of different levels."

Alison Levy is a curator, writer and a blogger at the 2012 apocalypse fan-fiction forum Reality Sandwich. She’s posted a great interview with Arthur columnist Aaron Gach, of The Center for Tactical Magic. Check it out here.

In the midst of all the New Age therapy-speak in the comments — e.g. “i was the canvas i was doing the painting on, it was a shamanic abstract x-pressionist personal human sculpture” — “sonofman” jumps in to direct the RSers over here to Arthur to check out some of the Center for Tactical Magic’s contributions. Thanks, sonofman. Here’s a quick digest of the Center’s “Applied Magic(k)” columns, for your consideration:

Vanishing Act, from Arthur 32/December 2008

An Open Invocation, from Arthur 31/October 2008

The Roots of Culture, from Arthur 29/May 2008

Will Power To The People! from Arthur 27/November 2007

Calling All Ghosts, from Arthur 25/Winter 2006

BONUS: The Center for Tactical Magic at Psychobotany at Echo Park’s Machine Project, May 2007

Read an excerpt from the interview–in which Aaron explains what he learned from private eyes, ninjas and magicians–after the jump.

Continue reading

A mountain is a living thing

The National Film Board of Canada was founded in 1939 in part as a way to distribute World War II propaganda throughout the Great White North, but went on to become a bastion for experimental animation, “socially relevant documentaries” and other film projects “which provoke discussion and debate on subjects of interest to Canadian audiences and foreign markets.” In particular the NFB is known for producing some of the dreamiest nature documentaries of modern times — it’s where Boards of Canada got their name and a lot of their soft-focus naturalist vibes. And now the NFB has started posting their library of films online.

A lot of these docs are wordless montages of natural imagery accompanied by droning Eno/Tangerine Dream-style synthesizer soundtracks — our favorite so far is William Canning’s 26-minute short Temples of Time (1971), described by the NFB as follows:

A mountain is a living thing; it has an ecological balance, a process of evolution manifested in slow, subtle ways; but it is also subject to the ravages of human intervention. Filmed in the Canadian Rockies and in Garibaldi Park, this picture brings to the screen magnificent footage of mountain solitudes and the wildlife found there, of natural splendor in all its changing moods. The film carries the implicit warning that all this may pass away if people do not seek to preserve it.

Hook your computer up to your stereo for the full effect of Edward Kalehoff’s warbling synth drone soundtrack. Who needs to figure out the whole new digital TV upgrade chip whatever thing when we’ve got this treasure trove to explore? More to come …

Note: The NFB’s online library is brand new and still a little wonky from time to time. If the embedded Temples of Time isn’t working for you, go here to watch it on the NFB site.

Merriweather Postponed Pavilion

So if you’re in Southern California and you had tickets for one of the two canceled Animal Collective shows this weekend — canceled due to sickness, so no bad vibes — you are no doubt very bummed. Doubly bummed now that the AC site is encouraging ticket holders to contact the point of purchase for a refund, i.e. the shows aren’t being rescheduled.

Your contributing editor has been elevated to the point of ecstatic laughter at an Animal Collective performance on the Sung Tongs tour, and he has walked out early from a disorienting and rather grating show when they were out pushing Strawberry Jam. It appears as if this current tour was of a quality suggesting the former experience, as in true jam band fashion AC has been taking older songs from their back catalog and re-rubbing their edges to fit into the gloriously swirling forms of the transcendent Merriweather Post Pavilion.

To get a sense of what we Southern Californians missed out on, we direct you toward NYC Taper’s excellent AUD recording of their January 21, 2009 Bowery Ballroom show. Put the “My Girls” house-building anthem video on repeat, mute the audio and let the reel-to-reel roll. (Re: the video. How many granola jam-band credits do you get for rocking a headlamp on stage? Enough to counterbalance the lack of hairy chinspace?)

It was just last year that Arthur pal Zach Cowie, in his 2007 year-end list of favorite things, predicted that “homeboys are about five seconds away from having a tapers section.” Now, a year later, and this is definitely the reality. NYC Taper’s show is the best we’ve heard, but if you find something as good or better here in this Animal Collective dot org archive of live recordings, drop us a line in the comments.

And while we’re at it, Arthur contributor Trinie Dalton — who profiled AC for the cover of Arthur 19 (Nov 2005) — catches up with the band once again for LA Citybeat. Read “The Polka Dot Lives On” here.

Animal Collective will be back for shows all up and down the West Coast — including an already sold-out (DANG) stop at the Henry Miller Library in Big Sur — in May.

UPDATE:
Read a take on the aforementioned Bowery Ballroom show (written by one of our favorite Deadheads, natch) over at the Village Voice.

(thanks to Raspberry Jones for the AC dot org tip!)

DAILY MAGPIE – January 24th – NOSTALGIA’S NO GOOD

L’KEG Gallery is a not-for-profit, volunteer run space that also supports and distributes records, crafts, zines and other local publications in the area. This time they’re showcasing many years of accumulated flier art, video footage and photography from L.A.-based projects and venues including legendary punk club The Smell as well as Sean Carnage, Videothing, Club Ding-a-Ling and many more. On top of this, you get to see Blue Jungle play live (think Magik Markers with an echo of The Cramps influence).

Date & Time: Saturday, January 24th – 8PM
Venue: L’KEG Gallery (LA.)
Location: 311 Glendale Boulevard / Los Angeles, CA 90026
Price: $5

"Okie from Muskogee" by Merle Haggard? How bout "Hippie From Olema" by the Youngbloods

The Youngbloods

HIPPIE FROM OLEMA
Jessie Colin Young / Youngbloods

Download

Well i’m proud to be a hippie from olema
Where we’re friendly to the squares and all the straights
We still take in strangers if they’re ragged
We can’t think of anyone to hate

We don’t watch commercials in olema
We don’t buy the plastic crap they sell
We still wear our hair long like folks used to
And we bathe often, therefore we don’t smell

Well i’m proud to be a hippie from olema
Where we’re friendly to the squares and all the straights
We still take in strangers if they’re ragged
We can’t think of anyone to hate

We don’t throw our beer cans on the highway
We don’t slide a man because he’s black
We don’t spill our oil out in the ocean
’Cause we love birds and fish too much for that

And i’m proud to be a hippie from olema
Where we’re friendly to the squares and all the straights
We still take in strangers if they’re Haggard
In Olema, california, planet earth

(thanks to Kevin of Currituck Co. for the tip!)