DIY Magic : Active Imagination

Active Imagination

Towards a Jungian model of the paranormal, part 2

Many poets and all mystics and occult writers, in all ages and countries, have declared that behind the visible are chains and chains of conscious beings who are not of heaven but are of earth, who have no inherent form, but change according to their whim, or the mind that sees them.

– W.B. Yeats

The examples of UFO’s, ghosts, and whatnot that have been seen by the officials and authority figures is much too large to list here in this essay. In fact, cops and air force pilots seem to be UFO’s’ favorite targets! Jimmy Carter, the freaking president, saw a UFO. So what! It just illustrates that neither Authority nor a massive number of witnesses are not enough to convince the world at large.

Likewise, it does not matter how many people see the UFO or the blood-weeping Mary, or the Missing Link. It doesn’t matter if it is hundreds of folks day after day, or even thousands. It will be swallowed by time. (Perhaps this is simply because these experiences are always ephemeral – mysticism and the supernatural cannot readily be harnessed by capitalism to turn a profit; therefore it is unimportant to the point that it does not exist.) For example: In 1917 thousands of people witnessed UFO activity; at one point 70,000 people gathered to wait and watch at one location in Portugal after three children reported the Virgin Mary appearing there. The huge crowd, and indeed everyone within a 30 mile radius, reported seeing a swirling UFO appear.  As one eyewitness described :

“It was seen by seventy thousand persons, among whom were pious individuals and atheists, clergymen and reporters from a socialist newspaper. As promised, it happened on October 13 at noon. Among the crowd was Professor Almeida Garrett, of Coimbra University, a scientist, who described the phenomena in the following terms: ‘It was raining hard, and the rain trickled down everyone’s clothes. Suddenly, the sun shone through the dense cloud which covered it: everybody looked in its direction. It looked like a disc, of a very definite contour. It was not dazzling. I don’t think that it could be compared to a dull silver disk, as someone said later in Fatima. No. It rather possessed a clear, changing brightness, which one could compare to a pearl. It looked like a polished wheel. This is not poetry. My eyes have seen it. This clear-shaped disk suddenly began turning. It rotated with increasing speed. Suddenly, the crowd began crying with anguish. The sun, revolving all the time, began falling toward the earth, reddish and bloody, threatening to crush everyone underneath.”

The website where I found the above description argues that this purportedly religious experience was, in fact, definitely a UFO. It goes on to argue that another similar case where children saw angels: “he appeared to be about nine years old, was dressed in a long, seamless blue robe, had a small face with black eyes, and fine hands and short fingernails,” was obviously not an angel but an alien.

How beside the point!

They are on the right path in realizing that the alien and the angel are perhaps the same thing, but to think that it must be only one or the other is as blind and foolish as the men in our earlier parable of the elephant.
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Floating World Comics presents: Seripop New Mutantes

Seripop is a Montreal based, internationally focused art/design duo made up of Chloe Lum and Yannick Desranleau. In addition to doing gig posters and international gallery exhibitions, they are currently touring as the noise-rock band AIDS Wolf. Catch them on tour and pick up a copy at their merch table. Limited to only 1000 copies, this oversized 10″ x 15″ newsprint monograph collects 16 mutated and melty designs suitable for browsing or framing. Each image is composed of layers like a 4 color silkscreen, inviting viewers to indulge in optical exploration.

16 page bound 10″ x 15″ newsprint, limited to 1000 copies, only $5 on Floating World’s website.

Oct. 7 Autonomedia Jubilee Saint – JOE HILL


OCTOBER 7 — JOE HILL
Wobbly martyr of American Zerowork movement.

ALSO ON OCTOBER 7 IN HISTORY…
1826 — First railroad in U.S., 3 miles long, completed in Massachusetts.
1849 — American mystery writer Edgar Allan Poe dies, Baltimore, Maryland.
1879 — American labor organizer, martyr Joe Hill born, Gävle, Sweden.
1897 — Elijah Muhammed of Nation of Islam (Black Muslims) born, Sandersville, GA.
1927 — R. D. Laing, Scottish radical anti-psychiatrist, born, Glasgow, Scotland.
1929 — French lettrist and situationist theorist Gil Wolman born, Paris, France.
1934 — Imamu Amiri Baraka (LeRoi Jones) born, Newark, New Jersey.
1943 — British lesbian novelist Radclyffe Hall dies, Rye, East Sussex.
1969 — Haymarket Statue (memorial to police slain in 1886) bombed, Chicago.

