Today's Autonomedia Jubilee Saint — Camilo Cienfuegos

cienfuegos
OCTOBER 28 — CAMILO CIENFUEGOS
Most beloved of the “barbudos” Cuban revolutionaries.

OCTOBER 28 HOLIDAYS AND FESTIVALS
England, Italy, and elsewhere: FEAST OF SAINTS SIMON AND JUDE, saints
long confused and entangled with Simeon and Judas. Simeon is
considered a goblin-saint or saint of witches. Christian observances
and occult ritual compete on this day, probably due to proximity to
Samhain / Halloween. FOLLY DAY.

ALSO ON OCTOBER 28 IN HISTORY…
1726 — Irish satirist Jonathan Swift’s Gulliver’s Travels published.
1958 — Pope John XXIII elected, Rome, leading to massive Catholic Church reform.
1959 — Cuban revolutionary Camilo Cienfuegos dies, at sea, near Cuba.
1962 — Nikita Krushchev agrees to halt Russian missle-silo construction in Cuba.

Excerpted from The 2009 Autonomedia Calendar of Jubilee Saints: Radical Heroes for the New Millennium by James Koehnline and the Autonomedia Collective

New doc, book on great critic/historian/enthusiast/musician ROBERT PALMER

http://www.thehandoffatima.com

Press release from Anthology Film Archives:

U.S. THEATRICAL PREMIERE RUN

THE HAND OF FATIMA (2009, 75 minutes, video)
by Augusta Palmer
November 13 – 19

Documentary double portrait of a rock critic & his favorite band
Daughter of rock critic Robert Palmer travels from Mississippi to Morocco to investigate her father’s 1971 encounter with the men William Burroughs called “the world’s only 4000 year-old rock band.”

IN PERSON OPENING NIGHT, NOV 13, FOR Q&AS AND BOOK SIGNING!:
filmmaker Augusta Palmer
Bachir Attar, leader of the Master Musicians of Jajouka
and
Anthony DeCurtis, editor of Blues & Chaos: The Music Writing of Robert Palmer

Anthology is thrilled to present the US Theatrical Premiere Run of THE HAND OF FATIMA, a double portrait of a rock critic and his favorite band. Robert Palmer was America’s pre-eminent music writer, best known for his book DEEP BLUES and his work for the NEW YORK TIMES. The Master Musicians of Jajouka are a hereditary Moroccan brotherhood who play music older than history, but have also jammed with Ornette Coleman and Sonic Youth. Using Robert Palmer’s writing about the band as her guide, Palmer’s daughter Augusta set out for Morocco in 2005 hoping to find out what happened when her father first met the Master Musicians of Jajouka on assignment for ROLLING STONE in 1971.

The film intercuts verite footage of the filmmaker’s journey with animations of Robert’s experiences in the 1970s, allowing the filmmaker (and the audience) to glean the truth between the lines of Robert’s mystical journey and to understand his all-consuming need for musical transcendence. That need was more than met by the Master Musicians, who were introduced to expatriate Tangiers society by the artist Brion Gysin in the 1950s, and then popularized by Rolling Stone Brian Jones, who recorded an album in their village which became a cult favorite upon its release shortly after his death. Encounters with Yoko Ono, Donovan, Anthony DeCurtis, and the elder Palmer’s four wives round out a journey that culminates with the Master Musicians’ indelible performance in their remote Moroccan village.

This theatrical run coincides with the publication of BLUES & CHAOS: THE MUSIC WRITING OF ROBERT PALMER, a major collection edited by Anthony DeCurtis and published by Scribner.

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It's all in the accounting, or: SPOTIFY ISN'T THE ANSWER

Robert Fripp is a guitarist and founding member of King Crimson. He maintains an online diary. From his diary for September 14, 2009…

“Two King Crimson tracks, provided for a CD release to Universal Music Group (although with reservations & with digital rights withheld) have been provided by UMG to Spotify. Those visitors interested in the music industry’s development of ‘legal downloads’ and new income streams for artists may be interested in the following.

