RAOUL VANEIGEM: still the most inspirational man alive [2009 interview]

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First, some biographical notes courtesy of Vaneigem’s American publisher, PM Press:

Raoul Vaneigem (b. 1934) is a native of Lessines (Hainaut), Belgium, a small town whose traditional claim to fame was the production of paving stones but which in the twentieth century also produced the Surrealist painter René Magritte and the Surrealist poet Louis Scutenaire. Vaneigem grew up in the wake of World War II in a working-class, socialist and anticlerical milieu. He studied Romance philology at the Free University of Brussels and embarked on a teaching career that he later abandoned in favor of writing.

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Situationist International bongo session, November 1962: from left—unknown woman, J.V. Martin, Raoul Vaneigem and Guy Debord


In late 1960 Vaneigem was introduced to Guy Debord by Henri Lefebvre, and soon after he joined the Situationist International, which Debord and his comrades-in-arms had founded not long before, and he remained in the group throughout the decade of the 1960s. There is a grain of truth in the stereotypical view that Debord and Vaneigem, as two leading lights of the SI, stood for two opposite poles of the movement: the objective Debord versus the subjective Vaneigem: Marxism versus anarchism: icy cerebrality versus sensualism: and, of course, The Society of the Spectacle versus The Revolution of Everyday Life—the two major programmatic books of the SI, written by the two men without consultation, both published in 1967, each serving in its own way to kindle and color the May 1968 uprisings in France.

Raoul Vaneigem’s The Revolution of Everyday Life offered a lyrical and aphoristic critique of the “society of the spectacle” from the point of view of individual experience. Whereas Debord’s masterful analysis of the new historical conditions that triggered the uprisings of the 1960s armed the revolutionaries of the time with theory, Vaneigem’s book described their feelings of desperation directly, and armed them with “formulations capable of firing point-blank on our enemies.”

“I realise,” writes Vaneigem in his introduction, “that I have given subjective will an easy time in this book, but let no one reproach me for this without first considering the extent to which the objective conditions of the contemporary world advance the cause of subjectivity day after day.”

Vaneigem names and defines the alienating features of everyday life in consumer society: survival rather than life, the call to sacrifice, the cultivation of false needs, the dictatorship of the commodity, subjection to social roles, and above all the replacement of God by the Economy. And in the second part of his book, “Reversal of Perspective,” he explores the countervailing impulses that, in true dialectical fashion, persist within the deepest alienation: creativity, spontaneity, poetry, and the path from isolation to communication and participation.

For “To desire a different life is already that life in the making.” And “fulfillment is expressed in the singular but conjugated in the plural.”

Other works by Raoul Vaneigem already published in English translation include The Totality for Kids (London: Christoper Gray/Situationist International, 1966 [“Banalités de Base”, 1962-63]); Contributions to the Revolutionary Struggle (London: Bratach Dubh, 1981 [De la grève sauvage à l’autogestion généralisée, 1974]); The Book of Pleasures (London: Pending Press, 1983 [1979]) The Movement of the Free Spirit (New York: Zone Books, 1994 [1986]); A Cavalier History of Surrealism (San Francisco: AK Press, 1999 [1977]); and A Declaration of the Rights of Human Beings (London: Pluto, 2003 [2001])

Hans Ulrich Obrist: In Conversation with Raoul Vaneigem (2009)

Translated from the French by Eric Anglès

Excerpts from http://www.e-flux.com/journal/view/62:

Hans Ulrich Obrist: I just visited Edouard Glissant and Patrick Chamoiseau, who have written an appeal to Barack Obama. What would your appeal and/or advice be to Obama?

Raoul Vaneigem: I refuse to cultivate any relationship whatsoever with people of power. I agree with the Zapatistas from Chiapas who want nothing to do with either the state or its masters, the multinational mafias. I call for civil disobedience so that local communities can form, coordinate, and begin self-producing natural power, a more natural form of farming, and public services that are finally liberated from the scams of government by the Left or the Right. On the other hand, I welcome the appeal by Chamoiseau, Glissant, and their friends for the creation of an existence in which the poetry of a life rediscovered will put an end to the deadly stranglehold of the commodity.