Excerpted from The 2009 Autonomedia Calendar of Jubilee Saints: Radical Heroes for the New Millennium by James Koehnline and the Autonomedia Collective

Scenes from BitchPork 2010

Photography and captions by Jennah Beilgard: http://www.jennahbeilgard.com

A BitchPork festival-goer rocks out to Heavy Times, a Chicago-based band that performed the festival’s opening night.

Isaac Catacombz

Brian Chippendale (Lightning Bolt) adjusts his mask during a torrid performance in Mortville. He and bandmate Brian Gibson surprised fans by playing under the name Turd Thrower.

A crowd rushes the stage during Turd Thrower.

Drummer Kim Sherman of Jerusalem and the Starbaskets (Columbia, Mo.) performs some psychedelic country-rock during the final night of the three-day festival.

Jerusalem and the Starbaskets.

John Bellows performs on the rooftop of Mortville.

Turd Thrower (Lightening Bolt)

Exit interview with JOHN SINCLAIR by Jay Babcock, introduction by Byron Coley [2003]

Originally published in Arthur No. 6 [Sept 2003]…

“Everything is worse than ever”
A conversation with righteous MC5 manager/poet/scholar/activator and great American JOHN SINCLAIR, who is leaving the country

Introduction by Byron Coley

John Sinclair casts a huge shadow across the American underground. The force of his personality and energy of his vision kept the midwest alive for several years. His writings, howlings and example ignited fires in the brains of kids everywhere, and his return to live performance in the last few years has been a cause for elation.

Sinclair was born in Flint, Michigan in 1941. His father worked building Buicks. John would have followed his footsteps had he not been driven mad by hearing R&B. The music—so alive, foreign, transformational—clicked a switch and he was never the same. In high school John became a party DJ and record nut. After graduation, he found affinity with words, especially those of Charles Olson and the beats. He dropped out of college after two years, getting heavily into jazz, writing poetry and doing drugs. Newly illuminated, Sinclair finished his BA, and began graduate studies.

John’s high profile drew lotsa heat. He was busted for pot in 1964, again in 1965. Shifting his wheels out of the academic rut, along with his partner Leni, John founded the Artists Workshop—a collective involved in publishing, presenting readings, film showings and concerts. He also wrote about high energy music for Downbeat and elsewhere. After Cecil Taylor played him the Beatles’ Revolver LP, Sinclair made the pivotal decision to get back into rock music.

Busted again in 1967, John began a long legal odyssey. At this time, the Artists Workshop transmuted into Trans-Love Energies, and he began working with a young band called the MC5. By filling their brains with righteous dope, free-jazz and politics, a quintet that might have been remembered as the American Troggs was transformed into the pinnacle of free-rock perfection. In 1968, the tribe moved to Ann Arbor and the White Panther Party was founded. The Panthers’ stated goal (revolution via rock and roll, dope and fucking in the streets) seems a bit naive now, but at the time it sounded perfect.

By upping his political content, Sinclair got deeper into shit. After producing the first Detroit Rock & Roll Revival in 1969, he got 10 years for having given a nark two joints. Sinclair continued to write from prison (mostly politically charged music criticism). This work was collected into the essential Guitar Army. [Guitar Army was reissued by Process Media in 2007: http://processmediainc.com] The MC5 couldn’t handle his imprisonment, however, and left Trans Love (at the behest of future Springsteen slave, Jon Landau). Fortunately, others took up his cause. There were numerous benefits, culminating in a massive Detroit rally, featuring John & Yoko, Archie Shepp, Stevie Wonder, Phil Ochs, Bob Seger, the Up and Ed Sanders. In 1971 the case was tossed out.