“From a Power Possessor at UMG…

What I understand has happened.. is that in our systems there are two versions of the Anthology. One of these is for physical and has the two King Crimson tracks and one is for Digital which does not have the two King Crimson tracks. What happened was that the person who supplied the album to Spotify supplied the wrong version…

I have had royalties delve into this and they have advised me that “Cat Food” has been streamed 353 times and “Groon” 265 times. This has generated a payment to Island Records from Spotify of £1.61p.

I have been assured that the recordings have been withdrawn from Spotify and steps taken to ensure that this will not arise again.

“£1.61 gross on 618 streams, then reduced from gross to net artist royalty on tracks improperly provided by UMG – a shareholder in Spotify? Is this seriously being presented as a future for the industry?”

More on Spotify and other “music subscription services” at the New York Times.

Tonight in NYC – Tony Martin's "Light Pendulum" with live performance by Michelle Nagai – Free!


free103point9 radio presents Tony Martin’s new site-specific installation “Light Pendulum” with live music by Michelle Nagai as part of their radio festival 2009, which features “radio installation, performance, theater, walks, and a transmitter building workshop, with live video web streams:”

Tony Martin is a founder of art works using light, and has created seminal new media works since the 1960’s. Light Pendulum is a new work that is controlled by site-specific environmental conditions including light, sound, and motion. Light Pendulum functions both as a stand-alone kinetic sculpture as well as a temporal instrument used in a performance-based setting. Light Pendulum is comprised of a six-inch diameter glass pendulum suspended with nylon line from the installation space ceiling. An LED pin-light is installed at the top of the line. The pendulum’s motion is caused by the earth’s rotation and conditions of air movement. A large parabolic mirrored dish is installed directly underneath the pendulum. Receptors and sensors are positioned at the center of the dish. These receptors function as photocells, photovoltaic cells, and other signal and current producing and regulating components.

Michelle Nagai utilizes sound, physicality and concept to create site-specific performances, installations, radio broadcasts, dances, walks and other interactions that address the human state in relationship to its setting. These works and activities explore the exchange of perception between performer and audience/viewer. Nagai recognizes transmission, reception and “limbo” as continuously shifting, highly interactive states of being. She engages these states in her working process in order to open up the field of perception and action beyond that which she is herself capable of comprehending, making or doing.

Soundscape by Michelle Nagai w/ Projections by Ursula Scherrer:
httpv://www.youtube.com/watch?v=Lb2FEPrPTy8

Saturday, October 24th – Wine & cheese at 8pm, performance beginning at 9pm
Ontological-Hysteric Theater at St. Mark’s Church
131 E. 10th St. / New York, NY 10013
Free admission!

Sun Oct 25, Chicago: SEEDY SUNDAY with Nance Klehm, others

This just in from Nance:

seedy sunday is THIS SUNDAY!

it’s autumn and seedy business is all around us!
you’ve been growing and now it’s time to swap seeds!
sooooo…
__________________________________
sunday OCT 25th, 3-8pm
SEED ‘SWAP N STORE’ potluck!
—————————————-
please bring your home grown, viable seeds that you have gathered, stories about growing, and
a beverage or dish to share!

THE SEED ARCHIVE
2446 south sawyer avenue
chicago 773.762.0277

***for more info about seed saving***
http://www.salvationjane.net/seedarchive.php

How corporations and the internet are killing living culture—first it was music, then it was the press, now it's books

From the Oct. 17 NYTimes:

October 17, 2009
Price War Over Books Worries Industry
By MOTOKO RICH

A tit-for-tat price war between Wal-Mart and Amazon accelerated late on Friday afternoon when Wal-Mart shaved another cent off its already rock-bottom prices for hardcover editions of some of the coming holiday season’s biggest potential best sellers, offering them online for $8.99 apiece.

The price cutting began on Thursday when Wal-Mart announced that it would take pre-orders for 10 yet-to-be-published hardcovers for $10 apiece on its Web site, Walmart.com. Later that day Amazon quietly began cutting the prices of those same titles to the very same $10, prompting Wal-Mart to lower its price to $9, a markdown of 59 to 74 percent off the list price of the books. Amazon had matched the $9 price by Friday morning, and Wal-Mart had lowered its price again, to $8.99, by late afternoon.