HUO: Could we talk about your beginnings? How did your participation in situationism begin, and what was your fundamental contribution? At the outset of your relationship with the Situationist International, there was the figure of Henri Lefebvre. What did he mean to you at the time? Why did you decide to send him poetic essays?

RV: I would first like to clarify that situationism is an ideology that the situationists were unanimous in rejecting. The term “situationist” was ever only a token of identification. Its particularity kept us from being mistaken for the throngs of ideologues. I have nothing in common with the spectacular recuperation of a project that, in my case, has remained revolutionary throughout. My participation in a group that has now disappeared was an important moment in my personal evolution, an evolution I have personally pressed on with in the spirit of the situationist project at its most revolutionary. My own radicality absolves me from any label.I grew up in an environment in which our fighting spirit was fueled by working class consciousness and a rather festive conception of existence. I found Lefebvre’s Critique of Everyday Life captivating. When La Somme et le reste [The Sum and the Remainder] was published, I sent him an essay of sorts on “poetry and revolution” that was an attempt to unify radical concepts, Lettrist language, music, and film imagery by crediting them all with the common virtue of making the people’s blood boil. Lefebvre kindly responded by putting me in touch with Guy Debord who immediately invited me to Paris. The two of us had very different temperaments, but we would agree over a period of nearly ten years on the need to bring consumer society to an end and to found a new society on the principle of self-management, where life supersedes survival and the existential angst that it generates.

HUO: Which situationist projects remain unrealized?

RV: Psychogeography, the construction of situations, the superseding of predatory behavior. The radicality, which, notwithstanding some lapses, never ceased to motivate us, remains a source of inspiration to this day. Its effects are just beginning to manifest themselves in the autonomous groups that are now coming to grips with the collapse of financial capitalism.

HUO: The Situationist International defined the situationist as someone who commits her- or himself to the construction of situations. What were those situations for you, concretely? How would you define the situationist project in 2009?

RV: By its very style of living and thinking, our group was already sketching out a situation, like a beachhead active within enemy territory. The military metaphor is questionable, but it does convey our will to liberate daily life from the control and stranglehold of an economy based on the profitable exploitation of man. We formed a “group-at-risk” that was conscious of the hostility of the dominant world, of the need for radical rupture, and of the danger of giving in to the paranoia typical of minds under siege. By showing its limits and its weaknesses, the situationist experience can also be seen as a critical meditation on the new type of society sketched out by the Paris Commune, by the Makhnovist movement and the Republic of Councils wiped out by Lenin and Trotsky, by the libertarian communities in Spain later smashed by the Communist Party. The situationist project is not about what happens once consumer society is rejected and a genuinely human society has emerged. Rather, it illuminates now how lifestyle can supersede survival, predatory behavior, power, trade and the death-reflex.

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NO NEED TO WONDER. IT'S TRUE. NOW WHAT…?

As we’ve been saying, as others have been saying (see: Glenn Branca in NYTimes blog last November, ) — here’s the latest perceptive person — Douglas Coupland — to just go ahead and say it: culture is almost over. From today’s NYTimes Sunday Mag:

Q: How would you define the current cultural moment?

Douglas Coupland: I’m starting to wonder if pop culture is in its dying days, because everyone is able to customize their own lives with the images they want to see and the words they want to read and the music they listen to. You don’t have the broader trends like you used to.

Q: Sure you do. What about Harry Potter and Taylor Swift and “Avatar,” to name a few random phenomena?

Coupland: They’re not great cultural megatrends like disco, which involved absolutely everyone in the culture. Now, everyone basically is their own microculture, their own nanoculture, their own generation.

Sat Feb 6 NYC 5pm: "Something to That Effect"—Dave Tompkins lectures on the Vocoder—FREE

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This just in from occasional Arthur contributor Dave Tompkins:

I’ll be doing a talk for my Vocoder book How To Wreck A Nice Beach at the Goethe Institute as part of the Unsound Festival. Goethe is located at 5 E. 3rd at Broadway in the Wyoming Building. It takes place at 5pm, this Saturday, February 6, (also known, in the blizzard immediate, as tomorrow). It’s free.