Sinclair continued to mix politics and music, although the Panthers were folded into the Rainbow People’s Party (a less obstinately provocative organization). A full time political activist, Sinclair lobbied for marijuana reform, involved himself in community work and put together the Ann Arbor Blues & Jazz Festivals. Sinclair also had a book of poetry published in 1988, at which time he returned to the live stage. But by 1991, local politics had bogged him down and he headed south to New Orleans.

Sinclair continued to do radio shows, edit magazines, write about music, and do wild-ass performances of investigative jazz poetry. He formed a band called the Blues Scholars, and recorded explosively syncopated albums of music and words. He also rekindled his friendship with former MC5 guitarist, Wayne Kramer, which resulted in excellent new work, fantastic archival releases and the promise of much more of both. His latest book is a blues suite Fattening Frogs for Snakes and many future projects beckon.


Hearing through the underground grapevine that Sinclair was preparing to exit America, Arthur arranged a phoner with the great man. The following Q & A was conducted by Jay Babcock in July [2003].

ARTHUR: So you’re leaving America.

JOHN SINCLAIR: Yes, God willing.

ARTHUR: And you’re going to…?

SINCLAIR: Amsterdam. I have a patron there and they said if I came over they would take care of me until they could get me set up and then I could call for my wife. That’s an offer I’ve been waiting for all my life. Now I’m old and I can really use it. [laughs] I wanna get the hell out of here. [laughs]

ARTHUR: You’ve been traveling around the last couple of months, so you’ve been getting a good look at the mood of the country. And you can remember when the resistance to the Viet Nam war was starting. Is the current situation—the state of the country now—worse than it was back then?

SINCLAIR: Oh yeah. The people are so much dumber now. They’re just…painfully dumb. They love this guy Bush, they love all this stuff that’s going on, and they’re gonna return him to office in a big way, and it’s gonna get worse and worse. That’s what I see. And except for the occasional glimmer of light like that new issue of Arthur, [laughs] it’s hard to even find people who have any inkling of what they’re doing.

ARTHUR: How did Americans get so dumb?

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A mellow anthem for Calif voters: TED LUCAS "It Is So Nice to Get Stoned"

Download: “It Is So Nice to Get Stoned” – Ted Lucas

[audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/10/06-It-Is-So-Nice-to-Get-Stoned.m4a%5D

Recorded in Detroit, 1974. So beautiful. The timeless, centerpiece song from Ted Lucas’s eponymous solo album, to be reissued on October 12 by Yoga Records.

You can listen to a radio interview with Ted Lucas from the period over at Waxidermy.

Oct. 5 Autonomedia Jubilee Saint — Philip Berrigan

Phil Berrigan

OCTOBER 5 — PHILIP BERRIGAN
Rebel American Catholic priest, antiwar activist.

ALSO ON OCTOBER 5 IN HISTORY…
1582 — Pope Gregory annuls 14 days, bringing calendar back in line with seasons.
1713 — Encyclopedist Denis Diderot born, Langres, France.
1789 —Declaration of The Rights of Man published.
1813 — Shawnee Chief Tecumseh killed in War of 1812.
1864 — Louis-Jean Lumière, film pioneer, born, Besançon, France.
1877 — Chief Joseph, Nez Percé chief, surrenders to U.S. troops.
1923 — Rebel priest, antiwar activist Phil Berrigan born, Two Harbors, Minnesota.
1934 — French surrealist filmmaker Jean Vigo dies, Paris, France. `

Oct 6-23: "This World Is Unreal Like a Snake in a Rope" Sublime Frequencies film screening tour with director Robert Millis

“This WORLD is UNREAL like a SNAKE in a ROPE” by Robert Millis

“A collage of sights and sounds from the eternal never-ending collage that is INDIA. A trip through the Southern Indian state of Tamil Nadu featuring Hindu trance ceremonies, free jazz nagaswaram improvisations, impossibly loud cities, processions, devotion, blessings, color, abstractions, detail, music and more. India is impossible to know: it is too vast, too rich and too much of a dream, it is impossibly old and impossibly new. Offered here is one perspective, one dream, subjective and flawed, hanging by a thread, captured live and in the moment and in the midst. One journey revealed in the order it happened. Not quite ethnography. Not quite documentary.”