Independent booksellers have long struggled to compete with discounts offered by Barnes & Noble, Amazon and Wal-Mart. William Petrocelli, an owner of Book Passage, an independent company that has stores in San Francisco and suburban Corte Madera, Calif., said that for now he was relying on the loyalty of customers who valued staff recommendations and author events as much as prices. But, he said, if the low prices siphoned off too many customers and put independent stores out of business, it would ultimately affect what would get published.

“What this does is accentuate the trend towards best sellers dominating the market,” Mr. Petrocelli said. Without independents, decisions about what books to put on store shelves would reside in the hands of a few corporate executives rather than hundreds of idiosyncratic booksellers, he said.

“You have a choke point where millions of writers are trying to reach millions of readers,” Mr. Petrocelli said, “but if it all has to go through a narrow funnel where there are only four or five buyers deciding what’s going to get published, the business is in trouble.

Indeed, [author James] Patterson, who said that while he was glad to be included in the top 10 most popular preordered books at Walmart.com, he could not think of any other industry accepting such dramatic discounts.

“Imagine if somebody was selling DVDs of this week’s new movies for $5,” Mr. Patterson said. “You wouldn’t be able to make movies.” He added, “I can guarantee you that the movie studios would not take this kind of thing sitting down.”

Arik Roper's "The Hidden Dimension" opens at Fuse Gallery in NYC on October 24, 2009

The Hidden Dimension

Arik Moonhawk Roper has become one of those artists whose album cover artwork is as dependable a way to select the listening material for tonight’s speaker-worship session as the band personnel listed on the back of the slipcase. Earth. Sleep. Howlin Rain. Sunn O))). Black Crowes. But the expansively naturalistic imagery he provides for these artists is only an entry point to his work: from his many editorial illustrations as a contributor to Arthur; to his most recent book, Mushroom Magick, a “visionary field guide” of botanical illustration that serves as an excellent companion piece to revolutionary mycologist Paul StametsMycelium Running.

“The Hidden Dimension” is a survey of Roper’s recent paintings and drawings at New York’s Fuse Gallery, and an ideal next step for those looking for further vistas onto his mystical landscapes. From the press release:

“The Hidden Dimension,” drawings and paintings by Arik Roper runs October 24 through November 28, 2009, at Fuse Gallery, 93 2nd Ave (between 5th & 6th Sts, 2nd Ave stop on the F), NYC, NY. The opening reception, on Saturday October 24, from 7 to 10 pm, is free and open to the public. For more information, contact Fuse Gallery at 212.777.7988 or fusegall@fusegallerynyc.com.

A selection of images from the show can be found below, after the jump. To see more of Roper’s work, you can visit his website, http://www.arikroper.com as well as the Fuse Gallery website. For more about Roper’s Mushroom Magick, take a listen to his recent interview with Gnostic Media by clicking here. And if your local fungi emporium is sold-out, copies of the book are of course available from Amazon.

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BOLLYWEEN Party & Fundraiser at the Cinefamily! Singing! Dancing! Terror!

This Hallow’s Eve, The Cinefamily joins forces with Dublab to throw the best Halloween party ever, Bollywood-style!

One thing they really understand in India: every movie’s better with song-and-dance numbers — even horror movies!

In that spirit, the Cinefamily premieres Bollyweird: The Movie — our very own feature-length video mashup celebrating the most horrifying, fantastic, costume-crazed and outlandish moments of vintage Indian musical madness ever. This isn’t just Bollywood, it’s Bollyweeeeeird. Then, once the movie’s over, we’re gonna clear the couches, light the incense, make a dance floor, start doing the electric vindaloo, and have a real monster mashala! Drinks and dosas! Ghoulish giveaways! Costume prizes! DJ sets from the Dublab “Bloodsucking” Sound System!

Live performances y freaks like Bobb Bruno, Private Beach, and Golden Hits!

The Phantom Photo Booth! Franken Stand’s vegan hot dogs! Terrifying tarot readings!

The best Halloween ever! It’s better than Halloween…its BOLLYWEEN!  Muhahahahaha!

BUY TICKETS NOW!