I will be showing images from the book and playing vocoder audio clips from the 1930s and The Future, including the years for which we were more or less present.

“Something To That Effect” will include an ad for Silly Willy Toothpaste, “Barnacle Bill,” German soccer chants rendered from stadium noise, the last house on Mars going bananas, Cold War drones, seashells powered by unvoiced hiss energy, a song called “You’re A Peachtree Freak On Peachtree Street,” my Verizon bill, talking castle winds, talking this, talking that, Phil Collins, and, if time allows, a guy with strep throat singing “Candy Girl.” Whatever it takes. Bring a snowman, win the Super Bowl.

How To Wreck A Nice Beach will be published by Stop Smiling/Melville House at the end of March.

Chambo's Internet Activity Pages for February 5, 2010

On the Liberation of Spores


• MYCELIUM ON THE RUN, EATIN: The Spore Liberation Front is here to show us how the study of mushrooms can help us all have more meaningful lives, aid in subverting “capitalist economic structures”, and prepare us for the coming “mycelial revolution” in human existence. The SLF makes amazing films (see the above embedded video) and ‘zines, such as the first issue of Radical Mycology, available for download here, or you can buy a hard copy at Little Black Cart. [MycoRant]

• MUSHROOM-FRIENDLY MUSIC, PART 1:
We always look forward to year-end/decade-end lists from niche publications like The Wire and When You Awake, as they’re usually full of way-out tunes that have slipped beneath our radar. One such genre-specific list that’s most definitely worth checking out comes from the techno nerds at Resident Advisor, in the form of their Top 100 Albums of the ’00s. It’s not all good — we would advise you to avoid anything that includes the term “nu-jazz”, for example — but the RA dudes get lots of credit for putting us on to the organic techno melodies of Trentemøller’s The Last Resort, the cavernous dub of Rhythm & Sound and reminding us to dig out Drexciya’s various Detroit-born dystopian “aqua-funk” menageries. [Resident Advisor]

• MUSHROOM-FRIENDLY MUSIC, PART 2: We know everybody’s already been checking Greg Davis’ amazing Crystal Vibrations blog for the freshest in retro-New Age jammers, but did you know Davis just started another blog to help everybody keep up with the most lifted of Indian ragas? It’s called Raga Vibrations, of course. We recommend starting with Brij Bhushan Kabra’s Indian Slide Guitar, and going from there. [Raga Vibrations]

• SNOWY SKY ISLANDS: The Davis Mountains of Far West Texas are a kind of ecosystem known as a “sky island,” a term that only hints at the beautiful escape they offer from the high desert grasslands that surround their rocky heights. Hike up to a good vantage point and the concept becomes all the more apparent, as one stands in a foot of snow amidst tree branches sagging with clusters of ice, looking out over arid plains thousands of feet below, dry and dusty under the same sunshine. We’ve been paying visits to our friends at the Davis Mountains Preserve, and documenting any number of lichens and bryophytes encrusted in snow and ice. More photos at Chambo’s photography blog, Into the Green.

Today's ramble

From today’s Arthur feed on Twitter

SAD: Jay Reatard cause of death: cocaine toxicity, alcohol

FINALLY: huckster creep James A. ‘Harmonic Wealth’ Ray indicted for October 2009 Sedona sweatlodge deaths

AC/DC new singer tells Bono, Geldhof to stop telling their fans to do charity (understandable sentiment). He sez, “I don’t tell everybody they should give money—they can’t afford it.” Of course, one of the reasons they can’t afford it is… they’re stuck working in the sick Walmart system that AC/DC goes out of their way to profit from.

Now it’s Giant Robot Magazine that is ailing–asking $60k to stay afloat—donate info: http://www.giantrobot.com/donate

Harper’s is also ailing—”readership down 35k, newsstand sales plummeting” but still funded by the MacArthurs. (Wow: according to that NYT article, Harper’s has 18 people on full-time editorial staff. That’s an awful lot.)

Global Monoculture Update: “One of the world’s oldest languages has come to an end”

Erik Davis tipped us to “The Magical Basis of Corporate Personhood” by author Dale Pendell