Says director Robert Millis: “I will introduce the film and have informal Q and A at the Merch table after the screenings. These are the premier screenings of this film (which is still a work in progress) which should be released on DVD by Sublime Frequencies some time next year. I purposefully prefer to do screenings like this in music/sound/DIY oriented venues rather than more formal movie houses. It fits the vibe of the film.”

Each night, Mills will also do a solo performance involving found sound collage, drone, and field recordings mixed with songs performed on acoustic guitar: old murder ballads, originals and instrumentals. Here is a link to a solo release from last year: http://www.etuderecords.com/120.htm

Robert Millis is a musician and artist, a founding member of Climax Golden Twins and AFCGT and a frequent contributor to the Sublime Frequencies and Dust-to-Digital record labels. His previous films include Phi Ta Khon: Ghosts of Isan and My Friend Rain and he was the co-author of Victrola Favorites, released on Dust-to-Digital in 2008.

Prices vary per venue, many are donation or sliding scale $5-$10; in most cases screenings will be first, followed by music. Check with venues for full details.

OCTOBER 6
Flywheel
http://www.flywheelarts.org
43 Main Street
Easthampton, MA
8;00pm

OCTOBER 7
Spectacle
http://spectacle.nu
17 Edinboro Street 3rd Floor
Chinatown
Boston, MA
8:00pm

OCTOBER 8
Upstate Arts Guild/Albany Sonic Arts
http://www.upstateartistsguild.org
247 Lark Street
Albany, NY
8:00pm

OCTOBER 9
Casa del Popolo
http://www.casadelpopolo.com
4873 Boulevard St. Laurent
Montreal, Canada
9:00pm

OCTOBER 10
Teranga African Restaurant
http://www.toronto.com/restaurants/listing/521392
159 Augusta Ave
TORONTO, ON
8:00pm

OCTOBER 12
Now That’s Class
http://www.myspace.com/nowthatsclass
11213 Detroit Ave
Cleveland, OH
9:30pm

OCTOBER 13
Pittsburgh Filmmakers
http://www.pghfilmmakers.org
477 Melwood Ave
Pittsburgh, PA
8:00pm

OCTOBER 14
Space 1026
http://space1026.com
1026 Arch Street
Philadelphia, PA
7:30pm

OCTOBER 23
Issue Project Room
http://www.issueprojectroom.org
232 3rd Street
Brooklyn, NY
7:00pm

MORE INFO….

Robert Millis:
http://www.facebook.com/cecilbdemillis

facebook event:
http://www.facebook.com/event.php?eid=117720628284641&index=1

blog: http://www.climaxgoldentwins.com/blog

"The Whale" by Aidan Koch

Blaise Larmee (Young Lions)  (http://www.arthurmag.com/2010/02/13/exclusive-preview-of-blaise-larmees-young-lions/) has started his own publishing imprint, Gaze Books (http://www.gazebooks.com/index.html).  Their first book is Aidan Koch’s debut graphic novel, THE WHALE.

The 64 page book is a gorgeous showcase of Aidan’s ethereal pencil illustrations and poetic storytelling.  The story follows a young woman who has just suffered the loss of a loved one.  There is no backstory or explanation.  Instead we simply follow the protagonist for a day as she walks her dog on the beach, makes tea at home, is surprised that all of her loved one’s belongings fit in a couple cardboard boxes.  The text is minimal, just her internal dialogue, but very resonant.

Most of the time we keep death at bay as an abstract mystery.  Butwhen death cannot be avoided it pierces each moment like a needle.Those painful hours become linked with normally small and mundane details, almost absurd, always irreversible.  I think the book is trying to capture this melancholy paradox; the complex idea that we live in a world of objects, sweaters and seashells, while simultaneously existing in the overwhelming emotional world of our memories.  In our hearts we identify with the grandeur of existence, and in our minds we know there is nothing.

Special thanks to Blaise and Aidan for sharing this 12 page preview.  Preorders are available on Gaze Books’ website (http://www.gazebooks.com/store.html) and Blaise has announced a release party in October, at his apartment.